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March 27, 2020 - Image 6

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The Michigan Daily

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Friday, March 27, 2020 — 6A
Arts
The Michigan Daily — michigandaily.com

When
I
applied
to
write
the

entertainment column three years ago,

my pitch was that most of my articles

would focus on what I considered a

modern day Hollywood concept of the

“never ending story.” Any storyteller

will tell you that the ending of a story is

what gives it its meaning, and I’ve spent

thousands of words over the past few

years talking about what it means for our

collective storytelling consciousness that

nowadays money dictates that stories

cannot end. “Harry Potter,” “Star Wars,”

“Avengers,” none of these stories are

allowed to end. They must continue on in

some fashion or another as long as they’re

still helping the company’s bottom line.

But there’s another type of story I’ve

neglected through all of this. The story

that never gets an ending because it’s cut

short before its time had come. The story

that ends on a cliffhanger, on unanswered

questions,
without
the
catharsis
of

conclusion, and with characters yet to

complete their arcs. But for those of us

who were to graduate in the calendar

year of 2020, this isn’t just a story, it’s

the brutal reality of what our college

experience has become.

Like all seniors, and like the many who

have already written articles in the Daily

on this subject, I’ve struggled to come

to terms with the abrupt cancellation of

senior spring. Friends left before I had a

chance to say goodbye. Club projects and

events were over before they had even

started. Team’s seasons were cut short,

and the idea of celebrating the past four

years faded away into an abyss of news

stories about a terrifying global pandemic.

As I wrote above, I’ve long argued stories

don’t have meanings without endings, so

do the past four years of my life not have

a meaning either? Of course not, and so I

am left to admit what should have been

obvious to me all along. As a wise man

once said, “The world isn’t divided into

good people and death eaters.” Or in other

words, “stories aren’t divided into those

with endings (and therefore meanings)

and those without.”

In the final episode of “Lost”, Jack

Shepherd discovers he’s dead and turns

to his father in the afterlife, asking him

“Did I matter?” His father responds with

one of the thesis statements of the series,

one that people who wanted the finale to

be an all-encompassing source of answers

have struggled with. “You mattered,

everything that’s ever happened to you

has mattered, and the most important

part of your life was the time you spent

with these people.” Jack’s father is

talking about the other characters on the

show, but the same idea can be applied

to any group of people who share a set

of experiences. I know there are many

who walk the graduation stage and

feel an immense sense of achievement

in the courses they have taken, the

journey they’ve gone on, the personal

accomplishment of getting a degree from

this fine University. I totally understand

that. But for me the celebration would

always have been mainly about the

people. A last chance to make the rounds

and celebrate all the wonderful people I

came to know and love during my time at

this school.

There’s something about a global

pandemic that really brings home the fact

that so many of the petty disputes and

simple problems we distract ourselves

with everyday don’t really matter in the

grand scheme of things. When faced with

an existential threat, you’re made aware

with absolute clarity about who the most

important people in your life are and why.

The people you have around you, the ones

you stay in contact with from far away,

the ones you love, the ones who make you

laugh, who share your stories, who are a

part of your stories, and you theirs, those

are the only things that really matter in

this life. Everything else is immaterial

at best, and a distraction from the simple

miracle of human connection at worst.

There’s a quote that some in my family

attribute to my Great Aunt Harriett that

goes like this, “In the end, only three

things matter: how much you loved, how

gently you lived, and how gracefully

you let go of things not meant for you.”

Upon a simple Google search I’ve found

it’s actually a Buddha quote. Go figure.

Members of the class of 2020, graduation

and senior spring were not meant for us.

But that fact shouldn’t make us think any

less of what we achieved during our time

here. We saw a dog almost get elected

CSG president. We saw a buzzer beater to

send the basketball team to the sweet 16

and eventually the final four. Once upon

a time, we still had Michigan Time. And

like Michigan Time, our time at Michigan

has come to a close sooner than we would

have liked, but that will never change the

meaning of the past four years. A thing

isn’t beautiful because it lasts.

Forever and always, go blue.

Entertainment Column:

On a story cut short

IAN HARRIS

Daily Entertainment Columnist

For most people, the stages of quarantine have

gone something along these lines: anger about being

stuck inside all day, acceptance that quarantine is

a necessary measure, militance in making sure

that everyone follows the rules, confusion as to

what to do with all this free time and resignation

that quarantine is going to last a whole lot longer

than anticipated. If your quarantine hasn’t gone

down this way, you haven’t been adhering to social

distancing and isolation measures, which is wack,

and you will therefore be considered a buster. All of

these emotions and feelings culminate in what will

be known as the “quarantine blues” from here on

out. As a way to combat the quarantine blues, I’ve

thrown together a quick playlist composed of songs

that I enjoy and feel embody the process of going

through the quarantine blues.

It all starts with Suicidal Tendencies’

“Institutionalized.” Singer Mike Muir’s palpable

anger is bound to resonate with anyone upset

about the forced quarantine, even though it’s

what’s best for everyone. Next, “Counting Days”

by The Fight and “Army of One” by Drain are

two hardcore shitkickers that take listeners

toward acceptance as they count the days and

slowly begin to understand that the fight against

the virus starts with you, an army of one. Pop

Smoke’s “Get Back” and Lil Uzi Vert’s “You

Better Move” usher in the phase of enforcing

the militant sanitary standards that are needed

to keep every at-risk person healthy. “Don’t

Call Me” by Young Thug carries this militant

attitude toward social distancing, but he does so

in a pensive, conflicted tone. The next two songs,

“Where Do I Go (Bbq Music)” by Max B and “I

Think I’ll Just Stay Here and Drink” by Merle

Haggard, both realize that all we can do is stay

home and stay safe, though all we want to do

is literally anything else. “I’m Not That Lonely

Yet” by Reba McEntire and “A Country Boy

Can Survive” by Hank Williams Jr. transform

the confusion into resignation that we’re stuck

in quarantine and there’s nothing we can do

about it, but we’ll make it through (eventually).

