'' Sixty-Seventh Year EDITED AND MANAGED BY STUDENTS OF THE UNIVERSITY OF MICHIGAN UNDER AUTHORITY OF BOARD IN CONTROL OF STUDENT PUBLICATIONS STUDENT PUBLICATIONS BLDG. * ANN ARBOR, MICH. * Phone NO 2-3241 "When Opinions Are Free Truth Will Prevail" Editorials printed in The Michigan Daily express the individual opinions of staff writers or the editors. This must be noted in all reprints. SATURDAY, MAY 4, 1957 NIGHT EDITOR: DIANE LABAKAS Senate Can't Expect 'Switchgin To Help U Meet Fall's Enrollment "We're Not Going To Keep You Cooped Up In The Hold" ,, "U L - . ? 4 _ccZ6 .EA ] wtlY~r~ MAY FESTIVAL: Aida' Concert- FrustratingVersion LAST NIGHT at Hill Auditorium the Philadelphia Orchestra, the University Choral Union, soloists Leontyne Price, Martha Lipton, Rudolf Petrak, Robert McFerrin, and Nicola Moscona, with Thor John- son as guest conductor, gave a performance of Verdi's "Aida" in concert version. In several ways the evening was not a general success. It seemed that the problems of presenting an opera of the grand, romantic type in the concert hall proved too sizable for the proposed solution. "Aida" is music for the theater; the dramatic tensions and interactions find constant reflection in the sounds. With the scenery, the action, and the stage missing, and with the whole thing done in a foreign tongue, the opera lost one of its main footholds. That does not mean that the evening was without its glorious , N SWITCHING three and a half million dol- lars from the University's capital outlay budget to the operations budget, the Senate actually provided no more money for opera- tions. All it did was provide a way, and a very poor way, of getting additional money for building. The $3,500,000 switched to operations was originally designated to help complete the Un- dergraduate Library, the Freize Bldg. and the Fluids Engineering Bldg. Money to finish these jobs must now come from student fees which had been pegged for operations. It hard- ly seems like a switch worth making. The Senate bill passed yesterday also per- nits the University to pledge 40 per cent of its student fees (roughly the $3,500,000) for reve- nue bonds for new buildings. But this is a dan- gerous way of financing construction. T IS DANGEROUS because classroom build- ings have no income so the revenue bonds must be paid off with student fees. Thus the University is forced to commit a large portion of its student fees over the life of the bonds, 10 or 15 years. In the past fees have provided an important source of flexibility in deter'min- Ing the budget. Financing classroom construction through revenue bonds also increases, by the amount of the interest on the bonds, the cost of con- 'struction. Establishing a pattern of using student fees for construction places a premium on increas- ing enrollment to get more money for new buildings. But increasing enrollment just cre- ates additional need for construction and the merry-go-round is underway. Revenue bonds may be a fine way of financ- ing construction which can at least partially liquidate the bonds, as with residence halls or the Union. But it is a poor way of financing classrooms. ANOTHER objection to yesterday's Senate action is that it presupposes an authority which resides with the Regents and not the Senate. As a constitutional corporation the Re- gents are presumably empowered to dispose of student fees as they see best. The Senate may have acted presumptuously in granting the Regents an option they al- ready had. Legislative interference in matters properly left to the Regents' discretion is be- coming more frequent - several Regents have voiced concern at encroachment upon their au- thority at two recent Regent meetings. With the passage of Senate Bill No1439, which includes the University's appropriations, Sen. Porter and his colleagues held to 'their "no new taxes" slogan. But in so doing they left the University canoe floating towards the rapids without a paddle. Unless the House takes the initiative in pro- posing a new source of revenue, such as the corporate profits tax, the shortage of funds will force a decline in the quality of education. The University now has a fine physical plant and an outstanding faculty. Both take money to maintain. And once the downhill slide is underway, it is difficult, if not impossible, to reverse the trend.