Classifieds

Call: #734-418-4115
Email: dailydisplay@gmail.com

ACROSS
1 Computer whose
27-inch version
has a Retina 5K
display
5 Down in the mouth
9 Rum-soaked
cakes
14 Part of rock’s
CSNY
15 Midterm, e.g.
16 Eel, to a sushi
chef
17 *Seriously
indoctrinate
19 13-Down actress
Normand
20 Miracle-__
21 *Improvised rap
23 Medical
screening system
26 Tell (on)
27 Fiver
28 *Risqué
31 Hill-building
stinger
33 LAX summer
setting
34 Director Kazan
36 “Blue Bloods”
actor Will
37 *Weight-training
exercise
40 Nurse at a bar
43 1956 Mideast
crisis site
44 Mensa concerns
47 Hometown of the
Ivy League’s Big
Red
49 *Markdown
52 Chinese menu
general
53 Nev. neighbor
55 Binges
56 *Brand created in
Toronto in 1904
60 Chow line?
61 More than
chubby
62 Permanent place,
and a hint to the
ends of the
answers to
starred clues
66 “__ Black”
67 River to the
English Channel
68 “Don’t look at
me”
69 Brown ermine
70 Hard to box in,
ironically
71 52 Pickup need

DOWN
1 Having five
sharps,
musically
2 Scratch, say
3 At no cost
4 President before
Sarkozy
5 Digression lead-
in, in texts
6 Table extension
7 Cold War initials
8 Early anesthetic
9 Foul tip?
10 Med. school
subject
11 Newborn’s
natural insulator
12 Botox target
13 Films that usually
had live music
18 Scrubbed, at
NASA
22 Word with bud or
flap
23 Bikini part
24 Country mail svc.
25 Utility abbr.
29 Chihuahua
cheers
30 Tear to pieces
32 ISP option
35 Service pro
37 Feathery
neckwear

38 Contentious
border
happening
39 Israeli guns
40 “Maude,” “Phyllis”
and “Rhoda”
41 “You’re on!”
42 Dir. assistance
info
44 Frozen floater
45 “¿__ pasa?”
46 Beale and
Bourbon: Abbr.

48 Canine care
gp.?
50 Tax time VIPs
51 Thing to run
54 For this purpose
57 Pacific Rim
continent
58 Avis modifier
59 Hip-hop’s __
Yang Twins
63 King of Spain
64 Non-Rx
65 Neat ending?

By Bruce Haight
©2016 Tribune Content Agency, LLC
03/09/16

03/09/16

ANSWER TO PREVIOUS PUZZLE:

RELEASE DATE– Wednesday, March 9, 2016

Los Angeles Times Daily Crossword Puzzle

Edited by Rich Norris and Joyce Nichols Lewis

xwordeditor@aol.com

4 BEDROOM HOUSE 
NORTH CAMPUS/HOSPITAL 
1010 CEDAR BEND ‑ $2400 + utilities
PARKING & LAUNDRY 
734‑996‑1991

! NORTH CAMPUS 1‑2 Bdrm. !
! Riverfront/Heat/Water/Parking. !
! www.HRPAA.com !

4, 5 OR 6 BEDROOM HOUSE
1119 S. Forest ‑ May or September
$2800 ‑ $3500 based on number of ppl
 Tenants pay all utilities. 
Parking and laundry available
Showings M‑F 10‑3; 24 hour notice 
required. www.deincoproperties.com
734‑996‑1991

5 BEDROOM APT Fall 2016‑17
$3250 + $100/m Gas & Water
+ Electric to DTE, 3 parking spaces 
1014 V
aughn #1 ‑ multilevel unit w/ carpet
CALL DEINCO 734‑996‑1991

1, 2 & 3 Bedroom Apts on Arch
Avail Fall 2016‑17
$1050 ‑ $2500 + electric contribution 
CALL DEINCO 734‑996‑1991

6 BEDROOM FALL 2016‑17
Central Campus House
335 Packard ‑ $3800 + Utilities
Parking, Laundry, Lots of Common area
www.deincoproperties.com 
734‑996‑1991

2, 3 & 4 Bedroom Apts @ 1015 Packard
Avail for Fall 2016‑17
$1400 ‑ $2700 + gas and water; Tenants
 pay electric to DTE; Limited parking avail
 for $50/mo; On‑site Laundry
CALL DEINCO 734‑996‑1991

