PAGE TWO
THE MICHIGAN DAILY
SATURDAY, JULY 11, 1953
+ ART +
EXHIBIT OF POPULAR VISUAL ARTS
At the Museum of Art
ART WHICH can be brought, through the
modern tecnics of reproduction and dis-
semination, to large numbers of people who
would otherwise not have the means or time
or inclination to bring themselves to it is
Popular Art. This would, from a quasi-soci-
ological view, be a definition of the works in
the current exhibit. From a more aesthetic
standpoint, and judging from the works
shown, Popular Art is art produced for, and
to be appreciated for, reasons other than
those/inherent in the, art itself. M. Toulouse-
Lautrec, in other words, while strictly a
"popular" artist in his day is no longer one.
We are hardly moved by his posters to flock
to the Montmartre to see Jane Avril.
This method of evaluation might be used
with regard to the works shown: will they
deserve a more purely aesthetic appreciation
for their own sakes when nobody cares about
the 1953 Chevrolet or the story in last week's
Post? In most cases this seems doubtful, but
in some the artists have through the univer-
sality of pure form and color surpassed the
narrow confines of their commercial subject
matter and produced art that is good for its
own sake.
In the Advertising section Joseph Low,
who combines a wonderfully medieval
stylistic touch with a strictly modern con-
cept of two-demensional arrangement,
stands out as perhaps one of the most
imaginative and stimulating of the group.
Paul Rand and Robert Gage, who rely on
the exciting effects of bold color and sim-
ple abstract shape, show some excellent
works. Hans Moller, Ben Shahn, and Da-
vid Stone Martin seem to fall together
as artists whose dexterity of line creates
some quite dramatic effects.
The Illustration section is on the whole
less rewarding. It tends to divide into two
separate "schools"; the pretty-girl-square-
Jawed-young-man school, and the more-de-
tail-the-merrier naturalist school. Into the
former fall such notables as Coby Whitmore,
Jon Whitcomb, and Al Parker, artists whose
work is often indistinguishable one from
another.
These artists have by all means developed
the most straightforward simple and real-
istic answer to the problem of communicat-
ing an idea or situation, but have fallen with-
out exception into an illustrative cliche of
saccharine sweetness and unoriginality. The
latter school is made up, principally, of
Messrs. Rockwell, Dohanos, and Dorne, who
all have in common an overwhelming mas-
tery of the insignificant detail. They seem
to delight in bombarding the eye with myr-
iad unselective thingamajigs which instead
of the desired effect of complete realism pro-
duce confusion ,nausea and dizziness. That
they are all consummate masters of tech-
nique works to their disadvantage, for each
Editorials printed in The Michigan Daily
are written by members of The Daily staff
and represent the views of the writer only.
This must be noted in all reprints.
NIGHT EDITOR-HARLAND BRITZ
detail, by dint of its perfection, competes in
importance with every other, affording no
place for the eye to rest, no perspective on
the total work. In happy contrast to these
works are those of illustrator Ben Stahl,
who seems less concerned with realism, and
more with mood. Without sacrificing the
specific story he must illustrate, he distorts
color and form at will, achieving a far more
sensitive understanding of subject and me-
dium.
Perhaps the high point of the exhibit
is the display of photographs. Surprising-
ly, these works in a medium noted for
its relentlessly exact realism, are on the
whole the most original and imaginative
of the whole exhibit. I would particularly
single out the works of Alfred Eisenstadt
and Ben Rose as the best shown. Mr. Ei-
senstadt deals primarily in portraiture,
and Mr. Rose shows two panoramic archi-
tectural views in which, by means of a sort
of distorted widening of the optical field,
he creates an unusual movement and
sweep.
The last section of the exhibit is devoted
to cartooning. There is an overpowering
amount of Walt Disney, who seems to have
stopped dead after a long period of develop-
ment and is doing the same old stuff with
slight variations. UPA cartoons, of Mr. Mc-
goo and Gerald McBoingBoing fame, un-
fortunately have only a small showing : it
hardly hints at what is a totally new and dif-
ferent departure from stock movie cartoons.
There is of course a smattering of Walt Kel-
ly's Pogo, about whom what more can be
said except maybe INcredibobble. There are
the grisly artistic adventures of Milton Can-
iff, and a memoriam to the Al Capp that
used to be, and lots of others.
