Wednesday, October 5, 2022 — 7 Michigan in Color The Michigan Daily — michigandaily.com “Childhood is not from birth to a certain age and at a certain age/The child is grown, and puts away child- ish things/Childhood is the kingdom where nobody dies.” ― Edna St. Vincent Millay I remember exactly where I was when Alex told me to write. More specifically, he said, “You know what you need to do. Just write about it.” We were crammed on the platform, a block or two from Cornelia Street, slick with sweat and desperate to get on the subway. I nodded and smiled, but I didn’t have the heart to tell him the truth and still don’t. The truth is I can’t. I can’t write. I’ve found myself in three of the most inspirational cities in the world in the last four months. As a girl who still lives eight miles from where she was born, this experience should be the kind of eye opener that connects me to my writing, but no, it’s not. The thing no one tells you about being a writer with writer’s block is that it’s not that the ideas and inspiration aren’t there. They are there. You feel them crawling under your skin. Fragments of sentences that are so close to perfect, grazing the back of your mind like, for lack of creativ- ity, a broken record. The real prob- lem is that there’s a disconnect; an inability to tune into the frequencies surrounding you and communicate them. Have you heard the story of the whale that was out of frequen- cy? It’s referred to as the loneliest whale in the world, forever bound to believe it is alone solely because no other whales can hear its calls. Sometimes I think about the whale going miles and miles in search. Sometimes I think about how I feel like that whale and I’m struck by how terribly uncreative the thought is. Sometimes I punish myself for not pushing myself harder only to subse- quently be frustrated by how hard I am on myself. I can’t remember where I heard it, but I’ve thought often about the argument that time is not linear, it’s stacked. So in theory, everything that is happening has already hap- pened and everything that is going to happen has already happened and is currently happening. I’ve always interpreted it as everything I’ve gained and lost is always there, just simply with me. This thought has always comforted me. My best friends have moved away, graduated, but maybe if I close my eyes hard enough, sitting on the porch we used to cram ourselves into regularly, I’ll be able to be there again. I’ll be her again with all my friends, listening to folklore for the first time while standing on the table. If I concentrate enough, Rita’s hodgepodge collage will suddenly be removed from the tabletop, as if it was never there, and be replaced by bottles and lit candles and the needle we had used to pierce Hugo’s ear. But what if I took it further, to another place I never wanted to leave? What if I never actually left New York? Just stayed in the same spot for ages through sheer force of will? If I stayed on that subway indefinitely back then in Manhat- tan would I eventually go back to the start? Travel through time right back to the beginning? Do you think if I stood here long enough I’d go back to where I was, to who I was? Could I feel the chill of the New York night air pass through my teeth one more time? The sun press against my back? I bet if I sat on the 4 line long enough I would go back again. Would I feel time stacking like some overlapping thing that piles and piles on? Would I feel myself pass right by me, content with the life she created? I have a hard time letting go of things, especially the past. This is not necessarily conducive to this period of life. I’m currently 21. At 22, I will be graduating and leaving the city and this eight mile radius in which I have spent most of my life. Life will transition into either Chicago or New York, where most University of Michigan graduates move. At 25, I will statistically have the most friends I will have ever in my life. The number will taper off gradually as I get married and have children and move to the suburbs and, God forbid, participate in a car- pool. Between 35 and 55, I will have some internal midlife crisis, moving to a farm to complete my first novel or finally deciding to get my MFA. This will be a somewhat successful endeavor. At 60, I’ll retire and apply for that AARP membership. Life will continue on and I’m terrified. I’m not scared of aging or the increasing responsibility or of how life inher- ently gets more and more narrow as more and more choices are made. I’m terrified that I will be in that car- pool line staring off into the distance willing myself to be able to go back. I am terrified that I will continue to remain disconnected and unable to write again. Even more so, I’m terri- fied that I will always be trying to go to where I was and who I have been, forever wishing I stayed on the sub- way back then or on the porch with my friends in Ann Arbor. You want to know the quickest way to feel old? Go to Festifall. See, I had been contemplating whether or not to smile knowingly at