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November 26, 2015 - Image 59

Resource type:
Text
Publication:
The Detroit Jewish News, 2015-11-26

Disclaimer: Computer generated plain text may have errors. Read more about this.

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to be this way or that way — and I think I
follow that tradition in my work.
Now some people, when I do that, don't
understand what I'm doing. Even though
I explain it to them in advance, they say,
"I liked the last one better. Why did you
change it?" It's hard to get people into it.
I think that's the biggest problem I have:
being understood for that process.
The general culture of architecture is
that the architect makes a thing and gives
it to you, and you have to say, "Oh, my
God, you're a genius:' and you're intimi-
dated to live with it without questioning.
I don't feel that way about working with
people.
BI: How do you keep inspiration
going when there are so many frustra-
tions and disappointments? Disney
Hall took 15 years to build and open
after your selection as its architect
in 1988, and your long-controversial
design for the Eisenhower Memorial
in Washington, D.C., finally approved
in July, also seemed like it would be in
limbo forever.
FG: The process is fairly normal. There
are ups and downs, like everything in life.
I just focus on the end game. Sometimes
there are rocky roads. Sometimes it goes
easily.
BI: Does it get easier as you age, or
more difficult?
FG: As you get older, you're confident
that you're going to get it done. When you
start out, you really never know whether
you'll realize projects. I've always been
careful about who I work for and the
projects I take on. I usually have a pretty
good relationship with the clients that I
work with. We're all in it together.
BI: Is the most exciting thing you're
doing always what you're doing now?

One room of LACMA's exhibition,

which includes the Guggenheim

Museum Bilbao final design model

FG: I think that's true, but what I'm
doing now maybe lasts three or four
hours, and then I go to the next "now,"
because there's more than one project
here.
BI: Does success come with a down
side?
FG: That's something I've observed as a
negative when you're younger. But archi-
tects usually peak when they're older, and
by that time, you are emotionally more
solid and realistic about what's going on.
BI: What sorts of discussions are you
having at Gehry Partners about your
legacy?
FG: We're very concerned, obviously.
I'm 86, and I'm still working. The office is
running pretty much like a Swiss watch.
It's very well organized, and we're trying
to figure out what happens next. Who
takes over? Who does what? We're work-
ing with lawyers to set up a proper suc-
cession.
BI: What do you want to be remem-
bered for?
FG: I don't think much about being
remembered. Occasionally I do — you
can't help it. But I'm not focused on that
as a goal. I'm more focused on the imme-
diate. *

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November 26 2015

59

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