STYLE NOTEBOOK It’s that time of year. If you are not involved in Greek life, you have eyed your Instagram blankly over the past few weeks, wondering where it is all of these well-dressed college girls are going, and why they bothered to go there at all. Sure, you have heard the term “date party,” but it has become yet another empty, college-kid term gathering dust in the back of your brain. Something about girls and boys and a lot of pictures, right? More inclusive than the mixer and less extravagant than the formal, one might call the date party the Goldilocks “just right” territory of all Greek functions. Our Greek amiga, Arrie Timmer, said it best: “Date party is an event organized by a fraternity or sorority where the members invite their own dates and you go to a club or somewhere cool and have a fun time.” And though that all sounds fun and great, what sort of ensemble would such a characteristically “college” outing require? I sought out to find an answer. After extensive research (and a lot of Pinterest- ing) I have safely formed a hypothesis: the date party look is inexpensive, Instagram- friendly and unabashedly sexy. What, exactly, does a price- friendly outfit search entail? “I searched black dress on Amazon Prime and filtered the results from price: low to high,” said first-year sorority sister Jane Schmid. “And that was the most important part because I’m poor. So then I saw a nice long-sleeved one, which is good for fall or winter, with hella cute cutouts and it was like $12 so I was thrilled.” Onto the next: there is more to a great outfit than a pretty price tag. Stylistically speaking, a date party outfit must possess high levels of Gram-ability (a term I am coining right now). In other words, if it won’t look good on social media, it will not be worn. What makes the whole look Gram-able is certainly subjective, but there appear to be a few key rules to follow. As Anne noted during our conversation, many girls decide upon all-black everything because “it’s the norm,” meaning no one will be confused if you choose to post a full-body photo of yourself that night. Timmer chimed in with a note on accessories, and said that they “are key if you’re a cool girl.” She mentioned that chokers are very in right now, but that she loves a “good body chain.” Regarding shoes, no one seemed to pay any mind. As Jackie said, “It’s mostly about the dress because they only see the dress in your Instagram anyways.” Finally, the date party look is incomplete without an acknowledgement of sex appeal. Each of the girls with whom I spoke agreed that they are “not a big fan of loose dresses” and tend to opt for tighter options “to feel most confident and fun.” Schmid’s fitted, cutout dress and Timmer’s little green number seemed to fit the build appropriately. After all that hubbub, I couldn’t help but wonder whether the perfect date party look was worth the trouble it involved. However, after asking our friendly DP enthusiasts, the answer felt clear: date party is worth it. “You’ll be there with some of your best friends and it’s just a blast to have a carefree night where you feel pretty and just dance with your friends,” Schmid said. Timmer agrees: “For me, date party is a reason to look hot and have fun with your friends and a cool date,” she said. Every date party look may be unique in its own right, but each shares the common goal of combining confidence with youth-infused fun. Girls like Timmer and Schmid have forged an overlap between looking good and feeling good, and they are proud. Although I am entirely unaffiliated with Greek life, I now smile every time a date party candid crosses my Instagram’s path. Yes, it is the DP time of year, but that no longer sounds so bad to me. Date party style tips from an Instagram voyeur TESS GARCIA Daily Arts Writer The outfit is everything in the DP experience, and trends are leaning in favor of the modern, sexually liberated woman The date party look is incomplete without sex appeal. E! All I want for Christmas is this Dallas Cowboys inspired outfit. Mariah Carey, heartbreaker that she is, has a set of rules. One of them, explicitly stated to the camera in her new docu-series “Mariah’s World,” ordains that Mariah Carey will never be seen in fluorescent lighting without sunglasses. It also appears that she doesn’t sit in chairs, like a horrific normie. Her talking head interviews are instead filmed wide, her body carefully positioned horizontally across an extravagant sofa and her unnaturally perfect head propped up on a stiff elbow in a transparent attempt to make it look good. Lest we forget that this is a woman whose last album was titled Me. I Am Mariah…The Elusive Chanteuse, the new show is a constant reminder that for Mariah, it’s like that. Let’s get this out of the way first, though: I am fully on board here. As I type this, a “Daydream” poster looms