the fresh- men wandering past or make a run to the nearest injectable place and get Botox, when I failed to notice a bright-eyed freshman blinking at me. “What if I can’t produce content?” she said in a childlike voice that made me sound as if I smoke ten packs a day. She seems familiar. Like she could very well be me. Not me at this moment, but who I was on that Ann Arbor porch three years ago before I ever went to New York. She’s the me that I have to still face as time stacks and overlaps. She’s the me who can’t write a piece and the me that clings to a childish nostalgia. I blink. She then asks me, “How do you get over writer’s block?” My stomach drops. I wish I could tell you I didn’t lie to her. I did. I told her some bullshit about seeking new experiences and finding new sources of inspiration. What I should have told her is this: “Everyone gets writer’s block. I haven’t written a complete story in months. My latest piece is getting published this month; it has taken since May to write, since most of it is just unfinished thoughts about how I’m absolutely terrified about life. It’s scary and I don’t know when this dis- connect with my writing is going to exactly end, but I have a hypothesis. It’s growing pains. Writer’s block is just growing pains. It’s the hurdle between childhood and adulthood. I bet, if I learn to let go of living in the past, then I won’t miss the future me passing right by like strangers on a subway. If I just stop trying so hard to go back to the old me, I will finally hear those frequencies again and finally be able to piece together those fragments of near perfect sentences and write. Write something new.” Or maybe not. On writer’s block Beginnings as endings In the beginning, God created the Heavens and the Earth … and this two-thousand word Michigan Daily article. Indeed, it is crazy to believe, insane to think the piece you’re stumbling across at this moment might’ve been planned out since the dawn of time. And while origins of the Universe remain the subject of much dualistic debate, there’s no denying that our mystifying fascina- tion with the start stays stuck in our mind. The start and the end remain divinely intertwined. One doesn’t have to look any further than Beyon- cé’s Renaissance to witness how riv- eting a seamless transition from one song to the next can be. Upon first listen, I re-call, as do many others, feeling uncertain in my ability to dis- tinguish the beginning of one track and the end of another. Such seam- lessness can place us into a flow state so sublime, we apprehend the linear experience of time itself. Similarly, September is certainly a time in which we can see the lucid interplay of beginnings as endings with the start of school followed by autumn’s imbricating advent devouring whole the remnants of a departed summer. In the enveloping, we too are squelched … by school/ work schedules swiftly changing and weather patterns vastly re- arranging. Soon, we arrive in the underbelly of adversity, hardship and woe — fully estranged from the for- mer glory of a season past. Fall begins, foisting the forces of late-stage capitalism onto us in full swing. The damning compul- sions of academic and professional life leave us as lifeless as the fallen leaves. Sordidly, we flounder in a frenzy of applications and audi- tions, mass meetings and recruit- ment, harrowing responsibilities and harsh deadlines. Summer feels like sustained heat and unrestrained youth. Fall feels like chills, chim- ing in exponentially, brisk but not as cold as the chains of autumn’s adult- hood taking hold. For me, this fall in 2022 happened to fall in the humble beginnings of my adulthood — roll- ing forward toward the end of my post-secondary academic career all the while laying pregnant with the prospects of my future professional career. All that to say: it’s the beginning of the end of my college experience. This month has mixed us seniors in a slew of last firsts. Last first day of school. Last first Game Day. Last first shows, last first articles, the last of the firsts which shall first and fore- most last til we take our final steps on Graduation Day, having finished our formal time here as students at the University of Michigan … Personally, I ain’t thinking ‘bout that right now. Right now, I been staying stuck in the right now, the righteousness of the eternal, now moment. Now, my meeting with the current moment is not without significant consideration of the past, the future, the lasts, and the firsts which shall not go unforgotten. Instead, I realize that in reconciling our origin with our destiny, we can become inten- tionally aligned with our true self in the present, not neglecting our past nor future, but remaining undeterred by their detriments nonetheless. As Indian guru Nisargadatta Maharaj asserts, “When life and death are seen as essential to each other, as two aspects of one being, that is immor- tality. To see the end in the beginning and the beginning in the end is the intimation of eternity.” Many of us have pondered our own