The Michigan Daily — michigandaily.com Opinion Wednesday, February 2, 2022 — 9 I f you’re like me, you’ll agree that winter semester did not begin Jan. 5, at least not in spirit. With both students and professors adjusting to hybrid and in-person classes as well as spend- ing a majority of the first two lec- tures going over syllabi and basic course structure, the semester started off slow. When did things really begin? Jan. 18, the day after the Martin Luther King Jr. long weekend. My start was similarly sluggish. For instance, I decid- ed to spend that long weekend rewatching my favorite TV show from 2021, “Ted Lasso.” During my two-day long binge, I came across what is probably one of my favorite quotes ever: “You just listen to your gut, okay? And on your way down to your gut, check in with your heart. Between those two things, they’ll let you know what’s what.” For as long as I can remember, be it the biggest Bollywood stars from back home, the cream of the Holly- wood crop, or the most awe-inspiring storybook heroes, all of their portray- als had one trait in common: brav- ery. From Hermione and Frodo to Jack Traven from “Speed,” I idolized characters who were able to defy the odds and do what they thought was right, even when everyone was tell- ing them not to. I looked up to them because they had the uncanny ability to, time and again, do as Ted Lasso so eloquently said: trust their guts and follow their hearts. As I grew older, however, and was confronted by the prospect of making life-changing decisions, I realized that it is easier said than done. Case in point: my decision to attend the University of Michigan. With this year’s early action deci- sions right around the corner, I can’t help but be reminded about how stressful April 2020 was for me. With the Indian government send- ing everybody into a total lockdown on March 23 following the outbreak of COVID-19, I decided to try and make the best of my circumstances. I resolved to finalize which college I would be attending and made quick and early progress by narrowing down to two choices at the begin- ning of the month. Thirty days later, after multiple spreadsheets with rubrics that considered everything from weather to alumni network and phone calls with every distant cousin that had any connection to either uni- versity, I had made no progress. Yes, it was frustrating, but a part of me saw it coming, because I knew inde- cisiveness ran in my family. It wasn’t the first time I had second guessed myself, and it wasn’t the first time I had lacked conviction. Feeling lost and disappointed, I remember calling my best friend and telling her about my dilemma. All she had to say was, “ After a point you have to stop making lists and just go with your gut.” The next day I paid my deposit for the University of Michigan and have not looked back since. To all those currently contemplat- ing their next steps in life, be it your college decision, asking someone out to the homecoming dance or pick- ing between two ice cream flavors at Ben and Jerry’s, I only have one thing to say: have faith in yourself. Lists, rubrics and spreadsheets are good and I will always affirm that the solu- tions to many of our problems can be found through simple and logical reasoning. In truth, deciding which criteria I was going to consider for my university rubric and what weight I would assign to them gave me a clear idea of what I wanted from my college experience and helped me immense- ly. Nevertheless, once I realized that, even after a month, I was no closer to knowing where I would be in Fall 2020, I learned that even reason has its limitations. Only intuition could fill the gap. I am hardly an expert, but when- ever I’ve found myself stuck without any apparent rational next step, I did what I felt was right. That, I think, makes all the difference in the world. It doesn’t always work. In fact, it blew up in my face on a couple of occasions. After all, even Frodo, the usually unshakeable hero, hesitated at the end of the “Lord of the Rings” movie and was consequently subject to some bodily harm. But there is no better way to prove to yourself that you are in control of your life than to follow your instincts, because they’re one of the only things that are 100% you. They are the purest, most organic choices that you can make, and as Ted Lasso so brilliantly recalled, “It is our choices that make us who we truly are, far more than our abili- ties.” PAIGE HODDER Managing Editor Stanford Lipsey Student Publications Building 420 Maynard St. Ann Arbor, MI 48109 tothedaily@michigandaily.com Edited and managed by students at the University of Michigan since 1890. JASMIN LEE Editor in Chief JULIAN BARNARD AND SHUBHUM GIROTI Editorial Page Editors ficial position of The Daily’s Editorial Board. All other signed articles and illustrations represent solely the views of their authors. EDITORIAL BOARD MEMBERS Julian Barnard Zack Blumberg Emily Considine Brandon Cowit Jess D’Agostino Ben Davis Andrew Gerace Shubhum Giroti Min Soo Kim Jessie Mitchell Zoe Phillips Mary Rolfes Nikhil Sharma Jack Tumpowsky Joel Weiner Erin White F or more than 150 years, DTE Energy has generated energy for the state of Michigan, and now serves 3.5 million customers. DTE Energy, a private company, supplies energy to the people of Ann Arbor as well as the University of Michigan. However, recently DTE has been leaving their customers “in the dark,” with over 158,000 customers left without power in August 2021. Michigan is the fourth- worst state in the United States when it comes to average time to restore power to a customer after an outage. These paying customers are tired of this monopoly company with a lack of reliability and clean energy generation. While DTE has made promises to reduce greenhouse