Classifieds

Call: #734-418-4115
Email: dailydisplay@gmail.com

ACROSS
1 Bowling alley
button
6 European
cheese town
10 Puddle jumper
trip
13 Wedding figure
14 ChapStick
container
15 Fix up
16 Newspaper
reporter’s
compensation?
18 Big star
19 “I’m with ya”
20 Threatening
words
21 Farming prefix
22 “Wheel of
Fortune” buy
23 Smooth, as
transitions
25 Wise
29 DOJ bureau
30 Dry as dust
31 Speaker’s spot
34 Get out of bed
37 “__ who?”
38 Chiropractor’s
compensation?
40 N.L. player
whose home
games include a
Presidents Race
41 Brownish-green
43 Greenish-blue
44 Some
prosecutors:
Abbr.
45 “Selma” director
DuVernay
46 Drops in
48 Medical
emergency alert
53 Baby fox
54 Soon, to a bard
55 Kibbutz setting
57 Actress Thurman
60 Cooling meas.
61 Comedian’s
compensation?
63 Bass’ red
triangle, e.g.
64 Moran of “Happy
Days”
65 Flared dress
66 New Testament
bk.
67 German
battleship 
Graf __
68 Connection point

DOWN
1 Former NYC
mayor Giuliani
2 Seesaw sitter of
tongue twisters
3 Send in a box
4 Sushi selection
5 “Taste this”
6 French I verb
7 Stereotypical
dawn challenges
8 Take down a peg
9 Scorned lover of
Jason
10 Landscaper’s
compensation?
11 Aromas
12 Shirts named for
a sport
15 Theater district
17 Lee who was the
top-charting
female soloist of
the ’60s
22 Helping hand
24 Painter Cassatt
25 Over-the-
shoulder band
26 Square statistic
27 Domino’s
delivery driver’s
compensation?
28 Diplomatic skill
32 ’50s prez

33 Health resorts
35 Swedish
automaker
36 Internet crafts
marketplace
38 Spill the beans
39 PC feature only
used in
combinations
42 “All the same ... ”
44 Fitting
47 TV’s J.R. Ewing,
e.g.

48 Part of CNN
49 Winning
50 “__ Been Good”:
Joe Walsh hit
51 Take over
52 Bath-loving
Muppet
56 Novelist Rice
57 Windows
alternative
58 Drop-down list
59 Yes votes
62 Chihuahua cheer

By Robert E. Lee Morris
©2017 Tribune Content Agency, LLC
01/11/17

01/11/17

ANSWER TO PREVIOUS PUZZLE:

RELEASE DATE– Wednesday, January 11, 2017

Los Angeles Times Daily Crossword Puzzle

Edited by Rich Norris and Joyce Nichols Lewis

xwordeditor@aol.com

4 BEDROOM HOUSE Fall 2017
3 Parking Spaces Washer/Dryer
827 Brookwood ‑ $2900 + Utilities
Deinco Properties 734‑996‑1991

5 BEDROOM APT Fall 2017
Washer Dryer, 3 Parking Spaces
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1 BEDROOM APTS Near N. Campus
Fall 2017‑18 ‑ $900/m + $25/m Utilities

Each unit has one parking space.
909 & 915 Wall St.
Deinco Properties 734‑996‑1991

2017‑2018 LEASING
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Efficiencies:
344 S. Division $855
610 S. Forest $870 ‑ 1 Left
1 Bedrooms:
511 Hoover $1045/$1065
508 Division $945
*Varies by location: Full Furnished, 
Parking Included, Free Ethernet

2 BEDROOM + Study Fall 2017
2 Parking Spaces Washer/Dryer
Max occupancy is 4
935 S. Division ‑ $2250 + Utilities
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EFF, 1 & 2 Bdrm Apts Fall 2017‑18
Many locations near campus

Rents from $850 (eff) ‑ $1415 (2 bdrm)

Most include Heat and Water
www.cappomanagement.com
734‑996‑1991

FOR RENT

MUSIC NOTEBOOK

Some 
might 
argue 
that 

OneRepublic’s 
“Apologize” 
is 

one of the most basic pop songs 
of the 21st century, but the piece 
possesses an instrumental and 
melodic genius that is difficult to 
find in many of the radio hits of 
the past 16 years.

My first experience with 

“Apologize” was just outside 
the smelly gates of the Detroit 
Zoo. I am a wee fourth grader, 
exhausted after a day long field 
trip filled with scorching sun 
and caged animals. My friends 
and I sit in the backseat of our 
parent chaperone’s car, fer-
vently discussing our favorite 
exhibits while the unassuming 
mother looks on, fiddling qui-
etly with the radio knobs of the 
slightly dusted dashboard. She 
finally settles on channel 98.7, 
leaning back as smooth pop rock 
swells to fill the slightly sweaty 
interior of the car. I’m silent 
within seconds, stunned by the 
beauty of the piece.

