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ACROSS 1 Chickens (out) 6 Lay eyes on 10 Judge’s setting 14 Like kindling when lit 15 Advil target 16 Insulate, as a jacket 17 *Process of electron gain or loss 19 Killer whale 20 Cereal with lemony lemon and orangey orange flavors 21 Falling-out 22 Bryn Mawr undergrads 23 Have a bawl 24 *Beneficial substance in berries 26 Lacking the skill 28 Not as much 29 Katy who voiced Smurfette in “The Smurfs” 30 “Jeopardy!” creator Griffin 33 Takes off the shelf 34 *Eating 37 At the center of 40 Compete in a sack 41 Lets up 45 Asian rice porridge 47 Show up 48 *London subway system, with “the” 52 Bus. card info 53 Highly recommends 54 “Monday Night Countdown” airer 55 Cruciverbalist Reagle of “Wordplay” 56 Danish shoe company 57 Each answer to a starred clue begins and ends with identical ones 59 Big bunch 60 Golf game spoiler 61 Sailor’s “Halt!” 62 Gull relative 63 Start of a preschool song 64 __-Bismol DOWN 1 Watches late TV until a teen comes home, say 2 “From my perspective ... ” 3 Hotel room amenity 4 Amount to pay in Calais 5 “__ who?” 6 Absorb the loss 7 “The Martian” genre 8 Snapchat upload 9 Nikkei index currency 10 Diabetic’s concern 11 High behind a front, e.g. 12 Holy smoke 13 Campsite shelters 18 Former Education secretary Duncan 22 Golfer Michelle 24 Kirk __, first movie Superman 25 Last Super Bowl won by the Giants 27 Capital of Barbados 30 “Tell __ story” 31 PC key 32 MapQuest output: Abbr. 35 Oldest Brady boy 36 Geeky sort 37 Most severe 38 Accessory for Mr. Peanut 39 Ambien, vis-à-vis sleep 42 Webpage index 43 “Into Thin Air” peak 44 Does business with 46 Workplaces for LPNs 47 Green Gables girl 49 Post-op therapy 50 “Hamlet” courtier 51 Flip over 55 Bit of chess action 57 __-la-la 58 Con man’s target By Mark MacLachlan ©2017 Tribune Content Agency, LLC 04/05/17 04/05/17 ANSWER TO PREVIOUS PUZZLE: RELEASE DATE– Wednesday, April 5, 2017 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis xwordeditor@aol.com Classifieds Call: #734-418-4115 Email: dailydisplay@gmail.com WORK ON MACKINAC Island This Summer – Make lifelong friends. 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Call today for specials and to schedule a tour of your new home! 734‑741‑9300 BROADVIEW APARTMENTS ‑ Spa‑ cious & peaceful North Campus living!! 1 & 2 bedroom apartments with pricing that starts at $1110 per installment!! FREE parking, FREE laundry, and FREE shuttle service! Call today for specials! ARBOR PROPERTIES Award‑Winning Rentals in Kerrytown, Central Campus, Old West Side, Burns Park. Now Renting for 2017. 734‑649‑8637. www.arborprops.com BENZINGA, DETROIT BASED financial news, looking for writing interns! Please Contact colljobs@benzinga.com or 3137232000 AUTOMOTIVE SERVICES SUMMER EMPLOYMENT FOR RENT HELP WANTED There are movies so bad they are good, then there are movies that are just bad. “Wilson,” directed by Craig Johnson (“The Skeleton Twins”) and written by Daniel Clowes (“Art School Confidential”) based off his own graphic novel, “Wilson” is almost unwatchable. Woody Harrelson (“The Edge of Seventeen”) stars as Wilson, a socially awkward man with a heart of gold. Harrelson gives it his all, that much must be said. It’s just a shame the character he portrays is so incredibly unlikeable that it’s hard to care about him or root for him at any step along the way. The plot follows Wilson as he attempts to reconnect with his drug- using ex-wife and the daughter said wife gave up for adoption 17 years ago. It’s weird. It’s also just not entertaining. The film moves at a glacial pace. It takes forever for the story to get moving, and the overall plot is just so hackneyed and ridiculous that I spent almost the entire movie wishing it were over. Ninety minutes too long, “Wilson” never manages to rise above it’s schlocky writing and one-note characters. If the graphic novel has anything going for it, none of it can be found in the translation to the big screen. Movies like “Wilson” are movies that need to stop being made. Today, there’s a whole genre of film that follows this idea that “weird realism” is a good way to connect with audiences. It’s characters are supposed to be more “real” because they are so unlikeable and it’s situations portray people who only make the wrong decisions because that’s what “real” life is like. No, it’s not. A particularly disturbing element of “Wilson” is the way the film treats adoption. The Wilson character never seems to understand that in all relevant and emotional ways, the daughter his wife gave up is not his daughter. The movie treats the girl’s adoptive parents as villains, when all they do is ask that a creepy man stop stalking and kidnapping their daughter. Wilson eventually gets thrown in jail and then gets