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TUESDAY!
Classifieds
Call: #734-418-4115
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ACROSS
1 Doofus
5 Dodge Aries and
Plymouth Reliant
10 Smack on the
mouth
14 Letter-shaped
support piece
15 “For real!”
16 Pop singer
Brickell
17 Dice roller’s
exhortation
19 Scrabble piece
20 TV preview
21 Taken as a whole
23 Satchel feature
26 Margarita glass
rim coating
27 Curved sword
30 Application info:
Abbr.
32 Pool measure
35 What soccer
shootouts
resolve
36 Peaceful state
38 P-like Greek
letter
39 Actress Thurman
40 Actor with near-
synonymous first
and last names
41 Museum hanging
42 Amount after
costs
43 Suitcase
attachments
44 Yuletide
45 Not so hot?
47 __ Lanka
48 Swollen
49 Upper, in Ulm
51 Male voice range
53 “Toodle-oo!”
56 Evaluate for tax
purposes
60 Wee bit
61 Cause trouble ...
and a hint to this
puzzle’s circled
letters
64 Time in office
65 Emulate
Vesuvius
66 Scarlet letter of
fiction
67 Slow Churned ice
cream brand
68 Hagar of Van
Halen
69 Wine bottle
number
DOWN
1 Random House
vol.
2 Woodwind
instrument
3 Dalai __
4 Locks on heads
5 Soup mix brand
6 “Blue Bloods”
extra
7 Pie-mode
connection
8 TV host Kelly
9 Applies
weatherstripping
to
10 Stovetop
whistler
11 Pretty darn
simple
12 Housecat’s
perch
13 Watermelon
eater’s discard
18 Four: Pref.
22 Saddled (with)
24 People with skill
25 Toaster snack
27 Publicity ploy
28 Evangelist __
Semple
McPherson
29 Verses by Allen
Ginsberg, e.g.
31 Shake it on the
dance floor
33 Burglar
34 “Deck the Halls”
greenery
36 Free (of)
37 Yearbook gp.
40 One on horseback
44 Room with a crib
46 Steel girders
48 Luxurious
50 Greets the judge
52 Well-dressed
53 Mention in a
footnote
54 Broke up some
clods
55 Senorita’s “other”
57 Weapon with a
tip guard
58 Scotch go-with
59 Walk of Fame
figure
62 Periodic table
suffix
63 Turntable no.
By Janice Luttrell
©2017 Tribune Content Agency, LLC
01/10/17
01/10/17
ANSWER TO PREVIOUS PUZZLE:
RELEASE DATE– Tuesday, January 10, 2017
Los Angeles Times Daily Crossword Puzzle
Edited by Rich Norris and Joyce Nichols Lewis
xwordeditor@aol.com
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6 — Tuesday, January 10, 2017
Arts
The Michigan Daily — michigandaily.com
‘One Day’ a decent revival
As a new series ringing in the new
year, Netflix’s “One Day at a Time”
ponders the teenage experience
and celebration of family in a
revival of the classic 1975 series
of the same name.
While
the
term
“reboot” may be used
to describe many
throwback
series,
“revival” is the more
accurate term for
“One Day at a Time”
— though the sitcom
may be reminiscent
of its namesake, it’s
exclusively one of a
kind.
The series opens on the Alvarez
family,
a
Cuban-American
household that struggles to find
balance between dueling cultures.
In a classic battle of the ages,
Justina Machado (“The Purge:
Anarchy”)
portrays
Penelope,
a recently divorced single mom
juggling the trials of divorce, work
and, of course, teenage hormones.
As hard as Penelope works to
raise her children in a world of
opportunity, her children push
back harder, with technology
and
left-wing
viewpoints.
Opinions are more specifically
propagated by Elena (Isabella
Gomez, “Matador”), Penelope’s
feminist teenage daughter who
refuses to participate in her own
“quinceañera,” a coming-of-age
party for 15-year old girls, as she
feels
the
cultural
celebration
is rooted in misogyny. These
generational arguments, both with
equally compelling points, are
ultimately what drives this series
and makes it so captivating.
What’s so interesting about
“One Day at a
Time”
is
that
their
arguments
are
never
idle
bickering. Rather,
they
are
deep
conversations that
ponder the larger
issues of money,
race and class. So
while
Penelope
might
push
for
her
daughter’s
appreciation
of
her
Cuban
heritage, Elena equally fights for
recognition as a modern feminist.
All the while, “abuela” Lydia
(Rita Moreno, “West Side Story”)
and shopaholic son Alex (Marcel
Ruiz, “Snowfall”) balance out the
mother and daughter with antics
of their own. While Lydia serves
as a reminder of the family’s Cuban
heritage, Alex is a reminder of the
economic struggle and how they’ve
persevered over the years, despite
lacking a prominent father figure.
From talks of antidepressants to
the war in Afghanistan, this revival
is taking a modern spin to the
American family.
Looking back on the pilot
episode, one can see that “One Day
at a Time” succeeds where “Fuller
House” falls short — capturing that
old-school sitcom vibe without
falling into cheesy material. While,
at times, some aspects tread that
thin line, this reboot focuses on
family struggles more than pulling
some quick laughs. One of the few
weaknesses lies in the hipster
landlord Schneider (Todd Grinnell,
“Nesting”), who offers advice to
Penelope’s children with a side-
dish of cool attitude and urban
slang that falls short of convincing
and moves straight into the realm
of awkwardness. Even if this is the
character trait the series is pulling
for, the lines are often overzealous
in delivery, breaking the sincerity
of the series with an inward cringe.
