THE MICHIGAN DAILY si THE MICHIGAN DAILY Mcial Publication of the Summer Session --... -c:; secretly by certain interests of England and the United States. United States walked upon the stage with vast deposits of oil within her own country. England sidled in crab-wise; she had no oil fields except in her comparatively infertile territories. Then, with the stage set, the entire plot soon centered about the question of who was to be greater master of the world's supply of oil. England's fir't acquisition of important oil de- posits came about, briefly, in the following man- ner. About 20 years before the World War a Cana- dian engineer by the name of William Knot D'Arcy obtained permission from the Shah of Persia to 5 b f G: r t. n a v x is C & Published every morning except Monday during the University year and Summer Session by the Board in Control of Student Publications. Member of the Western Conference Editorial Association a d the Big Ten News Service. 2 soeieted eo601h iat E 1933 NATN ' -cox 1934 MEM E OF TIEASSOCIATED PRESS The Asociated Press is exclusively entitled to the use for republication of 9.ll news dispatches credited to it or not otherwise credited in this paper and the local news published herein. All rights of republication of special dispatches are reserved. Entered at the Post Office at Ann Arbor, Michigan, as second class matter. Special rate of postage granted by Third Assistapnt Postmaster-General. Subscription during summer by carrier, $1.25; by mail, $1. iji f uring regular school year by carrier, $3.75; by B, 44.25. Offices: Student Publications Building, Maynard Street, Ann Arbor, Michigan. Phone: 2-1214. Ippreentatives: College Publications Representatives. Inc.,. 4O East Thirty-Fourth Street, New York City; 80 B ylton Stret, Boson; $12 North Michigan Avenue, Ch1cago. " . EDITORIAL STAFF Phone 4925 MANAGING EDITOR ................E. JEROME PETTIT ASSISTANT MANAGING EDITOR .... BRACKLEY SHAW WOMEN'S EDITOR .................ELEANOR JOHNSON ASSOCIATE EDITORS: Charles A. Baird, Clinton B. Con- gr, Paul J. Elliott, Thomas E. Groehn, Thomas H. I leene, William R. Reed, Robert S. Ruwitch. REPO RTE4S: Barbara Bat es, C. I. Beukema, Frances English, Elsie Pierce, Virginia Scott, Edgar H. Eckert, BrArd H. Fried. BUSINESS STAFF Office Hours: 9-12, 1-5 Phone 2-1214 BUSINESS , NAGER ........BERNARD E. SCHNACKE A SIT, V;INESS MANAGER ......W. GRAFTON SHARP CLTJULATION MANAGER ........CLINTON B. CONGER. Dr. Blakernan - Religious Counseor. L AST DECEMBER a grant was re- ceived from the Earhart Founda- tion enabling the University to innovate an im- portant experiment in religious education. The need for some sort of improvement in the facilities for religious development, had long been felt, and the action which was taken has proved extremely sucessful. Dr. Edward W. Blakeman, well-known campu religious figure, was appointed Counselor in Re- ligiouIs Education and his offices established in Room 9, University Hall. He has set aside the hours of 11 to 12 a.m., and 3 to 5 p.m. daily for intimate and beneficial conferences with students in an attempt to help solve any religious problems which they may be confronted with. The duties of this office come under four mein heads: (1) The University seeks to understand the problems of religion and to improve facilities for religious development of students. (2) Dr. Blakeman is available to the students as a counselor in the religious field. To this end he does much personal interview work. This is per- haps the most important purpose of all. (3) This counselor also functions as a contact. officer between religious bodies and the Uni- versity. He serves as advisor to the University in all matters having to do with the relation of religious organizations to the University. (4) Dr. Blakeman is trying to correlate the ef- forts of campus ministers and thus bring religious agencies and the University closer together in the educational field. This is the first time in the history of the Summer Session that such an opportunity has been available. The success of the experiment depends entirely upon how the students react to, and make use of, it. We wish to urge all members of the University to make the acquaintance of Dr. Blakeman as soon as possible. Even if you don't feel that you have problems to be solved, the contact, we promise, will prove helpful and inter- esting. The Drama Of Lquid Gold... THE STORY of liquid gold is essen- tially one of intrigue - call it ro- mance only if fierce competition, hate, plunder, thievery, cleverness, ruthlessness, and despoil are the elements of romance. It is a story of Macha- velians, but not of heroes. It is a story without a happy ending - because it has had no ending, and dare not have one. The story takes place in the United States, in Persia, Mexico, Russia, Argentine, Venezuela, Spain - in any of those countries which have sporadic beds of oil. "John D. Rockefeller, president of Standard Oil and leader of the North American oil interests; Sir Henry Deterding. Dutch director general of Royal Dutch and leading organizer of the English petroleum interests, Marcus Samuel, later Vis- count