This being the last section of the exhibit,
the visitor is guided out between two "walls"
made by the aluminum piping space modu-
lators, as he has been guided through the en-
entire exhibit, emerging with the vague feel-
ing of relief that must be felt by a laboratory
rat freed from his maze. Further reflection
reveals that the great amount of material
shown was arranged quite skillfully in the
intricate pattern of these temporary walls;
it certainly could not have been contained
op the four walls of the hall itself. The vague
feeling lingers, however. My most serious
objection concerning the physical make-up
of the exhibit is to the explanatory text ac-
companying each section. Between each
typewritten line is a half inch strip of bril-
liant red tape. The effect is violent.
-Stuart Ross
IT HAD TO come sooner or later. We refer
to the new British juke box with the blank
record. For a nickel you can buy three min-
utes of precious silence.
Archeologists of the future may well pon-
der over our civilzation when they discover
that we had to pay for public serenity. Evi-
dently the British are more aware of the
fact than we are that "silence is golden."
Now all we need is another coin slot to
dim that dazzling technicolor display on juke
box facades. Then someone beyond teen-age
years may throw caution aside and enter a
hamburg joint to eat hamburg. It is said
to be more digestible than Frankie Lane.
Detroit Free Press
4Architectur~e Auditorium
A RUN FOR YOUR MONEY, with Alec
Guinness
MISLED AGAIN! Alec Guinness, sovereign
of British comedy, is not the star of this
picture. Had he been, "A Run For Your
Money" might have been really funny. Until
advertisements work as necromantic charms
upon the public, as they work for the adver-
tisers, one may still object to being fooled.
King Guinness' name should not have been
advertised in print larger than the movie's
title. The rigidity of the plot quite overcomes
the facility of his characterization of a pick-
yunish gardening columnist. Indeed, the plot
is older than Humpty Dumpty and Guinness
is not in the picture very much at all. Al-
though the other actors also give able per-
formances, "all the king's horses and all the
king's men" cannot keep this comedy from
becoming tiresome.
The particularities of the plot involve the
adventures of two brothers in London, up
from the Welch coal mines to collect a prize
of one hundred pounds each. Through the
trickery of a confidence girl, the brothers
become separated. One is attached to the
con girl, the other to a Welch expatriot he
finds singing for money to pay for his beer.
The expatriot was alone, for the forces of
the city had caused him to pawn his harp.
Once together, they are mere embroidery
to the old story of the country boy in the big
town, and as embroidery they divert us at
intervals when the happenings between the
country boy and the con girl become dull.
Of course, our country boy does outsmart the
con girl. On the other hand, she has the op-
portunity to swipe the prize money and to re-
turn it, for sure 'nough, the con girl really
has a heart of gold. Alec Guinness, uninter-
ested in the whole affair, tags along after
them. But he must, you see, or he will lose
his regular job writing about vegetables.
Life in the city of London is corrupt.
Life in the Welch country seems to cen-
ter around the mine. (Why, even the
sweetheart is at the mine.) Yet, these peo-
ple manage to retain all their natural in-
nocence and goodness. For us city folk, it
is difficult to understand how a coal mine
can foster 'innocence.
Innocence and the good life have been as-
sociated in pastoral literature with the coun-
try and the sheperd. The city dweller and
courtier wished to leave their surroundings
for the good life. However, it became more
and more difficult to imagine the good life
of the sheperd as factories and mines be-
came more numerous on the countryside. The
man in search of innocence no longer had a
place to go and the pastoral went out of
vogue. The story of the country cousin in
the big city took its place as a kind of pas-
toral-in-reverse. The country boy, with his
residue of innocence, is coned, but he remains
untouched and outsmarts everybody.
Most of the jokes are old hat, but "A Run
For Your Money" is not a bore. It has some
funny scenes which show various phases of
London life which are only tangentially re-
lated to the movie. These are worth the 50c.
-Eleanor Hope
"But You're Supposed To Be Out Recruiting For Us"
ette-4 TO THE EDITOR
ThenDaily welcomes communications from its readers on matters of
general interest, and will publish all letters which are signed by the writer
and in good taste. Letters exceeding 300 words in length, defamatory or
libelous letters, and letters which for any reason are not in good taste will
be condensed, edited or withheld from publication at the discretion of the
editors.
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Crown Defended...