over my head like a subtle invitation to write something nice. Mariah Carey is preternaturally talented and supernaturally attractive; when she sings, the angels cry. Mariah Carey is, without a doubt, the single greatest recording artist in music history, and if you disagree we’re throwing hands behind the dumpster at an Applebee’s where $20 can get you two delectable entrees and an appetizer at participating locations. So, unless she firebombs a bus full of orphans or is secretly a J. Cole fan, Mariah will always be my baby. But objectively, “Mariah’s World” doesn’t offer much to the average viewer. It’s a transparently managed “look” at her inner life, and only the parts she’s comfortable showing. Whatever the requisite quota for manufactured drama is for an E! show, here it is ginned up to uncomfortable levels, landing in the awkward valley between actual issues and overreactions to being unable to set up an Apple TV. And I’m here for it. The music, unfortunately, takes up only a small role in “Mariah’s World;” outside of “Fantasy” roughly 37 times in the opening 10 minutes, the show is less concerned with Mariah the Artist than it is with Mariah the Vision Of Love. Indeed, there isn’t a single moment on camera in which she isn’t impeccably dolled up, adorned with what I assume is ridiculously expensive jewelry and garbed in an assortment of dresses that scream, “I don’t know Jennifer Lopez.” The rare moment of honesty, however, pierces through the otherwise stuffy series like a meteorite. Occasionally, Mariah allows herself to be unguarded and vulnerable: her interactions with her children, while obviously staged, are clearly loving and full of emotions, and she occasionally flashes a witty self-awareness, only to shake it off moments later to complain about a piece of choreography. And it’s in these moments that one might come to consider the possibility that this all may be one huge joke. You get the sense that she’s much too smart and self-conscious to be producing something so inert. The transition montages of the singer posing in outrageously exaggerated fashion, an uncomfortable yet ludicrous scene in which a prospective assistant has to dump her boyfriend, bizarre interludes from a cartoonish alter-ego named “Bianca Storm” — is Mariah Carey, master of the public image, pulling a fast one on us? Intriguingly enough, however, Mariah prods at the heart of our devotion to her right off the bat. “They want me to be grand, then they want me to accessible. Can you guys make up your mind?” she exclaims, waving her hands in exasperation. What, really, is the point of our collective obsession with Mariah Carey? Emphatically brushing aside idiotic questions of whether or not she’s still relevant (please get, as they say, up out my face), one can read “Mariah’s World” as a tongue-in-cheek interrogation — perhaps unintentionally — of the public desire for celebrity. We applaud the faux-relatability of stars like Anna Kendrick or Jennifer Lawrence, but also the lush extravagance of a Beyoncé awards show set. There’s a fine line the average celebrity must traverse to remain likable, but our subject here, of course, is not the average celebrity. Watching Mariah Carey frolic around her fiancé’s yacht in Italy isn’t accessible, but isn’t that what we signed up to see? Do we really want to watch her wake up in the morning, groggy, sans makeup and immaculate hair, complaining about the mundane absurdities of normal life, like the rest of us? Of course, “Mariah’s World” is not interested — at all — in some probing critique of the American culture industry. It’s a frivolous look into the life one of the most towering figures in the medium, a person whose contemporary status has become inseparable from the concept of “diva.” Mariah Carey as abstraction is a complex, distinctly American phenomenon, and an honest look into her day-to- day life might have been truly liberating, but this is not an emancipation of MiMi. I’m not sure I would have wanted that, and, most importantly, I don’t think she would have either. Hers is a carefully manicured image, somehow freed from the constraints of hackneyed ideas like “relevancy.” Perhaps, one sweet day, the cipher of Mariah Carey will be unlocked. Until then she will remain eminently opaque and intimately present; it seems, plainly, we belong together. NABEEL CHOLLAMPAT Daily Arts Writer ‘Mariah’s World’ fails to capture the spirit of an American treasure Surreal and extravagant new series is possibly ironic, definitely amusing C+ “Mariah’s World” Series Premiere Sundays at 9 p.m. E! She is, without a doubt, the greatest recording artist in history. NOBODY SHOULD BE ALLOWED TO DISLIKE THE ARTS SECTION — IF THEY DO, THERE MUST BE CONSEQUENCES — PERHAPS LOSS OF CITIZENSHIP OR A YEAR IN JAIL! TV REVIEW 6A — Monday, December 12, 2016 Arts The Michigan Daily — michigandaily.com