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TUESDAY!

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Call: #734-418-4115
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ACROSS
1 Doofus
5 Dodge Aries and
Plymouth Reliant
10 Smack on the
mouth
14 Letter-shaped
support piece
15 “For real!”
16 Pop singer
Brickell
17 Dice roller’s
exhortation
19 Scrabble piece
20 TV preview
21 Taken as a whole
23 Satchel feature
26 Margarita glass
rim coating
27 Curved sword
30 Application info:
Abbr.
32 Pool measure
35 What soccer
shootouts
resolve
36 Peaceful state
38 P-like Greek
letter
39 Actress Thurman
40 Actor with near-
synonymous first
and last names
41 Museum hanging
42 Amount after
costs
43 Suitcase
attachments
44 Yuletide
45 Not so hot?
47 __ Lanka
48 Swollen
49 Upper, in Ulm
51 Male voice range
53 “Toodle-oo!”
56 Evaluate for tax
purposes
60 Wee bit
61 Cause trouble ...
and a hint to this
puzzle’s circled
letters
64 Time in office
65 Emulate
Vesuvius
66 Scarlet letter of
fiction
67 Slow Churned ice
cream brand
68 Hagar of Van
Halen
69 Wine bottle
number

DOWN
1 Random House
vol.
2 Woodwind
instrument
3 Dalai __
4 Locks on heads
5 Soup mix brand
6 “Blue Bloods”
extra
7 Pie-mode
connection
8 TV host Kelly
9 Applies
weatherstripping
to
10 Stovetop 
whistler
11 Pretty darn
simple
12 Housecat’s
perch
13 Watermelon
eater’s discard
18 Four: Pref.
22 Saddled (with)
24 People with skill
25 Toaster snack
27 Publicity ploy
28 Evangelist __
Semple
McPherson
29 Verses by Allen
Ginsberg, e.g.

31 Shake it on the
dance floor
33 Burglar
34 “Deck the Halls”
greenery
36 Free (of)
37 Yearbook gp.
40 One on horseback
44 Room with a crib
46 Steel girders
48 Luxurious
50 Greets the judge
52 Well-dressed

53 Mention in a
footnote
54 Broke up some
clods
55 Senorita’s “other”
57 Weapon with a
tip guard
58 Scotch go-with
59 Walk of Fame
figure
62 Periodic table
suffix
63 Turntable no.

By Janice Luttrell
©2017 Tribune Content Agency, LLC
01/10/17

01/10/17

ANSWER TO PREVIOUS PUZZLE:

RELEASE DATE– Tuesday, January 10, 2017

Los Angeles Times Daily Crossword Puzzle

Edited by Rich Norris and Joyce Nichols Lewis

xwordeditor@aol.com

1 BEDROOM APTS Near N. Campus
Fall 2017‑18 ‑ $900/m + $25/m Utilities
Each unit has one parking space.
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Deinco Properties 734‑996‑1991

2 BEDROOM + Study Fall 2017
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2017‑2018 LEASING
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Efficiencies:
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1 Bedrooms:
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4 BEDROOM HOUSE Fall 2017
3 Parking Spaces Washer/Dryer
827 Brookwood ‑ $2900 + Utilities
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5 BEDROOM APT Fall 2017
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EFF, 1 & 2 Bdrm Apts Fall 2017‑18
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Rents from $850 (eff) ‑ $1415 (2 bdrm)

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FOR RENT

6 — Tuesday, January 10, 2017
Arts
The Michigan Daily — michigandaily.com

‘One Day’ a decent revival

As a new series ringing in the new 

year, Netflix’s “One Day at a Time” 
ponders the teenage experience 
and celebration of family in a 
revival of the classic 1975 series 
of the same name. 
While 
the 
term 

“reboot” may be used 
to describe many 
throwback 
series, 

“revival” is the more 
accurate term for 
“One Day at a Time” 
— though the sitcom 
may be reminiscent 
of its namesake, it’s 
exclusively one of a 
kind.

The series opens on the Alvarez 

family, 
a 
Cuban-American 

household that struggles to find 
balance between dueling cultures. 
In a classic battle of the ages, 
Justina Machado (“The Purge: 
Anarchy”) 
portrays 
Penelope, 

a recently divorced single mom 
juggling the trials of divorce, work 
and, of course, teenage hormones. 
As hard as Penelope works to 
raise her children in a world of 
opportunity, her children push 
back harder, with technology 
and 
left-wing 
viewpoints. 