To the Editor:
AN unfortunate commentary on
the intellectual development of
modern Africa was registered last
week with the publication of a
certain letter on the present crisis
in Kenya Colony. It has been some
time since this reader has quite
seen the equal in terms of self-cen-
tered, threatful nationalism.
No thinking person would
deny the sad existance presently
endured by the native popula-
tion of Kenya, but it is strange
that so many other pertinent
considerations could have been
accidently overlooked. When the
British first came to Kenya, they
found the area very nearly de-
populated from tropical diseases;
what few unfortnuates remained
alive had fled the land, leaving
it untilled. British health and
administrative officials brought
disease and famineunder con-
trol, and today's result is an ex-
panding native population al-
ready at the five and one-half
million mark.
Most of the Kikuyu tribe feel
that the remaining needs of their
land can be satisfied through
peaceful co-operation with the
British, who have the scientific
ability and the political desire to
remedy existing difficulties in the
Kenya Colony. The London gov-
ernment may not be particularly
altruistic about the matter, but it
nevertheless needs a peaceful,
prosperous, well-developed Kenya
to feed the home isles and neigh-
boring possessions of the Com-
monwealth. Unfortunately, the
Mau Mau society seems to disagree
with the Kikuyu majority. They
believe in violence, terrorism,
bloodshed, and revolution (all
couched, as last week's reader no
doubt noticed, in terminology in-
spired from- somewhere east of
Western Germany). These are the
methods for a free, independant
(and one might add, illiterate) Af-
rica.
So far the Mau Mau contribution
in Kenya has meant the disrup-
tion of peace, the virtual elimina-
tion of Britain's expanding tech-
nical development program, and an
intriguing attempt at the mass-
murder of their own race. If there
are other contributions, either past
or projected, it would prove inter-
esting indeed to hear of them.
-Allain de la Berge
* * * -
ME Blues...
To the Editor:
"WHYis it that girls at Michigan
don't care so much for Art?"
whimpered Meyer Schultz, Spec.,
as he made out a belated'Applica-
tion for Enrollment late today.
Schultz, who attracts a great
deal of attention by wearing a ber-
et on State Street, has enrolled at
Michigan for the summer session,
and may very well write a pliy
while he's here.
Action of the play will center
around a foreign student from
Big Beaver, Michigan. It will show
his acceptance of the University,
and the University's probational
acceptance of the University, and
the University's probational ac-
ceptance of him. Schultz explained
that he proposes to make ingenious
use of spelling, punctuation, and
paragraph movement to develop
his story.
A meaningful Set of Values is
important to people," Schultz
observed, as he set off for one of
innumerable seminars in creative
writing. "But, after all, what
isn't?
Schultz' varied background in-
cludes clerking in his uncle's hat
store, a trip to Northport Point,
and spear-carrying in several near-
important turkeys. He already has
an agent. What he needs now are
a play and a producer.
Schultz' electrifying appearance
on campus, wearing his beret, was
met with an overwhelming wave
of apathy amongst the student
body. This was broken only by the
voice of an irritable Managing Edi-
tor, asking "Why in hell don't we
sonetime run a story about Michi-
gan writers who are not only going
to write something, but who have
written something? And gotten
them published? Or produced?'
-Bill Hampton
MERRY-GO-HOUND
WITH DREW PEARSON
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MATTER OF FACT:
Workers' Revolts Behind Iron Curtain
Like Throwing Lit Match. on a Haystack
W 'ASHINGTON-Chief tragedy of the senate dispute over J. B.r
Matthews and his charges that "the largest single group sup-1
porting the Communist apparatus are protestant clergymen" is thee
cleavage it has cause'd between Protestants and Catholics.
Unfortunately Matthews' background, plus his support fromY
Christian front and Coughlinite groups, plus the vigorous supportt
given McCarthy by these same factions, has aroused bitterness in1
the Protestant world at a time when relations between the twor
great church groups appeared on the way to greater harmony.
Actually, many Catholic leaders disapprove of McCarthy, but}
unfortunately they have not been as vocal as his supporters.-
Matthews' background is so well known that McCarthy mustI
have realized what religious bitterness he would stir up whenc
he hired him to direct his committee activities. Even if Matthewst
had no made his anti-Protestant charge in the American Mer-
cury, it was obvious that Matthews would have aroused Protestant
and Jewish resentment.I
Among other things, Matthews was given credit in Senate testi-
mony for leading the unfair and wanton attack on Assistant Secre-
tary of defense Anna Rosenberg when she was erroneously branded
a Communist. He is a friend of Joseph Kamp, sentenced to jail for
refusing to testify regarding his Constitutional Educational League.
