Scanned image of the page. Keyboard directions: use + to zoom in, - to zoom out, arrow keys to pan inside the viewer.

Page Options

Download this Issue


Something wrong?

Something wrong with this page? Report problem.

Rights / Permissions

This collection, digitized in collaboration with the Michigan Daily and the Board for Student Publications, contains materials that are protected by copyright law. Access to these materials is provided for non-profit educational and research purposes. If you use an item from this collection, it is your responsibility to consider the work's copyright status and obtain any required permission.

March 21, 1978 - Image 6

Resource type:
Michigan Daily, 1978-03-21

Disclaimer: Computer generated plain text may have errors. Read more about this.

Page 6-Tuesday, March 21, 1978-The Michigan Daily

Jimmy Buffett brings his Coral Reefer
Band into Hill Auditorium for one night only,
this Friday evening at 8:00 p.m. The sales
of Buffetts "Changes In Latitudes, Changes
in Attitudes" album have just surged over
the platinum mark. This week, ABC is
releasing his new album, "Son Of A Son Of A
Sailor," so we can expect a previewof some
of his new, tasty tunes.
Opening the show will be Warner
Brothers' outstanding new artist, Marc Jor-
dan. He combines sensitive lyrics with sub-
tle jazz flavorings to produce some very
emotional music. The combination of Jordan
and the laid-back Florida songs of Jimmy
Buffett should send us on a tropical cruise
this Friday in Hill Auditorium. Tickets are
still available.
Tickets went on sale, last week, for the
John Denver and Jackson Browne concerts
in April. Having two artists of this calibre in
Ann Arbor, within three days of each other,
seems to be turning this town upside down.
it is understandable, since both artists have
hot albums riding the charts: John Denver's
"I Want To Live" and Jackson Browne's
"Running On Empty."
upcoming torts
March 24: Jimmy Buffett and the Coral
Reefer Band
April 12: Jackson Browne, with special
guest Krla Bonbff
April 15: John Denver
... tickets are available at the Michigan
Union Box Office (M-Fri, 11:30 to 5:30).
Tidbits: Carole King has released a greatest
hits album. . for all who have asked,Kan-
sas is presently on a tour of Europe . . .
Jethro Tull's upcoming album is titled
"Heavy Horses"

Works by Khachaturian, Kodaly
given memorable performance

_- _ *

P RESENTING a program of 19th
and 20th century classical music,
the Baltimore Symphony Orchestra
lived up to its reputation as one of the
best orchestras in the United States as
it performed in the University Musical
Society concert last Sunday evening in
Hill Auditorium.
Baltimore Symphony Orchestra
""11 *iu i"'rn
Scherzo Capriccioso,................Dvorak
Concert for Violin
and Orchestra.............Khachaturian
Nary Janos Suite...................Kodaly
Sergiu Commissiona. :n~rrr
Albert Markov, ri,,irrix
Maestro Comissiona led his
musicians confidently through the en-
tire evening and. seemed completely in
control of the group while changing his
style and technique for each of the three
works. During the Dvorak piece he used
dramatic body movements and
sweeping arm gestures; in the
Khachaturian work his motions were
Satvajit Ray's 1954
The famous first part of Ray's Apu
Trilogy is a simple but humanistic
portrait of a Bengali family and its
son Apu The film draws you in
slowly but the beauty of their re-
lationships haunt you long after
the closing scene.
Wed. Marx Bros. in ANIMAL
Old Arch Aud.
at 7:00 & 9:05

much more exacting and conservative
while conducting the accompaniment;
and in the Kodaly composition his
direction was very sparse, yet em-
The evening began with the Scherzo
Capriccioso, Op. 66 by Antonin Dvorak.
This short work, characterized by
Dvorak's melodic freshness and spon-
taneity infused with traces of Czech folk
tunes and dance rhythms was perfor-
med smoothly, with a natural flow. The
rhythms were tight and the attacks
precise, but at times the percussion
(especially the cymbals) was too loud
- overpowering the rest of the or-
THE VIOLIN melodies were strong
and unified witha full sound and great
intonation. Both the French horn and
flute soloists played sensitively and
blended well with the rest of the or-
chestra. Overall, the dynamic contrasts
were appropriate and brought out well.
The next piece on*the program was
Concerto for Violin and Orchestra by
Aram Khachaturian, whose style and
idioms are modeled after the rhythmic
folk dances and improvisational
lyricism of the folk songs of Armenia
and Transcaucasia. Albert Markov, the
violin soloist, played the surging,
emotional melodies of the Allegro

