I was talking to a friend of mine about a recent episode of “This Is Us,” a show I’ve written about substantially in the past. She was telling me how she’s dreading the moment when the show goes off the cliff. It’s a general fear about the show not being able to maintain its quality over its run. My response, though, was why not trust the show to be good and enjoy it while it’s at its peak? Every TV show fades at least a little before it ends, but there are too many strong moments in great shows to not celebrate them. The problem with this view is I sometimes end up spurned by TV that lost its quality over its run. Last summer, thinking about this phenomenon, I wrote about “Scandal.” At its best, the series ran like a runaway freight train, moving through story and plot twists at a breakneck pace. But this season, it seemed to run out of momentum and doubled down on boring stories and ideas that stopped surprising me. There were fleeting moments, but I kept wishing for more from it and for it to show me why I liked it in the first place. That failure on the part of “Scandal” left a bitter taste in my mouth, but there were times when skepticism almost got the better of me in my viewing. My favorite show on the air right now is “Jane the Virgin.” If you read the logline at face value — “a virgin is accidentally artificially inseminated by another man’s sperm” — it sounds completely ridiculous. But I gave the show a chance, and I am so grateful I did. It’s one of the kindest, warmest and funniest shows on network TV right now, but if I had maintained my skepticism, I would never have stuck with it. I think this sense of taking a chance on TV comes from an inherent sense of optimism from which I look at the world. I’ve always looked at situations with a sense of “why this will be good” rather than “how this can and will go wrong.” That’s just a part of who I am as a person, and, in this case, it extends to how I watch my TV. To go back to “This Is Us” though, I can see why someone would be doubtful about its ability to continue on its path. It has a very high degree of difficulty for what it wants to do. But, for now, watching Sterling K. Brown, who’s so good in his role, and the family dynamics are enough for me to very much enjoy what I’m seeing. At this point, I’ve reviewed dozens of shows and watched dozens of others. However, I don’t approach TV with the skepticism of a veteran TV watcher. I still try to give every new show a chance to prove itself before I write it off. Whether it’s a serialized drama or the most basic sitcom, there’s always the chance it will go off the rails, but why not try to give it a shot? Maybe I’m inherently optimistic, but there’s still every reason to enjoy something I like, without having to worry about when the experience will go bad. 2B Magazine Editor: Karl Williams Deputy Editors: Nabeel Chollampat Lara Moehlman Design Editor: Shane Achenbach Photo Editor: Zoey Holmstrom Creative Director: Emilie Farrugia Editor in Chief: Shoham Geva Managing Editor: Laura Schinagle Copy Editors: Emily Campbell Alexis Nowicki Taylor Grandinetti the statement Wednesday, November 9, 2016 / The Statement TV and Me: Indelible Optimism B Y A L E X I N T N E R the tangent EMILIE FARRUGIA/Daily T H O U G H T B U B B L E : AC TIVISM “The most important thing to me is women’s rights, our basic rights about our body, our right to vote, I don’t want to go back 50 years, we should have equal rights with men and with everyone.” – School of Music, Theatre and Dance sophomore Sydney Sheperd ILLUSTRATION BY ELISE HAADSMA