Y Sixty-Seventh Year EDITED AND MANAGED BY STUDENTS OF THE UNIVERSITY OF MICHIGAN UNDER AUTHORITY OF BOARD IN CONTROL OF STUDENT PUBLICATIONS STUDENT PUBLICATIONS BLDG. * ANN ARBOR, MICH. * Phone NO 2-3241 "My, What Lovely C-H-I-N-A" When Opinions Are Free Truth Will Prevail" Editorials printed in The Michigan Daily express the individual opinions of staff writers or the editors. This must be noted in all reprints. TUESDAY, MARCH 12, 1957 NIGHT EDITOR: JAMES ELSMAN Dormitory Integration: Universit's Moral Obligation PRESENT POLICIES of the Board of Gover- and this is largely the task of our colleges and nors of Residence Halls discourage integra- universities. It is never a justification of what tion in dorm living. They are geared primarily a university does to point at what the masses to avoid bad public relations, protect students want, even granting that sometimes expediency from contacts that might hinder their "adjust- may force compromises. ment" and placate intolerant parents. The Board may have to respect those adam- The policies have been imminently successful antly opposed to integration, But at the same in these respects. Three out of four students time it ought to encourage disregard for race room with someone religiously, racially and and religion as criteria for choosing roommates nationally alike. Only three per cent are mixed whenever possible. racially. "Adjustment" is becoming the keynote of the Adopted last Spring, a Board policy state- twentieth century. The ultimate end of adjust- ment notes "special preferences" of students ment is Brave New World, where everyone is or their parents "will be respected" if "admin- adjusted to everything. Universities do not exist istratively possible." Examples: smoking, reli- to "adjust" people. They exist to bother people, gion, amount of fresh air desired, race, voca- to face them with moral conflict, to make them tional interest, nationality. think and consider. The men's room application blank asks: "Are To single out integration as the factor which you interested in a roommate of a nationality may throw the "adjustment" process out of or race other than your own?" Women are kilter is itself a subtle form of discrimination. asked a broader question: "Specify any prefer- Why not drop the "lab" science requirement ences or qualifications you have regarding a instead? This requires a far more difficult "ad- roommate." justment" for many. In addition all incoming freshmen are re- Requiring pictures on room application blanks quired to attach a photograph to their applica- may be some aid to housemothers but more tion blanks. This is presumably for the house- probably they are used to guard against em- mother's use in learning to associate names and barrassing "accidents" in roommate assign- faces. ment. If the explanation for the way in which pic- BOTH THE POLICY statement and questions tures are used is sincere, then why not have are negative. Although they never explicitly them sent directly to housemothers after room- take a stand on heterogeneous room assign- mate assignments are made? ments, the Board of Governors emphasizes the "rights" of the intolerant and sidesteps the AS SERIOUS AS the moral implications of moral considerations involved, the Board's policies are the educational con- First, they assume that racial or religious sequences. A large part of the university experience is intolerance is the same kind of preference as the chance to unshackle one's self from provin- not smoking or sleeping with the window open. cial upbringing, to meet new and different There is an important difference between people. using smoking and fresh air as criteria for Discrimination in the North is subtle but choosing a roommate and using race or religion, prevalent. Communities preach tolerance and The University is not expected to care if divide quietly along racial and religious lines. students smoke or not, or sleep with the window Consequently, few incoming freshmen have had open or shut, and it isn't expected to guide the opportunity to know well people of differ- students in making choices of this sort. ent races, religions and nationalities. But it should care if students are religiously Invaluable opportunities to increase the edu- or racially biased, and it should be working to cational significance of the college years are encourage4 studentsto accept people for what being lost. they are, not what color they are. Underlying all University policies, including By lumping the different criteria together those of the Board of Governors, should be and treating them all alike, the Board ignores the assumption that race, religion and nation- its obligation to encourage racial and religious ality are improper criteria to apply in choosing equality. friends. The men's question is "loaded." In asking This in no way infringes on the "rights" of those who are "interested" in having a room- the intolerant-it simply acknowledges