- IF THE LEGISLATURE does not provide more money, the University should cut back en- rollment proportionately. The responsibility of the University to pro- vide an education for all qualified state resi". dents is no greater than the responsibility of the Legislature to provide the funds with which to accomplish the job. -LEE MARKS City Editor AIMS, METHODS, PHILOSOPHY: Interview with McCarthy Senator McCarthy: He Found No Peace on Earth IT IS SELDOM in a lifetime that one public figure stirs as many emotions-ranging from adulatory love to utter contempt-as did Sena- tor Joseph Raymond McCarthy. Public response to his appeals and outbursts was mixed, as was his contribution to American democracy, but that response was as loud as it has been for any man since Franklin Roosevelt, When McCarthy first spoke out on the issue of Communists in government, he performed the service of awakening the public to govern- mental laxity in guarding its secrets and the loyalty of its diplomatic sources. He also served hisĀ° own political fortunes greatly, and his shotgun approach to a delicate subject, his disregard for facts and regard for headlines, and his partisan use of the Communist issue greatly vitiated his effectiveness as a "fighter of communism," and cast doubt on the sincerity of his motives. At the wave of his prominence, McCarthy's name had become the name of an era, although his power and his dangerousness were often overestimated, especially abroad. He did not create the hysteria over internal communism but only exploited it, and his ardent followers were louder than they were legion. At his most influential. McCarthy had already set off enough of a reaction, his name had become sufficiently beclouded, that democracy's ways set limits to, as well as permitted, his rise to power. IT IS IRONIC that McCarthy, who died at the age of 47, survived for so short a time the McCarthy Era, which ended finally with his censure by the Senate two and a half years ago. McCarthy died of natural causes, which sev- eral years ago would have surprised many, so strong was the intensity of feeling connected with his name. That he did not die-as did Huey Long, his counterpart of the 1930s-at the hands of an assassin, that the orderly processes of the ebb and flow of public opinion ended his power before death intervened, are tributes to the political maturity of the Re- public. McCarthy the man will always be something of an enigma. He was capable of contemptible arrogance and endearing jocularity, barroom brawling and sophisticated propagandizing, compulsive tenacity and calculated vacillation, politically suicidal outbursts and politically ingenious maneuvering. He could knee a Wash- ington columnist at a party, or send personally- cooked chicken over for a Washington neigh- bor's dinner. jcCARTHY may have been one of the Twentieth Century's greatest political geni- uses, whose uncanny sensitivity for popular moods carried him to a point where he could go no place but down, and which somehow failed him during every inch, once the decline began. Or he may have been a frightened, insecure man in a high place, one who directed all his fears and aggressions on "Communists in government," and whose obsession led him upward so long as it corresponded with a na- tional obsession, and downward as soon as it did not. Or he may have been a dedicated but confused zealot who simply could not see his actions in any perspective, who refused to let any other dangers interfere with his uprooting of the supreme danger. Or he may have been all of these, wrapped into some awesome, unex- plicable combination. He is with us no longer. But the droning, nasal interrogation, the repetitious "Mr. Chair- man . . ." and "Who Promoted Peress?" the legendary stubble beard, the documents taken from a heavy briefcase and waved before an audience, all these died shortly before Mc- Carthy. As his battles were ending, and his days as husband and father just beginning, it was an unkind fate which dictated that the peace which his political eclipse could have offered a tormented soul, he will never know on earth. -PETER ECKSTEIN NEW YORK WP)-At the height of the Army-McCarthy dispute in 1954, Associated Press reporters Jack Bell and Relman Morin in- terviewed the late Sen. Joseph McCarthy. Following are some excerpts from this interview that give an insight into some of McCarthy's aims, methods and his personal philosophy:. Q. In your own mind are those people who think like Communists as guilty of acting against our gov- ernment as a Communist him- self ... ? A. Let's not talk about "think- ing." Let's take the people who do all the things the Communists would do. If they are, teaching school, if they would teach the way they would teach under Com- munist discipline, if they follow the Communist party line, if they are acting as a Communist, if they are following a Communist line, certainly, anyone who is teaching conspiracy and treason should not have a captive audience in a school. t1. SUPPOSE THEY are not teaching conspiracy and treason but merely teaching what Com- munism is? Is there a difference in your view? A. Of course there is. I think it is impossible to fight Commun- ism unless you know all about it. Unfortunately, many people have confused teaching what Com- munism is without advocating Communism . . . There is no