Bearsted, founder of Shell and organizer With Deterding of the same interests; Harry Sin- clair who was ruined- three times and each time became a millionaire again"-these four men, says an article translated in Living Age from a Vjadrid newspaper, are the dings of Midas of liquid gold, the chief characters of a mirthless drama. Take the word of the Spanish newspaper that these four characters, each working toward his own end and in his own gigantic and international setting, furnish such fast, though secret, action that for excitement "one does not have to seek visit that country and search for rumored oil de-t posits. At .last he found oil gushing north of thec Persian gulf, and received a permit from the Shahr for himself, friends, and descendants to bore andt extract petroleum from Persian soil for 77 years. But, curiously, this engineer had come to love this country of his search, and decided that hei would have no English exploiters sinking theirc shafts in that land. He refused an English offer3 of six million pounds for the document, and finally1 decided to destroy it. Soon, however, an Englishi "clergyman" persuaded him to turn the document over to him as a step toward getting Christian missionaries into Persia. The document soon came into the hands of the British admiralty. The "clergyman" was a special English agent. During the war the oil fields of Persia came to be shared with Russia, through the efforts of a Soviet secret service man. Oil agents do not customarily twirl the tips of long black mustachios with a practised finger, nor do they leer and hiss at cowering victims - but their more subtle indications of villainy put to shame the most black-hearted scoundrel of the nineteenth century melodrama. In Mexico it is no uncommon thing for the peon to find an oil com- pany, backed by governmental intrigue, descend upon his little ranch or farm and evict him forcibly. True, he is paid for his land - but in no fair proportion. He becomes a man without a home, ready to,join roving bands. It has been said of the situation that "since the English came to Mexico there has been nothing but revolutions." In the South American oil fields no different situation exists. Venezuela, one of the richest oil countries in the world, is said to be a "colony con- trolled by Deterding and Juan Vincente Gomez whom the oil magnate placed in power." And Gomez, to maintain his power, has developed,a gigantic spy system which extends throughout the country, maintains listening posts in the larger hotels, rules by instilling fear in the hearts of docile natives - "a multitude of people in Venezuela ha' e lost their ears by having tourniquets applied to the backs of their heads." Deterding needs roads to transport oil; Gomez finds it no difficult task to provide prisoners to build the roads. Natives are enslaved; the harvest of the labor is reaped by foreignes.. } It is impossible to give more than a glimpse of "The Drama of Liquid Gold." But it is important to get this one glimpse. Just where the demand for oil in a mechanized age may lead is seldom seen by the average person. Oil is seldom thought to be one of the most possible factors of war. Living Age says : "Spengler and the Fascists talk of a struggle between the white and colored races, between Occidental and Orient. This coincides with the obvious fact that as oil deposits become exhausted the powers will try to conquer areas where de- posits are known to exist -in Asia. Russia blocks the way. She herself needs oil for her machines, which are becoming more numerous every day, and is watching the moves of England. The United States is trying to increase its fleet and become queen of the seas. The Standard Oil is trying to drive down the dollar in order to sell at lower prices, and Deterding is answering by trying to devaluate the Dutch guilder. The present ,struggle for markets depends largely upon transportation, tankers, and pipe lines. The struggle to come may be called a war of races, classes, or some other name. But it will be fought over oil. And oil will reign like King Macbeth." The Theatre THE CHARACTER'S THlE THING By POWERS MOULTON Next week's production of "Grumpy," under the direction of Francis Compton, should easily be the highest point reached so far in a fine season of plays. Mr. Compton will be shown in one of the most lovable and amusing parts the stage has to offer, a role so big that the remainder of the play seems of no importance, and as traditional as lemonade at the circus or snow at Christmas. One of the delightful happenstances of the the- atre is the character who lifts the actor out of his proper place as part of a play and throws him into a tremendous highlight. Grumpy, that rascally old curmudgeon, is the worst of them. Certainly it isn't artistic; the playwright muit groan audibly when he finds one of these too-important people elbow- ing into his play. Or maybe he is secretly pleased. Here is a real living, breathing, talking, gesticulat- ing person finding his way into the script, de- manding more and more attention. So to hell with unity; the character, not the play, is the thing. That is