September 11, 1963 (vol. 10, iss. 2)

… .. ' VOL.X,NO.2 AA( A7 OMORROW'S MATH, by C. Stanley Ogilvy, Oxford University Press, $5.00, 167 pages. JNDER the "total opportunity" rushing schemes at some campuses, a central ommittee tries to produce the maximum umber of good "fits" after fraternities ubmit lists of names and candidates turn a orders of preference. At present only ut-and-dry methods are used to pair andidates with fraternities. Nobody has 'et developed a systematic met...…

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…- * a ~ .4 ~ a *~ , "Pt F - w w" r ! Aft to * t 0 DELACROIX: 'Beauty Through Boldness' (Continued from preceding page) ing can be. It also presents an accessible illustration of what he believed drawing should be. LIKE HIS BELOVED Rubens. Delacroix employed a free play of lines, lines whose purpose was not so much to separ- ate one object from another as to present the life and effect of the subject. The artist saw no power in a sin...…

…r dsk S., . I - i a w om w-- w. * 0 * a EUGENE DELAGRC 1798-1863 Into an Epoque Dominated by the Classicism of (Continued from preceding page) Norman Mailer wrote in July's Esquire, "Baldwin's characters maim themselves trying to smash through the wall of their imprisonment." That prison Baldwin's characters dis- cover is black, mysterious, inexplicable-- far from the suburban anxieties of John Updike's neatly marbled caricatures. ...…