com- parison. It is like the difference between teaching about the dan- gers and the evils of crime or advocating murder. McCarthy was asked about criti- cism that hearings of his Senate committee were not to obtain new information but to expose infor- mation already obtained. He re- plied: "The principal purpose of a public hearing is to let the public know what is going on. As far as getting information ourselves is concerned, we could get all that information behind closed doors. "There are two theories, of course. There is one theory, followed by some, that it is a favor to the American people to let them know what their elected officials are do- ing. I don't follow that theory. I think they have an absolute right to know what is going on." "I THINK we have an absolute duty to bring all the facts in re- gard to any misconduct on the part of public officials to the at- tention of the public. If there are Communists handling defense work, the American people should know it. That is the way you get them." Q. Senator, there has been a great deal of speculation on the question of whether you are run- ning for the Republican presiden- tial nomination in 1956 or a later year. A. The answer is definitely no. Q. Along that line, are you trying to capture the Republican party in any way? A. Definitely not. Any such at- tempt on the part of any one Sen- ator would be ridiculous. Asked about President Eisen- hower's batting average in efforts to rid the government of Com- munism in reference to a 1953 McCarthy speech, the Senator re- plied: "I think President Eisenhower's batting average was good then. I still think it is good. I don't expect we will ever have a president, no matter how good he is, who will be perfect all the time. That is one of the reasons why you have a Congress. "If you could elect a president who was a perfect individual he wouldn't need the checks of the Congress." Asked if President Eisenhower hadn't indicated unhappiness with methods used by McCarthy, the senator replied: * * * "I CAN'T CONCEIVE why he would be unhappy with that. You have to name some method that is objectionable. The record is available for anyone to see. We call a man in. We give him every right to counsel, give him every right to rebut the testimony against him." "I can't think of anything we can do in addition to that. If anyone has any further sugges- tions, I would be glad to hear them. You find people screaming about methods, but they never tell what methods they have in mind." Asked whether he thought there was rising opposition to him with- in his own party McCarthy re- plied: "I THINK YOU would be just as good a judge of that as I am. There were times in the early days of this fight when it was not too popular in the eyes of some for a Senator to be seen talking to me on the floor of the Senate. "Then there are times when a great number of Congressmen and Senators were clamoring for me to come into their states to speak. I have seen times when some of them definitely didn't want me in their state. "If I were to be concerned about my personal popularity, with the ebb and flow of personal popularity, I couldn't do a job down here. I just have to go ahead and do this job-it is unpleasant- and not worry much about what effect is has on personal popu- larity." moments. The concert was carried t cal moments interspersed here and there, where melody was al- lowed to soar and display the wonders at the heart of all opera -the human voice; yet what lay in between these moments was frustrating. The chorus had little to do ex- cept sing loud and fast at a few climaxes and processionals. At these moments they stood up and, I am sorry to say, sounded blurry. The soloists were confronted with a touchy dil mma. Should they accept the concert hall or pretendi that, they were still at the opera? The fact that they hovered somewhere in between was unfortunate. There were turnings and twistings and step- pings back and forth. Now Mr. Petrak would turn from Miss Lip- tcn in defiance, now Miss Lipton would break almost into a dance routine. IT WAS OBVIOUS that some- thing rather gripping was going on; yet exactly what it was re- mained for us a mystery, for the concert was sung in beautiful but incomprehensible Italian. It happens to be one of the rules of the game of opera that speech and music refuse to blend very well; in trying to depict anger and dramatic tension in speech-song the problem becomes even worse. The voices bark and snarl in a heated argument of the theme of which the audience unfortunately is kept ignorant. Such sounds, however, were our fare throughout most of the evening. Even the orchestra, in addition to being elevated from the pit and having been blown up into unoperatic proportions, was caught in the fad of the drama; the cellos were exciting, scratchy, and out of tune in the manner of a