gas emissions, there is no competition holding them accountable. DTE has promised to reach net zero carbon emissions by 2050, but this will also increase rates for customers by $3.18 per month. Michigan also performs below average compared to the rest of the United States when it comes to reliability, affordability and environmental impacts. Due to these issues, many have proposed a municipalization of energy production in Ann Arbor to create a community-owned utility. Municipalization is the transfer of all the assets of a privately owned company to a public institution. One of the most pivotal benefits of such a change would be reliability. Such a switch to public ownership might lead to quicker response time during emergencies as the utility is in local hands. Furthermore, publicly owned institutions are not profit driven, their central focus is instead on catering to the citizens of Ann Arbor by making the utility more affordable. Public power also involves citizens in the decision making process, which would represent a significant step towards helping the people of Ann Arbor reach their goal of clean power — one that they have been crying out for. A switch to public power might also prompt long-term thinking regarding more sustainable forms of generating energy; this is something a private firm — under pressure to deliver short-term profits and keep shareholders happy — might not find the time and resources to do. In light of this push, as well as the issues with DTE that precipitated it, the Ann Arbor City Council voted on Jan. 18 to begin a study into the effectiveness and feasibility of a municipal electricity program. Although the aforementioned benefits of public power would seem to suggest that such a study would simply be a delay — if public power is such an unalloyed good and so necessary to fight climate change, we should be willing to spend large sums of money on it — there is not a consensus on whether or not it would actually be the right thing to do. While DTE has unsurprisingly come out against the proposal, opposition, or at least apprehensiveness, is not limited to those with a direct interest in seeing the project fail. The City Council resolution to create this study had been debated since last September, with some members pushing for a more extensive survey given their concerns. Why do some people still doubt the proposal? The truth is, municipalization is hard, with the last successful municipalization project in Michigan dating back to 1912. Creating a public utility is an extensive, difficult process that requires support and commitment from the community. Not all municipalities are successful, for reasons ranging from political battles to a lack of momentum required to complete such a long and arduous process. In the case of Ann Arbor, there is also the issue of having to buy out DTE’s existing infrastructure, an expensive purchase, considering the breadth of infrastructure and investment present, that will be an early and significant roadblock if the municipalization were to go ahead. But Ann Arbor is different. The large public university that lies within it can facilitate the steps that need to be taken. Someone must “spearhead” the development of this utility by promoting the concept to the community, discussing with the local government and handling legal aspects, and the University of Michigan is an institution large enough to do so if they wished. Not only does the University have a considerable influence on the Ann Arbor community, they are also the largest consumers of power in the city, which would make any public backing of the municipalization on their end a game-changer. Over and above providing some much-needed resources for the process, they might also be able to play a key role in helping build the aforementioned sustainable power system. There is precedent for such a concept. A glance at East Lansing yields a prime example — Michigan State University’s T.B. Simon Power Plant. Moreover, the University of Michigan has already shown signs that it is willing to move away from carbon-based energy sources.In 2019, the U-M campus consumed a total of 6,924,524 MMbtu, which was primarily generated through cogenerated steam and natural gas combustion. The University has switched a portion of its own energy usage away from DTE into its own production because of the unsustainable practices of DTE. Supporting a transition away from purchasing DTE Energy would illustrate to the public that the University views sustainability as a priority to combat climate change. In the past, the University has been unable to take a larger step due to lack of funding and incentives, but a partnership between Ann Arbor citizens and the University could prevent this. The University is a consistent and organized presence in the city, as opposed to the student body, which undergoes massive turnover every four years. They should take an active role in energy production and distribution in Ann Arbor, as that is key to the environmental goals it claims to back. From The Daily: The potential of public power THE MICHIGAN DAILY EDITORIAL BOARD RUSHABH SHAH Opinion Columnist Trust your heart; it knows the way N o one likes to feel abandoned. This is especially true as the dead of winter approaches, with seasonal affective disorder and the current omicron surge combining to leave many people feeling increasingly isolated and lonely. Jan 2., or Dating Sunday, an unofficial holiday that sees the busiest activity across multiple dating app platforms, falls right in the middle of this. The explanation for the intense surge in dating app usage at this time is that the day falls right after holiday blues, when people have set New Year’s resolutions and are counting down the days until Valentine’s