Opinions are more specifically 
propagated by Elena (Isabella 
Gomez, “Matador”), Penelope’s 
feminist teenage daughter who 
refuses to participate in her own 

“quinceañera,” a coming-of-age 
party for 15-year old girls, as she 
feels 
the 
cultural 
celebration 

is rooted in misogyny. These 
generational arguments, both with 
equally compelling points, are 
ultimately what drives this series 
and makes it so captivating.

What’s so interesting about 

“One Day at a 
Time” 
is 
that 

their 
arguments 

are 
never 
idle 

bickering. Rather, 
they 
are 
deep 

conversations that 
ponder the larger 
issues of money, 
race and class. So 
while 
Penelope 

might 
push 
for 

her 
daughter’s 

appreciation 
of 
her 
Cuban 

heritage, Elena equally fights for 
recognition as a modern feminist. 
All the while, “abuela” Lydia 
(Rita Moreno, “West Side Story”) 
and shopaholic son Alex (Marcel 
Ruiz, “Snowfall”) balance out the 
mother and daughter with antics 
of their own. While Lydia serves 
as a reminder of the family’s Cuban 
heritage, Alex is a reminder of the 
economic struggle and how they’ve 
persevered over the years, despite 
lacking a prominent father figure. 
From talks of antidepressants to 
the war in Afghanistan, this revival 
is taking a modern spin to the 
American family.

Looking back on the pilot 

episode, one can see that “One Day 

at a Time” succeeds where “Fuller 
House” falls short — capturing that 
old-school sitcom vibe without 
falling into cheesy material. While, 
at times, some aspects tread that 
thin line, this reboot focuses on 
family struggles more than pulling 
some quick laughs. One of the few 
weaknesses lies in the hipster 
landlord Schneider (Todd Grinnell, 
“Nesting”), who offers advice to 
Penelope’s children with a side-
dish of cool attitude and urban 
slang that falls short of convincing 
and moves straight into the realm 
of awkwardness. Even if this is the 
character trait the series is pulling 
for, the lines are often overzealous 
in delivery, breaking the sincerity 
of the series with an inward cringe.

Overall, the Alvarez family is 

dynamically different from the 
family of Netflix’s recent revival 
of the “Full House” series. Not 
only in race, but in the dynamics 
of a working American family, 
struggling to make ends meet from 
day to day. With an unapologetic 
look inside the modern family and 
the struggles of cultural heritage 
and appreciation, “One Day at a 
Time” is plunged back onto our 
screens as a driving force in the 
world of sitcoms. Although there 
is still the fluffiness of a sitcom 
present in Netflix’s revival, the 
touch of reality makes “One Day at 
a Time” unique and well-worth the 
watch.

The first season of “One Day at a 

Time” is currently streaming in its 
entirety on Netflix.

Revival of ’75 series brings refreshing diversity to Netflix

“We are culture. Rap is the 

new rock ‘n’ roll. We are the 
rock stars.” —Kanye West

From Karl Kani and Cross 

Colours 
to 
Rocawear 
and 

Fubu, the hip-hop community 
has been involved in fashion 
since before its emergence into 
the mainstream. The birth of 
modern streetwear, and the 
ability for brands like Supreme 
to coexist with brands like 
Ralph Lauren, have artists like 
Damon 
Dash, 

Jay 
Z, 
Puff 

Daddy, 
and 

many 
others 

to thank. Even 
though 
these 

brands 
have 

their 
origins 

as 
early 
as 

1989, it wasn’t 
until 
recently 

that 
rappers 

were able to 
break into the 
high-fashion 
world. Designer fashion is a 
completely 
different 
beast 

from brands started in houses 
and garages. Something that 
goes 
along 
with 
designer 

brands is the idea of status: 
when 
a 
customer 
buys 

something from Louis Vuitton, 
they are not always buying 
it for the pattern itself, but 
rather because the pattern 
says 
something 
about 
the 

quality of their life. Brands 
like Gucci and Versace are 
considered to be high class, 
and hip-hop artists have long 
been considered to be of a 
lower class than designers, 
its the concept of old-money 
vs. new-money. Things have 
long been this way, but are 
beginning to change. Rappers 
are finally entering into the 
fold with regard to designer 
fashion. It’s long overdue.

