L ast Monday, United States Supreme Court Justice Sonia Sotomayor and Justice Susanne Baer of the Federal Constitution Court of Germany hosted a talk sponsored by the School of Music, Theatre & Dance about the role of the performing arts in advancing social justice. The event aimed to discuss the pivotal role of the arts in defining the human condition and bringing about justice, and featured student performances that aspired to demonstrate the powerful ability of art to foster understanding and make the world a better place. The justices’ discussions further served to emphasize the importance and necessity of the arts in our world. The evening felt like an impassioned and convincing plea for society to remember the value of the arts. It was particularly timely, considering recent rumors that President Trump will eliminate the National Endowment for the Arts, the National Endowment for the Humanities and privatize the Corporation for Public Broadcasting. During the discussion, the speakers raised the subject of the relationship between government and the arts. Baer, speaking about Germany’s attitude toward public funding for the arts, said she thought government support for the arts demonstrated that the arts are “part of our civic society.” She said that in Germany, arts are something that cities are proud to fund, because they provide a source of “who we are.” In contrast, Sotomayor said that the United States has less of a tradition of public support for the arts, and that most U.S. cities fund their arts through the generosity of the public. She emphasized that it is part of our civic responsibility to support art. Still, Baer raised the idea that a compromise between public and private funding might be preferable, since many artists need a steady source of income. Regardless of where funding for the arts comes from, the justices agreed that art holds a unique and special power to communicate the incommunicable. Sotomayor said art can touch the soul. Baer said art is not just a product, but it can “reach out beyond what we usually reach out to.” They spoke powerfully about their experiences with art, and how those experiences shaped them. Baer said she was “in awe seeing the multiplicity of human expression through music.” Further, music speaks to her “on another dimension that (she) couldn’t understand otherwise.” Sotomayor said her most deeply felt views on the criminal justice system came from a spoken word project by the Innocence Project. She said performance moved her “to think more broadly about how our criminal justice system affects our society than any of (her) readings at night.” Sotomayor’s perspective on our criminal justice system was profoundly shaped by one performance, and her position on the issue in turn has been, and will continue to be, reflected in Supreme Court decisions that shape the criminal justice system. This alone should be proof enough of the value of the arts. But art doesn’t haven’t to affect the opinions of one of the world’s most important legal minds to have a significant, positive impact. Take, for example, Carla Dirlikov Canales, an Ypsilanti native and world renowned opera singer. Canales spoke at the event about how artists can be teachers, educators and healers, not just entertainers. She would know, having founded the Canales Project to “give voice to issues of identity and culture through the arts and conversation.” She has been named to Foreign Policy’s 100 Leading Global Thinkers of 2015 and has served as a cultural envoy for the U.S. Department of State. Before she began her beautiful performance of “Habanera” from “Carmen,” Canales implored the audience to remember that the arts allow us to explore the common human condition, and that this is especially vital in currently divided times. Overall, the event was compelling in its advocacy for the indispensable role that art plays in our lives and in society. Of course, it was a prime example of “preaching to the choir.” I would be shocked if anybody in the small crowd who bought tickets to see an event called “Social Justice and the Performing Arts” doubted the importance of the arts. The self-selection of this event, and many similar ones that take place on college campuses all the time, is a shame, because I think some skeptics might have been converted. I, for one, can easily call to mind the powerful ways that art has shaped my view of the world. Whether it be rap music, foreign films or musicals, art has taught me a lot about the world and made me a more compassionate person. I urge everyone to think about how art has shaped their lives and consider what role we as a country should play in promoting the arts. Do we think that we should leave the arts entirely to will of the public’s generosity, even if this means that art might increasingly become the product of elite preferences? Do we think that cutting funding for the National Endowment for the Arts, the National Endowment for the Humanities and privatizing the Corporation for Public Broadcasting is necessary, even if they only compose less than one-tenth of 1 percent of the federal budget? As the Trump administration’s radical changes to our country keep coming at lightning