I 
listen 
intently, 
picking 

at the strains of golden cello 
that weave in and out of the 
piece, jumping a little bit as I 
am prodded back to life by my 
friend, who chuckles at me as 
she realizes I’m mouthing the 
lyrics to myself. Our attention 
slowly shifts from the end of 

our field trip to the song, and 
soon the car has transformed 
into a chorusing, slightly off 
key rendition of “Apologize,” 
with the mother even joining in 
at times.

For the longest time, I didn’t 

have a very personal connec-
tion with music. I never went 
out of my way to discover songs 

that I liked, and as a result, I 
didn’t have a clear idea of what 
I even enjoyed. If my classmates 
decided that a song was hip, I’d 
tag along too. It was a few years 
before I thought to explore 
music for myself; I started out surf-
ing YouTube in an avid search for 
songs to download onto my MP3 
player, then eventually graduated 
to the more streamlined process of 
Spotify. Discovering music that I 
loved was a gradual but reward-
ing process that not only made 
me happier but also cemented 
my shaky self esteem by helping 
me determine key aspects of my 
personality.

“Apologize” 
personifies 

everything 
I’ve 
grown 
to 

cherish about pop music: A 
slow buildup contrasted with 
an intense chorus, a catchy 
tune and dramatically heart 
wrenching, yet easily recogniz-
able lyrics. The combination of 
cello with the faster paced per-
cussion balance each other out 
perfectly, in a way that keeps 
the song mellow but ensures the 
melody never gets so slow that 
it drags. Tinkling piano notes 
add a lightness that helps the 
song move as it unfolds, lending 
the music a delicate, dancing 
nature that further flavor the 
complexity of the melody.

“Apologize” made me nostalgic 

for things I’d never experienced. 
Even though I was yet to have a 
relationship that was even remote-
ly romantic, I’d belt out lyrics with 
the grace and passion typical of 
an angsty teen drama. But what 
I loved most was the cello in the 
background. Back then, I had no 
idea that I’d be playing the cello 
in just a few short years, but even 
without prior string experience, 
I loved the rich resonance of the 
instrument and the depth it added.

Whenever I listen to “Apolo-

gize” today, I’m still struck by the 
artistry of the piece and the same 
cocktail of emotions I experi-
enced back in elementary school. 
It never fails to remind me of the 
way music can impact much more 
than just the present. 

SAMANTHA LU
Daily Arts Writer

All Things Reconsidered: ‘Apologize’
is not just another basic pop song

COLUMBIA

We can’t make fun of OneRepublic more than they’ve already made fun of themselves.

“Apologize” made 
me nostalgic for 
things I’d never 

experienced

STYLE NOTEBOOK

In 2016, the fashion world 

partook in a giant game of 
hide-and-go-seek. 
Which 

designers left their respec-
tive brands? Where were they 
going? Would diversity ever 
emerge as anything more than 
an 
afterthought? 
Who 
was 

going to come forward to vol-
untarily dress First Lady-elect 
Melania Trump? Some of these 
scavenger hunts remain unre-
solved, but they have made one 
thing clear: 2017 will be a year 
of spectating, of observing the 
implications of 2016’s chaos.

Expect an onslaught ethical 

battles. Even in high fashion, 
widespread use of sweatshops 
has persisted into the New Year, 
forcing corporate giants like 
Kering (owner of Saint Laurent, 
Gucci and Puma, among oth-
ers), who have been accused of 
employing immoral labor tac-
tics, to reevaluate their manu-
facturing processes — and fast. 
Although 2016 saw the close of 
ethically-conscious label Suno, 
sustainable, 
sweatshop-free 

brands are infiltrating main-
stream consumerism at a break-
neck pace. Online boutiques 
like Reformation are reaching 
levels of ubiquity that sustain-
able fashion has never seen.

On the positive side of the 

coin, 2017 is bound to give way 
to some seriously revolution-
ary branding. Raf Simons will 
make his debut at Calvin Klein 
next month, which, knowing 
Simons, will likely erect a side 
of the brand that it didn’t even 
know it needed, one full of the 
raw, youthful energy both he 
and CK are known for. Ales-
sandro Michele (Gucci) and 
Demna Gvasalia (Balenciaga, 
Vetements), 2016’s key taste-
makers, are sure to bring even 
more outlandishly styled looks 
and unexpected collaborations 
to the upcoming fashion cycle.

