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March 30, 2022 - Image 2

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The Michigan Daily — michigandaily.com
News
2 — Wednesday, March 30, 2022

Art & Afrofuturism panel explores the work

of late author Octavia Butler

PHOTO

ADMINISTRATION

GENEVIEVE GRUENLER

Daily Staff Reporter

ALLISON ENGKVIST/Daily

An Ann Arbor resident wheels his display of two different worlds through campus during the Climate Strike Friday afternoon.

The Michigan Daily (ISSN 0745-967) is publishing weekly on Wednesdays for the
Winter 2022 semester by students at the University of Michigan. One copy is available
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Experts discuss intersection of Black popular culture, science fiction and activism

The
LSA
Institute
for
the

Humanities and the University of

Michigan Arts Initiative explored how

Afrofuturism — a cultural aesthetic

emerging in the 1990s that combined

elements of science fiction and Black

popular culture — manifests in art today

in a virtual panel Wednesday night.

The panel was a part of the

University’s
Octavia
Butler
Week

programming in honor of African

American author Octavia Butler who

received a MacArthur Genius Grant in

1995.

Four panelists were featured and the

panel was moderated by Christopher

Audain, managing director of the U-M

Arts Initiative. The panel discussed the

intersection of art and Afrofuturism in

light of the upcoming U-M theatrical

adaptation of Octavia Butler’s post-

apocalyptic novel Parable of the Sower.

Naomi
André,
professor
of

Afroamerican and American studies

and women’s and gender studies, began

the panel discussion by talking about

the function of art in an Afrofuture.

Andre said Afrofuturism is a space of

possibility and art can help realize that

possibility.

“Metaphorically
art
can
be

a
spaceship,”
Andre
said.
“The

destination of the spaceship is that space

of possibility … a place where Black

people are treated as fully human. A

place where Black folks do not need

handouts or special treatments. It is a

space where all people are part of the

same whole where the smartest and

the best people come from all racial

backgrounds and ethnic backgrounds.

Art can help us think of these places,

envision these landscapes.”

Tananarive Due, a lecturer in the

department
of
African
American

studies at the University of California

at Los Angeles, spoke about her work

with horror. As a genre, Due said, horror

can be a form of escapism for members

of the Black community because the

danger portrayed is not real, unlike

the ever-present threat posed by white

supremacy.

Due then spoke about her mother’s

experience as an activist in the 1960s.

She said that her parents were living

proof that change was possible through

action and that through activism,

change was already happening.

“I’m often struck by the irony of

how that social agitation in the 1960s

was in sort of a futuristic vacuum,”

Due said. “Because you’re fighting for

a future you do not know how to even

anticipate, and in fact, some of the

things that those activists in the 60s

would have considered futurism were

already happening, but just outside of

their knowledge, which is one of the

things about Afrofuturism that is so

exciting. It’s not only the arts, but it’s the

activism.”

Susana M. Morris, an associate

professor and scholar of Black feminism,

Black digital media and Afrofuturism at

Georgia Institute of Technology, then

spoke about the power she felt when she

first met Octavia Butler.

“The idea that the only constant

(in the world) is change and that we

humans, even working class Black girls

with big ideas have the power to truly

shape our world for the better or worse,

was thrilling,” Morris said.

Morris then spoke about the idea of

a “positive obsession,” something that

Butler described herself as having.

“(Butler) called her deep unmitigated

desire to create art and share her work a

positive obsession,” Morris said. “Butler

said her positive obsession became a

higher calling and wished everyone to

have a positive obsession.

John Jennings, professor of media

and cultural studies at the University of

California at Riverside, also spoke at the

panel about the rise of Afrofuturism and

his work translating Octavia Butler’s

novels into graphic novels.

“I can’t relate how difficult it was to

work with but also the amount of pressure

it was … thinking about this from a kind

of vantage point of us collaborating with

Octavia Butler and trying to figure out

how to translate her words into a graphic

novel,” Jennings said.

In the question and answer portion

of the event, Rackham student Symone

Campbell asked the panelists for

recommendations of texts or films for

Black students who want to learn more

about Afrofuturism.

“Start with the dark matter series,”

Jennings said. “These are collections

of speculative fiction by and about

people of color. They are a really good

subsection of work in various genres.”

Morris added that Afrofuturism is

closely tied to the idea of Black joy, which

celebrates the accomplishments and

experiences of the Black community,

despite centuries of discrimmination

and trauma.