speed, don’t let these potential cuts go unnoticed. The arts might not be as critical of an issue as immigration or health care, but the role they play in our society is large and irreplaceable. D ear President Schlissel, This semester I am teaching a course titled “Resisting State Violence: Race, Policing and Social Justice in Twentieth Century America,” offered in the departments of History and Afroamerican and African Studies. As an instructor on race and racism, I try to offer all of my students space to talk frankly and historically about current events, whether the conversation is about the relationship between past immigration policies and President Trump’s executive order banning refugees, or the recent racist and anti-Semitic emails sent to engineering and computer science students. We talked about those emails, as well as the incident concerning the defiled prayer rug in the Shapiro Undergraduate Library Reflection Room in class. Many students of color were upset. Many of them, along with their white peers, expressed the same concern and anger as those who gathered in front of your house shortly after the emails were received. Multiple students expressed a lack of confidence in the Diversity, Equity and Inclusion plan and the University of Michigan’s ability to identify perpetrators of violent speech. Some even went as far to say that it may take someone getting hurt before the University would take recognizable action. Those comments troubled me and I am sure they would trouble you. I understand that such comments could sting, but they illustrate a persistent gap in trust between some students of color and the administration, despite the University’s DEI efforts. Many will not deny the University’s long-term DEI plans or your willingness to offer assurance via email and in person. I even recognize your efforts to support undocumented students in anticipation of changes in federal immigration policy. But several of my students also see that the University does not appear to be able to prevent the hateful acts targeted at marginalized communities on campus. Another sentiment that some students of color expressed is one that civil rights activist Fannie Lou Hamer famously uttered in a 1964 speech, “I’m sick and tired of being sick and tired.” Some spoke of being tired with hearing the response, “We are investigating,” with little update or ability to locate racist, Islamophobic, misogynistic and anti-Semitic trolls. Some of the students in class expressed how they were growing tired with appealing to administration to little effect on their lives. Some even expressed how they were tired of you asking them what you could do. They are obviously seeking inspired leadership, at least. They also desire tangible changes and results, sooner rather than later. So, what can you do? Unfortunately, I do not have any answers. I wish I did because we all want everyone here at the University to work and live in an environment free of racism, Islamophobia, anti-Semitism, misogyny and other forms of oppression. What I heard in class is a desire for clearer and more constant communication. The students I listened to effectively said that responses that point to the broader context of bigotry in the country are insufficient. They are looking for you to talk directly about these incidents in a manner that illustrates a constant engagement with their daily experiences. They understand campus and outside authorities may be investigating. But, maybe some students of color would appreciate more continual updates about investigations and the University’s efforts to prevent hateful incidents. And I understand there may be legal and institutional limits to such a request, but the more communicative and transparent you can be, the more you can close the gap in trust. As you know, closing this gap in trust between students of color and the administration should garner more buy-in and goodwill for DEI efforts, but it will also be the key toward building a more inclusive and equitable campus climate for years to come. Opinion The Michigan Daily — michigandaily.com 4 — Thursday, February 9, 2017 Single on Valentine’s Day MICHAEL SUGERMAN | COLUMN S uggestion: listen to Gilbert O’Sullivan’s “Alone Again (Naturally)” as you read for full effect. A “secret admirer” recently left me a red teddy bear holding a plush heart inscribed with the word “kiss,” along with a note that says they can’t stop thinking about me. True story. I still have no clue who it is. I’m touched (and a bit scared). I hope one of my friends isn’t just screwing with me. I think one of my friends is just screwing with me. Secret admirer aside — if you’re reading this, reveal yourself! — my college love prospects have been pretty dim. To be quite honest, I don’t think college is a very romantic place. I often find that there are two extremes: the people who date for four years and are destined for marriage and the sloppy drunken hookups we see at parties and on the dance floors of bars. They’re so common, there is an Instagram account dedicated to documenting them. Let’s not forget Tinder. Who knew that romance could be as industrial as a rightward swipe and a “match?” With a handful of carefully