ARTS Monday, March 11, 1991 The Michigan Daily Where by Kim Yaged 2,505.8 miles later, I'm back in Ann Arbor. Those people fortunate enough not to be stuck in Ann Arbor over spring break often travel to the sun and beaches of Florida, Cancun, South Padre Island, or some other tropical oasis, in search of that Coppertone Tan. They bask in the sun with their walkmans and fa- vorite compilations of "gooder" songs, moving only to flip sides and maybe get an alcoholic bever- age or some yogurt. They toast all week and put in a session of power tanning that final day, in hopes of soaking in all possible remaining rays. The goal: to be the tannest person on campus by the time they get back to school. I know all of this because I my- self am a former torrid tanner. However, this year I decided to throw away the sunblock and skip the sand. I hopped into a Jeep Wrangler with my cohorts and so- journed south of the Mason-Dixon Line for my first taste of the gen- uine South. The irony commenced immedi- ately. You can't purchase alcohol after midnight on Saturdays be- cause you're in Bible Belt country . .. ' . . Page 5 the good and the law don't allow it, but at Sp any other time, anyone with a fist m and lips can buy a beer. Ten- (s nessee, the Volunteer State, is a gu place where more than six unre- tu lated women living together is M considered a brothel. Seriously. El But these minor details don't de- tract from the down-home, kick-ass Ci party attitude that reverberates or through all of the counties. to You can't say Tennessee with- hi out mentioning Nashville. (Nashville's White Mountain, by m the way, has the most amazing w homemade ice cream I've ever pL tasted.) It was refreshing to be in a In place where Randy Travis is con- sidered a bigger deal than Vanilla It Ice (and, of course, much hunkier). They don't take kindly to "Elvis is in Ann Arbor" jokes, however. Music Row is the country mu- sic fan's wet dream; whole stores dedicated solely to Elvis, Randy, Barbara Mandrell, Alabama, Con- way Twitty, the list goes on. Just envisioning a Rock Music Row was pure titillation. There is a wax museum of all the greats, includ- ing Dolly and Kenny. You can even get your picture taken with them for the small fee of an arm and a leg. I almost indulged my- self, but at the last minute, I de- cided Dolly's breasts didn't look realistic enough, so I backed out. d( The other museums included so numerous "The Cars of Country's ni Greats" collections. Imagine hav- pl ing your hand on Elvis' stick! th ol' boy peaking of which, there was the; ost entertaining, no-name outhern) gentleman playing theI uitar and singin' some good ol' nes in front of the Elvis Presley useum. Perhaps that's really how lvis got his first break in music. (Side note: We stopped in hatanooga at four in the morning n our way to Athens, Georgia and ok pictures on the Choo Choo. I ghly recommend it.) Athens, Georgia. No, we didn't eet R.E.M., but I did talk to that oman. What's her name? She ays guitar... Oh yeah. She's in the digo Girls. I'm just kidding. But seriously, was neat to finally meet another rs amaz thoug tion. are the locals. And I always MTV was a national sta- ed ht Anyway, it's not unfashionable to drink lots of beer and dance on the tables in Sons of Italy, the meanest bar in town. And, if you let the bartender call you Yankee, she'll give you a free pitcher of beer, and she might even let you keep the pitcher as a souvenir. Just call her Rebel if she gets out of hand. Make sure to keep someone sober, though, because a stop at Herbie's for late night snacks is a must. Herbie himself is a fat, dirty old man who says "fuck" 40 times a minute; just tell him to fuck off right back. The air in the restaurant is ten-feet thick and the odor of it stays on you for at least five days. It's just the type of place where you want to try grits for the first time, so I did. If you're lucky, Herbie will play a little Frank Sinatra ("New York, New York") on the jukebox for you, and perhaps even join the kickline. Listening to Ray Charles sing "Georgia On My Mind" while we were there was second only to hearing John Denver's "Country Road" on the radio while we were driving through the Blue Ridge Mountains of West Virginia. One final note: be careful when you leave Herbie's. He gives wet kisses. In Columbia, South Carolina, they played Jane's Addiction's "Been Caught Stealing" in the lo- cal Hop In-esque 24-hour store. The song only managed to en- courage everyone in the store to test whether or not they would get caught. However, the most re- markable work of art in town was a 3-D mural of a road scene on the side of an office building down- town. It looked like