It really was not until late 

2008 when an artist like 
Pharrell was able to have a 
jewelry 
collaboration 
with 

Louis 
Vuitton. 
That 
was 

quickly followed up by the 
brand’s 
2009 
collaboration 

with Kanye West. Still today, 
only 
a 
few 
houses 
have 

admitted their influence and 
appeal 
to 
hip-hop 
culture 

(Rousteing 
and 
Tisci 
at 

Balmain and Givenchy come to 
mind). 2016 has been a much-
needed year for hip-hop stars 
further disrupting the fashion 
industry. To highlight a few, 
A$AP Rocky was named as one 
of the faces of Dior Homme’s 
FW16 campaign (and has had 
successful collaborations with 
J.W. Anderson and GUESS), 
Young Thug and Frank Ocean 
were 
shown 
modeling 
for 

Calvin 
Klein, 

and 
Travis 

Scott appeared 
in 
a 
Yves 

Saint Laurent 
video. 
Saint 

Laurent under 
Hedi 
Slimane 

was 
often 

criticized 
for 

having a very 
whitewashed 
runway show. 
His 
Spring/

Summer 
15 

show 
featured 
one 
black 

model, who was essentially in 
a Jimi Hendrix costume, and 
they have not had many more 
since. So, Scott’s appearance 
in the video was a much-
welcomed surprise.

The 
fashion 
world 
is 

changing: 
Internet 
forums, 

Instagram, and other sites 
are 
becoming 

an 
integral 

platform 
for 

sharing what’s 
popular 
in 

fashion around 
the 
world. 

Consumers 
are 
taking 

cues from hip-
hop 
artists 

and 
buying 

into the status 
association 
of 

wearing 
the 

same thing as 
Kanye or A$AP 
Rocky. Looking back at last 
year, 
the 
biggest 
question 

I’m left with is this: Why 
haven’t more designer houses 
taken cues from Balmain and 

Givenchy to work with hip-
hop artists?

Mainstream 
popularity 

drives business, and there’s no 
denying that hip-hop qualifies 
as mainstream. One of the 
most pervasive themes in hip-
hop is the idea of conspicuous 
consumption 
and, 
whether 

designers like it or not, these 
artists are ambassadors for 
the brands and are driving 
sales. It makes sense to me to 
use them as a marketing tool. 
It’s instantly visible when I’m 
browsing sites like Grailed for 
clothes and I see a picture of a 
highly coveted item worn by 
Kanye, or Rocky being used 
as a selling point. It is hard 
for me to not think about how 
many extra wallets and bags 
are sold when Lil Uzi Vert raps 
“Hunnid bands on the Goyard” 
in his song, “Of Course We 
Ghetto 
Flowers,” 
or 
how 

many more people looked-
up 
the 
mentioned 
brands 

when Rocky says “I see your 
Jil Sanders, Oliver Peoples/
Costume National, your Ann 
Demeulemeester” on “Fashion 
Killa” and then proceeded to 
save up for a pair of shades or 
boots.

To 
me 
it 
sounds 
like 

unrequited 
love: 
Loving 

something so much, only for 
it to not feel the same. That’s 
the relationship between hip-
hop 
and 
designer-fashion 

in the world today. It comes 

down to class, 
like I previously 
mentioned: 
In 

the 
world 
of 

high-fashion, 
the 
hip-hop 

community 
is 

still 
viewed 

by many as a 
dangerous other. 
While 
I 
don’t 

know what the 
solution 
here 

is, it’s time for 
major 
fashion 

houses 
to 

recognize 
that 

they are cannibalizing their 
own sales by continuing to 
marginalize such a successful 
group of customers and all of 
their fans.

Unrequited love: hip-hop 
and designer fashion

Old money, new money and the introduction of hip-hop into 
the world of high fashion and what this means for the industry

CALVIN KLEIN

He’s beauty, he’s grace, he’s Miss United States

B+

“One Day at a 

Time”

Series Premiere

Netflix

NETFLIX

I don’t even know what to say about this

NARESH IYENDAR

For The Daily

Designer fashion is a 
completely different 
beast from brands 

started in houses and 

garages

Why haven’t more 
designer houses 
taken cues from 

Balmain and 

Givenchy to work 

with hip-hop artists?

DO YOU IDENTIFY WITH MERYL 

STREEP AND MERYL STREEP 

ALONE?

#BADBITCHESONLY

#STREEP2020

The come talk to us. We mirror our lives after Miranda Priestly.

E-mail Anay Katyal at anay@umich.edu for an application.

MEGAN MITCHELL

Daily Arts Writer

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