destiny, whether consciously or unconsciously. We are all aware these lives are impermanent. We may ruminate on after-lives, heavens and hells, or opt out of such specula- tion perhaps out of anxious appre- hension. Yet, shall we re-call that our endings are inseparable from our beginnings, then we might find our- selves not fraught with fear by death but in deep understanding of its over- arching potential to serve as to what Japanese author Hiroshi Obayashi refers to as the “liberation of noble soul from bodily prison.” But is this bodily existence a pris- on? Are we trapped here on Earth? Serving time for misdeeds done in past lives on previous planets or planes of being? What led us to live these lives in the first place? While ruminating on destiny can lead to deliverance, we ultimately must attempt to understand our origins in order to be fully aligned with our true self. Pondering pre-existence can lead us to be more curious about the ori- gins of everything in our life. How did we arrive where we are at this moment? Why this life? Why now? What events led up to this instance? How might we have ended up else- where? So often do we set out at the start of an experience with taut expectations and preconceived notions. Our ego wants us to be in control to be comfortable. Ironically, it is typically not til we embrace the discomfort derived from relinquish- ing our power to divinity that we feel most able to act. When we forgo our desire to control and trust that all things are working for our good, that this eternal moment is sacred and full of meaning, we find ourselves enriched by all the possibilities our Creator has in store for us. As English philosopher John Ellis McTaggart states, “A state of absolute perfection would render further death improb- able.” In other words, without con- flict we would lead a monotonous existence devoid of meaning. Once we acknowledge we are always arriving in the moment, conflict becomes an opportunity for growth. In our pre-existent state — wheth- er we believe that to be constituted by past lives or some form of previ- ous consciousness — we undoubt- edly acquired the qualities and skills inherent to us in this life which ini- tially seem innate. Much like how our previous experiences in high school, middle and elementary carry themselves over into college, much like how the residue of our long-gone sum- mer dwells with us, now, well into the school year, the lessons learned in our previous existence (whatever that may be) certainly re-mains part of our self. As McTaggart claims, “If the same self passes through various lives, any change which happens to it at any time must affect its state in the time immediately subsequent, and, through this, in all future.” This is not to say we are fully determined by what’s come before, as we know with our bodily experience that this is not the truth. McTaggart draws on the notion of forgetfulness in order to elucidate his point about us losing memories of important events that nonetheless have dutiful- ly shaped our self, provided signifi- cant value and affected our essence. He maintains that memory makes us wiser, more virtuous and indicates to us that those we relate with have loved us and have been loved by us in the past. Yet while we do forget astounding instances, we do not necessarily regress. Their relevance endures on an energetic level. It’s the feelings of déjà vu or delight that we get when we experi- ence a moment that feels timeless or transcendent. When the music at home, in the car or at the club blesses with unremitting beloved bliss. When we hear a word, phrase or even a single syllable that sits with us, lingering long after being uttered. When seeing someone for the first time feels like a re-union at last. At the very least, we can re-cognize, fully re-Sourced, how subtly we’ve been informed by forces originating from lifetimes ago … and with this knowledge, know that our everyday decisions in the moment will in part determine our ultimate destiny, stay- ing with us as we enter dimensions beyond in death. I think about this now, as I am, like I said, stuck in the moment. I think about how little so much of what I do now will matter upon the academic death that is graduation. Moving on from Ann Arbor next year, I wonder how many relationships will fade, devotions disappear, fires inevitably extinguish, alliances and associa- tions wither away. And while I know many of the ties I’m maintaining at the moment may not necessarily “matter” in nine months, when I’ve moved on, what will prolong, what will matter and what I will re-mem- ber is the supreme impression it all has had on my soul. On a much more miniscule level, there’s always the day-to-day begin- nings as endings that entreat us to treat our daily endeavors with an underlying episodic awareness. “The day is an epitome of the year,” as Transcendentalist Henry David Thoreau remarked, and with that in mind, it becomes clear that each morning is a master class in spring- ing back to life as is the month of March. When asleep we lose touch