Q3.! PHUMINJAH
PH. L09OPHY:
n, Lawre
tellin 80. ter,
i ted C rlyon
cy. the edv n
drift, forcin the two 0
elter in a y cabin. While
lena remained in pit, Jo
idered de r . the WaJ�1UIe
a fety zard. M Stella I ft for
the airport to rt a ne life,
ond thou h , but while tryin to
call Abe, a true lid on the icy road
trappin her in the phone booth.
W it To : rlena may ve
only hou left to live.
GENERAL 80 PITAL: c
came into the mountain cabin to find
a dly ounded Ry n and a k
ed Felicia. Ja er tri ered an al rm
in the science I b, ca ing J nd
Karen to t off an explosive reac
tion. Tracy nd Marco got taped in-
formation about Jenny'
involvement with the ingt
While tracing the mi i rt piec ,
Bill and Holly ran into unexpected
interference. Jessica g ve Tiffany in
formation that could detennine the
future custody of little Lucas. Wa.t
To See: Jenny gets information that
could give her some much needed
support, or could work against her.
GUIDING LIGHT: Harley w
overjoyed when Mallet announced
he could hear. Lillian misunderstood
Ed's offer of friendship. Nick gave
Alan-Michael a chance to admit his
part in the bombin . Blake wa
stunned to learn Roger had set her up
nd put Ross in an untenable posi
tion. Alan-Michael was hocked to
learn Pierre had taken Harley bout Michael to the Disciplinary
prisoner. Alan-Michael, Mallet, and, Commission. Michael told Rebecca,
Nick tried to save her. As Pierre shot Danny had a terrible marriage, and
at Harley, A-M jumped in front of she hould tell him her boyfriend left
her, risking his life for her. Julie was her with the bill, and k for $SO. To
upset with Dylan when she dis- Mi�hael's delight, Danny paid, and
she insi ted on leaving her watch
collateral. Michael got her phone
Q\lJDPer ur!P1J" he '11 �In
Tor her to see Danny apili .
�f Crickd lWO prob
deal with.
e 1992 by KJq Fe.Iuns SyIMI.
.... 1lJL •• ,.-- •• ' Cli�his relations Ip
with Felicia a secret, ying that this
could destroy his relationship with
..
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RUNAWAY
continued from 81
"Party Groove" exploded. They
then scored a recording deal with
London/Payday/PLG. -
Layered at Jazzy Jay Studios
in the Bronx and mixed at Power
Play in Queens, Runaway Slave
emerges as intriguing Nubian
noize. "Making music is about
being creative, It says Showbiz.
"What I do is take found sounds
and transform them into my own
music. I've always dug big-band
music, which ensures that you
can always swing or bounce to
what I do. I transform that style
into hip-hop."
Runaway Slaves proves that
the brilliance of "Soul Clap" was
no fluke. Amid dope and dusty
grooves, are some of the smartest
rhymes about ghetto reality and
the world of the B-Boy (hangin'
under street lights, drinking 40s,
smoking blunts and flexing, play
ing for keeps, getting laid and
staying paid). The little track
snaps a sharp aural portrait of the
urban landscape: "Livin' in da
slums with the bums/The rats and
the stray cat , dogs with the
rabies, little babies havin'
babies/Juveniles act wild/Every
footstep you take on the corner
there's a crack vile."
rhyme story ("I lost it but I
bounced back," he raps. Later it's
"Instead of a package I wanted a
mike and a track").
The only difference between
Showbiz & A.G.'s life then and
now is there's no need for a hustle
and there are better financial
rewards. The pair still enjoy
hangin' with cronies ("Don't run
wit' the bourgeois/My crew's
much Blacker"), hunting for
sweet beats ("Yeah, we still dig
gin in the crates") and dreaming
of huge payoffs ("I'm tryin' to
make a million-dollars - some
thing I never saw before," Show
biz rhymes on the album's first
single, "Fat Pocketsry.
So Showbiz,& A.G. are rollin'
steady on a road to riches. Ul
timately, though, this road will
continue to bring them back to the
place that inspired their unique
world view and original form of
musical expression in the first
place.
Me REN continued from 81
ments. That s like being
somebody's boy."
"Hound Dogz" is for
everybody that's out there acting
funny. "The girls from high
school that only wanted to talk to
the high rollers, now they come
upto me and ask, 'What you been
up to?" 'Ren uses some 01' Par-
liament and introduces a new dog
howling.
"This EP is for everybody that
stuffed their mouth with tissue (8
la Marlon Brandon in "The God
father" perpetrating to be a
gangster) - Kizz My Black Au,
'cauz M.e. Ren is the final fron
tier. "
JUSTICE
continued from BS
left unabated, the future holds llttle
hope for our survival. Relegating
pollution to minority communities is
a failed policy as well as unlawful
discrimination.
The environment we all share -
our air, water and land - is the very
e ence of life irrespective of race or
color. Ultimately, the fight against
environmental raci m is a struggle
waged on behalf of us al' .
education, legislation and litigation.
The crew's lyrics attempt to
break the chain of inner-city op
pression by addressing alterna
tive to Black-on-Black violence,
welfare, petty jealousy, distrust,
and illegal enterprise.
In "More Than One WayOu�"
A.G. exposes his own crime-to-
TO THAT D, civil rights and
public interest lawyers, and African
American, Native American, Asian
American and Latino community ac
tivis recently met in Washington,
D.C. to build broad environmental
justice strategy.
If envlronmental degradation is
Elaine R.Jones is4eputy director
counsel o/theNAACP ugalDe/elISe
and Educational Fund.
f.