true opera orchestra. Further, there were some regrettable cuts; almost all of the rather tuneful ballet music had been eliminated in favor of the sawing and grumb- ling of the recitatives. * * * TO MISS PRICE had been granted some of the most grati- fying vocal lines of the evening; her voice was free and clear and ringing and handled with consid- erable mastery. Mr. Petrak's few tender moments were a joy. Mr. McFerrin and Mr. Moscona sang their jagged speeches competently. The loudest sounds of the evening were whipped forth by the cym- bals and the big drum in combina- tion. -Avo Somer AT THE MICHIGAN: .Bachelor's Party Flops YES, we admit something should definitely be said in the movies on behalf of the "common man." It is nice ;to know, after view- ing literally millions of feet of film about the hordes of Genghis Khan, the plush parties in Beverly Hills, and the galloping heroes of the old West, that ordinary men like ourselvesare appropriate subjects for motion pictures. But it is not necessary to make man as humble, mediocre, and conformist as the characters in "Bachelor Party." Paddy Chayefsky, TV scripter turned movie scenarist, does a commendable job of probing deep beneath the surface of the "nor- mal" life of the American lower- middle-class male. ASSISTED BY the fine direc- tion of Delbert Mann, he discovers loneliness in the supposed security of marriage, restriction and frus- tration within the stability of a regular job. The men in the movie are portrayed as living empty, aimless lives. Yet, his dramatic explorations only reveal the severest limita- tions of man, his lack of imagina- tion-never his heroic potentiali- ties. Ken Murray, still playing the Bo of "Bus Stop," reluctantly relin- quishes his night school account- ing course to join bachelor Phillip Abbott and three other men from his office to "make the rounds" of Greenwich Village before Abbott "loses his freedom." * * I' MURRAY, THE protagonist of the tale, has just found out that his wife is pregnant. He seeks des- neratelv to escane the fact of his by the three or four arias, the lyri- AT THE CAMPUS: 'Oedipus' Stunningy THE Oedipus legend was old when Sophocles wrote the greatest of Greek tragedies, pos- sibly the greatest tragedy of all. Through his play, the legend lived on to give its name to a psycholo- gical term, which, in its way, is ironic. Partially through psychology, man turned inward to examine himself, and lost his sense of uni- versals. Yet there has never been a work of art so opposed to the conception of man as a microcosm rather than a macrocosm, In remaining faithful to the macrocosmic concept, the Strat- ford, Ontario Shakespearean Fes- tival Players have recreated in toto the timeless power of a larg- er-than-life man caught in the clutches of an inexorable Destiny even larger than he. The film of the play, and it is just that, is a stunning, magnifi- cent piece of color photography. Except for slight use of camera, mobility in well-executed close- ups, the film presents the play as a play, not a movie version of the play. Such treatment is to Sophocles' advantage, because it permits the sort of abstraction of character which makes the work so universal. The Stratford Festival Players have made few concessions to the modern age, either in costuming or setting. Two pillars, a door, a dais and a flight of steps com- prise the sparse background - a setting not far removed from the bare Greek stage. * * * THE USE of stylized masks, at first somewhat startling to a mod- ern-day audience, becomes more and more appropriate. Oedipus's mask is an additional aid in re- moving him from the sphere of or- dinary mortals. And, surprisingly enough, the masks do not hamper expression; rather, along with conventionalized body movements, they augment it. The unreality of the masks and the chanting of the chorus some- how lends credence and a certain kind of horrifying realism to Oedi- pus' plight. The players, making use of their training in Shakes- pearean bombast, endow William Butler Yeat's version of Sopho- cles' poetry with passion, precision and soaring beauty. "Oedipus Rex" is a strangely foreign yet satisfyingly brilliant experience. It is an edifying com- ment on the sensitive minds that produced it in our times and the towering humanity, understand- ing and power of the man who first gave it life centuries- ago. -Tammy Morrison DAILY UFFICIAL BULLETIN The Daily Official Bulletin is an official publication of the Uplversity of Michigan for which the Michi- gan Daily assumes no editorial re- sponsibility. Notices should be sent. In TYPEWRITTEN form to Room 3519 Administration Building, be- fore 2 p.m. the day preceding publication. Notices for Sunday Daily due at 2:00 p.m. Friday. SATURDAY, MAY 4, 1957 VOL. LXVII, NO. 151 G General Notices Daily Official Bulletin notices should be brought