Day. This also coincides with the end of cuffing season, another impetus of online dating activity. Amid all of this, digital daters need to remember the basics of dating etiquette. This means to communicate with honesty and clarity with potential matches. Above all, commit to not ghosting someone if you have decided to no longer pursue them romantically. Even if you may have found another person or want to avoid the awkwardness of breaking it off, ghosting is something that should be avoided out of respect for the other person’s time and emotions. Ghosting, while a newly-coined term, has been a mainstay of the dating scene for decades. Tropes of people escaping a date by crawling out a bathroom window or disappearing without warning are well established. The act has worryingly become normalized. Fifty percent of people in the dating scene have been ghosted and almost the same amount have been the one to ghost. This behavior once was reserved for the disrespectful. Nowadays, ghosting is common practice. This is alarming. What does it say about current dating culture when abrupt abandonment of one’s date is accepted practice? Ghosting is now one of those things that comes along with finding a romantic partner. There needs to be a recalibration of dating culture. It’s not healthy for sudden loss of contact to be the status quo. Ghosting may seem innocuous. However, it has serious consequences for the ghosted. Ghosting hurts because it’s a whiplash in assumptions of how a person feels about you. To the ghosted, someone, who they thought cared for them, abandoned them. A person who they were building trust with all of a sudden disengaging from contact can feel like nothing short of betrayal. Being on the receiving end of ghosting can be painful. Studies have shown that social rejection activates the same neurological pathways as physical pain. Ghosting can trigger the grief cycle as the ghosted experiences an emotional concoction of embarrassment, anger, sadness and loneliness. While ghosting may be an easy way out of the relationship for the ghoster, it can be immensely hurtful to the ghosted. Taking the courage to break off contact by sending a simple “I’ve decided to take a break on meeting new people” text does the potential ghoster good as well. It promotes character growth. Admitting that you no longer want to connect with someone means you are being honest with yourself and strengthening your communication skills and empathy. By not ghosting, it is a clear signal that you understand how your actions affect others. You’re acknowledging that you at least care enough about the person to not want to hurt their feelings more than just spurring a tad of disappointment. Yes, ghosting is the easy way out. In theory, all bad feelings can be avoided by ignoring the situation all together. It’s not unreasonable to feel guilty for wasting the time of the other person now that the match is going nowhere. But you’re not a bad person for honestly communicating your feelings to others. A bad person, though, would ghost and leave the other person hurt and confused. By giving the other person some sort of closure, it can help them process their feelings and move on to other people. Not ghosting indicates your respect for the other person, and it is a moment of character growth that will benefit you in future romantic ventures. I have been in both positions. Unfortunately, I ghosted someone in my past. Looking back on it, now also having inhabited the position of the ghosted, I am not proud of ghosting someone. It might have alleviated my shame or nervousness, but thinking of how my actions may have negatively affected the person I was talking with does not feel great. I now realize that it is better to have the courage to respectfully end communication with a potential romantic interest by clearly voicing your thoughts and feelings rather than running away from the situation all together. Being ghosted is not a great thing to go through, and therefore, I’ve made a pledge to never ghost someone across a dating app again. It’s rude to abruptly walk out of an in-person date with no warning, so why would it be any different over text? Netiquette must be maintained when we connect with each other across dating apps. This is for the benefit of both parties. Direct communication will always be superior to ghosting. Though it can be uneasy to break off connection with someone through text, it is better than the fallout that accompanies ghosting. Ghosting can cause the ghosted to feel lonely, hurt and confused. I, for one, would not want the fact that I caused someone to feel that way on my conscience. Vowing to not ghost future romantic interests forces one to be honest with oneself and to not hurt others through abandonment. Let’s make ghosting uncool again. It never was cool in the first place. Let’s stop ghosting each other BENJAMIN DAVIS Opinion Columnist O n September 23, 2021, the University of Michigan hosted the English band Glass Animals for a concert. The indie rock band, which has existed since 2010, combines synth-pop, indie, R&B and hip hop. While they have seen minor successes as a band in the last decade, nothing has taken mainstream media by storm quite like their song “Heat Waves.” “Heat Waves” was originally released in June 2020, and it subsequently experienced a slow rise to mainstream popularity. This slow rise was so slow that the song broke the record for the longest ascent to the top on Billboard’s Hot Rock and Alternative Songs. The popularity built up as “Heat Waves” played in the second season of Netflix’s popular original series, “Never Have I Ever,” during the kiss between the two main characters, and from this a TikTok trend was born. The trend was TikTokers putting videos of important