what Grumpy has done; the rest of the play is of slight importance. There are supporting characters of some worth and a sufficiently strong plot, but you won't notice them. Grumpy is every- thing. In looking for his equal, the only character we can recall is his fellow Englishman, fellow schemer, and fellow rascal, Disraeli. "Grumpy" did for Cyril Maude what Dizzy did for George Arliss; it finished him. No matter what else he did, no matter how good it was, people always wished it was "Grumpy." Because of the importance of the leading char- acter and the traditions that have arisen around it, Frances Compton has undertaken a truly diffi- dfficially the pronouncement that he is, as we see it, the ideal critic's-actor. We have liked his brilliant high-comedy manner in Coward and Shaw, his stirring creation of the part of the father in "The Brontes," and his thoughtful and thoroughly authentic Shakespeare. He appeals to the student of the drama because he is above mere exhibitionism. He is interested in the play as a whole, beyond his own performance, and is willing to change himself completely to play a part, rather than thrusting his own personality into it, as almost all modern actprs do. Thus we have a modest classical actor in an outrageously romantic role; but the result should be agreeable. Mr. Compton, as a splendid techni- cian, will be able to portray a crochety man of 80; moreover, as a personality, he will make the por- trayal warm and living. The Repertory Players are decidedly to be con- gratulated on securing Mr. Compton as guest di- rector. He knows more about the sheer technique of acting, that is, of pretending to be someone that you are not, than almost any actor we have seen. He is of the Old School. Would that there were more. Screen Re'flections Four stars means extraordinary; three stars very good; two stars good; one star just another picture; no stars keep away from it. tr 0 F F b f a a X t c c 1 C 7 1 AT THE MAJESTIC "THE MERRY FRINKS"- DAILY OFFICIAL BULLETIN Publicatiorn in the Pulictin is cnstructve notice to all members of the Univerity. Copy recei'ed at the ununer Session 0111cc until 3:30; 11:30 Saturday. * "The Merry Frinks," paradoxical as it may1 sound, is one of the saddest shows we've seen in a long time. Maybe we have a perverted sense of humor. Maybe we don't know what we're talking about -- but we'll stick to our guns. It's quite de- pressing. Not that the producers had any such purpose in mind when they put this show on the screen. They attempted, evidently, to make it the laugh riot of the year. Sure, a little pathos, perhaps, to heighten the comic effect - but not the sort to be taken seriously. And there's where they erred - or we did. The recipe didn't call for such a large dose. They slipped a bit - not a lot, mind you - just enough to almost spoil the in- tended effect. If you come from a normal family, you've no doubt been introduced to the grand art of squab- bling. The petty quarrels, the minor tragedies- they're all part of family life. They irk you per- haps, when they go too far, but you don't really mind them. You accept them philosophically. But the Frinks! Imagine a family in which the father is an acute alcoholic, the grandmother a nagging sobber, the young son criminally inclined, the older one the worst type of Red, the daughter a silly idiot, and the uncle a confirmed liar. Imagine them living in the same house. All of them spoiled, wrapped up in their petty selfish- nesses. And think what a time a peace-loving mother would have thereabouts. Mom Frink tries her best to keep things in order, but they go from bad to worse. She humors them all, works in a canning factory to keep them in food, slaves, sacrifices - but to no end. It's a thankless task. They take her for granted. They come whining to her with their make-believe troubles. She pampers them. Finally she gets fed up. She leaves them. They go all to pot. So she comes back. That's the story. Isn't it killing? But we're not doing justice to it, I'm afraid. Hugh Herbert as the drunken husband can't help being amusing. Guy Kibbee as Uncle Newt does credit to the part with a great bit of acting. Allen Jenkins makes a convincing radical, and the rest of the cast isn't bad. But Aline MacMahon as Mom Frink really steals the show. We'll give the girl a lot of credit. She's not a "type" actress - just show her a script and she'll do the part to order. We've seen her play every kind of part imaginable - and play it well. In "The Merry Frinks" she reaches a new peak. The part calls for the subtlest comedy talent - and she gives it just the right touch to make it convincing. The "shorts" are awful. -C.A.B. THE MICHIGAN TODAY "THE THIN MAN" If this show isn't good, after all the nice things we've heard about it, we're going to be awfully disappointed. William Powell, Myrna Loy and "The Thin Man" spell excellent entertainment to us. Our hopes are up. Of course, aside from our liking of Mr. Powell and Miss Loy (only recently have we cultivated a taste for her), we have other reasons for antici- pating its showing here. Alexander Wolcott called it "The best detective story yet