THE MICHIGAN DAILY WEDNESDAY, Y 24,19"' THE MICHIGAN DAILY WEDNESDAY. JULY 2t 1~7 r wrar. w are rvs.v. s .w. 1 Y V ARd.i. A T E J Y "/ PARTICIPANTS AT 300: Business Administration Gives Executive Training Far East Art Exhibited L4 {s sExecutive training programs for 300 business leaders are being con- ducted this summer by the School of Business Administration. Special programs have been ar- 1273 Broadway Bl ranged for executives in four Flint 6, Michigan Stevens areas: banking,ecpublic utilities, Manager Blue Cross-Blue Shield plans and or 4-1Lit. '40 general executive development. r 4-reeF EstimatesAbout 80 bankers are enrolled Rates Eve y Friday in the School of Banking for own, operate, schedule and despatch our own fleet of vans younger staff members. Courses in for better direct service without transfer. the four-week school are divided i n t o beginning and advanced ,. 0 classes so a student can complete the training program in two sum- mers. This school is being given in cooperation with the Michigan Bankers Association. U t i li t y companies throughout the United States are represented in the Public Utility Executive Program, specially designed to em- phasize problems of that industry. Two four - week sessions have been arranged for approximately 125 men in this program which has been offered since 1951. A training program for execu- tives of Blue Cross-Blue Shield plans has been held at the Univer- sity each summer since 1952. About 60 executives of various state plans attend three week sessions for two summers. About 50 men, representing a wide variety of companies, large, medium and small, in a number of industries, are enrolled in a general Executive Program. The four - week programs have been given each year since 1954. Dean Russell A. Stevenson of the business administration school re- ports that "all of the programs have been highly successful, and have been enthusiastically received by students and the organizations they represent." Burton To Tell Of Orchestras Statues, IPaintings 'Show Modes A four-armed statue of Siva, a Hindu Deity, surrounded by a halo of fire, and stepping on a figure of evil appears beautiful, even to the inexperienced observer. This statue, one of tht examples of Far Eastern Art now on display at Rackham galleries, is not to be taken literally, but to exemplify a mood or idea. The four arms are to show that this god is superhu- man. Yet you don't.object to them, for they blend in the overall pic- ture in a natural manner. The exhibit, part of the Univer- sity Summer Session program, "Asian Cultures and the Modern American," has been borrowed from the Cranbrook Academy of Art and the Ann Arbor Collections. The objects and paintings dis- played represent the diverse ma- terials, forms, and styles of art in the Orient. There are examples drawn from Iran to Japan, over a time span of two thousand #ears. There are two figures of Buddha, each strikingly different. One statue has a large bump on the top of its head, which signifies that Buddha has more wisdom than ordinary mortals. The statue of Buddha has a slight smile, his eyes half closed in meditation, and his hand in a preaching position. These charac- teristics portray him as not geing concerned with worldly things. In none of the figures at the exhibit, however, does Buddha have a third eye, or elongated ears, often characteristics of his being super- human. An Indian statue of Buddha and his apostles fro mthe period after the Greek invasion shows definite Hellenistic influences. Buddha looks a lot like a Greek god. The ornaments and ceremonial jade displayed are distinctively round in shape. Authorities on Eastern art believe this roundness represents heaven or the universe. k Considering the difficulty in ob- taining such pieces of art,- al- though the collection is not large, it is quite representative of all the countries of the Orient, and rep- resents too, art over a span of two thousand years. The features which distinguish Eastern art are, "consistency of style due to the religious aspect of many of the objects, respect for materials, coloit texture and shape, and emphasis on surface pattern in painting and sculp- ture." DAILY PHOTO FEATURE Story by CARL JORDAN Photographs by RICHARD BLOSS I I 1 a '""' " "' '"" , A Eugene Burton will lecture on luster to a shampoo. "Building School Orchestras in the ashables cleaner.Medium Sized Towns," at 3 p.m. today in Aud. A, Angell Hall. Burton has been director of string instruction and orchestra training in the Newton, Iowa pub- lic schools for 18 years. He is president of the Iowa Music Edu- cators Association. 103-4185Formerly graduate assistant teacher of strings at the State University of Iowa, Burton has done graduate work at State Uni- versity of Iowa and Columbia Uni- versity. - i DIVERSE FORMS-Above are three examples of Far Eastern art. They are (from left to right) an 18th century devil representing Otsu art, a bronze Indian goddess statue and a Japanese carp painting. Special kI STRIKING COLORS-Texture and color are SIVA AND PARVETTI-The most famous of the highlighted in this 19th century Tibetian paint- Indian deities are sculptured in 18th century ing. sandstone. 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