to Room 3519, Administra- tion Building, instead of Room 3553. Undergraduate Honors Convocation. The annual Convocation recognizing undergraduate honor students will be held at 11 a.m. Fri., May 10, in Hill Auditorium. Dr. Robert F. Goheen, President-elect of Princeton University, will speak on "The Not So Serene Temples of Learning."' Honor students will be excused from attending their 10:00 classes. All classes, with the exception of clinics and grad- uate seminars, will be dismissed at 10:45 for the Convocation. However, seniors may be excused from clinics and semi- nars. Academic costume will be worn by faculty members, who will robe back- stage and proceed to their seats on the stage. Honor students will not wear caps and gowns. Main floor seats wili be reserved for them and for members of their families, and will be held until 10:45. Doors of the Auditorium will open i. 4 . LETTERS TO THE EDITOR: Budget, McCarthy Draw Comment Passing the Buck on a Bomb SOME DAY it may happen. Some day the bomb might drop-here, on Detroit. Do you care? Does anyone care? Apparently not. If they did, perhaps Dr. Editorial Staff RICHARD SNYDER, Editor RICHARD HALLORAN LEE MARKS Editorial Director City Editor Business Staff DAVID SILVER, Business Manager MIILTON GOLDSTEIN ... Associate Business Manager WILLIAM PUSCH.............Advertising Manager CHARLES WILSON ........... Finance Manager Roger B. Nelson, Washtenaw County's Civil Defense coordinator, would have far fewer problems to face than he does at present. Per- haps his complicated but effective plan might be capable of immediate implementation, in- stead of remaining just a blueprint. If they cared, there would be no worries about equipping the proposed operating rooms to be set up in the women's residence halls on "the hill." If they cared, there would be no problem involved in bringing volunteer workers in from upstate Michigan and surrounding states. Or in getting emergency supplies from out of state. F THEY CARED, the desperately needed "portable hospitals," and the extra cots and linens would already be stored in nearby ware- houses. There would be people to man them around the clock. as is necessary. Stroke of Genius . . . To the Editor: PRESIDENT Hatcher's opinions on federal aid to'education are certainly a stroke of genius. The University budget has been slashed by $5 million, construction has been curtailed, new dorms so bad- ly needed can't be built,' teachers who need and should have raises won't get them, the cost of "free" education is becoming prohibitive, and what does President Hatcher say? Fight against federal aid to education! Why? Because he fears federal control. This fear is odd, considering that when the paranoiac Kit Clardy de- scended in his wrath on this cam- pus in 1954, President Hatcher couldn't have extended a warmer welcome. Nothing the federal gov- ernment could do is to be feared more than the kind of control and intimidation practiced by that committee. Yet President Hatcher wasn't afraid. On the positive side, it may be that federal aid would be accom- panied by strict enforcement of desegregation. Certainly our Pres- If President Hatcher refuses federal aid, he'll wait a long time for his money. How high can gaso- line taxes go? -Judy Gregory Joseph McCarthy .". To the Editor: IN REFERENCE to Mr. Hallor- an's editorial of May 3, I was surprised and shocked to find such poor journalistic practice con- tained within the pages of The Daily. The editorial certainly does not live up to the high standards evi- denced in Mr. Halloran's previous writings. It was uncalled for and poorly timed, not the type that has made The Daily respected here and at other aniversities. While I certainly did not agree with some of Senator McCarthy's tactics, I nevertheless find an attack such as this on the day after his death deplorable. -Joan M. Coburn, '58 To the Editor: RICHARD HALLORAN'S editor- when the Senator was doing his investigating. Investigations over, the vilification, the crucifixion via typewriter keyboard continued. Must this continue after the man in question is dead? Mr. Halloran writes, "We will not miss Senator McCarthy the demagogue, McCarthy the insinu- ating slanderer, McCarthy the de- stroyer of a free man's most pre- cious possession, his reputation." Attack a dead man for ruining men's reputations, and in so do- ing, you attack his reputation. -Rene Gnam, '58 To the Editor: RESPONSIBLE journalism de- mands good taste and the com- mon decencies of life-and death. Richard Halloran's editorial on Senator McCarthy showed neither. To use the death of a fellow hu- man being as a sounding board for the very sort of vituperative slan- der which he deplores in the edi- torial is itself deplorable. Halloran himself is "sowing the seeds of dissension and distrust." If McCarthy smeared live people, tlfe Al x-~