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Email kozyheart@gmail.com ACROSS 1 Green Angry Birds animals 5 Salon style 9 “Jabberwocky” opener 13 Les __-Unis 15 Eye layer 16 “For __ jolly ... ” 17 Name on a two- liter bottle (and what’s inside) 19 Double-crossers 20 Like microwavable meals 21 Valued caches 23 Independently owned suds producer (and the suds in question) 26 Parthenon goddess 29 “How cool!” 30 Length of most TV dramas 31 WWI battleship Graf __ 33 Kin by marriage 37 CIO partner 38 Where Starbucks began (and a product it popularized) 40 __ snail’s pace 41 Note above A 43 Snoop (around) 44 Blockage 45 Slangy “It’s cool” 47 Currently combusting 49 Pepperidge Farm treat (and its ideal companion) 53 Novelist Waugh 54 Scolds harshly 58 Jones with a locker 59 What’s clued in parentheses for each of four answers, and found in corresponding sets of puzzle circles 62 Don Juan’s mother 63 Just 64 __ protector 65 Give a darn 66 Horseshoes turn 67 Dijon dad DOWN 1 Cop’s quarry 2 “Like __ lump ... ” 3 Marvin of Motown 4 Speech therapist’s challenge 5 More virtuous 6 President Morales of Bolivia 7 DVR “back up” button 8 Chanted word 9 Add, as a shrimp to the barbie 10 Go this way and that 11 Autumn bloom 12 Flip 14 “‘And hast thou __ the Jabberwock?’” 18 Music box? 22 Deal with, as loose laces 24 “Almost there!” 25 Borscht veggies 26 Quaker captain of literature 27 Fashionable Brit 28 Ship frame 32 Freak out 34 2016 Best Picture nominee “__ Land” 35 All-inclusive 36 Salary 38 Like a path that’s cobbled together? 39 Allowed to get out 42 Examine in detail 44 Go from cloudy to fair 46 Wisecrack 48 Tweeters 49 Physician at the front 50 The first Mrs. Trump 51 Prying tool 52 Acts like a good dog 55 Lose steam 56 Elec. or mech. expert 57 __-Ball: arcade game 60 Suffix with concert 61 Big tee sizes By Adam T. Cobb ©2017 Tribune Content Agency, LLC 09/13/17 09/13/17 ANSWER TO PREVIOUS PUZZLE: RELEASE DATE– Wednesday, September 13, 2017 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis xwordeditor@aol.com Classifieds Call: #734-418-4115 Email: dailydisplay@gmail.com 6 — Wednesday, September 13, 2017 Arts The Michigan Daily — michigandaily.com DAILY COMMUNITY CULTURE COLUMN A lesson from the Inklings Columnist Bailey Kadian talks about her time with Inklings at Oxford I often think to myself, Maybe this doesn’t make any sense. You may ask what “this” refers to. “This” can be a lot of things. My career, my goals, how I see the next ten years of my life unfolding, how I plan to use my time, how I currently use my time, what I wish I could get more involved in, what I think should happen in my life, what is happening in my life. The list goes on. Over the years, I have drawn a parallel between how I see the trajectory of my life and what I believe would be the most logical way to compose its course. I have viewed my education, and the experiences that surround it, as an entity that requires a clear, set path. I worry that my studies don’t necessarily align with my long-term goals, like one day maybe owning a business or having a family. I have muddled the idea of freedom in my education with a belief that my future has to be practical or “make sense.” I have put school in one category of learning and everything else, like volunteering or social events, in another. It has taken some time to unravel such a view of things. This past summer, I had the opportunity to study at Oxford and during my time abroad, I experienced a taste of what it was like to move my education outside of its usual constraints. I met many different students, with different interests, dreams and passions. I went into the program thinking: as an English major, studying at an institution such as this one, with faculty of such value, I will be able to further engage in my study of literature, and better understand its place in my education. Many of those initial hopes did come to fruition, but not in a conventional way. The experience of learning in a new place, with new people, taught me more than anything out of a book or lecture. When you are thrown into an entirely new setting and forced to adapt, you learn the most about yourself. I don’t mean to project this in some cliché form of traveling abroad to “find myself.” I mean that while you are abroad, surrounded by new people, you start to see the way you view your life outside of its usual structures. When those boundaries blurred a bit, what I found was invaluable. In class, I saw the differences that bring students together to study a certain author or text. We came at it from different angles, yet we found commonalities across what moved us and why. I took a course on the Inklings, a group of writers who met as a weekly literary group in Magdalen College. Among