This 
year, 
non-traditional 

models 
will 
continue 
their 

rise to the top. Kickstart-
ed by designer Rio Uribe of 
streetwear label Gypsy Sport 
several years ago, the move-
ment has slowly but surely 
gained speed, thanks in large 
part to exposure provided 
by Instagram. Bald-headed, 
gap-toothed 
beauty 
Simone 

Thompson 
has 
become 
an 

Instagram darling as of late, 

receiving features from the 
likes of Vogue and CR Fashion 
Book by the latter end of 2016. 
Thompson is but one of many 
models that has contributed a 
true sense of diversity to the 
high-fashion scene. Other new 
muses like Barbie Ferreira and 
Hari Nef add serious depth to 
fashion’s coolest band of out-
siders (who, might I add, are 
now surpassing the insiders in 
both numerical and abstract 
terms), paving the way for even 
more diversification in the 
months to come.

Despite all the recent guess-

work, the ever-dreaded fash-
ion cycle will remain chaotic in 
2017. No trillion dollar indus-
try can clean up its act in a 
matter of months, let alone one 
that has relied on an archaic 
system for far too long. Sure, 
more attempts at forging a see-
now, buy-now market will be 
made on an individual brand 
level, but such isolated changes 
cannot turn the entire indus-
try on its head unless they 
appear across the board (and 
they won’t — ahem, traditional 
Paris fashion houses).

Hide-and-go-seek is getting 

old. But something tells me 
we’ll be able to relax a bit this 
year. We should not push our-
selves answer fashion’s most 
abstract questions. 2017 is our 
time to sit back, let the indus-
try unfold as it does, and sim-
ply enjoy the show.

TESS GARCIA
Senior Arts Editor

Enjoy the Show: What to expect 
from the world of fashion in 2017

A reflection of where last year left us, and where it will push us

No trillion dollar 
industry can clean 

up its act in a 

matter of months

Best Dressed: Tracee Ellis 

Ross (Zuhair Murad Couture)

This year, the “Black-ish” star 

threw the notion of “dressing 
her age” out the window, favor-
ing a strapless, crystallized 
number accented with a ring on 
each finger. Murad’s creation 
hugged her curves, and its sil-
ver-cream colorway made her 
golden skin appear ethereal. 
Ellis Ross is living proof that 
fun and beauty do not have to 
die when we turn 30.

- Tess Garcia

Worst 
Dressed: 
Natalie 

Portman (Prada)

A giant yellow shift dress … 

oof. Not a good look IMO. But 
the true travesty is that hair! 
Natalie consistently looks chic 
at all red carpets, but tonight 
she faltered.

- Tess Tobin

Best Dressed: Ruth Negga 

(Louis Vuitton)

It takes a special kind of girl 

to charm LV’s Nicolas Ghes-
quière into making her a one-

of-a-kind look. And yet Negga 
finessed her way to an impec-
cably-cut sequin ensemble just 
a week after the New Year. 
The “Loving” actress’ closely-
cropped mane complimented 
her dainty-robot-warrior aura 
in a way that will never be 
topped. Brava.

- Tess Garcia

Worst 
Dressed: 
Janelle 

Monáe (Armani Privé)

I was shocked this was 

Armani. It genuinely looked 
like her next-door neighbor 
made it, and the neighbor’s 
10-year-old daughter whipped 
out a glue gun and added those 
spots.

- Tess Tobin

Best Dressed: Evan Rachel 

Wood (Joseph Altuzzara)

Her suit not only comes as a 

nice change of pace from the 
usual dresses on the red car-
pet, but also has a cool flair 
to it. The longer length of the 
jacket, the flared trousers and 
the bow on the shirt all push 
the envelope of a traditional 
suit.

- Naresh Iyengar

Worst Dressed: Karrueche 

Tran (Dolce & Gabbana)

It screams PROM a little too 

much.

- Tess Tobin

Best Dressed: Emma Stone 

(Valentino)

She looks stellar. Maybe even 

interstellar wearing all those 
stars.

- Sarah Agnone

Worst 
Dressed: 
Carrie 

Underwood (Iris Serban)

The light pink frock probably 

intended to be soft and feminine 
but, unfortunately, just looked 
like a walking “Cupcake Wars.”

- Sarah Agnone

Best Dressed: Donald Glov-

er (Gucci)

In addition to bringing home 

the award for best performance 
in a TV show - Musical or Com-
edy, for a show that was risky to 
make, Glover took another risk 
with a brown velvet (!!!) suit that 
looked terrific, especially when 
paired with black shoes and a 
beautifully colored bowtie.

- Naresh Iyengar

DAILY STYLE WRITERS

Golden Globes 2017: Who brought
it, and who should have left it at home

From Zuhair Murad to Dolce & Gabbana, certain looks wowed 
the red carpet, others showed a complete disregard for all that is holy

STYLE REVIEW

WE WANT YOU FOR ARTS

Email anay@umich.edu or npzak@umich.edu if you’re interested in joining.

NBC

Golden Globes so white?

6A — Wednesday, January 11, 2017
Arts
The Michigan Daily — michigandaily.com

