1
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PAGE TWO
(TIRONIGI.6
,ROUMANIA'SDENIALS
which obtain in the four
Hynes & Murphy Open Their Pair
store siready in existence, liynes &
Fifth Store in Upper Part
Muri ore opening a fifth store, In
which •1.• ideals pursued in their
of the City.
Z4c
Ciiibren's Toner
other re, will be carefully main-
he new store will carry a
Continuing their onward stride in taino 'I line
of drugs and sundries
the drag business in the upper part compi ,
of the city, as a result of the service and ii ■ 1 the accessories that make up
a mod,rn drag store.
REFUTED BY PAPERS
I.
ti.
,
Translat ions From Journals
Give Pict'!:,; of Jewish
1
f
'i
I„ Our Barber Shop
Ladies' Shingle
Bobbing
-,
„
s' ,
1. 7'f
Suffering,
to producing and directing plays. He
NEW YORK—(J. T. A.)—In spite
opened a small theater, producing a of the denials issued by the Rou-
kind of artistic vaudeville like the I manian minister to the United States,
Opening Tuesday, July First!
"Chauve.Souris," the Russian vaude- and the assurances given by the Rust-
By Sulamith Ish•Kishor.
ville which had such success in Am- martian
Minister
of Foreign
Affairs
D. J. HEALY'S
the Jewish
Telegraphic
Agency
is in
erica. Then he built a little theater a position to publish excerpts from
It Map time for the play to begin. on Unter lien Linden, that famous the Roumanian press, verifying its
The audience were finding their seats avenue of Berlin, and whenever he previous reports. The following is a
and taking off their hats and coats. found a young, unknown actor who verbatim translation of news appear-
ing in the Roumanian press about the
Gerhardt Hauptmann's famous play, seemed to him to have talent, he en- anti-Jewish excesses.
"The Beaver Fur," was being produc- gaged him and gave him a chance to The follownig item is from Patria
ed for the first time in Berlin, and net. Many wa II-known German actors from Cluj:
"On the occasion . of the festivities
everybody who was interested in then. had their first chance in this way. Ile
in Blaj, Transylvania, which a num-
ters and thematic art had conic to see produced M'ilde's "Salome," so beauti-
fully that it inspired Richard Strauss ber of college and university students
it. The actors were all gathered in
thing
about the attended, several incidents happened
to The
write mist
his wonderful
opera en that
subject.
between the youths and Jewish
their, dressing rooms. Suddenly a
messenger came hurrying in, and run- way in which Max Reinhardt directs travelers.
In the trains bound for Blaj, on
At the Lowest Prices Obtainable in Years.
his actors is his manner of making the
ning to the manager, told him that an crowds
act. You know, in some plays which students traveled, especially in
began t o
actor who had to play on of the most
it is nece,rary to have whole crowds the lo cal
Note: There is no substitute for real linen.
important parts, had suddenly died!
on the stage, and most directors find beat the Jewish travelers, compelling
The manager was in despair. There it very hard to arrange the people and them to leave the trains at all sta-
You will find no imitation linens in D. J. Ilealy's
was nobody who could take the part. to make them move about so as to look tions.
"One train was stopped in a field
Must
he close down the theater and natural. But Max Reinhardt has a
July Linen Sale.
and a considerable number of travel-
send away the audience? It seemed real talent for playing them in such
ers were compelled to descend, be-
that they would have to postpone the a way as to give new meaning to their tween two distant stations. Arriving
play, and lose a great deal of time and action. One seems to understand in Blaj, the students beat many Jews
money while a new actor prepared the what the crowd is feeling and think- and smashed the windows of the syna-
part. Then Max Reinhardt, a young ing even when they do not speak.
gogue. Upon the intervention of the
actor, who had never had any but the
Another unusual thing which Rein- authorities, severe measures were
least important parts, came up to the hardt does is to change the plan of taken to stop the riots.
manager and said:
lighting the theater. Whenever you
Repeated Their Attacks.
"If you will let ale try, perhaps I go to a play, you see a long row of
"Back in Cluj, by the morning
lights in front of the stage called the train, the students again started their
can art the part."
"Do you know it?" exclaimed the footlights; these lights glare in the beatings. In groups they entered the
eyes of the actors, and the audience cars and began beating all the travel-
manager in surprise.
"Yes. I learned it. I hoped you always feels conscious that the action ers who seemed to be Jewish. At the
en the stage is only play, and not real. stations between Blaj and Cluj, the
would let me try it some day."
"All right; go ahead," said the man- Reinhardt changed that. Ile made the Jewish travelers were forced to leave
lights come from whichever direction the trains. At all stations at which
ager.
