Classifieds
Call: #734-418-4115
Email: dailydisplay@gmail.com
ACROSS
1 Bowling alley
button
6 European
cheese town
10 Puddle jumper
trip
13 Wedding figure
14 ChapStick
container
15 Fix up
16 Newspaper
reporter’s
compensation?
18 Big star
19 “I’m with ya”
20 Threatening
words
21 Farming prefix
22 “Wheel of
Fortune” buy
23 Smooth, as
transitions
25 Wise
29 DOJ bureau
30 Dry as dust
31 Speaker’s spot
34 Get out of bed
37 “__ who?”
38 Chiropractor’s
compensation?
40 N.L. player
whose home
games include a
Presidents Race
41 Brownish-green
43 Greenish-blue
44 Some
prosecutors:
Abbr.
45 “Selma” director
DuVernay
46 Drops in
48 Medical
emergency alert
53 Baby fox
54 Soon, to a bard
55 Kibbutz setting
57 Actress Thurman
60 Cooling meas.
61 Comedian’s
compensation?
63 Bass’ red
triangle, e.g.
64 Moran of “Happy
Days”
65 Flared dress
66 New Testament
bk.
67 German
battleship
Graf __
68 Connection point
DOWN
1 Former NYC
mayor Giuliani
2 Seesaw sitter of
tongue twisters
3 Send in a box
4 Sushi selection
5 “Taste this”
6 French I verb
7 Stereotypical
dawn challenges
8 Take down a peg
9 Scorned lover of
Jason
10 Landscaper’s
compensation?
11 Aromas
12 Shirts named for
a sport
15 Theater district
17 Lee who was the
top-charting
female soloist of
the ’60s
22 Helping hand
24 Painter Cassatt
25 Over-the-
shoulder band
26 Square statistic
27 Domino’s
delivery driver’s
compensation?
28 Diplomatic skill
32 ’50s prez
33 Health resorts
35 Swedish
automaker
36 Internet crafts
marketplace
38 Spill the beans
39 PC feature only
used in
combinations
42 “All the same ... ”
44 Fitting
47 TV’s J.R. Ewing,
e.g.
48 Part of CNN
49 Winning
50 “__ Been Good”:
Joe Walsh hit
51 Take over
52 Bath-loving
Muppet
56 Novelist Rice
57 Windows
alternative
58 Drop-down list
59 Yes votes
62 Chihuahua cheer
By Robert E. Lee Morris
©2017 Tribune Content Agency, LLC
01/11/17
01/11/17
ANSWER TO PREVIOUS PUZZLE:
RELEASE DATE– Wednesday, January 11, 2017
Los Angeles Times Daily Crossword Puzzle
Edited by Rich Norris and Joyce Nichols Lewis
xwordeditor@aol.com
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Rents from $850 (eff) ‑ $1415 (2 bdrm)
Most include Heat and Water
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FOR RENT
MUSIC NOTEBOOK
Some
might
argue
that
OneRepublic’s
“Apologize”
is
one of the most basic pop songs
of the 21st century, but the piece
possesses an instrumental and
melodic genius that is difficult to
find in many of the radio hits of
the past 16 years.
My first experience with
“Apologize” was just outside
the smelly gates of the Detroit
Zoo. I am a wee fourth grader,
exhausted after a day long field
trip filled with scorching sun
and caged animals. My friends
and I sit in the backseat of our
parent chaperone’s car, fer-
vently discussing our favorite
exhibits while the unassuming
mother looks on, fiddling qui-
etly with the radio knobs of the
slightly dusted dashboard. She
finally settles on channel 98.7,
leaning back as smooth pop rock
swells to fill the slightly sweaty
interior of the car. I’m silent
within seconds, stunned by the
beauty of the piece.
I
listen
intently,
picking
at the strains of golden cello
that weave in and out of the
piece, jumping a little bit as I
am prodded back to life by my
friend, who chuckles at me as
she realizes I’m mouthing the
lyrics to myself. Our attention
slowly shifts from the end of
our field trip to the song, and
soon the car has transformed
into a chorusing, slightly off
key rendition of “Apologize,”
with the mother even joining in
at times.
