The Michigan Daily — michigandaily.com Arts Monday, January 23, 2017 — 5A Classifieds Call: #734-418-4115 Email: dailydisplay@gmail.com ACROSS 1 Contractor’s detail, briefly 5 NYSE listings 8 Shade-loving plant 13 Pull’s opposite 14 Sitting on 16 “That’s __!”: “Piece of cake!” 17 Hebrew or Latin, e.g. 20 Cpl., for one 21 Sundial number opposite I 22 Kitty coat 23 Meetings of self- improvement seekers 29 Child of a boomer 30 With 31-Across, flying exhibition 31 See 30-Across 32 More than fair, less than great 34 Petting __ 36 Composer Bartók 39 Form 1040 and schedules 44 Right triangle ratio 45 “Impractical Jokers” network __TV 46 Most fit to be drafted 47 Captures 50 Plus 52 “CSI” evidence 53 Doctor with a pager 58 Itinerary word 59 Dubai’s fed. 60 Glamorous Gardner 61 Most of the Atlantic, to Columbus 68 Allow to board 69 “Frozen” queen 70 Game with rooms and weapons 71 Natives for whom a Great Lake is named 72 Like a clever devil 73 Outdoor faucet attachment DOWN 1 Massage facility 2 Joke with a homophone, say 3 Top-left PC key 4 Trouser material 5 Elevate to sainthood 6 Giants great Mel 7 Work a crossword puzzle 8 “Macbeth” cauldron stirrer 9 Buckeye State sch. 10 Acronym for a big mess 11 Prepare to advance after a fly ball 12 Mimics 15 Bridge partnerships 18 S.A. country at zero degrees latitude 19 About to happen 23 Army vet 24 Vegas signs 25 Early spring blooms 26 Easy run 27 Hanger near the shower 28 Be a debtor of 33 Summer of disco 35 Cereal grain 37 Monday, in Metz 38 “Ben-Hur” setting 40 Dinner, e.g. 41 Like Superman’s special vision 42 Flees 43 Indian flatbread 48 “It all happened so fast” memory 49 Sudden burst 51 Operatic icon 53 Developing egg 54 Forty-__ 55 Desert plants 56 Shoes that make you look taller 57 Hidden downside 62 Soil-moving tool 63 Ques. response 64 Broadband letters 65 Rock gp. with winds and strings 66 Moscow’s land: Abbr. 67 Lay eyes on By Joel Mackerry ©2017 Tribune Content Agency, LLC 01/23/17 01/23/17 ANSWER TO PREVIOUS PUZZLE: RELEASE DATE– Monday, January 23, 2017 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis xwordeditor@aol.com WORK ON MACKINAC Island This Summer – Make lifelong friends. 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Forest $870 ‑ 1 Left 1 Bedrooms: 511 Hoover $1045/$1065 508 Division $945 ‑ 1 Left *Varies by location: Full Furnished, Parking Included, Free Ethernet 4 BEDROOM HOUSE Fall 2017 3 Parking Spaces Washer/Dryer 827 Brookwood ‑ $2900 + Utilities Deinco Properties 734‑996‑1991 EFF, 1 & 2 Bdrm Apts Fall 2017‑18 Many locations near campus Rents from $850 (eff) ‑ $1415 (2 bdrm) Most include Heat and Water www.cappomanagement.com 734‑996‑1991 1 BEDROOM APTS Near N. Campus Fall 2017‑18 ‑ $900/m + $25/m Utilities Each unit has one parking space. 909 & 915 Wall St. Deinco Properties 734‑996‑1991 FOR RENT SUMMER EMPLOYMENT I am currently 12 years away from turning 30. Perhaps that sounds like an outstanding amount of time, and while it is, I’m 18 years old. Time and time again, history has proven that 30 years is more than enough time to change the world. Time and time again, we’ve had to watch 30 years, such a young number, turn into a lifetime. We have seen this too many times in many artists who were able to produce life changing pieces of artwork before leaving this world suddenly — all before the age of 30. My favorite book of all time, “Wuthering Heights,” was written by Emily Bronte, an English author who wrote only one novel before passing away in 1848 at the young age of 30. “Wuthering Heights” is now praised as a literary classic, despite its condemnation upon its original publication in 1847. The book was criticized for its vivid sexual power and passion, along with its controversial storyline during a time when villainizing men in literature was uncommon. It is one of the first stories ever published to follow a woman betrothed to one man and in love with another. Bronte’s revolutionary piece of literature paved the way for a new era of Gothic romance literature. One can only imagine what else she would have written had she survived the tuberculosis that took her from the world. There are a multitude of examples of revolutionary artists passing away very young. Sylvia Plath, who died at age 30 as well, also only published one novel (“The Bell Jar”) along with countless poems which have been compiled into poetry anthologies today. Her husband Ted Hughes claims she was working on another novel around the time of her death. Jimi Hendrix left us at age 27, poet John Keats was 25, Amy Winehouse was 27 and Heath Ledger was 28. Such little time on Earth, yet what an impact they were able to make. It’s difficult to think about how the world would be different if these artists were given more time to create their art. I wonder often what Bronte would have written next; if there would be a sequel about