1 & 2 Bedroom Apts on Wilmot
Avail Fall 2016‑17
$975 ‑ $1575 Plus Electric to DTE
Coin Laundry Access, Free WiFi
Parking Avail $50‑$80/m
CALL DEINCO 734‑996‑1991

NOW A
V
AIL. FOR FALL 2016! 
Hill & State, fully furnished 1 & 2 bdrm
apts w/ heat, water, parking, laundry & 
A/C ‑ 734‑904‑6735 or 734‑497‑0793

ARBOR PROPERTIES 

Award‑Winning Rentals in Kerrytown, 

Central Campus, Old West Side, 
Burns Park. Now Renting for 2016. 
734‑649‑8637. www.arborprops.com

ANU SOFTW
ARE CONSULTANTS, 
Inc. (Ann Arbor, MI) needs Sr. Systems 
Analyst: provide technical support, gather 
requirements and convert to functional 
specifications using JAD, HP Quality Cen- 
ter, Business Objects, UA
T; Sr. Soft‑ 
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and testing software solutions; Project 
Managers: manage multiple projects, 
Product Activation, provide process con‑ 
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Systems Requirements, Integration Testing 
and perform technical, timeline and Deliv‑ 
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Design, develop and test software solu‑ 
tions. All jobs except Sr. Systems Ana‑ 
lyst will utilize at least two of the follow‑ 
ing: Embedded C/C++, Simulink , 
Unix/Linux, RS‑422, Python Scripting, 
MatLab, QT, SAS, MBSD, Agile, Gui, 
SAP/BO/ TIBCO, Java, J2EE, Oracle 
11i; Travel/relocation required as jobs to 
be performed at various locations through‑ 
out the US. Fax resume, desired position 
and salary to: ASC, Inc., Attn: HR Dept, 
at 734‑661‑0722

LARGE FURNISHED TWO bedroom 
apartments located near the UM Business 
School. $700‑$800 per bedroom with 
heat, water and one assigned parking 
space included. Different floor plans to 
choose from. Contact Michigan Realty for 

details at 734‑662‑5500
or visit www.michcomrealty.com.

SUMMER OF YOUR LIFE! CAMP 
WAYNE FOR GIRLS – Children’s sum‑ 
mer camp, Pocono Mountains, PA 
6/18 ‑ 8/14. If you love children and 
want a caring, fun environment, we need 
Counselors, 
Instructors 
and 
other 
staff 
for 
our 
summer 
camp. 
 
Interviews 
on 
UMich 
campus March 15th. Select The Camp 
That Selects The Best Staff! 
Call 215.944.3069 or 
Apply at www.campwaynegirls.com

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organization, format. All Disciplines.
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The Island House Hotel and Ryba’s 
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Kitchen, Baristas. Housing, bonus, and
 discounted meals. (906) 847‑7196. 
www.theislandhouse.com

NEAR CAMPUS APARTMENTS 

Avail Fall 16‑17
Eff/1 Bed ‑ $750 ‑ $1400
2 Bed ‑ $1050 ‑ $1425
3 Bed ‑ $1955
Most include Heat and Water
Parking where avail is $50/m
Many are Cat Friendly
CAPPO 734‑996‑1991
www.cappomanagement.com

SERVICES

FOR RENT

HELP WANTED

SUMMER EMPLOYMENT

Milan FW in review

By DAILY STYLE WRITERS

Ah Milan, what some insist as 

the fashion capitol of the world, 
even ranking above Paris. It is 
the birthplace of many high fash-
ion couture houses, which have 
exuded elegance and innovation 
in handmade and luxury designs. 
These include famous names like 
Giorgio Armani, Versace and all 
the way to Gucci. Each year fashion 
designers, enthusiasts and blog-
gers alike make the trek to Milano 
all the way in the northern region 
of beautiful Italy. While our style 
writers weren’t fortunate enough 
to join them, it doesn’t mean we 
cannot sit in awe at the glamour 
exuding from every stitch of fabric 
in the collections from this year, 
and review from afar. 

Armani
The morning after Leonardo 

DiCaprio finally claimed his first 
Academy Award, the man who 
dressed 
“The 
Revenant” 
star 

delivered his Fall 2016 ready-to-
wear collection in Milan. The col-
lection’s namesake quite literally 
summarizes Giorgio Armani’s lat-
est creation: “Black Velvet.” In the 
words of Vogue’s Nicole Phelps, 
“This collection was a study in how 
to make black velvet a viable option 
for day[time].”

