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at
• EXECUTIVE CHEF MATTEO GIUFFRIDA (who has cooked for numerous
celebrities and dignitaries including Ronald Reagan)
• FRIDAY NIGHTS Now INCLUDE PREMIUM AUTHENTIC ITALIAN
ENTERTAINMENT FROM THE FAMOUS PINO!
• NEW ELEGANT SUNDAY BRUNCH - 12-3 PM
Now taking reservations
29110 FRANKLIN RD. I SourtaTED 48034
(248) 827-8070
piofsouthfield.com
1255590
L.-F=1-FR C O" s
Italian Grill
Come try our new
Happy Hour featuring our
new Happy Hour Menu
and 1/2 off Drinks.
In lounge only.
Hours: Mon - Fri 4-7
Sat 4-6 • Sun 3-9
$
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Moo off with minimum purchase of $50 00 (excluding tax, tip &
alcoholic beverages). Maximum discount $10 00. Offer not valid
on Holidays and subject to Rules of Use. Tipping should be 15%
to 20% of the total bill before discount. Offer expires 6/8/07.
Banquet Facility & Outside Catering Available
Russian-American soprano Dina Kuznetsova alternates in the role of Juliet
in the MOT production of Romeo and Juliet.
1224220
6480 Orchard Lake Rd. I West Bloomfield I 248-626-6969
Opera Man
Stage manager Ken Saltzman keeps
productions on track at MOT.
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Kathy
Wendy
248 568 3213 248 933 4405
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PRIVATE OrQUET FACILITIES FOR ALL OCCASIONS Cjjw
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SLAB OF RIBS FOR TWO
BBQ CHICKEN FOR TWO
ALL DINNERS INCLUDE: SALAD OR COLESLAW.
POTATOES AND GARLIC BREAD
Exp. 6/30/07 3N
rass Pointe Pxa
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24234 Orchard Lake Rd., N.E. corner of 10 Mile • 476-1377
56 May
31 •
2007
Bill Carroll
Special to the Jewish News
T
he timeless plot of
Shakespeare's Romeo & Juliet
— a tragic arc of forbidden
love between two teenagers from the
feuding Capulet and Montague fami-
lies — has been reflected in modern
theater, television, film and literature.
Charles Gounod's Romeo & Juliet,
in French with English surtitles, is
the operatic version, and it will close
MOT's spring season June 2-9 at the
Detroit Opera House.
Romeo and Juliet isn't all about love
songs and kisses; the opera has a lot of
sword fighting that could be danger-
ous at times. And it's one of the stage
manager's duties to make sure the
swordplay is safe during the three-act
performance.
Ken Saltzman, who stage-man-
aged Michigan Opera Theatre's highly
successful production of Giacomo
Puccini's Turandot in April, is back for
Romeo & Juliet. A native of Rochester,
N.Y., he began stage-managing for
MOT with Carmen in 2001. With
Romeo & Juliet, he is working with 10
principal performers, a dozen super-
numeraries and 42 chorus members.
"It's a lot less than the 200 cast
members in Turandot or the hundreds
more we use in an Aida production, so
it's less cumbersome on stage, but the
scope of the production and sword-
play involved present a challenge
Saltzman explains. "We employed a
fencing coach during rehearsals to
help perfect the sword duels. There's
also a lot of scenery to move arouncr
Saltzman points out that the stage
manager works in close collaboration