curated pictures and a brief bio, we transcend the mystery of fleeting imagination and make contact, often with complete strangers. Some have told me they legitimately use Tinder for dating; others say they use it to feed hookup culture. Here’s something I think about often: My dad’s parents started dating each other in 10th grade. They were 15. That’s nuts! My mom’s parents married right before my grandmother graduated from college. She was the same age I am now! Look — I’m 21 and I’m not dating at the moment. I’m about to graduate from college and I’m likely going to move to a new city instead of returning home. Is this really the time to pursue a new relationship? Valentine’s Day quickly approaches, and though I know it’s a fabricated Hallmark holiday, it encapsulates the mounting pressure I feel. How many of your parents have asked you if you’re dating anyone? Have any of your grandparents tried to set you up? My grandfather called me last week and told me the granddaughter of a friend in his Torah study group is a University of Michigan student. He was trying to be helpful, which I appreciate, but imagine that introduction: “Hi there, we’ve never met, but our Jewish grandparents hang out weekly and want us to wed. Are you ready to start the rest of our lives together?” I can hear “Tradition” from “Fiddler on the Roof” playing in the background. All of life, I think, is a search for intimacy, and from talking with friends, it seems clear that I’m not the only one struggling to find it. The pressure isn’t just a matter of age or well- intentioned family members. I think we’re so used to being plugged in, surrounded by others and even hyper-aware of their relationships, that we forget the importance of being comfortable with ourselves. A couple of weekends ago, I stayed in New York City. I have some high-school friends there whom I visited, but a great deal of my time was spent alone in the city. The pure thought of that was a bit terrifying to me. How could I enjoy myself without someone to enjoy myself with? When I was a little kid, I loved being on my own. I’d come home and spend hours in my room, playing with Thomas the Tank Engine figures when I was really young, and later moved on to Legos. I loved that time the most; person- to-person interactions could be exhausting, and sometimes all I needed to decompress were my favorite toys and my imagination. I tried to channel that dormant part of myself while I was in the city, and to my surprise, it was a success. I stuck in my headphones, jammed to one of my favorite playlists, and walked. I bought a $2 hot dog with ketchup and mustard, and I enjoyed the hell out of it. I went to an art museum and worked through each of its exhibits over the course of three hours. I think I’d forgotten that I can be fun to hang out with. All things considered, this column is both personal catharsis and reassurance for those of you who are in the same boat right now. This Valentine’s Day, don’t be ashamed if you’re not taking a significant other out to dinner somewhere in downtown Ann Arbor to show that you care. Don’t worry that your grandparents were already on the verge of having children when they were in this stage of life. I conducted some minor research on this, and according to one psychologist, “The more obsessed and ruminative a person may be about obtaining a partner or finding new romantic attention, the more depleted and inadequate they may feel about themself.” Sometimes, the person you should get to know better is … you. So, put in the time. Grab a cup of coffee. Get a box of chocolates. Go to an art museum. Listen to some new tunes. Some will call it denial (and it may be, at least a little bit), but I’ll call it self-care. Relationships with others can be fulfilling, frustrating, fleeting and so much more — but you are your own inevitable constant. Embrace it. REBECCA LERNER Managing Editor 420 Maynard St. Ann Arbor, MI 48109 tothedaily@michigandaily.com Edited and managed by students at the University of Michigan since 1890. EMMA KINERY Editor in Chief ANNA POLUMBO-LEVY and REBECCA TARNOPOL Editorial Page Editors Unsigned editorials reflect the official position of the Daily’s Editorial Board. All other signed articles and illustrations represent solely the views of their authors. Carolyn Ayaub Megan Burns Samantha Goldstein Caitlin Heenan Jeremy Kaplan Max Lubell Alexis Megdanoff Madeline Nowicki Anna Polumbo-Levy Jason Rowland Ali Safawi Kevin Sweitzer Rebecca Tarnopol Ashley Tjhung Stephanie Trierweiler EDITORIAL BOARD MEMBERS Michael Sugerman can be reached at mrsuggs@umich.edu. An open letter to President Schlissel AUSTIN MCCOY | OP-ED The importance of art MARY KATE WINN | COLUMN Mary Kate Winn can be reached at winnm@umich.edu. Austin McCoy is a Postdoctoral Fellow in the Taubman College of Architecture and Urban Planning. MARY KATE WINN AUSTIN MCCOY CONTRIBUTE TO THE CONVERSATION Readers are encouraged to submit letters to the editor and op-eds. Letters should be fewer than 300 words while op-eds should be 550 to 850 words. Send the writer’s full name and University affiliation to tothedaily@michigandaily.com. EMILY WOLFE | CONTACT EMLY AT ELWOLFE@UMICH.EDU MICHAEL SUGERMAN