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May 27, 1923 - Image 10

Resource type:
Text
Publication:
The Michigan Daily, 1923-05-27

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____ ____ ____ ____ ____THE MICHIGAN DAILY

STIMALU#HDLODS
KENOWN IN music
(Continued from Page N~ie)
lie performance of numbers from
Bach D Mlinor Mass was a lovely
h. The religiouis atmosphere es-
fished was well carried on by the~
ic from "Parsifal" and coflcluded
"The Hymn to Jesus". Earl V.
re conducted the mass withi much
e dignity and surety of his position
n his con~ducting of the Wolf-Fer-
ilast year wouldl have led us to
ect. Stock, in Parsifal, led his
hestra in one. of the smoothest
A finely drawn interpretations ofj
fner one might care to hear. Erna
instein as soloist in the Violinl
csert by MNendelssohn showed un-
bted virtuosity. Like Heifetz, herI
rpretative powers will grow with
succeeding years.
lie concert Thursday was the best
of thec Festival and was the finest,
t wall-balanced program I have
rheard. Beginning with Ba~ch the
Aic came right down to the pres-
day composers including Mendels-
n and Wagner en route. Due credit'
the making- of these programs
t be accorded to Frederick Stock
Earl V. Moore who collaborated
.heir formation. Moreover the coin-,
pensive programs notes were en-
y the work of the latter. The work
,he Choral Union has also --reatly
roved since cominlg under the di-
control of Ml~r. Moore.

are the Wagnerian;, -After programs
made up so largely, of tie~ typically)
modern diiusic, thie lighter and iiiore
obvious style of this French master
came as a delightfuil con trast anid re-j
1tf. All the Variou schools and typJs
of mtusic have their jflace in the world
of tone. Tli,-ftne way in which these!
were arr angerd in the recent festival,
noteworthy.
Nor must the work of George Oscar
as conductor of the children's chorus
is indeed an imporant and nole one.
The musical knowledv and encour-
agement affbrded.thie children throuigh,
their annual association Nvth the*Fes-

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future of muisical America." This
work emanating from a center like
Ann Arbor bids wvell as a pr'ograin for
the teaching and imparti~ of 'good
music to our young all over the na
t ion.
!.re dh p Cosmopolitan Spirit

t -,

E

tival cannot but bode good for the
th''e group.
I bulieve tl'at these resreentativaes,
froni other land's.caughit the meaning
of this coinmoni bond between theft
weekt of travel about the state. It
remains for Michigan students at
large, as well as the majority of the
foreign students. to enjoy the vaca-
tion trip, to welcome contacts and

exchanges of 'friendly greeting that
1may lead to permanent friendships
between mnembers of other nations.
Without individual ties of friendship,
ad1 a sympathy born of understand-
ing the other fellow of another coun-
try, . world peace, or any appreciable;.
approach to that ideal, becomes hope-
lessly pushed into the dim future.
"Cosmopolitan Michigan" means noth-s+

ing if these far reaciniig friend~ships
do not become frequent and ender-I
ing.
Benton Harbor to Hlaive 1 hiorkiI
Benton Harbor, May 26-F'ormerj
Senator WiliamniAldeni Smith of Grand
Rapids will bie the speaker here Me-
morial Day at the dedication of the
IGold Star m~emorial tablets to . _plac-
ed on the Robbins lMeniora1l dock. r

Tokio, May 26C-
miated, that 1.560(
(are destroyed in
rice w~orms. A ca
thiese nests has bE
food butreau of the4
culture.
Patronize The ti

thus intimately associated, and, being
thus bent on the same pui')ose of
knowing AMichigan and each oth'er bet.
ter, served to bilng about a fine
friendliness betwee~p every sttfident in

. ,. Y

AS1 PORt

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A N i

LAST
TIME

TONIGHT
,F DA , L 'ttk Old KeW Y

W~eek Starting
TOM ORIkOW WI
4 foudayl) May 128

S

U.

TIRE!
COMi. iANY
A Play of Youth,1 Love and }tman'S
As Played iby Gregory Kelley
N~x.r ONDYJUV 4='TH AS RD t "~

imp]
1rect

Excellent as the fourth- program !
was, it paled by conmparison with the
second performance. .Outstanding was'
the work of Florence Mvacbeth. She
rendered the mfost difficult passages,
from numerous ope~atic arias and
songs with unusual dexterity. While
Gulseppe Danise does not compare so
faVorably with Miss Macbeth as a
singer, I liked his choice of selections'
Letter. Nor; coffining himself so nmuch
to pieces intended solely to display
vocal ability', his numibers contained
more intrinsic muistcal valuie and were.
well placed by w-ay of contrast. The
c, chestral niU~bers were finely? ar-.
ranged. The Dukas poeml "Le Pori", 1
Dever heard- here~ before, gives an
.(lea of miodern F'rench nmusic, "The
Perfect Fool" suite by Holst did nlot
please)~ me ats much as did his "B~eni
"Mona". Many have rendered a nega-
tive opinion of the latter~ piece, bu~t TI
maintaini it wafs placed at a disadvan-
tage in followinig so closely upon the
mnagnificent rend: tion of the Pranck
Symphony.
Saturday afternoon found another
composer in performance of his pwn-
work. That was the Arnerican Schel-
ln.He is a considerable figure in
tile usie' of our country and has stic-
cessfutlly brougbht out many of his
works with ,American orchestras. That
his virtuosity as a pian~st is not ex-
cel led by his composition was miffchP
in evidence and his advent on, the pro-
gram Saturday was the high point of
the fifth and~ sixth concerts. Modern
G rman nmusic was represen~ted by the
L'ruch .F1 lutde to the L~'reley. Schu-
mann r, Third Symiphony k~nown as the
"Rlieni ;h" was given in its re-orches-
trated version by Fr'ederick Stock. Trhe
last performance of this work in Anne
_1,i-o occurred six years ago whien
it was rendered by the Boston Orches-
tra under Dr. Karl Mluck.
Samsoni and DPelilah by the late
aint-Sa ens concluded the Festival
lpi og~as. Thle, caste included Charles
,;atrh-idi, already known for his work
Lore last year, Jeanne Gordon, Clar-
("co Whitehill and Henry Scott.
J)eanne Gordon's work pleased me. the
I o,;t althou~g Whitehill was extrem--
] v effective. His most strikinigroles1

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