The Michigan Daily - Wua 4a . --Thursday, September 14, 1995 - 13B ayhawks soar with'Tomorrow the Green Grass' inneapOlis-based and carries on the ountry-rock cause y Jennifer Buckley eekend, etc. Editor The way Mark Olson tells it, you'd ink that the success of his band the tyhawks and their fourth album "To- orrow the Green Grass" is a perfectly itural occurrence, a combination of ird work and luck. Damn near ordi- iry. "Well, it just sort of floated along at way," he said. "It just sort of hap- ~ned." Fans and critics tend to feel that the rnd of God had a little more to do with but whichever story you prefer, one ing is undeniable: the Jayhawks blend e mournful twang of country, the soul- L fervor of gospel, the honesty of folk d the exhilaration of rock and roll to some of the finest, freshest tunes er committed to tape. Since February, Olson and his sing- g and songwriting partner Gary ouris; bassist Marc Perlman, pyboardist Karen Grotberg and new ummer Tim O'Reagan have trotted e globe supporting "Tomorrow." They ent their summer touring with long- me pals like Wilco, Soul Asylum, latthew Sweet and Victoria Williams ho happens to be Olson's wife), head- ing tours and opening shows for the es of Johnny Cash. "We spent about six weeks in Eu- >pe," explained Olson. "We played ienna and Berlin for the first time, and otland is always nice." It's thousands of miles, hundreds of gs, four albums and three record la- Is removed from where the Jayhawks ere a decade ago: working their way rough the same Minneapolis music ene that spawned the Replacements, ul Asylum and Husker Du. Olson, who had been playing "in a nch of pickup bands, but nothing like and band," met Perlman in the mid- 80s. The two "got together with a 'end and put together a practice band. e knew Gary and approached [him]." dding drummer Ken Callahan, the group began to struggle through the burgeoning Minneapolis scene, play- ing everywhere from downtown bars to Indian reservations. "We started out on Monday nights and worked our way to Friday nights. That sort of thing," Olson recalled. In 1985 the Jayhawks released their first, self-titled LP on the tiny indie Bunkhouse Records. "Blue Earth," a last-ditch collection of demos from the temporarily disbanded group, followed four years later on the Twin/Tone label. That's all ordinary enough. It's what happens next that smacks of divine in- tervention. In early 1992, producer George Drakoulias called Twin/Tone on busi- ness. While stuck on hold, the Def American Records rep heard a few minutes' worth of "Blue Earth" play- ing on the other end of the line. It only took a couple of choruses of Olson and Louris' gorgeous, exuberant, country-styled harmonies for Drakoulias to decide to not only sign the band to Def American, but to pro- duce their next album as well. and that's one of the best things about it." Olson honors his wife's musical tal- ent on "Tomorrow" with the spirited "Miss .Williams' Guitar," singing, "Sounds like a field being painted in the Delta sun / songs from the book of life for everyone." It's a near-perfect de- scription of Victoria's quirky folk-rock style, which Olson has admired for years. "[The song] is a tribute to her guitar- playing," he explained. Williams, who shared set time with the Jayhawks dur- ing their August tour with Soul Asylum and Matthew Sweet, contributes back- ing vocals and electric guitar to the live version of "Miss Williams' Guitar." Olson bragged, "She actually does a wicked solo on that one live, a really wild solo." Friends for a decade before their marriage, Olson and Williams had played several shows together over the years. The Jayhawks appeared along with Sweet, Soul Asylum, the Waterboys, Lou Reed and others on her 1992 tribute album "Sweet Re- lief." Proceeds from that record ben- efited Williams, who was diagnosed with multiple sclerosis in 1991 with no health insurance to cover rising medical costs. Williams' health improved ("She's doing great," said Olson) and nearly two years ago the two married. Since then they've toured almost nonstop, supporting her wonderful LP "Loose" and "Tomorrow the Green Grass" across the United States, Europe and ... morn- ing television? "We started doing morning televi- sion shows when she was touring on her record," saidOlson. "We did the Kathie- Regis show, and 'Good Morning, America.' You have to get up really early to do those. There were all sorts of people who ended up seeing it, you know, people that don't normally go out to rock and roll clubs. It was strange, but it was a good time." Both the Jayhawks and Williams plan to finish touring soon and get to work on new projects. Olson and Louris are already writing songs for a follow-up to "Tomorrow," Olson said. "We're go- ing to do the Soul Asylum tour and then we're going to get ready for another record, I guess." With any luck, it will be even better than "Tomorrow the Green Grass." It'll just sort of happen that way. Thank God. Mark Olson (center) and his band, the Jayhawks, are just a bunch of country-rockin', gee-tar-playin', a11-around swell folks. Little Kids." The Jayhawks divide the album in half with a good-natured, off-the-cuff cover of Grand Funk Railroad's "Bad Time," potently backed by the throaty yelps of Sharleen Spiteri, vocalist of the band Texas. Olson remembered, "[Sharleen] was in L.A. at the time and came down to visit. We met [Texas] in Paris ... oh, that sounds really (self-depre- cating chuckle) ... but we got along really well. So when we were in L.A. we got a hold of them and they came down to the studio and she sang on it ... It just kind of happened that way, __________________________ V. -. [ COG ft*dUnsprm ft A Concert of Hits from the 50s & 60s The fun includes ballads, novelty numbers, show tunes, doo-wop and the beginnings of rock & -. ' roll, performed by the COG singers and special offeatured groups: * Music Box " The Halftones " The Gelcaps " Strangelove Saturday, September 16, 8pm Lydia Mendelssohn Theater Tickets $5.00 (student,s.nor) On sale at SKR Classical, 539 E. Liberty, Ann Arbor and at the door r M i c h i g a n U n i o n UNION Building Access Friday& Saturday UM students, faculty, & staff- _______________ must show valid University of Michigan I.D. _______________ may bring three escorted guests -W-1