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February 05, 1999 - Image 98

Resource type:
Text
Publication:
The Detroit Jewish News, 1999-02-05

Disclaimer: Computer generated plain text may have errors. Read more about this.

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David Wolber plays Nathan Leopold, Hal Youngblood is
Clarence Darrow and John Hawkinson is Richard Loeb in
JET's production of "Never the Sinner."

SUZANNE CHESSLER

Special to The Jewish News

T

eenage violence soon will
become the focus of the
Jewish Ensemble Theatre
(JET), first with the presenta-
tion of a new play about a shocking
crime from the '20s and second with
follow-up panel
discussions that
will explore issues
of violence today.

the Aaron DeRoy Theatre at the Maple-
Drake Jewish Community Center.
"I approached the script as a charac-
ter piece because I want the characters to
come across as real people," says director
John Michael Manfredi, recently named
associate artistic director at JET. "The
play begins in the months surrounding
the murder, and it portrays Clarence
Darrow as the first
attorney to use a
bad childhood as a
legal defense. The
plot delves into the
relationship of the
two murderers and
the role of the
media."
Although
Leopold and Loeb
were Jewish, it's not
an issue in the play,
according to
Manfredi.
The JET pro-
duction marks the
Midwest premiere
of the award-win-
ning drama and
stars former WJR
radio producer Hal
Youngblood as Clarence Darrow, David
Wolber as Leopold, John Hawkinson as
Loeb, Greg Trzaskoma as Robert Crowe
and features James Bowen, Carey Crim
and Jim Shanley

JETS production of
"Never the Sinner,"
a dramatization of the
Leopold and Loeb story
of 1924, explores
contemporary issues
of childhood violence,
capital punishment,
the media and the
judicial system.

Never the Sinner
by John Logan,
winner of the 1998
Outer Critics
Circle Award for
Best Off-Broadway
Play, probes the so-
called thrill killing
of 14-year-old
Bobby Franks by
two wealthy Jewish
teenagers, Nathan
Leopold and
Richard Loeb. A
changing panel of
social service, legal
and media repre-
sentatives bring their firsthand experi-
ences to discussions with audiences
planned for Thursday evenings and
Sunday matinees.
The production opens in previews
Feb. 10 and runs through March 7 in

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