figures in their life to the song. The original sound by sevier.edits has been used in over 1.4 million videos, and the original version of the song has 526.5k uses. Many U-M students who attended the concert did not know much about Glass Animals other than this singular viral song. Despite lasting over two hours, the entirety of the concert set, hosted at Crisler Center, was filled with the entire audience chanting “PLAY ‘HEAT WAVES,” ignoring the other songs. Once the song played, few people sang other than the 30 seconds featured on social media and the Netflix series. Once “Heat Waves” ended, droves of people left. Most people didn’t care about the concert outside of what was seen as “viral.” It led me to question: why didn’t they bother to look into this band further? Everyone knew they would be attending the band’s entire performance, so why did no one listen to any other songs or even the entirety of “Heat Waves”? Did they lose the capacity to listen to the Glass Animals with all the other digital media they consume? Media involves constant, rapid information being exchanged. There is always an opportunity to discover something new. In 2021, we took in five times more information than we did in 1986. So how does this constant exposure to new information and media impact how we function? According to Microsoft’s Attention Span Research Report, what was an average human attention span of 12 seconds in the year 2000 dropped to eight seconds by 2013. In comparison, the average attention span of a goldfish is nine seconds. This decrease in attention span relates to everything from concentrating in conversations to focusing on schoolwork to engaging with content. This is due to the information overload of social media, which 73% of Americans report feeling. Specifically, with regard to the music industry, there are an overwhelming number of artists, genres, albums and songs that are now accessible with the touch of a button. With so many competing interests, it’s impossible to absorb every artist fully. Yet, living among a digital landscape, we are becoming better at being more alert and efficient with the shorter bursts of attention. These changes in our consumption explain today’s concept of “going viral.” The media obsesses over a specific trend, song or public figure, which they then promptly forget. Everyone is constantly craving something new. This is called novelty seeking, or a “strong interest in having new experiences.” Musicians Institute explains that the ability to debut songs through posting makes it easier to discover artists by eliminating the necessity of a label. However, there is an increased amount of content by increasing accessibility, which is why these viral songs often don’t stick. The extensive process of “getting the song out there” that many musicians experienced in the past doesn’t exist in the same capacity today, making these viral songs pop up right in front of us. On a silver platter, new content appeals to our new attention patterns. We either like or scroll, causing the content to pop up on more devices or not. There’s always an audience on the internet waiting for that next best thing. According to the Pew Research Center, 31% of American adults are online almost constantly and 48% go online several times a day. Overall, more than eight in 10 adults go online at least daily. Considering this study included adults from ages 18 to 64, our reliance on technology knows no age limits. Before the widespread use of online music platforms, we mainly absorbed concept albums used by artists to produce a narrative for the listener. When all the songs are listened to together in the full album, there’s a storytelling experience that cannot be replicated. For this reason, album connoisseurs instruct us to sit down and take in the whole experience. But this is not a reality that today’s society often partakes in. Today’s lifestyle rarely allows us to listen for the meaning in music; we’ve introduced habits that put the soundtrack on the back burner. There is often a secondary task such as walking to class, getting ready or doing work. The quick development of social media is changing the way audiences, especially younger generations, consume digital and physical products. Producers must adapt to these preference changes to develop more accurate consumption models. There will be no advancement of music if we continue producing for the past – we need to appeal to the future. So, should there be a switch in the music industry to cater to this? If a two-minute song is completely ignored, with the exception of the 15-second section that goes viral on social media, why are we still focusing on producing longer content? Should the music industry shift to create shorter content presenting a message or emotion more efficiently? Or continue the way we always have? Should we adapt or hold onto these traditions of the past? Music has been a mode of movement for centuries, a strong force of social development tackling issues such as racial injustice or gender roles. So focusing on the best way to intertwine this medium into our lives to benefit consumers emotionally, socially and politically is a key concept to analyze. Whether it is creating another industry solely focused on this shorter content production or releasing shorter versions of soundtracks for those who want to lightly listen, this shift in consumption habits must be recognized to keep music as a relevant medium for all types of listeners. There is still a significant industry for the kinds of listeners album creators desire, so by manufacturing a separate industry just for this “viral” content, the music for trends and deep listeners can be separate. What music can tell us about our attention span GABBY RIVAS Opinion Columnist