intoler- mate of another race or religion it assumes that ance and calls a spade by its proper name, the normal course of events is to prefer a Instead of adopting a "play it safe" policy, "homogeneous" roommate. the Board should found its policies on a moral commitment to work towards eliminating racial T HE BOARD OF GOVERNORS defends its and religious bias. policies by noting: First, there Is an obligation to respect the T0 ACCOMPLISH this the following sugges- rights of those who are intolerant whether or tions are offered: not the Board agrees with them; One, a statement of policy which explicitly Second, most students and their parents recognizes the moral and educational value of would, In fact, rather not integrate; integrated living. Third, adjustment to college life is difficult Two, rephrasing the question, on both men's enough without the additional problems in- and women's room application blanks, so it herent in integrated living, reads "Would you strongly object to being If the University wants to respect the "rights" roomed with someone of another race, religion of those who are intolerant (although "rights" or nationality?" might better be replaced by "ignorance") it Three, totally disregarding race, religion and can do so without discouraging integration nationality when assigning roommates for those among those who would accept it. who do not answer "yes" to the above question. The fact that most students and parents Four, eliminating pictures on room applica- would rather not integrate is irrelevant. One tion blanks. does not look for exemplary morality in large -LEE MARKS masses of people-but one works to improve it, City Editor INTERPRETING THE NEWS: Weird Budget Gyrations S:~ I Li~-4 - HILL AUDITORIUM: Cleveland Symphon Displays Lovely Tonke FOR WHAT IT IS supposed to be, (that is an orchestral organization at the top of the second rung, pressing close on the first four orches- tras of the U.S.), the Cleveland Symphony demonstrated on Sunday night that it commands great beauty of tone, supple responsiveness to direction and considerable discipline. The beauty of tone in the first violins, for example, is worthy of mention. It is a smooth, precisely focused, clear tone, warm and melting, or cutting, at will. The violas and cellos too, were in like manner, at- tractive, The brasses and wood winds, while not up to those of the Philadelphia Orchestra, were in good form. THE GROUP'S APPROACH to the music, which is the most im- portant thing, is characterized by seriousness and devotion, with the music carefully thought through and well rehearsed. If none of the items performed felt like the definitive realization of the scores, the JI I . / ,. . ". f : . : M 1( e=0° mss -' N fault (if it is a fault) is the sort that was made evident in the read- ing of Beethoven's Sixth Sym- phony. The opening phrases came from the strings in ravishing tone, ex- pressively uttered. But as the work progressed, one became aware that there was too much relaxation even for an allegro which is non troppo. The emphasis in both this and the second movement was doting- ly on the sweet pastoral quality of the music, and less on the sym- phonic qualities-that is, the har- monic relationships among the themes and the realization of the drama and stress in the change of keys. The tensions in the trans- ition portions were all underplay- ed-and what emerged were beau- tifully idyllic but slightly flabby movements. , By contrast, the first half of the third movement was tensely real- ized; tightly knit and all the in- herent drama clearly delineated. The storm section (allegro), on the other hand, seemed to lack a thrust on the part of the lower strings and their manipulation seemed overly genteel. The fourth movement was well done. * * * A LACK OF thrust and sharp- ness (especially when needed) characterized most of the or- chestra's maneuver throughout the evening, except in the tone poem by R. Strauss. -A. Tsugawa NOTES FROM GERMANY: East Berlin Fascinating City AT THE MICHIGAN: 'Rainmaker' Joyous Plea "THE RAINMAKER" is peopled with characters out of Middle Earth- at the same time believable and fantastic. N. Richard Nash, who wrote both the play and screenplay, is a kind of Tennessee Williams with rose-colored glasses; for him, the most depressing, heart-rending inter- personal relationships turn into glorious farce and a joyous plea for faith in faith. Lizzie (Katherine Hepburn) is a plain woman who knows she's plain but refuses to believe it. Her father (Cameron Prud'Homme) and young. er brother Jim (Earl Holliman) refuse to believe it too, and encourage her hopes of marrying Deputy Sherriff File (Wendell Corey), who is afraid of getting too close to anyone because his wife deserted him. Only older brother Noah (Lloyd Bridges) is practical; he thinks Lizzie should face up to the hard facts of her inevitable spinsterhood. Into the drought-stricken town of Three Points bursts Bill Star- buck (Burt Lancaster), the rainmaker, an obvious but captivating man. (Editor's Note: The following is the last of a two part series written by a University student now at the Free University of Berlin as an exchange student.) By HERTHE STRIKER BERLIN is a fascinating city,.big and beautiful and awake. To an American, its most fascinating aspect is the East sector. It's easy to get to East Berlin- there are no controls. By subway, a voice on a loudspeaker will in- form the rider, "This is the last station in West Berlin. This train is headed for the East Sector." And then, two minutes later, you will find yourself on a spot of earth where the word "American" has become a synonym for "Im- perialist," where a passport must be shown before ordering so much as a cup of coffee, and where a man who carries a Western news- paper is subject to a jail sentence. Incidentally, as one leaves East Berlin, you will be warned-again over a loudspeaker systemn-"You are now leaving the democratic sector." The differences between East and West Berlin are striking. There are almost no cars in the East Sector. There-is an extreme lack of heating facilities -- even first class restaurants are some- times cold. Apartments are much colder. Clothing and food aren't easily available, but East Berliners learn not to be too choosy regarding what they wear or eat. An East Berlin housewife does not walk into a store and say, "Six eggs. please." She will say, "Do you have eggs today?" And in spite of the staggeringly high cost of such "luxury foods," she will be very grateful if the grocer says yes. * * * IT'S THE SAME with practi- cally everything - shoes, toilet articles, books. One can buy all these things in East Berlin, but he learns after a while not to be too specific in his demands. One person went into a bookstore to buy a set of works by Goethe-he is easily the most revered author in Germany-and was told re- gretfully that another customer has just walked out with it. The one really plentiful com- modity in East Berlin is propa- ganda. Newspapers, magazines, pamphlets - these are always available, always cheap. And if one asks for a copy of "Das Capital," he is never turned down. Everything behind the gates of Brandenburg Tor is not gloom and despair. There is gaiety, too, in the East Sector. There are ex- cellent operatic and theatrical productions that quite keep pace with the West, and brightly-lit cafes where people drink, dance and enjoy themselves with aban- don. Until three months ago, Ameri- can music was banned in the East as being "decadent." Now that the ban has been lifted, they play a tremendous amount of jazz - especially Gershwin. And the House of German-Soviet Friend- ship has just hired a West-Berlin dancing instructor to teach young Communists the Rock 'n Roll! * * * IF A FREE vote were taken now in the East Zone, there is no doubt that the overwhelming number of Germans would choose democracy. Still, the Communists have made many converts. They are sincere and fanatic-a living proof of the effectiveness of the vast Soviet propaganda machine. Our own propaganda centers in West Ber- lin often strike me as weak and inefficient by comparison. And yet our message seems to get across. One-third of all stu- dents as the Free University in West Berlin are refugees from the East Zone. More arrive every day. And the "little people" in the East -the hairdressers, counter clerks and waiters-are the biggest pro- Americans on the continent. Western Europeans may be cyn- ical toward us sometimes, but people behind Red lines - that great majority of them that have not been converted to Commun- ism-look to us with all the hope and faith of ship-wrecked men viewing the rescue ship. We can count on them to keep their spirits up and their con- victions solid for a long, long time. New Books at Library Aken, Conrad - Mr. Aculario; Cambridge, Harvard Univ. Press, 1957. Bell, Clive - Old Friends; NY, Harcourt, Brace, 1957. Elath, Eliahu - Israel and Her Neighbors; Cleveland, NY, World Pub. Co., 1957. . Ervine, St. John - Bernard Shaw, His Life and Works and Friends; NY, Morrow, 1956. Gordimer, Nadine - Six Feet of the Country; NY, Simon and Schuster, 1956. Hamilton, Edith - The Echo of Greece; NY, Norton, 1957. For one hundred dollars, he will make rain, rain such as the town has never seen. Knowing Starbuck is a fake, but charmed by his per- sonality, the father gives him the hundred. Pursuing an elusive dream of greatness, Starbuck changes his own life as well as theirs. To Liz- zie he gives faith in her kind of beauty, to Jim faith in his abili- ty to make decisions for himself, to File faith in other people and to Noah, faith in faith itself. NASH PROBABLY couldn't have gotten away with his thesis if it wasn't for the outstanding acting. The audience is as taken in by Lancaster's exhuber- ant falsity as are the characters. Corey is dignified and restrained; Bridges is proud, pragmatic and short-sighted. As