For the longest time, I didn’t
have a very personal connec-
tion with music. I never went
out of my way to discover songs
that I liked, and as a result, I
didn’t have a clear idea of what
I even enjoyed. If my classmates
decided that a song was hip, I’d
tag along too. It was a few years
before I thought to explore
music for myself; I started out surf-
ing YouTube in an avid search for
songs to download onto my MP3
player, then eventually graduated
to the more streamlined process of
Spotify. Discovering music that I
loved was a gradual but reward-
ing process that not only made
me happier but also cemented
my shaky self esteem by helping
me determine key aspects of my
personality.
“Apologize”
personifies
everything
I’ve
grown
to
cherish about pop music: A
slow buildup contrasted with
an intense chorus, a catchy
tune and dramatically heart
wrenching, yet easily recogniz-
able lyrics. The combination of
cello with the faster paced per-
cussion balance each other out
perfectly, in a way that keeps
the song mellow but ensures the
melody never gets so slow that
it drags. Tinkling piano notes
add a lightness that helps the
song move as it unfolds, lending
the music a delicate, dancing
nature that further flavor the
complexity of the melody.
“Apologize” made me nostalgic
for things I’d never experienced.
Even though I was yet to have a
relationship that was even remote-
ly romantic, I’d belt out lyrics with
the grace and passion typical of
an angsty teen drama. But what
I loved most was the cello in the
background. Back then, I had no
idea that I’d be playing the cello
in just a few short years, but even
without prior string experience,
I loved the rich resonance of the
instrument and the depth it added.
Whenever I listen to “Apolo-
gize” today, I’m still struck by the
artistry of the piece and the same
cocktail of emotions I experi-
enced back in elementary school.
It never fails to remind me of the
way music can impact much more
than just the present.
SAMANTHA LU
Daily Arts Writer
All Things Reconsidered: ‘Apologize’
is not just another basic pop song
COLUMBIA
We can’t make fun of OneRepublic more than they’ve already made fun of themselves.
“Apologize” made
me nostalgic for
things I’d never
experienced
STYLE NOTEBOOK
In 2016, the fashion world
partook in a giant game of
hide-and-go-seek.
Which
designers left their respec-
tive brands? Where were they
going? Would diversity ever
emerge as anything more than
an
afterthought?
Who
was
going to come forward to vol-
untarily dress First Lady-elect
Melania Trump? Some of these
scavenger hunts remain unre-
solved, but they have made one
thing clear: 2017 will be a year
of spectating, of observing the
implications of 2016’s chaos.
Expect an onslaught ethical
battles. Even in high fashion,
widespread use of sweatshops
has persisted into the New Year,
forcing corporate giants like
Kering (owner of Saint Laurent,
Gucci and Puma, among oth-
ers), who have been accused of
employing immoral labor tac-
tics, to reevaluate their manu-
facturing processes — and fast.
Although 2016 saw the close of
ethically-conscious label Suno,
sustainable,
sweatshop-free
brands are infiltrating main-
stream consumerism at a break-
neck pace. Online boutiques
like Reformation are reaching
levels of ubiquity that sustain-
able fashion has never seen.
On the positive side of the
coin, 2017 is bound to give way
to some seriously revolution-
ary branding. Raf Simons will
make his debut at Calvin Klein
next month, which, knowing
Simons, will likely erect a side
of the brand that it didn’t even
know it needed, one full of the
raw, youthful energy both he
and CK are known for. Ales-
sandro Michele (Gucci) and
Demna Gvasalia (Balenciaga,
Vetements), 2016’s key taste-
makers, are sure to bring even
more outlandishly styled looks
and unexpected collaborations
to the upcoming fashion cycle.
This
year,
non-traditional
models
will
continue
their
rise to the top. Kickstart-
ed by designer Rio Uribe of
streetwear label Gypsy Sport
several years ago, the move-
ment has slowly but surely
gained speed, thanks in large
part to exposure provided
by Instagram. Bald-headed,
gap-toothed
beauty
Simone
Thompson
has
become
an
Instagram darling as of late,
receiving features from the
likes of Vogue and CR Fashion
Book by the latter end of 2016.
