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January 11, 2017 - Image 10

Resource type:
Text
Publication:
The Michigan Daily

Disclaimer: Computer generated plain text may have errors. Read more about this.

I

learned the true meaning

of benevolence in a flea

market.

As
a
16-year-old
American

traveling in a place like Costa

Rica, I didn’t know much about

the culture, the way of living or

its people. While there, I learned

of the immense fighting the

Costa Rican natives, called Ticos,

had to suffer through for their

independence. I learned of the

consistent poverty the majority of

Costa Rican communities battle

every day. I had truly entered a

universe unknown to me.

“¿520 años y dónde está la paz?”

Translation: “520 years and

where is the peace?”

These words were spray-painted

on a cement wall in the center of

San Jose, the capital of Costa Rica.

As I stopped at a flea market in

the city, I looked in many of the

corners and crevices of the tent. I

looked at wooden jewelry boxes

for my best friend and wine holders

for my parents. I found homemade

candles and oddly shaped purses; I

did my best to bargain prices with

the Ticos.

But as I tried to lower prices, I

was ignorant to the reality of these

people. They sold handmade items

for a living
–– they stood every

day in the heat trying to sell some

sort of material, material they

re-crafted with their bare hands.

It wasn’t materialistic; it wasn’t

bogus or cheap. It was someone’s

precious work, their creation —

their child, in a sense.

Strolling through, a ring maker

caught my eye. He sat at a wooden

table with a burning, iron rod in

one hand, wrapping and twisting

metal to shape rings. There was

a pre-made ring in the shape of a

treble clef that laid on the table.

“¿Cuánto?” I asked the man.

He proposed a price in colones

(Costa Rican currency) that was

equal to about five American

dollars. Before I left the tent with

the newly bought ring, the man

told me to wait one moment.

He held up long piece of copper

and cut it with pliers. He began to

wrap the copper around the hot,

iron wand.

“In Costa Rica, our motto is ‘Pura

Vida’ or ‘Pure Life’ in English,” he

said to me in broken English. He

did not look up.

When he finished, he cupped his

hands around the ring. Lifting it to

my eyes, he showed me a hidden

P in the middle of a V. The letters

represented the words “Pura” and

“Vida.” Sun rays filtered through

the tapestry ceiling of his shop,

and the copper ring illuminated

slightly. I smiled, and once again

asked how much.

“No, no. No money. It’s for you,”

he answered. “Enjoy your time in

Costa Rica, and remember, if the V

points

towards you, you give yourself the

energy of pure life. If you point

it towards others, you give them

the energy to live pure and to live

happy.”

My mind raced back to “¿520

años y dónde está la paz?” I thought

of the suffering the people of Costa

Rica have faced. I looked at this

man who wrapped metal for his

life. This man had given me more

than a free ring — in a sense, he

gave me hope.

Pura Vida is more than a lesson;

it’s a greeting, a healer and an

overall way of life.

The piece of metal wrapped

around my finger reminds me

each day that I am grateful for

my own life –– it reminds me

to be fearlessly optimistic and

continuously thankful. It reminds

me
that
impoverished,
kind-

hearted people live in this greedy

world, but are still fighting for Pura

Vida.

In that instance, I placed the ring

on my finger with the V facing the

ring maker.

I offered the man even the

smallest tip. With a bright smile,

he refused. He sat on his throne of

creations in his kingdom of hope.

2B

Magazine Editor:

Lara Moehlman

Deputy Editors:

Matt Gallatin

Yoshiko Iwai

Design Editor:

Katie Spak

Photo Editor:

Claire Abdo

Editor in Chief:

Emma Kinery

Managing Editor:

Rebecca Lerner

Copy Editors:

Danielle Jackson

Taylor Grandinetti

the statement

Wednesday, Janurary 11, 2017 / The Statement

Little Things: Pura Vida

B Y E R I K A S H E V C H E C K , DA I LY A R T S W R I T E R

the
tangent

ILLUSTRATION BY EMILIE FARRUGIA

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