it was straight out of a Road Runner cartoon; I can see Wile E. Coyote running face first into it now. Duke University in Durham, North Carolina is barren on the nights of basketball games, which all students get into for free. (Now there's something for University students to hold a protest about.) However, North Carolina does sport the rockingest radio station See SPRING, Page 7 Travis ( ... y F. The boys are back in town Look out, Ann Arbor! The guys from Albert's are back - with a vengeance. Straight from the throes of the motherland, they're back where they belong. And posing next to someone's sweet vehicle, no less, completely fitting for a group that was raised on the sounds of the Motor City. They all look pretty dorky but we like them anyway. (Obviously, or else we wouldn't plaster their faces all across these pages every last chance we get.) Tonight they join the legions of other cool rock bands who got to play amidst the neon at the Nectarine. A step up from the Heidelberg? Well, not really, but these big boys are all the rage these days, so they need the larger venue. Get down and double check'em - or else. Doors open at 9:30, Tracey Science is the opening act, and advance tickets are relatively cheap - a meres 5bucks (p.e.s.c.) to see Ann Arbor's finest. And remember, you are what you drive. Daily Fine Arts needs writers with bacrund in classical music. Are you interested? Telephone 763-0379 and ask for Elizabeth Lenhard WRITE FOR ARTS!!! CALL 763-0379!!!! ANN ARbOR. THEATERS 1 & 2 -5TH AVE. AT LIBERTY 761.9700 SCENES FROM MR. & MRS. A MALL (R) BRIDGE (PG-13) Present this coupon for WFree Lar e Drnk WITH PURCHASED TICKET THRU _/89 F, m Dance makes a sudden impact Modern, tribal, jazz, and classical ballet dancing, all in one place? These were just a few of the dance styles utilized in the Impact Dance Theatre's powerful performance. The company, comprised of nine non- dance majors, celebrated its 10th anniversary this weekend with an animated dance revue at the Lydia Mendelssohn Theatre. A diverse selection of music by artists such as Janet Jackson, the Indigo Girls, Prince, and Pink Floyd reflected the wide range of dance styles executed by the troupe. Distinctive choreography, costumes, dramatics, and psychedelic lighting established a unique mood for each selection. The stage was typically sparse, but the alternation of bold green, blue, yellow, and red back- drops throughout the show helped to enhance the moods that the dancers' movements portrayed. The performers conveyed various emotions, ranging from serenity in a '60s number to humor in.a spoof on classical ballet. In the dance number entitled "Mama Don't 'low," the dainty movements of the dancers emanated from the music and flowing costumes. The segment had a sort of country appeal, as the balletic dancers moved about softly in floral dresses. In contrast, an upbeat medley of popular music set the mood for the lively and fast-moving "Six People Dancing." A strobe light was used in combination with a repetitious step, creating a high tech sharpness that was both exciting and physically nauseating, if only for the hyperkinetic action. The lighting and smoke transformed the performers into shadowy figures that were indi- vidually indistinguishable, making a bold statement about the mystery of the human body. These numbers were surpassed by the segments that truly demonstrated originality. The exceptional "Sitting Room Only" took place on chairs and featured the talents of Heather e Gi th< si he w Si ha ha si inj the il tc as th, in (r ou edicated Melissa Etheridge fan, mething which the North defi- tely has a shortage of. The peo- e I spoke with while I was down ere thought that none of us had ver heard of James Taylor or the rateful Dead, nor did they think at we had any type of local mu- c scene whatsoever. Haven't they eard of the Stooges? Just because ve don't have a jumping rock Gene spewing out some of the ottest bands to emerge in the late 80s and early '90s doesn't mean ve're all that lame, does it? Per- aps their Athens-centric rock mu- c mentality explains their danc- ng problem. We saw the Milkmen, a band hat plays dance music - primar- y covers - while we were in awn. The crowd rushed the stage s if it were the King himself up here gyrating, while we danced nstead, which created a minor nearing major) commotion. Even ir pathetic rendition of the shuffle Center for Afroamerican and African Studies announces REFLECTIONS AND REVISIONS: 20 Years of African-American and African Studies The Michigan League PROGRAM AT A GLANCE: 4 Friday, March 15, 1991 Origins and. Establishing New Paradigms Aims of the Center for Afroamerican and African Studies