the father, Prud- 'Homme is a kind of wholesome caricature of a generous, indulgent, yet intensely human parent. And Hepburn is, of course, Hep- burn-wildly articulate, passion- ately comic, whether she's danc- ing around the living room mim- icking the town flirt or sharing a love scene with Lancaster. Although "The Rainmaker" ap- plauds the very human tendency to dream, it never lets its audi- ence forget that faith is basic- ally irrational and that daydream- ing must be balanced by a sense of reality. -Tammy Morrison A PROFESSIONAL OPINION: Ann Arbor, 'U' Theatre Needs Opening Night Spirit DAILY OFFICIAL BULLETIN The Daily Officiai Bulletin is an official publication for which the Michigan Daily assumes no editorial responsibility. Notices should be sent in TYPEWRITTEN form to Room 3553 Administration Building, before 2 p.m. the day preceding publication. Notices for Sunday Daily due at 2:00 p.m. Friday. TUESDAY, MARCH 12, 1957 VOL. LXVII, NO. 113 General Notices President and Mrs. Hatcher will hold open house for students at their home Wed., March 13, from 4:00 to 6:00 p.m. Late Permission: All women students who attended the Travelogue at Hill Auditorium on Thurs., March 7, had late permission until 11:00 p.m. Evaluation of Student Government Council. The committee recently ap- pointed by Vice-President Lewis to re- port to him an evaluation of Student Government Council invites informed and interested individuals to express their observations on the structure and functioning of SGC (under the plan adopted two years ago) at an open hearing Thurs., March 14, 3:00 p.m., Room 3003, Student Activities Building. If such persons can supply copies of their statements to the committee members, the work of the committee would be greatly facilitated. These cop- ies should be brought to the secretary of the committee, DeborahdTownsend, 2017 Student Activities Building. If duplication facilities are not available to such persons, an attempt will be made to provide for them if the state- ments are brought to the secretary by March 13. SGC Schedule of Election Open Houses. March 12: Alpha Epsilon Phi, 5:00, 407 N. Ingalls; Helen Newberry 5:00, 432 S. State Street; Pi Beta Phi, 5:00, 836 Tappan; Collegiate Sorosis, 5:45, 1501 Washtenaw; Kappa Kappa Gamma, 5:30,1204 Hill; Sigma Kappa, 6:00, 626 Oxford Road; Phi Sigma Delta, 6:00, 1808 Hermitage Road; Sigma Chi, 6:00, 548 S. State Street; Psi Upsilon, 6:00, 1000 Hill Street; Sigma Nu, 6:10, 700 Oxford Road; Chi Psi, 6:10, 620 S. State Street; Trigon, 6:15, 1617 Wash- tenaw; Alpha Omicron Pi, 6:45, 800 Oxford Road; Kappa Delta, 7:00, 1620 Cambridge; Delta Sigma Phi, 7:00, 2009 Washtenaw; Gamma Phi Beta, 7:00, 1520 S. University. Mortarboard invites all junior wo- men, independent or affiliated, to pe- tition for the Mortarboard Scholarship. Application blanks may be obtained from the League Undergraduate Office These should be completed and re- turned to that office, accompanied by two letters of recommendation, by March 18, at which time girls may sign up for a ten minute interview. Inter- viewing will be conducted on Wed., March 20 and Thurs., March 21. Lectures Hanson W. Baldwin, military analyst of the New York Times, will speak to- night at 8:30 p.m. in Hill Auditorium on "Where Do We Go From Here". Baldwin is replacing Gen. A.C. Wede- meyer whose lecture is cancelled. Tick- ets issued for the Wedemeyer lecture will be honored tonight. By J. M. ROBERTS Associated Press News Analyst THERE IS NEVER too much candor in Wash- ington about the handling of the national budget. The executive departments, through the Bud- get Bureau, ask Congress every year for the money they think they need to carry out their programs. The bureau is supposed to work over the requests, coordinating the total demand with the total expected supply of money. The result is supposed to be a guide for Con- Editorial Staff RICHARD SNYDER, Editor RICHARD HALLORAN LEE MARKS Editorial Director City Editor GAIL GOLDSTEIN ...........,.... Personnel Director ERNEST rHEODOSSIN.............Magazine Editor JANET REARICK ........ Associate Editorial Director MARY ANN THOMAS ........Features Editor DAVID GREY ............*.......... Sports Editor RICHARD CRAMER ........ Associate Sports Editor STEPHEN HEILPERN ........ Associate Sports Editor VIRGINIA ROBERTSON.....ss....Women's Editor JANE FOWLER .......... Associate Women's Editor ARLINE LEWIS...........Women's Feature Editor .OHN HTRTZET. Chief Photogranher gress. Presumably, the recommendations repre- sent a carefully considered program, governed by actual need. ACTUALLY, since Congress habitually cuts and revises, most bureaucrats start with a bargaining figure. If they are trapped in the Budget Bureau's compromising process, a good many of them will encourage pressure groups to go to bat directly with Congress in favor of the threatened projects. Sometimes the bureau, depending upon the mood of the administration, will really get tough and present Congress with a budget shorn of extras. Sometimes it acts more like a forward passer for the departments. This year the budget is caught up in some of the weirdest gyrations ever. For one thing, there is a big increase in its total demands. Economy-minded congressmen started hollering immediately. Secretary Humphrey of the Treasury said it should be cut. President Eisenhower said he hoped it would. MANY PEOPLE viewed it as a contradicition of the administration's avowed purpose to hold the line against inflation - contending that such government spending - nearly 72 billion dollars-would only increase the trouble. Some congressmen asked why, if the adminis- (Editor's note: The following ar- ticle was written by a University professor, formerly head of the Play Department of the Theatre Guild in New York.) By KENNETH ROWE A GREAT MANY WORDS have been expended on improving theatre in Ann Arbor without mention of what is most lacking, a creative theatre audience. What the University-Ann Arbor community most needs for better theatre is more opening night spirit. I attended the opening per- formance last Wednesday of the production of "Cavelleria Rusti- cana" and Moussorgsky's "The Fair" and was profoundly shocked. For a major theatrical event of the University year, bringing to- gether the University's resources in several areas of music, theatre, and dance in a big double bill of an old operatic favorite and an exciting work seldom heard, and never before in this new version, there was an opening night audi- ence of fewer people in the audi- torium (one hundred fifteen by count, I have since heard) than were engaged in the production over one hundred sixty people, students and nrofessional staff. outs, as often happens in Ann Ar- bor following such an opening, but the seven-hundred seat Lydia Mendelssohn Theatre filled for the five performances cannot hold the number of people from this city of over forty thousand popula- tion and a University with twenty- odd thousand students whom one would suppose would want to see such a production. THE PRODUCTION was bril- liant in every respect and a beauti- fully blended whole, musically, in orchestra and choruses and with a notable number of really fine voices in the large double cast, in dramatic staging, in scene design, costuming, and choreography. There was professional finish, and taste and spirit. It would be a pleasure to expand indefinitely on particular interpretive and tech- nical achievements in the produc- tion, one that could oe equalled in few, if any, universities anywhere. The Moussorgsky especially gave unusual scope and demand for all the elements of theatre, with the stage direction and acting of the second-act farce maintaining a fine line of restraint with freedom and vigor in counterpoint to the These University operas have It been going or. long enough that their quality might be anticipated. Opening night spirit, which this community needs, means a res- ponse to theatre of such eager- ness for the pleasure of the com- ing event that opening night is a competition for seats overflowing into the following performances. * * * OPENING NIGHT spirit is some- thing more, too. It is audience go- ing to the theatre as a part of the total creation of theatre. The members of this community, with- in the University and without, have enough cultural sophistica- tion to venture on an opening night and make up their cwn minds without waiting for re- views or reports from the reck- less souls who did go the first night. And they should have enough cultural enthusiasm and self-de- pendence to go into the theatre for a professionally directed uni- versity student production as creative audience, imaginatively alert, expecting pleasure, contri- buting a -supporting energy to the people on the stage, not sitting back in apathy or skepticism and waiting for the Spring Drama sea- Is true that this university community provides such a com- plexity of fine things to attend that no one can consume them all, and many are heavily engaged in pursuit of specialized interests, but theatre seems to be, in peo- ple's conversation and in print, at least, one of the most universal interests. Almost everyone seems to want to be a connoisseur of theatre. Opening night spirit is connois-I seurship, caring enough about something to study it, experience it on every possible occasion, and become so informed that one can perceive and understand achieve- ment. Connoisseurship is primarily and most difficultly the love of and enjoyment of excellence, and only instrumentally to the perception of excellence is it the analysis of flaws. Connoisseurship is capacity for independent enthusiasm. A SUPERLATIVE University production has opened this week to an audience of one hundred fifteen. Another drama organiza- tion in the community after three years of devoted theatre effort is closing its history this week. Certainly a production such as d. A