together with his dog-sitter, who is at least twenty years his younger. All this random nonsense adds up to a whole lot of nothing. No amount of wacky shenanigans can make up for uninteresting characters and cringeworthy dialogue. These strange exploits might’ve worked well as a comic strip, but there’s no indication of that here, nor is there any indication of what it was about the comic that made anyone on earth think it would make a good movie. FOX SEARCHLIGHT ‘Wilson’ ultimately adds up to a whole lot of nothing IAN HARRIS Daily Arts Writer “Wilson” Fox Searchlight Pictures Michigan Theater No amount of wacky shenanigans can make up for uninteresting characters and cringeworthy dialogue BOOK REVIEW ‘The Barrowfields’ is a deeply heartfelt debut A heartbreaking love letter to literature, loss and life changing choices, “The Barrowfields” by Philip Lewis is an absolutely gorgeous debut novel. Opening its pages is like looking directly into the mind of the novel’s protagonist, Henry Asther, and it reads as an intimate tale of sorrow, addiction and growing up. “The Barrowfields” is set in fictional Old Buckram, North Carolina — a place filled with crippling poverty that is slow to modernize. It is there, in a ghostly skeleton of a mansion high on a hill, that Henry Aster is raised by an aloof father, who has a massive literary ambitions and a worsening drinking habit, and a quiet, yet supportive, mother. Henry is in awe of his father’s ambitions; his father works as a lawyer during the day, but writes and plays piano in his gigantic library all night. In his young adulthood, Henry begins to take after his father. When tragedy strikes, leaving Henry, his mother and young sister alone, he departs for college and resolves to never return home. He leaves the house on the hill and his mother and young sister to fend for themselves. Through a new and shocking journey in the real world, Henry falls deeply and perplexingly in love. The woman, ironically named Story, brings her own baggage to their relationship. Eventually, after graduate school, Henry finds himself traveling back to his childhood home, which stands unoccupied on the hill, and in attempts to resolve his inner demons, grapples with his feelings for Story and find himself. Through inspired and shrewd prose, Lewis tells the story of the challenging and thought provoking life of Henry Aster. Although this is Lewis’s first novel, one would never guess that he is new to the world of authorship. He has close ties to the narrative and setting of his fictional tale, as he is from a mountainous North Carolina town. He also practices law, collects rare books and studies language much like the fictional Henry Aster and his father. It is obvious he has many personal ties to his first novel — the passion and realism radiating off the pages is unparalleled to any recent realistic fiction piece. “The Barrowfields” is clever, with a hint of nostalgia and plenty of intellect. It contains a great deal of literary references, ranging from Poe to Wolfe, which provide lovely metaphors and layers of additional meaning to the story. The narrative prose is precise and calculated, creating a beautiful tone for the reader that makes the piece captivating and impossible to put down. The most striking part of the novel is its deep authenticity. It’s rare to pick up a piece of modern realist literature that feels like it is surrounding you. It was nearly impossible to separate my reality from the reality of the book, and that is important in regards to its themes and messages. The portrayal of the hope and courage we are forced to adopt in the face of grief and sorrow is incredibly genuine. It’s refreshing to read something that has such a strong sense of truth. The world that Philip Lewis creates in the “The Barrowfields” is vivid and honest. I urge any lover of literature and flowing prose who needs a story of hope and courage to read it. I look forward to whatever Lewis has in store for readers next; I predict a great deal of success with his debut piece. It is the type of novel that just thinking about makes me wish I could unread it’s every page just so I could read them all again. ELI RALLO Daily Arts Writer “The Barrowfields” Philip Lewis Penguin Random House March 7th, 2017 A heartbreaking love letter to literature, loss and life changing choices, ‘The Barrowfields’ by Philip Lewis is an absolutely gorgeous debut novel The most striking part of the novel is its deep authenticity Read more at MichiganDaily.com DO YOU ENJOY NIHILISM AND WES ANDERSON FILMS? JOIN ARTS. OR DON’T. NOTHING REALLY MATTERS (SAVE FOR BUCKLEY THE BEAGLE). Interested in applying? Email arts@michigandaily.com FILM REVIEW 6A — Wednesday, April 5, 2017 Arts The Michigan Daily — michigandaily.com