He was a contributor to Coughlin's newspaper "Social Justice," offi-
cially recommended by the Nazi government before Pearl Harbor.
He has had the backing of Allan Zoll of American Patriots, Inc.,
listed by the Justice Department as subversive, also of rabble rouser
Merwin K. Hart.
GALA DINNER
The American Mercury, in which Matthews' anti-Protestant
article appeared, is now owned by Russell Maguire. once close to
the Christian Front and backer of the recent anti-semitic document,
"The Iron Curtain over America."
A gala dinner given in honor of Matthews at the Waldorf,
Feb. 13, gives some idea of his supporters. Copies of the American
Mercury were on every table. Senator .McCarthy. was the chief
speaker. Columnist George Sokolsky was. toastmaster. A message
was read from Vice-President Nixon.
The guest list included: Allan Zoll, Merwin K. Hart, Joseph
Kamp, Westbrook Pegler, 'Alfred Kohlberg of the China Lobby, Fred-
erick Cartwright, financial agent of Sir Oswald Moseley, leader of
the British Union of Fascists; Dr. Ruth Fischer, sister of Hans
Eisler; John T. Flynn, Roy Cohn, counsel to Senator McCarthy; Mary
Jung of the American Vigilant Intelligence Federation.
Walter Winchell bought a ticket but did not show.
MODEST FELLOW TRAVELER
Matthews once testified: "I hope it will not appear immodest,
but for a period of years I was probably more closely associated with
the Communist party's United Front movements than any other
individual in this country."
This has been Matthews' greatest claim to fame. He has cashed
in on his mistakes in a way few people could cash in on rectitude.
After his erroneous information regarding Anna Rosenberg be-
gan to backfire, Matthews tried to slide out of all responsibility. He
denied giving information to Benjamin Freedman, despite Freedman's
testimony to the contrary. However, Matthews' letter to Russell Tur-
ner, assisant to Fulton Lewis, Jr., really put him on the spot.
"Here are the photostats, together with a memorandum on
the Communist organizations with which A. R. (Anna Rosenberg)
has, according to the public records, been affiliated," Matthews
wrote on Nov. 27, 1950.
"On the question of whether or not the A. R. of these docu-
ments is the A. R., I can report there is not the slightest doubt.
I have made exhaustive inquiries and investigations, as a result of
which I have established beyond any possibility of dispute tha there
had been only one Anna Rosenberg sufficiently known in public life
to be listed with the well-known names in these documents, and that
there has not been any other Anna Rosenberg of comparable fame,
stature, notoriety, or what have you during the past 25 years. One
of my sources is a Jewish organization which knows about these things.
"Ben Mandel of the House Un-American Committee tells
me that he told you Anna Rosenberg is a name like John Smith.
My comment to that is 'Nuts.'"
The fact that the Senate unanimously reversed Matthews in
regard to Mrs. Rosenberg and sent a special report to the Justice
Department suggesting possible prosecution of witnesses for perjury
should have been enough to stop Senator McCarthy from hiring him.
This fact that Matthews' record was so well known is what has
aroused Protestant bitterness, made many feel that McCarthyism is
developing into a Catholic attack on other religions.
CATHOLIC ANTI-McCARTHYISMII
Interviews with Catholic leaders develop the fact that many
thinking Catholics are dead opposed to McCarthy, don't like the fact
that he has never married, or the fact that as a judge he granted
quickie divorces.
On the other hand, "Our Sunday Visitor," largest circulating
Catholic paper, published two articles by Father Richard Ginder
vigorously supporting McCarthy simultaneous with publication of the
Matthews charges against the Proestant clergy.
Unfortunately these helped to overshadow the fact that "Amer-
ica," organ of the Jesuits, differed with McCarthy over Adlai Steven-
son last fall and that "Commonweal," Catholic lay weekly, published
a stirring statement by Father Leon Sullivan, once imprisoned by
( ir__ ( n:m - _cc .,hih .