The play began, Reinhardt acted in seemed most natural. lie placed lights the train stopped longer, the travel-
the place of the other man, and his on all sides of the stage, using as ers who were waiting for other trains
acting was the wonder of the whole ninny or as few as he thought neces- were also beaten.
"In Tejus, several fights took place,
performance. Everybody went out ex- sary. The result was that the stage
citedly discussing the wonderful work looked much more like a real room, after which several of the Jewish
travelers, who were badly wounded,
which he had done in this difficult where people were living real lives.
If you ever go to Berlin, you must had to be transported to the hospital,
All gifts one-half off.
We move in a few days.
role. For years afterwards, Reinhardt
"After the train started towards
was given the biggest roles in the visit the "Grosses Schauspielhaus," in
Your last chance for these sweeping reductions.
the
older part of the city, past the Old Cluj, between Tejus and Apahida,
most important plays, and he showed
such artistic power that the scenes in Bridge. Among a crowd of little the beatings continued, and in Apa-
which he acted were always the most houses the big theater rises, a huge, hida, where the train stopped longer,
dull red mass, without any ornamen- the travelers of other trains and those
interesting scenes in the play.
But Reinhardt did not remain an tation at all. Inside, it is like a gigan- who were waiting on the platform
1422 Farmer Street
actor; he began to turn his attention tic bee-hive, or like any one of those and in the waiting room were beaten.
great vaulted caves, with a frosty, Several of the wounded were trans-
A
grayish glimmer over the walls. The ported to the hospital, some of them
actors come up from below the circle by motor car, as they had suffered
of seats, and go up to the stage. It very serious lesions.
"It is affirmed that the number of
makes you feel as if it were all quite
real. Max Reinhardt produced the wounded is about 40. The police
play, "The' Machine Breakers," and headquarters of Cluj were informed,
when the crowds came rushing up but they couldn't do anything, as the
from the gang-way under the seats, incidents (lid not happen in Cluj.
"The Central Jewish office has sent
it was almost frightening.
You can imagine what kind.of a boy two telegrams to Bucharest, relating
what happened and asking for help."
Reinhardt
was,
from
the
way
in
which
36 Ad•ms Wed, 3 Doors East of Adams Theater
Serious As • Pogrom.
he simply went ahead and studied
The Currierul Israelit of Bucharest
someone else's part, just on the chance
reprinted
the following excerpts from
that he might be needed to act it. In
everything he did, he was energetic Roumanian papers:
"More
than terrible were the hap-
and thorough-going, and he used his
brains all the time He was born penings which took place in the morn-
ing
on
the
train, the passengers of
about 50 years ago, at Baden, near
Vienna, in Austria. His father want- which were taken unawares. A riot
against
the
Jews took place, the
ed him to go into the banking busi-
ness. Ile spent a couple of years at events being as serious as a pogrom.
The
beginning
was in Blaj and con-
this work, hug his mind was always
busy dreaming of the theater, and tinued uninterruptedly to Apahida
what parts he would like to act, and in such a manner that all the Jews
how he would like to see his favorite were beaten to the point of blood and
plays produced in this way, different thrown out of the train, so that the
from the dull, ordinary way In which train came into Cluj without a single
he saw them on the stage. In Vienna Jew aboard. At the various station s
they had a school of acting, and Rein- savage scenes occurred. Gangsters
rushed into the train at each station
hardt went there.
looked over the cars and whereve r
One day, while he was acting the they found Jews they struck the m
part of an old man, a visitor came in- and beat them until blood flowed are
Many being sold
to the room. The visitor did not look they forced them to leave the trai n
at anybody's else's work, only at Rein- at the next station.
22.00 values 12.95
below cost.
hardt's. When he had finished, the
"At the more important stations
29.50 values 16.95
39.50 values 21.95
5.50 values 1.95
visitor went up to him, and asked his where the train usually stops a littl
29.75
65.00
values
name and address. It was Brahm, longer, the scenes were beyond de
8.95 values 4.95
a famous critic and stage-director. scription. Those who were throw
Smart summer
Includes newer
16.00 values 7.95
Soon Reinhardt received a letter of- out of the train were severely baste
models of superior
models of flannel,
fering him an engagement at the up, as were those who were waitin
check velours and
All are of finest
Deutsches Theater, the best theater in for the train. The number of Jew
quality. White,
Germany, as soon as he had finished who were thus beaten up at the oars
twills.
Large
as-
light weight wools
pastel shades or
a year's training in his theater in ous stations is well over 100. Sons
sortment
of
styles
and silk, in V-neck,
Salzburg.
boldly
colored
in
of them have been mortally wound
and color combina-
bateau and Tuxedo
It was while he was acting the small ed."
stripes
and
checks.
tions.
parts assigned to him at Braln's the-
models.
ater, that he began to study all the
other parts, and to practice them, no PUPILS OF MISS DAVIS
that when the actor suddenly died, he
GIVE PIANO RECITA •
was able to take his place at once.