“Afrofuturism
as
a
cultural

movement is fundamentally Black

joy centered, because to posit a future

where Black folk are centered, not

marginalized, where we are absolutely

necessary for the continuance of human

society is a hopeful project, is a project

that is joyful,” Morris said.

In her final remarks, Due said

that younger people have a different

perspective and that the younger

generation has the ability to question

aspects of the world that older

generations have settled into.

“There’s a part of us that has settled

for what reality is and the way the

younger generation has not, they look

out and say why,” Due said. “So let’s …

have the imagination at least to listen

to someone who’s trying to picture and

point a path toward a different way.”

Daily
Staff
Reporter
Genevieve

Gruenler can be reached at gruenler@

umich.edu.

Read more at MichiganDaily.com

Jonathan Vaughn working with private
investigator on allegations the University
sanctioned Anderson study on athletes

ANNA FIFELSKI
Daily Staff Reporter

California-based company GET BIT to handle the case pro-bono

Jonathan Vaughn shared a press

release on March 11 announcing he

hired a private investigation company

based in southern California, GET

BIT, to investigate allegations that the

University of Michigan “sanctioned”

a study by Dr. Robert Anderson that

researched the sperm of “elite athletes.”

The press release alleges Anderson

forced athletes to provide sperm

samples and illegally sold the sperm to

unknowing parties. According to GET

BIT, the Private Investigator company

is handling the case pro-bono.

In May 2021, WilmerHale, an

independent law firm hired by the

University to investigate allegations of

sexual assault against Anderson, found

that hundreds of the allegations are

credible. The report also stated that

several University officials were aware

of Anderson’s misconduct.

University
spokesman
Rick

Fitzgerald wrote in an email to The

Michigan Daily that WilmerHale didn’t

find evidence of the new allegations

against Anderson.

“While the WilmerHale report

contains references to Anderson’s

interest in male reproductive health,

including the collection of semen

samples, the investigative team found

no evidence of the activities alleged in

the press release you cite,” Fitzgerald

wrote.

Fitzgerald added that the University

provided
many
documents
and

pieces of evidence to the WilmerHale

investigation, but he did not directly

respond
to
inquiries
about
the

University participation in the GET BIT

investigation.

“It’s also worth noting that the

university provided WilmerHale with

unfettered access to more than 200

individuals, 2 million documents from

the Bentley Historical Library, 125

boxes of paper personnel files and tens

of thousands of other documents.”

According to Luis Bolaños, founder

of GET BIT Investigations and the

private investigator for Vaughn’s case,

the “Hail to the Victims” investigation

is considered a criminal investigation.

Bolaños
said
he
reached
out

to Vaughn about conducting an

investigation when he saw a headline

about Anderson and was reminded of a

2020 lawsuit in California that was filed

against a late sheriff who was found to

have been involved in one of the largest

child molestation and sexual assault

cases.

“I had no idea what was happening

in Michigan,” Bolaños said. “I’ve never

heard of Jon. I had no idea who he was.

I had no idea of Dr. Anderson and the

allegations against him. But between

(Anderson and Duffy), there are

thousands and thousands of victims,

so that’s why I first heard about it and

(what) made me want to reach out to

(Vaughn) and talk to him a little more.”

Vaughn said he decided to work

with GET BIT because he and other

survivors are still looking for answers.

“There were two times specifically I

remember offhanded comments where

Dr. Robert Anderson said (he was)

trying to figure out how to create the

perfect Black athlete,” Vaughn said.

Vaughn said he began his personal

investigation
into
his
and
other

allegations against Anderson in 2020

after hearing similar stories from other

survivors.

“This is something that I have

been investigating since early into the

mediation process, (which) dates back

to probably September or October of

2020,” Vaughn said. “It was just very

clear to me and to several of us survivors

that there was an issue with the location

of not only our medical reports, but

we got several stories that they were

destroyed or they kept them for 10 years

and then destroyed (them) or they don’t

exist.”

Bolaños said GET BIT and Vaughn

are working with Promoting Awareness

| Victim Empowerment (PAVE) to

schedule virtual and in-person press

conferences surrounding this issue.

PAVE founder Angela Rose told

The Daily she was inspired to start this

organization after she was abducted

and assaulted by a repeat sex offender

when she was 17. Rose said PAVE is

working on setting up a half-day virtual

summit dedicated to supporting male

survivors.

“People knew that these things were

happening (and) I don’t know if they

just don’t know what to say, or do, or if

their moral compass is broken or who

knows what the reason, but there are a

lot of men in a lot of pain right now and

so I feel like it’s our job to try and do

something proactive,” Rose said.

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