The designer took modern day 

staples such as running pants, tai-
lored coats, ties, and of course, crop 
tops, but went a step further and 
offered a reworked version of each 
in black velvet. Armani balances 
the fuzzy fabric’s omnipresence on 

the essentials with smaller sam-
plings on the accessories. Touches 
of black velvet can be found on 
the pockets of tweed blouses, the 
cuffs of multicolored coats and on 
oversize black bowties, making for 
a chic assemblage of the fabric du 
jour.

Armani’s “Black Velvet” was 

au courant with the rest of Milan 
fashion week, with velvet emerg-
ing as one of the biggest trends 
out of the Italian fashion capital 
this season. The luscious fabric 
also graced the runways of Arthur 
Arbesser, Roberto Cavalli, Alberta 
Ferretti and Emilio Pucci. While 
velvet also made a showing last 
season, it seems designers are not 
too eager to let go just yet. —Jordan 
Stern

Blumarine
The roaring ’20s are back with 

Blumarine’s latest collection. Sheer 
jumpsuits, sequins and fur make a 
name for themselves in this show. 
Fur at the hem of longer coats, fur 
necklines, fur hats — think fur 
everywhere, people. Shimmering 
long skirts are mesmerizing while 
watching the models stroll down 
the catwalk. Leopard and floral 
prints are also a theme throughout 
this daring collection.

The detailing is feminine and 

gives us a sense of delicacy. The 
pieces are so incredibly classy, in 
fact, that if each of these particu-
larly clothed models were stand-
ing in a room full of fashion’s best, 
everyone else in the room would 
still automatically be reduced to 
“trashy.”

Nothing in this show made me 

step back and think wow, but as a 
whole it was a very nice collection. 
Feminine, old school and classy, all 
of these Blumarine pieces would 
be perfect to wear when attending 
a Gatsby-themed party. So as soon 
as I’m invited to a party of such 
extravagance, I’ll be sure to turn to 
this collection. 

—Hannah Sparks
Gucci
It’s been one year since Ales-

sandro Michele was appointed cre-
ative director of Gucci. Though he 
hasn’t had much time at the helm, 
it’s as if he’s created ages worth of 
work in 12 short months, already 
being subject to people aping the 
designs and aesthetic he’s been 
crafting for Gucci in this new era.

Michele peddles an amalgama-

tion of his favorite aesthetics, trod-
ding outfits down the runway that 
exude equal parts ’70s Italian sport 
culture, Renaissance art and vin-
tage biker grunge. Each model and 
outfit was a cohesive cultural expe-
rience on its own, featuring dia-
mante sunglasses, disco sandals, 
velour hats, socks with Gucci’s loud 
striped graphic, pearl and crystal 
juxtaposed against colors like rain-
coat yellow and magenta. Not only 
is there an eclectic combination of 
styles and imagery, but Michele 
seamlessly draws from each of 
them to craft a beautiful smorgas-
bord of colors and looks, something 
he aptly compares to “talking in 
more than one language.”

Michele’s latest showing for 

Gucci was a blatant assault on the 
subtleties of Europe’s more estab-
lished fashion upper echelon. 
Bombastic, 
ostentatious, 
color-

ful and loud, the experience of 
Michele’s show was fairly atypi-
cal to Gucci’s quintessential calm 
Italian aesthetic. He has no desire 
to be “cool,” to immediately fit in 
with his trendy colleagues or the 
creative directors that came before 
him. He has a confident, collected 
approach toward fostering his loud 
and frenetic style. The more free-
dom he has to explore it, the more 
fortunate the fashion world will be. 
—Anay Katyal

Prada
There’s good news and there’s 

bad news. I’ll give you the good 
news first. All of the shoes in this 
show were so unique and so very 
“Prada” — it was amazing. Wheth-
er it was the platform oxfords with 
a chunky buckle, the heels, or the 
lace up boots, all in all, the shoes 
were on point. Going further, the 
handbags were obviously chic AF. 
Maybe it’s a personal bias, but I 
always tend to be more impressed 
with Prada’s bags and shoes, I 
mean, what’s not to love? There-
fore, I suppose you, the reader, 
could take this review with a grain 
of salt. 

Now for the bad news — the 

clothes were tragically ugly. Per-
sonally, I was especially discour-
aged and questioned my taste once 
the show ended. The crowd was 
roaring with applause. I just want-
ed to yell, argyle, they’re bringing 
back argyle! What really killed 
me were the thick argyle tights, a 
frightening flashback to my ele-
mentary school days.

