HAPPY TUESDAY! Classifieds Call: #734-418-4115 Email: dailydisplay@gmail.com ACROSS 1 Doofus 5 Dodge Aries and Plymouth Reliant 10 Smack on the mouth 14 Letter-shaped support piece 15 “For real!” 16 Pop singer Brickell 17 Dice roller’s exhortation 19 Scrabble piece 20 TV preview 21 Taken as a whole 23 Satchel feature 26 Margarita glass rim coating 27 Curved sword 30 Application info: Abbr. 32 Pool measure 35 What soccer shootouts resolve 36 Peaceful state 38 P-like Greek letter 39 Actress Thurman 40 Actor with near- synonymous first and last names 41 Museum hanging 42 Amount after costs 43 Suitcase attachments 44 Yuletide 45 Not so hot? 47 __ Lanka 48 Swollen 49 Upper, in Ulm 51 Male voice range 53 “Toodle-oo!” 56 Evaluate for tax purposes 60 Wee bit 61 Cause trouble ... and a hint to this puzzle’s circled letters 64 Time in office 65 Emulate Vesuvius 66 Scarlet letter of fiction 67 Slow Churned ice cream brand 68 Hagar of Van Halen 69 Wine bottle number DOWN 1 Random House vol. 2 Woodwind instrument 3 Dalai __ 4 Locks on heads 5 Soup mix brand 6 “Blue Bloods” extra 7 Pie-mode connection 8 TV host Kelly 9 Applies weatherstripping to 10 Stovetop whistler 11 Pretty darn simple 12 Housecat’s perch 13 Watermelon eater’s discard 18 Four: Pref. 22 Saddled (with) 24 People with skill 25 Toaster snack 27 Publicity ploy 28 Evangelist __ Semple McPherson 29 Verses by Allen Ginsberg, e.g. 31 Shake it on the dance floor 33 Burglar 34 “Deck the Halls” greenery 36 Free (of) 37 Yearbook gp. 40 One on horseback 44 Room with a crib 46 Steel girders 48 Luxurious 50 Greets the judge 52 Well-dressed 53 Mention in a footnote 54 Broke up some clods 55 Senorita’s “other” 57 Weapon with a tip guard 58 Scotch go-with 59 Walk of Fame figure 62 Periodic table suffix 63 Turntable no. By Janice Luttrell ©2017 Tribune Content Agency, LLC 01/10/17 01/10/17 ANSWER TO PREVIOUS PUZZLE: RELEASE DATE– Tuesday, January 10, 2017 Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Nichols Lewis xwordeditor@aol.com 1 BEDROOM APTS Near N. Campus Fall 2017‑18 ‑ $900/m + $25/m Utilities Each unit has one parking space. 909 & 915 Wall St. Deinco Properties 734‑996‑1991 2 BEDROOM + Study Fall 2017 2 Parking Spaces Washer/Dryer Max occupancy is 4 935 S. Division ‑ $2250 + Utilities Cappo Mgmt 734‑996‑1991 2017‑2018 LEASING Apartments Going Fast! Prime Student Housing 761‑8000. www.primesh.com Efficiencies: 344 S. Division $855 610 S. Forest $870 ‑ 1 Left 1 Bedrooms: 511 Hoover $1045/$1065 508 Division $945 *Varies by location: Full Furnished, Parking Included, Free Ethernet 4 BEDROOM HOUSE Fall 2017 3 Parking Spaces Washer/Dryer 827 Brookwood ‑ $2900 + Utilities Deinco Properties 734‑996‑1991 5 BEDROOM APT Fall 2017 Washer Dryer, 3 Parking Spaces 1014 Vaughn #1 ‑ $2900 + Utilities Deinco Properties 734‑996‑1991 EFF, 1 & 2 Bdrm Apts Fall 2017‑18 Many locations near campus Rents from $850 (eff) ‑ $1415 (2 bdrm) Most include Heat and Water www.cappomanagement.com 734‑996‑1991 FALL 2017‑18 Apts @ 1015 Packard 2 Bedroom ‑ $1370 ‑ 2nd floor 3 Bedroom ‑ $1380 ‑ basement 1 parking space avail for $50/m per unit Deinco 734‑996‑1991 FOR RENT 6 — Tuesday, January 10, 2017 Arts The Michigan Daily — michigandaily.com ‘One Day’ a decent revival As a new series ringing in the new year, Netflix’s “One Day at a Time” ponders the teenage experience and celebration of family in a revival of the classic 1975 series of the same name. While the term “reboot” may be used to describe many throwback series, “revival” is the more accurate term for “One Day at a Time” — though the sitcom may be reminiscent of its namesake, it’s exclusively one of a kind. The series opens on the Alvarez family, a Cuban-American household that struggles to find balance between dueling cultures. In a classic battle of the ages, Justina Machado (“The Purge: Anarchy”) portrays Penelope, a recently divorced single mom juggling the trials of divorce, work and, of course, teenage hormones. As hard