100%

Scanned image of the page. Keyboard directions: use + to zoom in, - to zoom out, arrow keys to pan inside the viewer.

Page Options

Download this Issue

Share

Something wrong?

Something wrong with this page? Report problem.

Rights / Permissions

This collection, digitized in collaboration with the Michigan Daily and the Board for Student Publications, contains materials that are protected by copyright law. Access to these materials is provided for non-profit educational and research purposes. If you use an item from this collection, it is your responsibility to consider the work's copyright status and obtain any required permission.

February 23, 1961 - Image 2

Resource type:
Text
Publication:
The Michigan Daily, 1961-02-23

Disclaimer: Computer generated plain text may have errors. Read more about this.

THE MICHIGAN DAILY

DEMONSTRATING INSTRUMENTS-Prof. William P. Maln of
the music school shows various methods which Japanese drum-
mers use to hold their sticks.
Malm Describes Origins
Rise of Japanese Music

By DAVID MARCUS
Japanese music dating back
over 1500 years is the oldest musi-
cal tradition still in existence,
Prof. William P. Malm of the
school of music said yesterday.
The earliest Japanese music
originates with Buddhist chanting,
imported from China and music
of the Japanese court, he said in
describing "the Origins of Japan-
ese Music."
He noted, however, that the
music borrowed from China "has
disappeared in China itself." Prof.
Malm cited the recent incident of
a Hong Kong radio station which
was forced to play a Japanese
recording as an example of early
Chinese music.
Demonstrates Instruments

Prof. Malm characterized the
music as "rhythmic and orna-
mented non-harmonized lines."
He described the court music as
"graceful, elegant and unhurried."
The ensembles consist of a flute,
several other wind instruments,
drums- and some string instru-
ments.
After 1200 A.D. Japanese music
was associated with the Nogaku
or No plays. In this format, musi-
cians seated on the stage facing
the audience, and actors blend the
music and play as a unified whole.
"The object of Japanese music
is a maximum of effect with a
minimum of material," Prof. Malm
said.
"You can do everything on one
of these instruments, but in the
best Japanese tradition, you do
very little."

Using, Japanese
and recordings as

instruments
illustrations,

i

BURTON TR AVEL OG U ES

TONIGHT at 8:30

Raundabout
E NGLAND London
Motion pictures in gorgeous natural color
Narrated by ROBERT MALLETT
Tickets-$1.00, 50c On sale at Box Office
Seasonal Tickets Still Available -$4.00
"The Alps," March 2; "The Orient," March 9;
"Venice," March 16; "France," March 23.
ours 10-8:30 'Phone NO 3-1511, Ext. 479
tACTIONS HILL AUDITORIUM

i

Box Office H(
PLATFORM ATTR

S.G.C Cinma qild
*J
TONIGHT and Tomorrow at 7 and 9 SATURDAY and SUNDAY at 7 and 9
Jean Renoir's production of Mazim Gorki's JAMES CRUZE'S
THE LOWER DEPTHS THE COVERED WAGON
with with LOIS WILSON, J. WARREN KERRIGAN,
JEAN GABIN, LOUIS JOUVET, SUSY PRIM ERNEST TORRENCE, ALAN HALE
French Critics Prize, Best Film of Year Will be shown at silent speed
Short: Image in the Snow
Short: QUETICO CANNES Film Festival Prize
ARCHITECTURE AUDITORIUM
50 cents

I

II

I

11

Tonight is
OPENING NIGHT
Clifford Odets'
poignant comedy
The
FLOWERING

11

FRED OUEL.ETTE
as NOAH
Such a Story...
Big as Adam ...
Bigger maybe!

PEACH
Directed by
JERRY SANDLER
presented by the
ANN ARBOR
CIVIC THEATRE
at the

"
I
i
f
1
",
t
"
I
"
1
M
I
R

LILA GREEN
as ESTHER
I'll tell you a
mystery . .

I

'U - WOW

Back to Top

© 2024 Regents of the University of Michigan