Overall, the Alvarez family is
dynamically different from the
family of Netflix’s recent revival
of the “Full House” series. Not
only in race, but in the dynamics
of a working American family,
struggling to make ends meet from
day to day. With an unapologetic
look inside the modern family and
the struggles of cultural heritage
and appreciation, “One Day at a
Time” is plunged back onto our
screens as a driving force in the
world of sitcoms. Although there
is still the fluffiness of a sitcom
present in Netflix’s revival, the
touch of reality makes “One Day at
a Time” unique and well-worth the
watch.
The first season of “One Day at a
Time” is currently streaming in its
entirety on Netflix.
Revival of ’75 series brings refreshing diversity to Netflix
“We are culture. Rap is the
new rock ‘n’ roll. We are the
rock stars.” —Kanye West
From Karl Kani and Cross
Colours
to
Rocawear
and
Fubu, the hip-hop community
has been involved in fashion
since before its emergence into
the mainstream. The birth of
modern streetwear, and the
ability for brands like Supreme
to coexist with brands like
Ralph Lauren, have artists like
Damon
Dash,
Jay
Z,
Puff
Daddy,
and
many
others
to thank. Even
though
these
brands
have
their
origins
as
early
as
1989, it wasn’t
until
recently
that
rappers
were able to
break into the
high-fashion
world. Designer fashion is a
completely
different
beast
from brands started in houses
and garages. Something that
goes
along
with
designer
brands is the idea of status:
when
a
customer
buys
something from Louis Vuitton,
they are not always buying
it for the pattern itself, but
rather because the pattern
says
something
about
the
quality of their life. Brands
like Gucci and Versace are
considered to be high class,
and hip-hop artists have long
been considered to be of a
lower class than designers,
its the concept of old-money
vs. new-money. Things have
long been this way, but are
beginning to change. Rappers
are finally entering into the
fold with regard to designer
fashion. It’s long overdue.
It really was not until late
2008 when an artist like
Pharrell was able to have a
jewelry
collaboration
with
Louis
Vuitton.
That
was
quickly followed up by the
brand’s
2009
collaboration
with Kanye West. Still today,
only
a
few
houses
have
admitted their influence and
appeal
to
hip-hop
culture
(Rousteing
and
Tisci
at
Balmain and Givenchy come to
mind). 2016 has been a much-
needed year for hip-hop stars
further disrupting the fashion
industry. To highlight a few,
A$AP Rocky was named as one
of the faces of Dior Homme’s
FW16 campaign (and has had
successful collaborations with
J.W. Anderson and GUESS),
Young Thug and Frank Ocean
were
shown
modeling
for
Calvin
Klein,
and
Travis
Scott appeared
in
a
Yves
Saint Laurent
video.
Saint
Laurent under
Hedi
Slimane
was
often
criticized
for
having a very
whitewashed
runway show.
His
Spring/
Summer
15
show
featured
one
black
model, who was essentially in
a Jimi Hendrix costume, and
they have not had many more
since. So, Scott’s appearance
in the video was a much-
welcomed surprise.
The
fashion
world
is
changing:
Internet
forums,
Instagram, and other sites
are
becoming
an
integral
platform
for
sharing what’s
popular
in
fashion around
the
world.
Consumers
are
taking
cues from hip-
hop
artists
and
buying
into the status
association
of
wearing
the
same thing as
Kanye or A$AP
Rocky. Looking back at last
year,
the
biggest
question
I’m left with is this: Why
haven’t more designer houses
taken cues from Balmain and
Givenchy to work with hip-
hop artists?
Mainstream
popularity
drives business, and there’s no
denying that hip-hop qualifies
as mainstream. One of the
most pervasive themes in hip-
hop is the idea of conspicuous
consumption
and,
whether
designers like it or not, these
artists are ambassadors for
the brands and are driving
sales. It makes sense to me to
use them as a marketing tool.
It’s instantly visible when I’m
browsing sites like Grailed for
clothes and I see a picture of a
highly coveted item worn by
Kanye, or Rocky being used
as a selling point. It is hard
for me to not think about how
many extra wallets and bags
are sold when Lil Uzi Vert raps
“Hunnid bands on the Goyard”
in his song, “Of Course We
Ghetto
Flowers,”
or
how
many more people looked-
up
the
mentioned
brands
when Rocky says “I see your
Jil Sanders, Oliver Peoples/
Costume National, your Ann
Demeulemeester” on “Fashion
Killa” and then proceeded to
save up for a pair of shades or
boots.
To
me
it
sounds
like
unrequited
love:
Loving
something so much, only for
it to not feel the same. That’s
the relationship between hip-
hop
and
designer-fashion
in the world today. It comes
down to class,
like I previously
mentioned:
In
the
world
of
high-fashion,
the
hip-hop
community
is
still
viewed
by many as a
dangerous other.
While
I
don’t
know what the
solution
here
is, it’s time for
major
fashion
houses
to
recognize
that
they are cannibalizing their
own sales by continuing to
marginalize such a successful
group of customers and all of
their fans.
Unrequited love: hip-hop
and designer fashion
Old money, new money and the introduction of hip-hop into
the world of high fashion and what this means for the industry
CALVIN KLEIN
He’s beauty, he’s grace, he’s Miss United States
B+
“One Day at a
Time”
Series Premiere
Netflix
NETFLIX
I don’t even know what to say about this
NARESH IYENDAR
For The Daily
Designer fashion is a
completely different
beast from brands
started in houses and
garages
Why haven’t more
designer houses
taken cues from
Balmain and
Givenchy to work
with hip-hop artists?
DO YOU IDENTIFY WITH MERYL
STREEP AND MERYL STREEP
ALONE?
#BADBITCHESONLY
#STREEP2020
The come talk to us. We mirror our lives after Miranda Priestly.
E-mail Anay Katyal at anay@umich.edu for an application.
MEGAN MITCHELL
Daily Arts Writer
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