“It’s a really unique way of expressing yourself creatively,” Palermo said. “There’s nothing quite as risk-filled ... it can go really well or really bad. And when it goes really well, there’s nothing more satisfying.” Risk-taking paid off as well for Paperback Rhino, a student group from the University of Iowa, who followed receSs. As part of their performance, the group interviewed a member of the audience and acted out sketches based on that audience member’s activities that day, including getting brunch at Angelo’s, ditching her friends to see a movie and receiving a poem from a stranger. Independent improv comedy groups Wet Bus and Alterboyz, both from Chicago, closed the first part of the festival. Both groups elicited a reaction from the audience by improvising sketches from audience suggestions of cheese and blueberry beer, respectively. Leila Gorstein, a member of Alterboyz, said connecting to the audience is one of the most important parts of improv. “For audience members, it’s really enjoyable to watch people living the human experience in a way that they can relate to and understand,” Gorstein said. “That’s the most fun part about it, to take things from your life and use it in a human way.” Midnight Book Club and ComCo, two students groups from the University, opened the second part of the festival. Midnight Book Club improvised a sketch based on the audience topic suggestion of “infant,” while ComCo performed improv games like “Four Square” consisting of four improv sketches based on audience suggestions. Upright Citizens Brigade Touring Company, a New York City group featuring Michigan alum Mike Kelton, ended the festival by improvising a two-act performance. The group’s first act involved the details of an interview with an audience member, a senior from the School of Music, Theatre & Dance, about her experiences at the University, including Greek life, the brutality of acting classes and professors that make students cry. The second act incorporated text messages that audience members volunteered to read aloud. LSA freshman Jeff Sondheimer said he enjoyed the spur-of-the-moment nature of improv. “(Improv comedy) is real genuine comedy that has to be witnessed to really understand and get the value of,” he said. “I think it’s definitely prime entertainment. It’s good, safe fun.” Fox, one of the coordinators of the event, said the hosts aimed to create a fun, enjoyable atmosphere and promote the camaraderie that comes from improv comedy. “Getting to see each other play and see how other teams approach the same thing is the most rewarding thing,” Fox said. “And for people who are interested in pursuing theater, film, comedy and improv, I hope that they get the chance to meet a bunch of people who are interested in and doing the same things that they want to do ... and take the event as a chance to look at a bunch of people who do things that you love at a very high level.” In addition to performing, the visiting improv groups said they took the festival as an opportunity to improve their routines by learning from the other groups. “Seeing other people’s styles really opens your mind,” Palermo said. “We’re going to be talking a lot about what we saw from the other groups, what we liked about what they did ... and incorporate ideas that drive what they do”. “We all come from a different background,” said Gaby Dixon, another member of Alterboyz. “But making people laugh is a very universal thing.” 3-News The Michigan Daily — michigandaily.com News Monday, March 28, 2016 — 3A Low-fidelity mannequins are similar to those used for teaching CPR because they do not give any feedback to the students, simulation specialist Ben Oliver said. Mid-fidelity mannequins have a few more capabilities, but cannot react like a human would. High-fidelity mannequins are the most sophisticated of the three and are able to emit fluids such as artificial blood, vomit and sweat. They can also react to medication distribution, have pupils adjustable to light like a human’s eyes would and can give birth. Clinical Instructor Maureen Westfall said Nursing instructors are able to program the mannequins either before or during the students’ simulation experience. In obstetrics, for example, she can program how many contractions the mannequin has while giving birth and how often. “The focus of simulation is really problem-based learning,” Westfall said. “You use problem- based learning in relation to objectives we create.” Though the mannequin can react on its own in certain cases, the instructors often adjust the scenarios based on the students’ performance, Westfall said. She added that students should recognize signs and symptoms of medical issues the mannequins exhibit through clues provided by instructors. Each simulation session is recorded so students can look back and review their experience later. “It’s safe space for us to help coach the students into managing these patient situations appropriately,” Westfall said. During a planned simulation day, students come into the simulation room — usually in pairs — while other students watch the simulation via cameras. Michelle Aebersold, director of the Clinical Learning Center, said the students not participating can also play roles, such as a “frantic parent,” to make the simulation more challenging. Following the simulation, the students all gather for a debriefing to discuss how it went. “If you don’t make these things challenging enough, then you don’t get the emotions involved and then it’s not a good experience and students don’t really get as involved in it and the learning doesn’t occur,” Aebersold said. Nursing junior Sarah Brzezinski said she thinks it is beneficial to have hands-on experience that is safe for both the student and patient, while still difficult. “You come into (simulations) and you never go unchallenged,” Brzezinski said. “If you do everything perfectly in sim, then you’re not learning and we’re not going our job. So I think it’s really good that they push us and they continue to challenge us and I think it’s very effective for the clinical setting.” Aebersold said the overall benefit of simulations is that they can reduce the amount of time students need to spend in the clinical setting with real patients, with little effect on the students’ learning. “We can effectively replace time