written in Amer- ica," and Sinclair Lewis stated: "Dashiell Ham- mett (the author) is undoubtedly the best of American detective story writers and his last novel is certainly the most breathless of all his stories." We don't know how much Messrs. Wolcott and Lewis were paid to make such complimentary statements, and being an S. S. Van Dine fan we don't quite agree with Mr. Lewis, but very seldom do two such illustrious citizens go around mouth- ing much praise over second-rate articles. "The Thin Man" tells the story of Nick Charles, ex-detective, and of the three murders which in- volved him with the eccentric Wynant family - a half-mad father, a lying lecherous mother, a be- wildered daughter and a neurotic son. Powell plays the role of the detective who is dragged into the triple-murder investigation against his will. Miss Loy, in the co-starring role, appears as his wife, Nora. Maureen O'Sullivan portrays "The Thin Man's daughter and supplies a romance with Henry Wadsworth, a new MGM player. Nat Pen- dleton varies from his usual gangster and dumb underworld character roles to play the part of a detective lieutenant. The remainder of the cast includes Minna Gom- Stalker Hall (formerly Wesley Hall) today at 6:30 p.m.: Dr. Stuart A. Courtis of the School of Education will be the first speaker in a series of seven meetings on the theme "The Function of Religion in An Age of Power." He will view it as seen by an Educational Leader. A forum will be held after the address. Light re- freshments and a brief fellowship period will precede the meeting. All welcome. Wednesday at 4:30 p.m.: Outing and picnic supper. Saturday, July 7: Saline Valley Farm, a new co-operative venture. First Methodist Church: Today at 10:45, Dr. Frederick B. Fisher will preach on "Mysteries to be Explored," the first of a series of four sermons on "The Challenge of Modern Life," at the First Methodist Episcopal church, State and Washington streets. Unitarian Church: 10:45 a.m. Rev. Walton E.. Cole, of Toledo, will §peak on "After Religion, What?" A chal- lenging reply to Hinton's article in Harper's Magazine. Episcopal Student Group: During the summer months there will be regular Sunday evening meetings at" 7 o'clock. This Sunday evening the group will meet in the lobby of the League, from which point an outdoor meeting will be arranged. All stu- dents interested are cordially invited to come to these informal group meetings. Saint Andrew's Episcopal Church: Services of worship Sunday are: 8:00 a.m. Holy Communion, 11:00 a.m. Kindergarten, 11:00 a.m. Holy Com- munion and Sermon by the Reverend Henry Lewis. Student Classes on Sunday morning at 9:30 at the Church House, 1432 Washtenaw Ave. Morning Worship Service at the Church, corner Huron and Division. Norman E. Richardson from McCor- mick Seminary, Chicago, will talk on: "Liberty a Condition of Life." Student Vesper Service and picnic supper on the lawn of the Church House at 5:30 p.m. Professor Howard McClusky will talk on "The Paralysis of Neutrality." First Baptist Church: 512 East Huron. Rev. R. Edward Sayles, min- ister, will speak at 10:45 on the topic "The Increasing Challenge of Jesus.' The Roger Williams Guild (Baptist student organization) will meet in the Church parlors at 7:00 p.m. Rev Howard R. Chapman, Guild Director will speak and lead the discussion. 'Congregational Church: Dr. Her- man Swartz, President of the Pacific School of Religion, Berkeley, Calif., will be the guest speaker at the Con- gregational Church Sunday morning at the service which begins at 10:45. He will be introduced by Dr. Edward W. Blakeman, Religious Counsellor of the University. Men's Education Club Golf Match: The first match will be held Tuesday, July 3, 4:00 p.m., University Golf Course, because of the holiday on July 4. Beginning the following week matches will be held every Wednes- day afternoon. Men's Education Club: Monday evening at 7:30 p.m. Dr. Preston W. Slosson will speak on "Hitler's Situa- tion in Germany" at the Michigan Union. Michigan Dames: There will be a Garden Tea to welcome new-comers on Monday afternoon from 3:00 to 5:00 p.m. in the League Garden. Please come and do your share in creating a friendly atmosphere. (ContInued on Page 3) a I COOL MATiNEES' . . .II N . . .COOLMATNNEES Dashiell Hammett's Great Mystery Play "THE".THIN MAN!" with WILLIAM POWELL and MYRNA LOY Alexander Wolcott's favorite story made into a splendid mixture of laughs and thrills - you'll think it joyous. ...........MAJESTIC........... NOW THE MADDEST PICTURE EVER MADE "The Mevrry Frinks" ALINE MAC MAHON GUY KBBEE HUGH HERBERT ALLEN J ENKINS Matinees 15c . . . . . W.U ERTH.... .Nights 25c Norma Sea-rer . "RIP I w . '. r_~ . ". ~_ 7a.., . .w + '" ' . .+.".v ' r :.r- , v r .T . ".-r , - Enjoy Sunday Dinner At T-his Modern Cafe- teria Where The Food Is Extra, Good And The Price, Very Reasonable Sunday Hours: 12 00 to 2-00 - 5;15 to 7:30 T'H E .i TAVERN CLEAN LI NESS Terrace Garden Dancing Studio Instructions I n a 11 forms. Classical, social, dancing. Ph'. 9695. uu: i Wuerth Theatre Bldg. CAF ET E R-IA 338 maynard street fingerle operated i ': A I cieaneQ Kememoer, vreene s guc