Thompson is but one of many
models that has contributed a
true sense of diversity to the
high-fashion scene. Other new
muses like Barbie Ferreira and
Hari Nef add serious depth to
fashion’s coolest band of out-
siders (who, might I add, are
now surpassing the insiders in
both numerical and abstract
terms), paving the way for even
more diversification in the
months to come.
Despite all the recent guess-
work, the ever-dreaded fash-
ion cycle will remain chaotic in
2017. No trillion dollar indus-
try can clean up its act in a
matter of months, let alone one
that has relied on an archaic
system for far too long. Sure,
more attempts at forging a see-
now, buy-now market will be
made on an individual brand
level, but such isolated changes
cannot turn the entire indus-
try on its head unless they
appear across the board (and
they won’t — ahem, traditional
Paris fashion houses).
Hide-and-go-seek is getting
old. But something tells me
we’ll be able to relax a bit this
year. We should not push our-
selves answer fashion’s most
abstract questions. 2017 is our
time to sit back, let the indus-
try unfold as it does, and sim-
ply enjoy the show.
TESS GARCIA
Senior Arts Editor
Enjoy the Show: What to expect
from the world of fashion in 2017
A reflection of where last year left us, and where it will push us
No trillion dollar
industry can clean
up its act in a
matter of months
Best Dressed: Tracee Ellis
Ross (Zuhair Murad Couture)
This year, the “Black-ish” star
threw the notion of “dressing
her age” out the window, favor-
ing a strapless, crystallized
number accented with a ring on
each finger. Murad’s creation
hugged her curves, and its sil-
ver-cream colorway made her
golden skin appear ethereal.
Ellis Ross is living proof that
fun and beauty do not have to
die when we turn 30.
- Tess Garcia
Worst
Dressed:
Natalie
Portman (Prada)
A giant yellow shift dress …
oof. Not a good look IMO. But
the true travesty is that hair!
Natalie consistently looks chic
at all red carpets, but tonight
she faltered.
- Tess Tobin
Best Dressed: Ruth Negga
(Louis Vuitton)
It takes a special kind of girl
to charm LV’s Nicolas Ghes-
quière into making her a one-
of-a-kind look. And yet Negga
finessed her way to an impec-
cably-cut sequin ensemble just
a week after the New Year.
The “Loving” actress’ closely-
cropped mane complimented
her dainty-robot-warrior aura
in a way that will never be
topped. Brava.
- Tess Garcia
Worst
Dressed:
Janelle
Monáe (Armani Privé)
I was shocked this was
Armani. It genuinely looked
like her next-door neighbor
made it, and the neighbor’s
10-year-old daughter whipped
out a glue gun and added those
spots.
- Tess Tobin
Best Dressed: Evan Rachel
Wood (Joseph Altuzzara)
Her suit not only comes as a
nice change of pace from the
usual dresses on the red car-
pet, but also has a cool flair
to it. The longer length of the
jacket, the flared trousers and
the bow on the shirt all push
the envelope of a traditional
suit.
- Naresh Iyengar
Worst Dressed: Karrueche
Tran (Dolce & Gabbana)
It screams PROM a little too
much.
- Tess Tobin
Best Dressed: Emma Stone
(Valentino)
She looks stellar. Maybe even
interstellar wearing all those
stars.
- Sarah Agnone
Worst
Dressed:
Carrie
Underwood (Iris Serban)
The light pink frock probably
intended to be soft and feminine
but, unfortunately, just looked
like a walking “Cupcake Wars.”
- Sarah Agnone
Best Dressed: Donald Glov-
er (Gucci)
In addition to bringing home
the award for best performance
in a TV show - Musical or Com-
edy, for a show that was risky to
make, Glover took another risk
with a brown velvet (!!!) suit that
looked terrific, especially when
paired with black shoes and a
beautifully colored bowtie.
- Naresh Iyengar
DAILY STYLE WRITERS
Golden Globes 2017: Who brought
it, and who should have left it at home
From Zuhair Murad to Dolce & Gabbana, certain looks wowed
the red carpet, others showed a complete disregard for all that is holy
STYLE REVIEW
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Golden Globes so white?
6A — Wednesday, January 11, 2017
Arts
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