in the actual clinical environment with simulation; up to 50 percent of those hours can be replaced by simulation, with no change in those pass rates on those state boards,” she said. Nursing junior Jade Curl said working with the mannequins is a unique but effective experience. “It feels real,” Curl said. “You don’t feel like you’re pretending. You walk in and you hold their hand and when you talk to them, you look them in the eye. It’s really odd thinking about how you act in the sim, because you don’t think about it. You just act like this is a real person. You give them respect. You’re excited when the baby comes out and the baby is fine.” Because it can be difficult to get used to the robotic characteristics and mechanical sounds of the “patients,” students have to sign a fictional contract, agreeing they will treat them as if they were real. “Sometimes it’s a learning curve for students to wrap their head around the fact that they should treat this robot as a real person,” Westfall said. “But what I’ve observed over time is that that is pretty short-lived because the learners we do have here are highly motivated and want to do well and want to understand … They really do act as if the patient is a real person.” Westfall said the mannequins also have the capability of dying, though this is usually part of a planned learning experience so as not to be traumatic for the students. “It’s most important because it’s a great stepping stone to patient- care exposure for the students,” Westfall said. “It provides an excellent lead-in to the real clinical environment and it promotes more confidence once the student is in the real clinical environment.” Nursing junior Rebecca Ford said simulations are something she will never forget. “Nothing sticks in your head the way it does when you screw up in sim,” Ford said. “Being able to get an interactive experience makes you remember things way more than reading it or someone teaching it to you, especially if you messed up the first time. That’s the coolest thing about sim — we’re allowed to mess up and it’s OK; we talk about it and learn from it.” IMPROV From Page 1A SIMULATOR From Page 1A the way I want it.” Afternoon Delight prides itself on its consistency, its ingredients and its customer service. Hackett said all the food is homemade, and the staff is very well adjusted to serving customers during lunch rushes. “It gets very hectic during the rushes,” he said. “It’s controlled chaos, though; the staff is organized and prepared for it. Every week it’s the same, and they are more than willing and ready to tackle it. We are big on customer service and consistency.” RESTAURANT From Page 1A “Access to data, the different types of data and the way you put that data to use, as well as the increasing interconnection of businesses due to communication, play a vital role in economic growth.” Following his address, Chandrasekaran took questions from the audience, noting the importance of transparency and cybersecurity in maintaining a successful business, as well as the significance of the relationship between India and China. “China is certainly a great market; it is a great place,” Chandrasekaran said. “Going forward, China and India need to look to see what we can do together to improve our business relations. Both nations can look to each other to try and notice what successes that businesses from both nations have had in IT services and attempt to replicate those practices, and push for reform.” Mukesh Aghi, the president of the U.S.-India Business Council, a Washington, D.C.-based advocacy organization, also spoke at the event about future business opportunities between the two nations. Aghi said because of India’s rapid urbanization and modernization, there will also be a need for foreign investment in Indian infrastructure. “Roughly 400 million Indians have migrated from rural to urban areas,” Aghi said. “This is the largest migration in human history, ever. And that means that cities will have to build roads, hospitals, a better education and security system, housing and transportation system. That is a tremendous challenge, but also a tremendous opportunity for multinational investment.” On Saturday, the conference featured panels on brand building in India, the textile industry in India, current issues in the Indian economy and managing the institutional legal environment for businesses. Sinha, the featured speaker on Saturday, spoke about the economic turbulence in India following reform policies in 1991 in which India’s finance minister, Manmohan Singh presented reforms changing business regulations. Sinha shared stories from his tenure as finance minister, saying that the two decades of economic instability in the country are largely attributed to lack of government support for economic reform policies. “In India, economics and business is a slave to politics,” Sinha said. “Much of what has been causing our periods of economic troubles has been a lack of political consensus over the proposed reform policies. This is something that you can see in all major parties.” Ahuja said the conference should be important for students in understanding the ever-growing international business world and globalization. “We want to broaden people’s understanding of India, and the U.S. business relationship with India,” Ahuja said. “We have to prepare our students for the global marketplace, and since India is the second-largest population in the world, a very young population, India is rapidly becoming the country of the future.” Wiesenberger, a member of Izzat, said the team has been working on their numbers since September, adding that his past experiences with dance contributed to his decision to participate here. “I really enjoyed the Bollywood and Bhangra style (in high school) so I decided to continue that at U of M,” he said. “And it’s nice to see the consolidation of all the Indian (performing arts) in one show where everyone supports each other.” LSA sophomore Dhara Gosalia, public relations chair of Sahana, said Michigan Sahana created a TBS planning committee this year to ease the huge undertaking of organizing the show, which also requires long-term planning. “We usually have to start looking for venues a year in advance,” Gosalia said. ROSS From Page 1A DANCE From Page 1A Read more at MichiganDaily.com