life on the Moors. I wonder if she would have rested her pen and written nothing more. I wonder if Amy Winehouse would have given us another album in her unmistakably raspy voice. If Heath Ledger would star in all the movies we watch or if he’d win another Oscar. It’s also difficult to wonder whether their art would have had the impact on the world that it does because they are not around anymore. How many more people bought Amy Winehouse’s music on iTunes, purchased “The Bell Jar” or watched “The Dark KNight” because these authors, musicians and actors are no longer around? It has become more alluring to stare at these people on the screen, listen to their voices and read their words because it is known that they are never going to portray a character, sing a song, write a word again. Unfortunately, we will never know what could have happened had these artists lived for another 10 or 20 or 30 years. We must simply take the art they were able to give to us in the time they had and celebrate it. It is our job to take all the inspiration pent up into every single gorgeous page of “Wuthering Heights,” every single ounce of soul bleeding between the lines of “You Know I’m No Good,” every shouted whisper filling the cracks of “The Bell Jar” and use them to make our own art. We will never know what could have been, but we do know what is and what these people left us are our most treasured gifts, even if they left us soon after. ELI RALLO Daily Arts Writer Eli Rallo considers the longevity of art but not its creators Art won’t die in the arms of the artist COMMUNITY CULTURE NOTEBOOK Japandroids’ third album Near to the Wild Heart of Life is a massive one, but packed into eight tracks. It’s at once a sprawling and cohesive listen, while each song still feels a bit different from the next. As sonically pleasing as the album is, it’s also boasts witty lyricism I found myself revisiting and reflecting on out of pure nostalgia. It’s an album that truly is accessible to fans of all genres. “A red ammo romance in the summer heat / in parks, on patios, and in the streets / Our mission: making moments into memories” is a line that simply demands old memories to bubble to the surface for listeners of any background. On their third album, Japandroids have left behind their faster paced, lo-fi rock ‘n’ roll identity heard on 2012’s Celebration Rock for a more refined sound that reflects on natural songwriting progression. For a band consisting of only two individuals, Japandroids have impressively layered together sounds on tracks fit for full band performances. As much as I hate to make the comparison, Japandroids’ progression as artists almost seems to mirror that of other alternative duo Twenty One Pilots — except Twenty One Pilots took a turn for a refined, faux-artsy aesthetic on their most recent release, while Japandroids decided to throw away their rules and continue to play to their strengths. Their songs are still about pursuing happiness and existing in contentment, while revamping and refining the way they put their sounds together into a work of art. Contextually, Near to the Wild Heart of Life feels essential in today’s social climate. The chorus of the track is a rollicking shout for expression, with David Prowse singing: “And it got me all fired up / to go far away / and make some music from the sound of my singing, baby.” It feels like an album that not only matters, but entirely understands its audience. Much of the lyricism on the album falls under this theme — just existing in the world and having a right to existing how you want to. The album’s little tweaks to individual songs make for a fresh, dynamic listen. “True Love and a Free Life of Free Will” is a track that sounds big, pulling from the indie acoustics similar to Noah and the Whale, and it expertly feeds into the unexpectedly shoegazey “I’m Sorry (For Not Finding You Sooner).” The album is distinctly, very much Japandroids, while utilizing genre influences that add a lot of depth to the entirety of its run. In an interview with Pitchfork, drummer/vocalist Brian King said: “We’re removing all the self-imposed rules that led to the songs and the sound of our whole career up until now,” and Japandroids showcase their fine- tuned changes within their unique tone throughout the album. The seven minute centerpiece of the album, “Arc of Bar,” recognizes Japandroids’ penchant for writing melodies that exude belonging, becoming perfectly catchy tunes for singing along with friends. You know that scene in “The Perks of Being a Wallflower” where “Heroes” by David Bowie is playing, and Sam is standing up in the back of the pickup truck while they’re driving through a highway tunnel? “Arc of Bar” flawlessly recreates the contentment of that scene. Like the rest of the album, it just feels so right. Throughout the album, most of