as Penelope works to raise her children in a world of opportunity, her children push back harder, with technology and left-wing viewpoints. Opinions are more specifically propagated by Elena (Isabella Gomez, “Matador”), Penelope’s feminist teenage daughter who refuses to participate in her own “quinceañera,” a coming-of-age party for 15-year old girls, as she feels the cultural celebration is rooted in misogyny. These generational arguments, both with equally compelling points, are ultimately what drives this series and makes it so captivating. What’s so interesting about “One Day at a Time” is that their arguments are never idle bickering. Rather, they are deep conversations that ponder the larger issues of money, race and class. So while Penelope might push for her daughter’s appreciation of her Cuban heritage, Elena equally fights for recognition as a modern feminist. All the while, “abuela” Lydia (Rita Moreno, “West Side Story”) and shopaholic son Alex (Marcel Ruiz, “Snowfall”) balance out the mother and daughter with antics of their own. While Lydia serves as a reminder of the family’s Cuban heritage, Alex is a reminder of the economic struggle and how they’ve persevered over the years, despite lacking a prominent father figure. From talks of antidepressants to the war in Afghanistan, this revival is taking a modern spin to the American family. Looking back on the pilot episode, one can see that “One Day at a Time” succeeds where “Fuller House” falls short — capturing that old-school sitcom vibe without falling into cheesy material. While, at times, some aspects tread that thin line, this reboot focuses on family struggles more than pulling some quick laughs. One of the few weaknesses lies in the hipster landlord Schneider (Todd Grinnell, “Nesting”), who offers advice to Penelope’s children with a side- dish of cool attitude and urban slang that falls short of convincing and moves straight into the realm of awkwardness. Even if this is the character trait the series is pulling for, the lines are often overzealous in delivery, breaking the sincerity of the series with an inward cringe. Overall, the Alvarez family is dynamically different from the family of Netflix’s recent revival of the “Full House” series. Not only in race, but in the dynamics of a working American family, struggling to make ends meet from day to day. With an unapologetic look inside the modern family and the struggles of cultural heritage and appreciation, “One Day at a Time” is plunged back onto our screens as a driving force in the world of sitcoms. Although there is still the fluffiness of a sitcom present in Netflix’s revival, the touch of reality makes “One Day at a Time” unique and well-worth the watch. The first season of “One Day at a Time” is currently streaming in its entirety on Netflix. Revival of ’75 series brings refreshing diversity to Netflix “We are culture. Rap is the new rock ‘n’ roll. We are the rock stars.” —Kanye West From Karl Kani and Cross Colours to Rocawear and Fubu, the hip-hop community has been involved in fashion since before its emergence into the mainstream. The birth of modern streetwear, and the ability for brands like Supreme to coexist with brands like Ralph Lauren, have artists like Damon Dash, Jay Z, Puff Daddy, and many others to thank. Even though these brands have their origins as early as 1989, it wasn’t until recently that rappers were able to break into the high-fashion world. Designer fashion is a completely different beast from brands started in houses and garages. Something that goes along with designer brands is the idea of status: when a customer buys something from Louis Vuitton, they are not always buying it for the pattern itself, but rather because the pattern says something about the quality of their life. Brands like Gucci and Versace are considered to be high class, and hip-hop artists have long been considered to be of a lower class than designers, its the concept of old-money vs. new-money. Things have long been this way, but are beginning to change. Rappers are finally entering into the fold with regard to designer fashion. It’s long overdue. It really was not until late 2008 when an artist like Pharrell was able to have a jewelry collaboration with Louis Vuitton. That was quickly followed up by the brand’s 2009 collaboration with Kanye West. Still today, only a few houses have admitted their influence and appeal to hip-hop culture (Rousteing and Tisci at Balmain and Givenchy come to mind). 