He could hate taken any other part,
too, if he had been called upon to do
Pupils from the piano class of Mis
it.
Edith Ella Davis were presented i i
Of. course there have been a great recital Monday evening, June 23, i i
many people who tried to imitate his the assembly hall of Temple Beth El
methods. Whenever a man creates new Those who participated were: Eleano '
ideas in his line of work, countless im- Barnett, Helen Fishman, Nathali
itators spring up. But they forget Ash, Sophia Balicki, Gertrude An
"SATISFACTION AND SERVICE FIRST."
that they can only imitate the finished Love, Wanda Kaiser, Leo Koscinski
work, they cannot imitate the brains Clairs Grant, Judith Birnkrant •
which keep on making one new thing Dorothy Brody, Esther Balbirer
after another. It is told of a certain Samuel Birnkrant, Pearl Bornstein
'
great actor, who suddenly sprang in- }Oise Linderman, Golda Gelb, Maria
to fame as the creator of a well-known Koscinski, Ida Brody, Esther Dick .
1
role, that another actor who was jeal. man, Miriam Goldberg, Ruth Hagen
ous of him. went to him after his final jos, Virginia Kaiser, Ruth Sherman
40;1
performance and said, "Your acting Sadie Brood, Jeanette Rabinowitz an
•
depends only on your make-up; if I Ilerzol Tigel.
v
r
FRENCH
had your make-up, I would act just as
FAMOUS
well." The actor turned around, pick:
;
PASTRY
SAGINAW NOTES
ed up the garments which he had just
"LOUIS"
taken off, and gave them to the other
SPECIAL
rnan,- together with complete instruc-
..„,
Mr. and Mrs. B. I. Rosenberg en •
ICE
tions as to how to paint his face and
)
,,,•
what kind of beard and hair to wear. tertained at a family dinner Sunda :
CAKES
in
honor of their fifteenth weddin i r
CREAM
Six months later the famous actor
(
s
returned to town. His would-be rival anniversary. Among the out-of-tow
CATERING
_
guests were Mr. and Mrs. B. B. Wei I
met him in the,street, and ran up to
and sons, Mrs. Paula Buchman an I
him and kissed his hand, exclaiming. Miss Florence Buchman.
"You are the greatest of artists, and
I was a fool to think I could imitate
Alvin Weil has returned fro n t
I your,gcniaa and brains simply by put- Alma College for the summer vaca
, ting on your make-up!" The great tion.
actor was the world-famous Chat'.
spin, the other man nobody knows
Jacob Korklan of Nashville, Tenn
about!
spent the week with his uncle an
So you see, in order to do new, great aunt, Rabbi and Mrs. Harry Korkla
things, era must have a real gift;
those who imitate only make foals of
Mrs. Nathan Rosoff and daughte
themselves. And many directors who of Detroit were the guests of Mr. an
have tried to run their theaters on the Mrs. Louis Runoff.
same plan as Reinhardt runs his, have
failed, because they did not take the
trouble to learn why he did this or WILL PRESENT PUPILS
that new thing, but only learned how;
.
IN PIANO RECITA '
they did not try to follow him, but
only to copy him.
This season, the "magician of the
Dan II. Sofer will present a num .
ALINOSI BROS., Proprietors.
stage," as he is called, came to New ber of his pupils in a piano recit e I
York, to produce a play called "The Monday afternoon, June 30, at 2:3 )
Try our
Our candies are made of ace1 We appreciate your past patron-
Miracle." This play—or rather, pan- o'clock, at Temple Beth El. The fob
age and hope to serve you
f
L I Gil T LUNCHES
beet ingredients in our own
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shops.
• great cathedral. So what do you mon, Rhoda Cohen, Dorothy Smit
think he did! lie had the inside of a Beatrice Ehrlich, Helen Ehrlich, Mu
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very large theater, The Century, re- riel Scholnick, Marie Edington, Shi
built until it looks just like a cathe- Hershman, Michael Garagusi, Flo
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and if you live in New York you must Dina Berkovitz, Manning McClure,
9314 Woodward Avenue 17231 Mack Ave. at Blvd. 7201 E. Jefferson at Blvd.
try to see this great performance, Rosalie Baruch, Fannie Wexler, Ruth
Phone Edgewood 4105
I
Phone Melrose 6712
Phone Empire 5924
which was created by two Jews, Max Ehrlich, Sol Rabinovitz, Lillian Gold-
Reinhardt, the director, and Morris berg, Irene Becsky. The public is in-
vited.
Cent, the producer.
MAX REINHARDT
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