the melody is dependent on vocals, interspersed with funky synth lines that, again, add to the refined changes Japandroids weave into the album. Gang vocals on choruses add to the accessibility of the album, bringing the spotlight to the formidability of their songwriting capabilities. In the Pitchfork interview, King also said they’re “trying to figure out how to be intense in different ways,” a sentiment which perfectly manifests itself in the album. Japandroids have toned down their in-your-face, fast tempo rock tracks while keeping their emotional intensity. They’ve found subtle ways to continue to make music that demands attention in their evolving style, one that isn’t overtly positive or loud, but always hints at hope. The final track, “In a Body Like a Grave,” opens with this insane gut punch of a line: “Christ will call you out / school will deepen doubt / work will sap the soul / hometown haunts what’s left.” In a beautiful list of common human experiences — from religion to moving away from home — Japandroids effectively encapsulate the heart and soul of their new album. It’s wonderfully human to the core, a sentiment that might seem corny, but in practice, makes for music that is desirable to listen to. It’s human to need belonging, and Japandroids extrapolate this need into an album that is almost entirely enjoyable from front to back. ANTI- Japandroids members Brian King and David Prowse Japandroids explore a new humanity DOMINIC POLSINELLI Daily Arts Wrtier Near to the Wild Heart of Life Japandroids ANTI- Just last week, it was announced that Louis Vuitton and Supreme were to collaborate for Louis Vuitton’s A/W 2017 collection. This was something that I simultaneously never expected to happen, but also saw as inevitable. Streetwear has gone from a subcultural movement to the mainstream. While his name may not ring a bell to some, James Jebbia has taken streetwear’s golden child, Supreme, from the shadows to the forefront of fashion. Supreme is one of the most popular brands in the world at the moment, and there are few brands with as much staying power as Louis Vuitton. The French fashion house is the type of brand that many young people grow up aspiring towards, while Supreme is the type of brand that a young demographic has flocked to over the years. What better way to tie the younger audience to a brand like Louis V (and the opposite, as well) than a collaboration between these two brands? From duffle bags and backpacks to box logo tees and jackets, this collection features items to attract frequent Louis Vuitton customers and passionate Supreme supporters alike. Supreme is a brand known for boasting severely excess demand on many of their releases: Box logos and collaboration tees sell out in seconds and then go up on sites like Grailed at a five-times markup. I imagine this collaboration won’t be any different. Thinking about how much a box logo Supreme tee with the LV monogram will resell for simply blows my mind. Hell, I’d bet that the baseball bats with the monogram grip will fly off the shelves too. While there are many people who buy Supreme because they have grown up in skateboard culture, there are so many people who buy Supreme for the exclusivity, and there really isn’t another word that describes Louis Vuitton better than exclusive. The reason why this collaboration makes so much sense to me is the motivations behind the consumers of each brand. For those who don’t know, when Supreme releases a box logo tee, things tend to get a bit out of hand. While some profit-seeking individuals buy them to resell online, the reason why the people who decide to wear them are so passionate about getting their hands on a box logo is the fact that it represents the pinnacle of the brand’s exclusivity. Wearing a box logo is a way of displaying one’s location in the hierarchical ecosystem of Supreme consumers. Maybe it’s because it tells others that the $500 profit that could have been realized by selling the shirt online means less than being able to wear the shirt, or that spending $600 on a T-shirt doesn’t mean anything. I think that a Louis Vuitton bag says something very similar. Maybe I’m a bit jaded, but I doubt that everyone with a LV bag simply adores the monogram. Instead, I think that many people have the bags because of the inaccessibility. The decision systems that customers of both Supreme and Louis Vuitton utilize are very similar, and while the brand’s demographics may not completely align, this may be the kind of collaboration that is worth taking out a payday advance for an avid Supreme fan. Louis Vuitton and Supreme: An unexpected but promising love story LOUIS VUITTON Supreme x Louis Vuitton model NARESH IYENGAR Daily Arts Writer Hell, I’d bet that the baseball bats with the monogram grip will fly off the shelves too. STYLE NOTEBOOK ALBUM REVIEW