ObjefiiCk])ttuq l HAL Is Your Friend Not HAL from "2001: A Space Odyssey" but Detroit's own hard-working industrial band HAL. They're appearing with Fledgling and Expanding Man at the Shelter, everyone's favorite nightclub underneath St. Andrew's Hall in Detroit. Go crazy to that pumpin' industrial beat for us.The show is for those 18 and over, doors are at 8 p.m. Call (313) 961-MELT for more information. Page 81 Monday October 30, 1991 S ,, Slow take-off mars otherwise stellar ballet By Orit Greenberg Daily Arts Writer Central Ballet of China's perfor- mance Wednesday night did not have the gusto or energy that a debut per- formance usually has. Expecting the four different ballets to make the night exciting, I was slightly disappointed. Zhao Ruheng, the company's artistic director, explained that because the house was so full, the dancers were nervous. It wasn't until "Don Quixote" that I felt the dancers really came alive. An- other thing that took away from the performance wasthe company'schoice of taped music. At times the recording seemed dull and did not capture the essence and emotion that some of the ballets were trying to convey. How- ever, one can't overlook these dancers' fine technique. All were graduates of Beijing Dance Academy. "New Year's Sacrifice,"was a good piece to start the night off with. The costumes and sets were especially beautiful. The backdrop displayed the Chinese character symbolizing doublehappiness; whichusuallydeco- rates a house on the wedding day. Sun performed masterfully and had beau- tiful and expansive arm movements. The "young women," dressed in pink with blue velvet aprons and red shoes, were always in synch with one an- other. Their fan and handkerchief dance was very interesting and at times flirtatious. The "young men" dance showed offtheir acrobatic talents with high jumps, difficult menages and turns from their knees. However, it was Wang Shan, danc- ing the part of the bride, who really captured the audience right from her first entrance. She had beautiful lines and was very expressive even with the tiniest of gestures as well as when she was not moving at all. One could feel her anguish especially during the pas de deux. Their duet had some very innovative and interesting partnering, and one could always feel the struggle of her trying to break free and him trying to hold on. However, the ballet seemed to have ended abruptly, with- out much time for their love to de- velop. "Pas de Quatre" tried to capture the Romantic essence of ballet. The four women were strong and danced W Central Ballet Power Centerfor the Performing Arts October 25 dancers created some interesting posi tions and some of the partnering wa very unconventional; it was refreshini to see. "Don Quixote" was full of flare fun and festivities. The costumes wer especially dazzling even though nei ther Kitri nor Basilio wore the tradi tional red. The Fandango had a lot o flavor and the company dancers per formed this Spanish dance with th right rhythm and style. Feng Ying ant Xu Gang's pas de deux was clean, bu at times lacked the fire that the balle thrives on. His variation started off a bit shak' but his beautiful toure en lair and mul tiple pirouettes allowed him to en strongly. Her variation was very cut and flirtatious, she did a nice job, bu her dancing was not breathtaking. Thei coda showed offtheir precise technique both had beautiful turns and good tim ing. Zou Zhirui, the bridesmaid, hai amazing extensions and her develope and jetes were gorgeous. Everyon came on stage at the end to danc.e th not so classical finale. Snapping a, hitting their hands on the floor, th dancers continued to dance while th Two dancers of the Central Ballet. Jie, who danced the role of He Laoliu, their variations with much control. T. Coraghessan Boyle weaves moral fables Author of Tortilla Curtain' proves substantial, revealing in appearance By Elizabeth Lucas Kyra, a die-hard real-estate sales- the fires that swept through the can- the political spectrum," Boyle said. Daily Arts Writer person, arranges to close the immi- yon - although I didn't personally "But I'm also getting very passion- "I meant 'The Tortilla Curtain' to grants' labor exchange, because it's set them. It's getting very frighten- ate support, and the result is that be very compelling and compas- bad for property values; Candido is ing; whatever I write in fiction lately I've never had a better-selling or dionate. I see the book as a fable, then left with no way to find em- comes true." faster-selling book. The one re- where you can decide for yourself ployment. Delaney ponders the Although the novel is very topi- sponse I haven't gotten is, 'Oh, who what the moral is." plight of endangered species in his cal, Boyle also compared its sub- cares.' " Fans of T. Coraghessan Boyle's monthly magazine colum, while ject matter to that of "The Grapes of Boyle said that spending time re- iorkmaybesurprisedatthatquote. Candido and America sleep in a Wrath." "I wanted to take thinking his own opinions was a Compassionate? Moral? This nearby ditch. Steinbeck's ethos of 1939 - you major reason for writing the book. doesn't exactly sound like the sting- Boyle's sympathies, and the write a muckraking book, you reach "All my stories and books just grow ing satire of Boyle's earlier books, reader's, clearly lie with Candido a hand to the downtrodden and help organically, from the beginning. I such as "The Road to Wellville" and America. But Boyle explained, them - and see how it plays in a don't really know what I mean to and "Without a Hero." "I was harder on Delaney and Kyra, world of dwindling resources and a say or what will happen. Here I But as Boyle commented, "In a because they're the ones whose be- ballooning population." wanted to explore the issues by be- way, I'm playing against my havior needs changing. And I Of course, the two novels are ing all four characters, and see how strengths in this book, to see if I can wanted the book to have a moral highly different in their approach, I felt about the issues of overpopu- do it. It's much more naturalistic center. It couldn't be the type of but Boyle justified his satirical out- lation and illegal immigration." than any book I've written." satire where I make fun of everyone look. "I think a drama can be much Boyle emphasized that readers However, Boyle's characteristic across the board." more poignant if you catch the can come to their own conclusions irony and detailed social observa- Readers may also be confused as readerunawares, ifthe reader thinks about the meaning of the ending of tion are definitely present in "The to whether they're reading a Boyle it's a comic universe and then you the novel, but acknowledged that it Tortilla Curtain. novel, or an old issue of "Time." catch them off guard. Here you clearly reflected his point of view. "The book presents two couples, Many apects of the novel, from Kyra laugh at Delaney on the first page, "The book isn't really about illegal who exemplify two worlds: Delaney and Delaney's walled-in commu- but then the laughter sticks in your immigration, it's about the dehu- and Kyra, upper-class California nity to the devastating fires that throat.." manization of a whole group of liberals, and Candido and America, conclude the book, occurred in real This has likely been proved true people. And while I'm opposed to illegal immigrants from Mexico. life not too long after they were in some cases, as public reaction to illegal immigration, I'm more op- As the novel opens, Delaney hits written. the novel has been extremely var- posed to that kind of scapegoating. Candido with his car, and their paths Regarding this, Boyle com- ied. The conclusion, I guess, is pretty subsequently keep crossing, illus- mented, "I think the book antici- "I'm getting attacked more than I simple. 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