with our conscious self. Thus, our dreams do resemble a death of some sort. As analytical psychologist James Hillman describes, dreams are chil- dren of the Night linked closely to Sleep and Death. He posits that, “We may believe we are living life only on the level of life, but we cannot escape the psychic significance of what we are doing.” In between the start of a new day and the end of an old one, our dreams scaffold us into the dregs of the underworld. As Hillman postulates, dreams plainly put, ask us, “Where is my fate or individuation process going? … We know (exactly) where our individuation process is going — to death.” Yet upon waking, we are given life, yes? It makes sense then, why we often wake — if allowed proper rest unfettered from the reins of capital — regenerated, renewed, reborn. If our waking up is rehears- al for a future resurrection, then it would do us well to ensure that our mornings are filled with the most fine-tuned spiritual practice. Needless to say, this is rarely the case. How frequently do we awake and find ourselves fixated on the first worldly pleasure we can find? Nowa- days, our phone alarm so effortlessly facilitates us into the fold before we are even completely conscious. Every morning is now an immedi- ate marination in the matrix of mass programming and corporate control. And if we’re not apprehended by the allure of our phone, then we’re likely caught in the clutches of caffeine, nicotine, marijuana, white sugar or sexual gratification. Wrapped in a wounding world of vice, we greet mornings with such wretchedness, leading me to wonder if we fear our most natural state. Are we afraid to be alone with our thoughts? Alone in our body? Alone as our Self? It seems the social stratification of clock-time has con- stricted our ability to truly be on our own when white supremacy and late-stage capitalism prey on every minute of our day from the moment we wake up. Mandated early meet- ings, classes and work shifts are all imposed as absolutely important, subjecting us to punishment when we fail to meet societal standards which we did not agree upon. Even in isolation or supposed solitude, we are only one email, one phone call, one text message and countless social media applications away from con- necting. Always allowing everybody to access us, even in digital space, at all times, has scathing implications on a somatic and energetic level. No wonder we’re so quick to quell our everlasting discomfort with deathly material delights. Under our current cultural socio- economic system’s hierarchical structuring of social time, every awakening is a rude awakening. We are always tired. Our nervous sys- tems are always dysregulated. We are always experiencing some form of physical, emotional and spiritual depletion. Collectively, we’ve been robbed of the relaxing joy of an early rise. No longer do we view our morn- ings as a revival in which we are to actualize our abundance upon open- ing eyes. With that said, we might consider resolving to start our mornings with reflective, soul-enriching activities. Journaling, meditation, music, exer- cise and simply existing in the quaint glory of a quiet sunrise can allow us to clearly see, feel and witness the all-encompassing beauty of morning. Mornings build momentum! If we are to see the day, the planetary hour as our life and death cycle on display, then we can simply say that in the morning we are a mere child. But as the day goes on, and we drastically develop, have formative experiences, learn, love and lose til finally, we’ve aged, acquainting ourselves with the wisdom of the night. It would do us good to embrace this wisdom, these nights which as we know, exist as beginnings in themselves. The day is on its death- bed but the night is still young. Espe- cially on the weekend, our nights are rife with potential. Bountiful new beginnings open up at the end of the day when we roam and play in the darkness, in deep space, in divinity, in non-duality, in between in-betweens. Of course, in between the begin- ning, the end, the morning and the night, there is the middle. Too often do we overlook the middle in which we are not straddling two extremes but meandering in the mundane. Just as summer situates itself as the high noon of our Earthly seasonal cycles, there’s something about the sustainment, the warm, endearing sensation of a mellow after-noon that invites us to be idle. To rest. To re-connect with others. To take life a little slower. To bask in mediocrity. In the middle. And at the moment. And in the after-noon when sum- mer is over, evening arrives, as does Fall. We fall back into place, once again arriving in autumn, not yet deterred by the dead of winter, of night, of self in slumber. Instead, we arrive — sensibly so in September — in autumn, in evening’s middle-aged maturity, reveling in the knowledge of setting sun. By then it seems we’re nearly back to where we began. At the end. KARIS CLARK MiC Columnist KATHERINA ANDRADE OZAETTA MiC Senior Editor Design by Meghana Tummala Design by Evelyn Mousigian