deciso very assuredly with a steady,
rounded tone and almost perfect in-
tonation. Markov played with great
dynamic control, performing difficult
rhythms easily and using consistent
phrasing. In the allegro vivace, Markov
played with energy and vibrancy, and
his volume was loud - always enough
to sound over the orchestra. At the end,
he took several solo bows while many in
the audience stood applauding.
After intermission, the orchestra
played the Hary Janos Suite by Zoltan
Kodaly - a suite for orchestra adapted
from the operatic score which tells of
the adventures of the Hungarian folk
hero Hary Janos. The prelude was
played smoothly and the pianissimo by
the lower strings was exceptionally
beautiful. When the volune grew to a
forte, however, the brass played too
loud and the first violins were prac-
tically inaudible.
In the Song, the slowly shifting tex-
tures carried by shimmering first
violins were played gracefully. Superb
flute and oboe solos sounded above the
floating string accompaniment. The or-
chestra played the Intermezzo with a
full, solid sound and exceptional balan-
ce, while the broken chord progressions
of the cimbalom added an oriental







_... __ ...roga

Garfunkel captivatin

The Ann Arbor Film Co-operative
presents at Aud A of Angell Hall.
(William Friedkin, 1973) 7 & 9:15-AUD A
A demon takes up residence in a split-level, California ranchstyle little girl
and, despite the combined efforts of mother love, modern medicine, and
trendy psychiatry, refuses to vacate. Setting new film standards for scares
and chills, THE EXORCIST overwhelmed audiences with horrific effects, the
exhilaration of Gothic fright, dark houses, and things that go "Regan" in the
niqht. Will you ever trust your little sister again? Ellen Burstyn, Max von
Sydow, Lee J. Cobb, Mercedes McCambridge, and Linda Blair.
Plus cartoon: BROOMSTICK BUNNY (Chuck Jones, 1955). Bugs vs.
Witch Hazel one dark and stormy night.
Tomorrow at Aud A: Wim Wenders Festival begins with a FREE showing
of Alice in the Cities at 7 and 9.
Ohio, will hold on-campus interviews for
summer employment:
DATE: Wednesday, March 22
TIME: 9:00 a.m. to 4:30 p.m.
PLACE: Summer Placement Office
Over 3,200 positions available for a wide variety of jobs.
y Dormitory or apartment style housing available. Contact
Summer Placement Office for informa-
tion and appointment. Spend a sum-
mer in one of the finest resort areas *
inthe North.
J--64 --

Simon and Garfunkel split up
seven years ago, some skeptics
assumed that Art Garfunkel's musical
career would simply become a part of
past history. Paul Simon, after all, had
been the dominant force of the duo; he
was the composer and guitarist,
whereas Garfunkel was the vocal
His concert Sunday evening at Ford
Auditorium featured a delightful com-
bination of past S&G hits and his most
notable solo efforts.
The concert's opening act was Dan
Hill, whose current single "Sometimes
When We Touch" has firmly lodged it-
self in Top 40 playlists across the coun-
try. Hill appeared alone onstage with
his acoustic guitar, and immediately
captivated the audience with a number
of outstanding compositions. With a
very relaxed on-stage manner, Hill
related several anecdotes about his hit
tunes, including selections from his
latest LP, Longer Fuse.
ART GARFUNKEL began his set
with the first of three songs he perfor-
med during the evening which he has
not yet recorded: One of these, "High-
way", was composed by vocalist
Stephen Bishop, who recently appeared
with Garfunkel on the Saturday Night
Live television program.
Although Garfunkel reached a couple
of flat notes in the opening number, he
quickly recovered with a strong ren-
dition of "For Emily, Whenever I May
Find Her" from the early Simon and
Garfunkel LP, Parsley, Sage,
Rosemary and Thyme. He later per-
formed "Scarborough Fair/Canticle"
fromthe same album, with the inter-
Stereo T. V. Serie
215 S. Ashley 769.0342
Downtown, I block west of Main,
between Washington and Liberty

weaving countermelody provided by a
very skilled cellist.
The voices of prominent studio
vocalist Leah Kunkel and Garfunkel
(there's a tongue-twister), blended par-
ticularlv well on the next tune, "Crying