The last song, “Good Times” by Eric Burdon,

serves as a bonus track of sorts, something of

a final reminder to everyone to use their time

wisely in quarantine. That is to say, make sure

you’re doing exactly what you want to be doing,

whether it’s being productive, chatting on the

phone, reading a book or drinking a couple beers

while watching TV.

— Jim Wilson, Daily Arts Writer

Most notable to me during this quarantine:

the building blocks of my conversations have

vastly changed. I’ve been asking my pals for one

word to describe how they’re feeling (a support

group tactic, perhaps) and I’ve been leaning on

metaphors heavily. My pals and I metaphorize

the waves of quarantine: We talk of feeling like

sedimentary rocks, losing their sediments (ha),

of how the days feel like getting on a roller coaster

(when “I’m okay” suddenly turns to “get me the

fuck out,” then you’re off the ride, feeling all bad-

tempered, until you grab some carnival food and

the cold-sweat is gone). I told another friend of

the candle-girl-metaphor I’ve been utilizing. I

see how much progress the candle makes, as a

way to keep track of the time. Like tallies on the

wall. Like watching paint dry, but better.

To me, that’s the primary component of

playlists: making metaphors. These quarantine

playlists feel like a ton of metaphors to try out,

trying to find enough representations of and

deep dives into the moods you’ve lost or the

moods you think you need.

And so in my metaphor campaign, I keep

coming back to “Aquemini” by Outkast, the intro

of my quarantine playlist:

“Even the sun goes down, heroes eventually

die / Horoscopes often lie and sometimes “y” /

Nothin’ is for sure, nothin’ is for certain, nothin’

lasts forever / But until they close the curtain /

It’s him and I Aquemini”

No one was expecting this. Josh Peck’s

armpits are sweaty because the forecasts have

lied; quarantine is not an A, E, I, O, or U situation,

it’s a sometimes Y, it’s maybes and uncertainties.

But through it all, there’s a team effort. It’s Andre

and Big Boi till the end, and it’s me and my pals

til the end, because who else would we share our

metaphors with, and send our playlists to?

— Sam Cantie, Music Beat Editor

This playlist is not full of cheesy tunes like

“Don’t Stand So Close to Me,” but rather the

songs that creep up on you when you’re alone,

when the Netflix show you’ve been binging

fades out at 3 a.m. and your half-awake face

shines back in the darkened computer screen.

Yeah, these are the isolation blues, baby. Stuck

inside our houses, things can get a little bit

foggy, so let this mix guide you through the blur

as easily as a thumping bass line or a synthy

undertone seems to weave its way through good

music. With a sprinkling of psychedelia, folk,

jazz, soft rock and everything in between, the

same atmosphere of vibey lethargy is present in

each song on this playlist. It’s good for throwing

on at the end of the night, while you attempt to

bake bread for the twentieth time or even dance

by yourself trying to shake away some of that

social distancing delirium. Let it play on … this is

not the time for shuffling.

— Clara Scott, Daily Arts Writer

“It’s a reference to — ”

“‘The Lighthouse.’ I know. I looked it up,” I

said, cutting him off, knowing he would laugh.

I was on the phone with a friend whose

parents had whisked him off campus with little

notice earlier that week (not an uncommon

practice these days, but everything has this way

of feeling both blindsiding and maddeningly

feasible). He had proposed we do weekly phone

calls, and I was grateful; this was our first one.

We were talking about our quarantine playlists,

his most recent quoting a line from Willem

Dafoe, as I learned by googling the title of his

playlist.

I could decrypt almost anyone’s Spotify

playlist like this (routinely, I scroll through

the Friend Activity sidebar, especially when

I try to feel less alone), but he’s one of few I’m

open about that with. He knows it’s an odd

but well-intentioned display of attention and

camaraderie, but also a game. I think we both

need it right now, to say I’m still me, you’re still

you — not everything has to come to a screeching

halt.

In the same phone call, I mentioned something

I’d been trying lately: bookending playlists with

disparate tracks by the same artist. One such

post-quarantine playlist of mine, called “Wake

up in this comic book, plant forsythias,” is an

example. It starts with Rodriguez’s melancholy

but relevant “Cause” (the final line of which

inspired the title), and concludes with the more

lilting, sarcastic but varying “Jane S. Piddy.” In

between, you’ll find hopeful peaks — like The

Monkees’ “Me & Magdalena” — and dips — like

Damien Jurado’s “Everything Trying.” Much

like my days, my moods, under this quarantine.

“One of these days I’m going to make a playlist

you can’t decode.”

I smile, say yes, welcoming the challenge, our

game, the continuity, the comfort of knowing

someone and being known.

— Julianna Morano, Managing Arts Editor

Quarantine cuts: 7 playlists
for your social distancing

DAILY MUSIC WRITERS
The Michigan Daily Arts Section

DAILY ENTERTAINMENT COLUMN

Read more online at

michigandaily.com

MUSIC NOTEBOOK

And like Michigan Time,
our time at Michigan has

come to a close sooner
than we would have

liked, but that will never
change the meaning of

the past four years

There’s something about
a global pandemic that
really brings home the
fact that so many of the
petty disputes and simple

problems we distract

ourselves with everyday
don’t really matter in the
grand scheme of things

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