2016 has been a much- needed year for hip-hop stars further disrupting the fashion industry. To highlight a few, A$AP Rocky was named as one of the faces of Dior Homme’s FW16 campaign (and has had successful collaborations with J.W. Anderson and GUESS), Young Thug and Frank Ocean were shown modeling for Calvin Klein, and Travis Scott appeared in a Yves Saint Laurent video. Saint Laurent under Hedi Slimane was often criticized for having a very whitewashed runway show. His Spring/ Summer 15 show featured one black model, who was essentially in a Jimi Hendrix costume, and they have not had many more since. So, Scott’s appearance in the video was a much- welcomed surprise. The fashion world is changing: Internet forums, Instagram, and other sites are becoming an integral platform for sharing what’s popular in fashion around the world. Consumers are taking cues from hip- hop artists and buying into the status association of wearing the same thing as Kanye or A$AP Rocky. Looking back at last year, the biggest question I’m left with is this: Why haven’t more designer houses taken cues from Balmain and Givenchy to work with hip- hop artists? Mainstream popularity drives business, and there’s no denying that hip-hop qualifies as mainstream. One of the most pervasive themes in hip- hop is the idea of conspicuous consumption and, whether designers like it or not, these artists are ambassadors for the brands and are driving sales. It makes sense to me to use them as a marketing tool. It’s instantly visible when I’m browsing sites like Grailed for clothes and I see a picture of a highly coveted item worn by Kanye, or Rocky being used as a selling point. It is hard for me to not think about how many extra wallets and bags are sold when Lil Uzi Vert raps “Hunnid bands on the Goyard” in his song, “Of Course We Ghetto Flowers,” or how many more people looked- up the mentioned brands when Rocky says “I see your Jil Sanders, Oliver Peoples/ Costume National, your Ann Demeulemeester” on “Fashion Killa” and then proceeded to save up for a pair of shades or boots. To me it sounds like unrequited love: Loving something so much, only for it to not feel the same. That’s the relationship between hip- hop and designer-fashion in the world today. It comes down to class, like I previously mentioned: In the world of high-fashion, the hip-hop community is still viewed by many as a dangerous other. While I don’t know what the solution here is, it’s time for major fashion houses to recognize that they are cannibalizing their own sales by continuing to marginalize such a successful group of customers and all of their fans. Unrequited love: hip-hop and designer fashion Old money, new money and the introduction of hip-hop into the world of high fashion and what this means for the industry CALVIN KLEIN He’s beauty, he’s grace, he’s Miss United States B+ “One Day at a Time” Series Premiere Netflix NETFLIX I don’t even know what to say about this NARESH IYENDAR For The Daily Designer fashion is a completely different beast from brands started in houses and garages Why haven’t more designer houses taken cues from Balmain and Givenchy to work with hip-hop artists? DO YOU IDENTIFY WITH MERYL STREEP AND MERYL STREEP ALONE? #BADBITCHESONLY #STREEP2020 The come talk to us. We mirror our lives after Miranda Priestly. E-mail Anay Katyal at anay@umich.edu for an application. MEGAN MITCHELL Daily Arts Writer TV REVIEW STYLE NOTEBOOK