6N/tree/elm Fee% rgtaitetm qietee 'Welded 1,wited 1164 7a tiletewt 7‘e Gourmet (Stonehill Publishing) I Singularly, the mother comes near to embrace, as she can, the realm beyond the wire fence. This, a fleeting gesture, yet fills the mo- ment with a presence that endures in the artifact and in the viewer's mind. Present to her child, the mother's final name is Comforter; her legacy, the dilemma of com- passion and the struggle to touch the other side. In Mother of the Wire Fence: Inside and Outside the Holocaust (Westminster John Knox Press), Karl Plank consid- ers such questions as: Is it possi- ble to empathize fully with the victims of the Holocaust? Can those who approach the Holo- caust in the aftermath ever know it in a way that does not trivial- ize its horror? With what lan- guage can we speak of such an event without betraying its meaning? In his analysis, Mr. Plank, as- sociate professor of religion at Davidson College in Davidson, N.C., reviews works by Primo Levi, David Grossman and Dan Pagis. He concludes with four of his own poems, including "Memo- rial" which reads, in part: 19% ...the women saw no body: these dead were to leave no trace as fires burned in the high wind. Pines were planted in the place where the camp once stood. They plowed it under as if to disguise the ground of Sobibor and its blackened skies. - Atevree nower 6.00 771 Good man, return to the emp- ty chamber where life became death and words, lies. Set a marker of stones and re- member that here you once saw the smoke rise. A spiring actors — and isn't that just about everyone (or at least everyone living in New York)? — will be interested in a new collection, Awake and Singing (Mentor) edited by Ellen Schiff. The book features seven classic plays, in- cluding Clifford Odets' Awake and Paddy Sing!, Chayefsky's The Tenth Man and Elmer Ricke's Counsellor-at-law. In her introduc- tion to the book, Ms. Schiff says she selected the works "to repre- sent the range of topics and themes, dra- matic styles, and social atti- tudes that char- acterize the American Jew- ish repertoire between 1920 and 1960. In subject or in point of view, each play incorporates what so- ciologist Steven M. Cohen and po- litical scientist Charles Liebman call the 'competing impulses: the urge to integrate into modern America and the urge to survive as Jews."' 0 Publicity Deadlines The normal deadline for local news and publicity items is noon Thursday, eight days prior to is- sue date. The deadline for birth announcements is 10 a.m. Mon- day, four days prior to issue date; out-of-town obituaries, 10 a.m. Tuesday, three days prior to is- sue date. 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Written by Paula Smith and Dorothy Seaman, Not Chopped Liver features fleishig recipes for everything from appetizers to veal to leftovers (yes, there's ac- tually a chapter on leftovers). Among the tasty treats high- lighted: veal cutlets tofunetti (for that meat-eating, health-food fa- natic in the family); melon soup (for the ginger lover in your clan); and no-bake chocolate souffle (for anyone in the family who has taste buds and brains and real- izes dessert, preferably chocolate, is the real main course of the meal). There's even a recipe for for- tune cookies, complete with some suggested fortunes with Judaic sources (Rashi: "Obeying out of love is better than obeying out of fear"). Not Chopped Liver! features Italian, Indian, French and Vi- ennese gourmet recipes and, of course, some yummy Chinese dishes, including Peking duck, fried rice stick and beef and broc- coli in black-bean sauce. n a photograph taken in the Lodz Ghetto, the camera cap- tures the back of a boy, about 10 years old, the yellow star on his right shoulder. He is about to be deported. Inside the ghetto, behind the fence, is his mother. She is on her knees, straining to speak to her child. The mother does not weep or scream, but author Karl Plank finds the position of her hands most revealing: they cling to the fence, as if drawing it — and her child who is destined for death — to her body. qama,tereweut 83