Viewpoint Lectures and
Special Events presents:
Monday, March 20 through Friday, March 24
For details of events see posters.
Cinema Lecture Series presents:
A German journalist travels the roads of America to return a girl to her
Wednesday, March 22, 7:00 & 9:00 p.m.
Aud. A. Angell Hall
Academy Award winning cinematographer Haskell Wexler will speak after
Bound For Glory.
Friday, March 24, one show 7:30 p.m. only
Old Arch. Auditorium
Mediatrics presents:
See Greta Garbo in a Hollywood comedy classic.
Wednesday, March 22, 7:00 p.m. & 9:00 P.M.
Auditorium 3 MLB
Admission: $1.50
AlPacino plays a New York cop.m.
Friday, March 24, 7:00 &'9:20 p.m.
Natural Science Auditorium
Admission: $1.50
Hitchcock thriller starring Cary Grant
Saturday, March 25, 7:00 p.m. & 9:30 p.m.
Nat. Sci. Aud.
Admission: $1.50
Special Events presents:
A provoking play treating the topic of chicanismo.
Friday, March 24, 8:00 p.m. & 11:00 p.m.
Arena Theatre, Frieze Building
Union Programming presents:
Sampling of wines and cheeses; live jazz music (5 piece jazz combo).
Friday, March 24, 8:00 p.m.
Anderson Room, of the Michigan Union
$2.00 per person admission.
Formal instructio'n in the traditional style of ballroom dancing.
Wednesdays, March 22 and March 29 from 7:00 to 9:00 p.m.
Michigan Union Ballroom
Eclipse Jazz presents:
Weekly sessions in jazz improvisation
facilitated by Andy Drelles.
Sundays: 1:00-3:00 p.m. (novice sessions)
3:00-5:00 p.m. (advanced sessions)


Whether this is your first, fifth or fiftieth
attempt to stop smoking, it will be your last.
Because our 5-day group program neutralizes your desire for tobacco.

Art Garfiinkel
In My Sleep", from Garfunkel's latest
LP, Watermark.
He also sang a sequence of his recent
solo recordings, including the title tune
from his album Breakaway, and the hit
single "I Only Have Eyes for You".
THE BAND and the audience both hit,
a funky stride with the song "Cecilia",
which included some innovative high-
tone electric guitar work, and spon-
taneous rhythmic hand-clapping from
the crowd.
The tune "All I Know" from the LP
Angel Clare was strikingly set with a
simple piano and cello accompaniment.
Garfunkel shot for - and reached - the
more difficult high notes he had
avoided in some of the earlier songs;
his interpretation of Jimmy Webb's
lyric was clear and beautifully con-
Garfunkel closed the set by playing
the two songs the audience most wanted
to hear. Backup band members again
supplied harmony for the current
smash single,' "( What a) Wonderful
World", which Garfunkel performed
with Paul Simon and James Taylor on
Watermark. The focus was on Gar-
funkel for "Bridge Over Troubled
Waters", easily the most popular song
Simon and Garfunkel recorded
together. Garfunkel handled the
soaring vocals with ease, his voice
ringing with powerful emotion, and was
complimented by an excellent piano
The audience demanded two encores,
one of which was the old S&G favorite,
"The Sound of Silence". A heavy elec-
tric arrangement, and some eerie blue
lighting gave an additional
mysteriousness to the classic Paul
Simon composition.
By swinging both old and new
favorites and popular new songs, he
fulfilled the expectations of every
member of the audience.
$1-$2 PER DISC

You don't need anyone to tell you the draw-
backs of smoking but if you continue smoking
in face of the evidence, you probably need help
in quitting. Or maybe it's easy for you to stop,
but staying stopped is something else.
If you want to quit smoking, we will show you
how to stop. At the end of five days, you will be
through with cigarettes forever. Even the most
hard to cure smokers find that the Smoke
Stoppers program works for them.
How Smoke Stoppers Works
Our program doesn't just stop you from smok-
ing, but rids you completely from your depen-
dence on nicotine. We don't use hypnosis,
scare tactics or filters and devices to get you to
stop smoking. And you won't need will power
either. Years of research on habit formation
allowrour skilled therapists to show you how to
quickly break your smoking habit through the
development of new associations in the sub-
conscious memory.

Here's What People Say
About Smoke Stoppers
Many people tell us that a valuable part of our
program is the section that shows you how to
minimize or eliminate the weight gain that
often accompanies smoking cessation pro-
grams. Here are some of the other things our
graduates tell us about our program:
Mr.S. G. from Southfield -
2 pack a day smoker for 10 yrs..
"I had tried to quit smoking about ten other times by myself
but without success. With the help of the program lam now
tree of cigarettes for the first time since highrschool and I
have not been irritable either:'
Mrs. C. S. from Ann Arbor -
1 pack a day smoker for 23 yrs.
I was amazed that after the first day I hardly had any urges
for a cigarette nor did I crave food. The Smoke Stoppers
program made this possible:'
Mr. T. C. from Grosse lie.-
4 pack a day smoker for 46 yrs.
"I didn't know quitting could ever be this easy. The Smoke
Stoppers program was almost magical in the way it got me
off cigarettes and has kept me off. I'll never smoke again.

Five Hours To Freedom
At the completion of the Smoke Stoppers program you will find
that you are once again your own person. You will be completely
free from the need to smoke. And all it takes is five days ..
five hours.. . and the first session is free.

7:30 PM Monday, March 20 or Tuesday, March 21
Michigan League - Conference Room #4
Ann Arbor



Back to Top

© 2021 Regents of the University of Michigan