them were C.S. Lewis, J.R.R. Tolkien, Owen Barfield and Charles Williams. Some students loved “The Lord of the Rings,” some were fascinated by Lewis’s religious writings and others were particularly interested in each writer’s ties to Oxford and their lasting legacy. The Inklings met to discuss their writings, their lives, ideas and dreams. These writers moved learning into a category of living. That is what I believe my experience was. Beyond sitting in a classroom and reading the texts of these writers, we found that the learning was woven through every experience. I learned the most about people and their lives while sitting on the lawn before dinner, or riding on a bus to an excursion. Yes, many of us had similar interests in literature, but my love for Lewis was vastly different than others’ interest in Tolkien, or love for fantasy. We learned from one another because of these differences. Our education stretches far beyond the limits of a course or field of study. What I saw before as a failure in finding a clear path to my future, I now recognize needs to be reordered. There is no such thing as one way to learn, or one way to follow a passion. However, there is one way to miss it. We can remain too limited in what we know or what we have grown used to. That makes us unable to see our need for something new. When Tolkien and Lewis met among the other Inklings, they didn’t just sit and confirm what they already believed to be true. They pushed against their views of fantasy, religion, romance and language. By studying the way these writers engaged with each other and challenged each other, I feel I need to implement these habits in my own educational experience. The Inklings saw one another as teachers, and greatly valued every opinion about their work. The fellowship of this group encourages me to consider who I surround myself with, and how willing I am to learn from them. We become comfortable — and remain fixed — in a lifestyle that makes sense to us, or aligns with our goals. But we need things to disrupt our positions. We need people to question why we believe what we believe, or love what we love. It is only in those moments that we can firmly hold onto the very ideals we build our lives upon. While surrounded by so many people, you cling to common interests, and possibly diverge on certain principles. But through the common thread of accepting the experience, you are forced to grow. In reflection of his time with the Inklings, Lewis once wrote, “What I owe to them all is incalculable.” Use those around you to grow and learn, and allow the views that challenge your own to teach you more about yourself. Dismissing such an opportunity for the sake of comfort robs you of plenty. Once you abandon the rigid track you feel you must follow and look outside of it — you’ll likely find your path more transparent than ever before. NEON One night only event! ‘The B-Side’ overstays its welcome Documentary provides nuanced if not long-winded look at a beat photographer The latest documentary from Errol Morris (“The Unknown Known”) is much too long for its subject matter. At the center of “The B-Side: Elsa Dorfman’s Portrait Photography” is a now eighty-year-old woman who moved to New York in 1959, took up photography and ended up capturing many seminal Beat generation figures through her camera lens. Among her most impressive works is a series of 1975 photographs featuring Bob Dylan and Allen Ginsberg. Later, she became Ginsberg’s trusted photographer, capturing him as he aged. Dorfman turned to more commercial, family-oriented portrait photography as she settled in Cambridge, MA, where she now lives. Dorfman continues to use large-format Polaroid photography, even past the format’s popularity. But while Dorfman’s life, especially in the 1960s, is naturally intriguing, Morris’s documentary is cinematic overkill. Even at a lean seventy- six minutes, the film feels at least half an hour too long, and at times more of an advertisement for Dorfman’s services from a friend rather than a prodding examination of lives and cultures one can expect from a documentarian of Morris’s stature. That’s not to say the whole film is a bust — Dorfman is a warm personality who offers a rather unique perspective on a closely-studied generation of people, and her photography is as compelling as herself — but the film may feel more at home as an informative program running on a helpful television next to a temporary art exhibit. BAILEY KADIAN By studying the way these writers engaged with each other and challenged each other, I feel I need to implement such habits in my own educational experience DANIEL HENSEL Daily Film Editor “The B-Side: Elsa Dorfman’s Portrait Photography” Neon The Michigan Theater FILM REVIEW