The Daily Official Bulletin is an
official publication of the University
of Michigan for which the Michigan
Daily assumes no editorial responsi-
bility. Publication in it is construc-
tive notice to all members of the
University. Notices should be sent in
TYPEWRITTEN form to Room 3510
Administration Building before 3 p.m.
the day preceeding publication (be-
fore 11 a.m. on Saturday).
SATURDAY, JULY 11, 1953
vOL. LXIII, No. 98
7T0ices
today, 9:00-12:00 a.m., 2407 Mason Halt.
See your instructor for permission and
then sign list in History Office.
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The following student organizations
have registered for the summer session:
Presbyterian Summer Student Fellow-
ship
Lakesiders (Wesleyan Graduate Group)
Summer session French club
Lester Co-op
Nakamura Co-op
Owen Co-op
Inter-Cooperative Council
By STEWART ALSOP
BERLIN - What has been happening in
East Germany has transformed the
whole world situation. The best way to
understand what has beei happening is to
consider in some detail certain recent events
in the small industrial city of Bitterfeld, in
the Soviet zone of Germany, as seen through
the eyes of two brave men.
These men are Wilhelm Fiebelkorn, a
schoolteacher who looks like a high strung,
unhealthy, very intelligent American Indian;
and Horst Sovarda, a skilled electrical work-
er who looks like a genial, ham-fisted foot-
ball tackle. Fiebelkorn and Sovarda arrived
a few days ago in the safe haven of West
Berlin; after being condemned to death by
the East German Communist regime. For
Sovarda, the worker, and Fiebelkorn, the
intellectual, were the leaders of a revolt
which actually seized and for a time exer-
cised power in the city of Bitterfeld.
Sovarda tells the first part of the story.
Towards the beginning of June. when the
Communist regime was announcing all sorts
of "easements for the population," the
workers in the big Bitterfeld elecro-mag-
netic combine learned that their "produc-
tion norms" were to be increased. Already,
Sovarda and other workers' leaders had
organized an elaborate cell system in their
plant, precisely patterned on the Commun-
ists' cell system in capitalist countries. The
time had come, they decided, to risk every-
thing. The order to strike was passed
through the cells, and on the morning of
June 10 the whole plant closed down.
DAILY OFFICIALBULLETIN
closed down. Again, the regime failed to
react with the expected violence. Then, on
the evening of June 16, RIAS, the American
radio station in Berlin, carried word of the
construction workers' strike in East Berlin,
and the word spread rapidly throughout
Bitterfeld.
Until then, the strike had been confined
to the electro-magnetic plant. Now every
factory in the Bitterfeld area struck, and on
the morning of June 17 the workers filled
the streets of the city. Here the German
instinct for order asserted itself. A mass
meeting of workers elected Fiebelkorn, fa-
vorably known as a "militant intellectual,"
as chairman of the "Bitterfeld District
Strike Committee." In a methodical nian-
ner, the committee set about organizing the
city.
The Communist mayor was quietly
evicted from his office. The workers took
over the headquarters of the Communist
party, the secret police, and all public
buildings. Eighty-six political prisoners
were freed from the jail, while six crim-
inals were firmly re-locked in their cells.
The workers took over the telegraph of-
fice, where Fiebelkorn drafted and dis-
patched two remarkable telegrams.
The first was addressed derisively to the
"so-called Democratic peoples' government
in Berlin." It contained a list of eight curt
demands, including free elections, the re-
lease of all political prisoners, the dissolu-
tion of the "so-called peoples' army," and
the dissolution of the government itself.
government, this included space for a pre-
paid reply, as a further mark of respect.
The reply came, of course, in the form
of Soviet troops and tanks. By early in
the evening of June 17, all public build-
ings had been occupied, martial law had
been declared, and Fiebelkorn and So-
varda had been condemned to death as
"criminal saboteurs." So ended Bitter-
feld's great revolt.
But has it really ended?
Asked how such things could happen in a
supposedly monolithic police state, Fiebel-
korn shrugs his shoulders and replies that
it is as though "a lighted match were
thrown on a haystack." The haystack he
explains, is the universal hatred of the
East German people for the puppet regime
which has ground their lives into misery.
The match is the weakness of the regime
which the workers began to sense soon af-
ter Stalin's death, and which they sensed
with certainty with the sudden adoption of
the policy of "easement for the populace."
The haystack and the match-hatred and
contempt-are still present.
