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Gourmet (Stonehill Publishing)
I
Singularly, the mother comes
near to embrace, as she can, the
realm beyond the wire fence. This,
a fleeting gesture, yet fills the mo-
ment with a presence that endures
in the artifact and in the viewer's
mind. Present to her child, the
mother's final name is Comforter;
her legacy, the dilemma of com-
passion and the struggle to touch
the other side.
In Mother of the Wire
Fence: Inside and Outside the
Holocaust (Westminster John
Knox Press), Karl Plank consid-
ers such questions as: Is it possi-
ble to empathize fully with the
victims of the Holocaust? Can
those who approach the Holo-
caust in the aftermath ever know
it in a way that does not trivial-
ize its horror? With what lan-
guage can we speak of such an
event without betraying its
meaning?
In his analysis, Mr. Plank, as-
sociate professor of religion at
Davidson College in Davidson,
N.C., reviews works by Primo
Levi, David Grossman and Dan
Pagis. He concludes with four of
his own poems, including "Memo-
rial" which reads, in part:
19%
...the women saw no body:
these dead were to leave no
trace
as fires burned in the high
wind.
Pines were planted in the place
where the camp once stood.
They plowed
it under as if to disguise
the ground of Sobibor and
its blackened skies.
-
Atevree nower
6.00 771
Good man, return to the emp-
ty chamber
where life became death and
words, lies.
Set a marker of stones and re-
member
that here you once saw the
smoke rise.
A
spiring actors — and isn't
that just about everyone
(or at least everyone living
in New York)? — will be
interested in a new collection,
Awake and Singing (Mentor)
edited by Ellen Schiff.
The book features
seven classic plays, in-
cluding Clifford
Odets' Awake and
Paddy
Sing!,
Chayefsky's The Tenth
Man and Elmer Ricke's
Counsellor-at-law.
In her introduc-
tion to the book,
Ms. Schiff says
she selected the
works "to repre-
sent the range of
topics and
themes, dra-
matic styles,
and social atti-
tudes that char-
acterize the
American Jew-
ish repertoire
between 1920
and 1960. In
subject or in
point of view,
each play incorporates what so-
ciologist Steven M. Cohen and po-
litical scientist Charles Liebman
call the 'competing impulses: the
urge to integrate into modern
America and the urge to survive
as Jews."' 0
Publicity
Deadlines
The normal deadline for local
news and publicity items is noon
Thursday, eight days prior to is-
sue date. The deadline for birth
announcements is 10 a.m. Mon-
day, four days prior to issue date;
out-of-town obituaries, 10 a.m.
Tuesday, three days prior to is-
sue date.
All material must be typewrit-
ten, double-spaced, on 872 x 11
paper and include the name and
daytime telephone number of
sender.
honoring
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is for you.
Written by Paula Smith and
Dorothy Seaman, Not Chopped
Liver features fleishig recipes for
everything from appetizers to
veal to leftovers (yes, there's ac-
tually a chapter on leftovers).
Among the tasty treats high-
lighted: veal cutlets tofunetti (for
that meat-eating, health-food fa-
natic in the family); melon soup
(for the ginger lover in your clan);
and no-bake chocolate souffle (for
anyone in the family who has
taste buds and brains and real-
izes dessert, preferably chocolate,
is the real main course of the
meal).
There's even a recipe for for-
tune cookies, complete with some
suggested fortunes with Judaic
sources (Rashi: "Obeying out of
love is better than obeying out of
fear").
Not Chopped Liver! features
Italian, Indian, French and Vi-
ennese gourmet recipes and, of
course, some yummy Chinese
dishes, including Peking duck,
fried rice stick and beef and broc-
coli in black-bean sauce.
n a photograph taken in the
Lodz Ghetto, the camera cap-
tures the back of a boy, about
10 years old, the yellow star
on his right shoulder. He is about
to be deported.
Inside the ghetto, behind the
fence, is his mother. She is on her
knees, straining to speak to her
child.
The mother does not weep or
scream, but author Karl Plank
finds the position of her hands
most revealing: they cling to the
fence, as if drawing it — and her
child who is destined for death —
to her body.
qama,tereweut
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