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12/11
1998
98 Detroit Jewish News
29173 Northwestern, Southfield
Paris was war
photographer
Robert Capa's
home, and his
friends — including
the'French painter
Matisse, captured
here in "Henri .
Matisse, Cimiez
(Nice), August,
1949" — were
often the people
who became the
subject of his
portraits.
Capa's career was relatively brief. He
some catalog that accompanies this
died in Indochina while photograph-
exhibition, his friend Geraldine
ing the conflict between French colo-
Fitzgerald is quoted as saying, "He
nials and the Vietnamese. Among his
conveyed a sense of inner euphoria.
pictures taken in Indochina, there is
He always seemed to be having great
one that would seem to be benign, as
fun and people wanted to join in and
wartime pictures go, until you read its
share the fun."
caption. Soldiers are walking through a
Paris was home and his circle of
field, clearly alert to dangers. But it is
friends often included the people who
Capa, walking several steps behind
became subjects of portraits: Ernest
them, who became a casualty. The
Hemingway, John Huston and Henri
words read: "Along the road from
Matisse are pictured, as well as Picasso
Namdinh to Thaibinh, May 25, 1954.
and Gilot.
This is the last photograph that Capa
He could become intimate with his
took before he was killed by stepping
subjects. You can see that in his 1940
on a land mine." The inci-
dent reminds us how danger-
Photographer
ous his photographic mission
Robert Capa:
had always been.
"If your
Capa's career began in
pictures
aren't
earnest in 1932, when the
good
enough,
director of a Berlin photo
you're not
agency sent him to
close enough."
Copenhagen to photograph
the exiled Soviet leader, Leon
Trotsky. The published
image of the Communist
leader, delivering a speech
with passion, elevated his
reputation.
When he took that early
portrait of Trotsky, included
in the show, the young pho-
tographer hadn't yet invent-
ed Robert Capa. He was born Andrei
study of Hemingway at his desk, scan-
Friedmann in Budapest, on Oct. 22,
ning manuscript pages, or Matisse at
1913. In 1931, he was exiled from
work in both his studio and at home.
Hungary because of his leftist student
There isn't the slightest sign they
activities, going first to Berlin and
minded the presence of his camera; at
then, in 1934, to Paris.
the very least, he creates that illusion.
Two years later, trying to gain a
Either way, the relaxed look of the
foothold in Paris' photographic world,
portraits is persuasive. Looking at one
he invented Capa, someone he and his
1944 picture of Hemingway, taken in
lover, Gerda Taro, promoted as a suc-
London, might lead us to believe he
cessful American photographer. When
had been injured in some wartime
the ruse was revealed, he decided to
incident. Actually, he had been parry-
keep the name anyway. And no one
ing with Capa, perhaps a little too
seemed to hold the stunt against him.
heartily. He ended up in the hospital
By all accounts, Capa was
after crashing a car on the way home.
immensely charming. In the hand-
The day in August 1948 when