I was especially put off when 

the models came out wearing coin 
purses around their necks. Is this a 
thing in Milan? Am I behind on the 
times? On another note, there was 
a reoccurring theme of sailor hats; 
I’m not entirely sure what the point 
of them was, but it was all some-
what concerning.

Maybe it’s just me, and maybe 

I’m not as fashionable as I thought, 
but I was incredibly unimpressed 
with this show. If I had to assign 
a letter grade to this collection, it 
would be a C. Sorry Prada, but you 
let me down. — Hannah Sparks

DESIGN BY ANJALI ALANGADEN

6A — Wednesday, March 9, 2016
Arts
The Michigan Daily — michigandaily.com

‘Dog’ explores life

Laurie Anderson’s 

emotional film 
tackles grief.

By JOE WAGNER

Daily Arts Writer

“Heart of a Dog,” Laurie 

Anderson’s 2015 film, is similar 
to a traditional movie in that it 
has a narrative, 
moving 
images 

and sound, yet 
it 
is 
somehow 

different. 
To 

watch 
“Heart 

of a Dog” is a 
wholly 
distinct 

experience from 
watching 
“Star 

Wars,” 
yet 
we 

call them both 
movies.

Anderson weaves vignettes 

that don’t quite seem related 
to one another or even to the 
film as a whole, yet combines 
and transitions between in 
them in such a brilliant way 
that it’s impossible to notice 
the story moving forward. But 
perhaps it isn’t. The viewer 
isn’t progressing through time 
and through story but rather 
moving cyclically, experiencing 
one part of the story and then 
another part but then returning 
to 
the 
first. 
Repeating, 

returning, tumbling through 
time.

This isn’t to say that “Heart of 

a Dog” does not have a narrative. 
Its narrative is compelling. 

It is thought provoking. It is 
beautiful. It is everything a 
“movie” should be. However, it 
does so in a nontraditional way. 
The form of the movie mirrors 
the movie thematically.

“Heart of a Dog” is a story of 

death, of life, of dogs, of loved 
ones, of the modern world, of 
Buddhism. It is a story of human 
and spiritual experience. The 
film brings one through life 
and loss, through death and 
rebirth. Anderson uses her dog, 
Lolabelle, as a guiding thread 
through the movie, departing 
from and returning to the life 
of her dog. She ventures off to 
topics as distant as 9/11 and 
ranging as far as the Bardo (a 
purgatory state between two 
lives) of Buddhist philosophy, 
but 
is 
constantly 
exploring 

and understanding death, love 
and life. Anderson reads her 
poetic film to the audience 
like a storybook to children. 
By breaking the fourth wall 
and addressing the audience 
directly, she creates both a filmic 
reality and a meta-filmic reality. 
The audience is enveloped in the 
film, swallowed by the reality of 
the movie while simultaneously, 
at least at certain instances, 
aware of the experience of 
watching 
Anderson’s 
poem 

unfold on the silver screen. 
Conscious, and unconscious. 
Aware and unaware.

The 
imagery 
is 
as 

outstanding as the narrative 
of the movie is. Anderson 
chooses images which possess 

natural associations with the 
narration even if they are not 
strictly what she describes. She 
utilizes a variety of types of art. 
Anderson makes use of iPhone 
footage of her dog, sketches of 
her dog in the Bardo, footage of 
the West Village seen through 
the eyes of her dog, a painting 
by Goya, footage of Northern 
California and manipulations 
of 
still 
images. 
Through 

breathtaking transitions, these 
seemingly individual works of 
art are combined into a new, 
indivisible whole. Just as the 
narrative is cyclical, so is the 
imagery. 
The 
film 
repeats 

certain images while moving 
to and fro between others. 
Anderson creates interesting 
composition, 
whether 
it 
be 

through manipulation of what 
seems to be still photos or 
through upside-down camera 
angles putting the ocean at the 
top of the frame and the beach 
underneath. The compositions 
are atypical in that there is not 
a singular spot intended for the 
eyes to concentrate and observe. 
Rather, the compositions force 
the eyes to constantly move 
and study everything that lies 
within the frame and think 
about everything beyond the 
frame. 

Gliding through life, death, 

and love and powered by the 
human 
experience, 
Laurie 

Anderson’s “Heart of a Dog” is 
a unique film, both beautiful 
and thought provoking, unlike 
anything else made in 2015.

LAURIE ANDERSON

“I love you like I love my dog.”

FILM REVIEW

A

Heart of 
a Dog

Michigan 
Theater

Abramorama

STYLE RECAP