What happened in Bitterfeld, happened in
almost exactly the same way in more than
seventy-five other German cities (though
Fiebelkorn's telegrams were unique). As
this is written, moreover, it looks as though
the haystack were again beginning to
smoulder. Seventy thousand workers in
East Berlin have proclaimed a sitdown
strike, and the movement is beginning to
spread to the Soviet zone. "We know now
that they can't kill all of us," Sovarda says.
Lectures
MONDAY, JULY 13
Symposium on X-Ray Diffraction.
1400 Chemistry Building. "Fourier
Transformation and X-Ray Diffraction
by Crystals." P. P. Ewald, Brooklyn Poly-
technic Institute, 9:00 a.m. "Experi-.
mental Studies of Crystal Structures:
Application to Structure Determinations
of HF and HCN from Prints of the Dif-
fraction Photographs," W. N. Lips-
comb, University of Minnesota, 10 a.m.
Summer Education Conference. Morn-
ing session, Schorling Auditorium: "Ad-
justing the Curriculum to the Needs
of Children and Youth." John J. Brooks,
Director, New Lincoln School, New+
York City, 10:00 a.m.; panel discus-I
sion, 11:00 a.m.+
Afternoon: Special conferences: The
Curriculum and Human Values, 2431
University Elementary School; Music
conference, 1022 University High School;
reports to parents. 2:00 p.m., 1430 Uni-
versity Elementary School.
Symposium on Astrophysics. 140
Chemistry Building. "Galaxies: Their
Composition and Structure," Walter
Baade, Mt. Wilson and Palomar ob-
servatories. 2:00 p.m; "General Ideas
About Turbulence and Statistical Hy-
drodynamics," G. K. Bathchelor, Un-
versity of Cambridge, England, 3:30 p.m.
Conference of English Teachers. "The
Dictionary as a High-School English
Text," Clarence L. Barnhart, Editor,
Thorndike-Barnhart dictionaries and
American College Dictionary. 4:00 p.m.,
Auditorium C. Angell Hall.
Graduate symposium -- Speech Cor-
rection: 4:00 p.m., West Conference
Room, Radkham Building. Speaker, D.
E. Morley Assoc. Prof. of Speech, Uni-
versity of Michigan.
Radiation Biology Symposium. "Con-
tributions of Radiation Experiments to
an Understanding Bacteriophage," A.
H. Doermann, Oak Ridge National Lab-
oratory. 8:00 p.m., 1300 Chemistry Build-
ing.
Sociedad Hispanica. A lecture in
Spanish on the subject "Andanzas folk-
loricas por Espana" will be given by Pro-
fessor Aurelio M. Espinosa. Jr., of Stan-
. Concerts
Student Recital, Alfred Boyington,
violinist, will present afrecital in par-
tial fulfillment of the requirements for
the degree of Master of Music at 4:1;
Monday afternoon, July 13, in the
RackhamAssembly Hall. It will in-
clude works by Handel, Copland and
Brahms and will be open to the pub-
lie. Mr. Boyington is a pupil of Gilbert
Ross.
Faculty Concert. Lydia Courte, pian-
ist and Robert Courte, Violist of the
School of Music Faculty will be heard
at 8:30 p.m., Monday even~ing, July 13.
1953 at Rackham Lecture Hall. Their
program will include Martin Marais'
Four old French dances, Haydn's Di-
vertimento in D major, George Wilson's
Sonata, Homer Keller's Sonata and Mo-
zart's Divertimento in C major. It will
be open to the public without charge.
Faculty Concert. John Kollen, pian-
ist, will appear in the third faculty con-
cert at 8:30Tuesday evening, July 14,
in the Rackham Lecture Hall. His pro-
gram will include Mozart's Sonata in 0
major, K. 330, Brahms' Sonata in F mi-
nor. Op. 5, and Beethoven's Sonata in
E- flat major. Op. 31, No. 3. The gen-
eral public will be admitted without
charge.
Exhibitions
Museum of Art, Alumni Memorial
Hall. Popular Art in America (June 30
-August 7); California Water Color So-
ciety (July 1-August 1). 9 a.m. to 5
p.m. on weekdays; ' to 5 p.m. on Sun-
days. The public is invited.
General Library. Best sellers of the
twentieth century.
(Continued on page 4)
Sixty?"hind Year
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