At~lgatt Daily Sixty-Sixth Year EDITED AND MANAGED BY STUDENTS OF THE UNIVERSITY OF MICHIGAN UNDER AUTHORITY OF BOARD IN CONTROL OF STUDENT PUBLICATIONS STUDENT PUBLICATIONS BLDG. * ANN ARBOR, MICH. * Phone NO 2-3241 Couldn't You Fellows Get Me to a Hospital First?" en Opinions Are Free, Truth Will Prevail Editorials printed in The Michigan Daily are written by members of The Daily staff and represent the views of the writers only. This must be noted in all reprints. TV REVIEW AND PREVIEW: One Night's Work- Make $346,900 By LARRY EINHORN Daily Television Writer THE GIVE-AWAY program's best friend, Uncle Sam, will be glad to know that the addition of "Do You Trust Your Wife?" to CBS's Tuesday night schedule brings the possible reward of the three Tues- day night CBS quiz shows to $346,900. If one person was versatile enough he could walk away with all that loot in a one night fling, presuming he had worked himself up to the summit for each program. By correctly answering the "$64,000 Question" he would, of course, get $64,000. And by naming the five songs in the last golden medley t 3AY, JANUARY 15, 1956 NIGHT EDITOR: GAIL GOLDSTEIN Is Administration Ignoring Reality on Faculty? FEW ADVERSE comments have been inspired against Friday's Daily editorial criticizing University faculty members. Some have called the editorial a bit too 'strong' and some thought it came too late, but a large segment of the faculty agreed. The Daily pointed directly to a lamentable University educational situation. That is-excepting University administra- tors interviewed. It is unfortunate University President Hatcher isn't on campus to comment, but his vice-presidents apparently ignored real- ity with their remarks yesterday. Both Vice- President Niehuss and Lewis said faculty members weren't afraid to speak out with them. Some faculty members interviewed however certainly recognized stagnancy among their contemporaries. And students have been com- plaining about the University's politically stag- nant atmosphere for the last year and a half. At first the students simply blamed them- selves but it has become readily apparent that faculty -members, who could assume leadership in bucking this complacency, are as apathetic as the students. VICE-PRESIDENT Niehuss says faculty mem- bers speak out-but where and on what? Director of University Relations Brandon may have hit it on the head when he said'they show little reluctance to speak out in the (secret confines of) Faculty Senate meetings. What benefit is derived here? Only major- ity views officially reach the public. Vigorous discussion of the issues with their underlying implications don't reach the public. Last sum- mer's Faculty Senate controversy is an example. If the result of the Senate vote on the Report on the Faculty's Duties and Responsi- bilities to Society is any indication the faculty is pretty much in agreement with the adminis- tration's stand on faculty dismissals. There may have been vigorous disagreement behind the closed doors but for public consumption on this controversial issue the vote showed Uni- versity and faculty opinion was close to identi- cal. ALTHOUGH a vote by vote record has never been publicly tabulated, reliable sources say there was strong support from literary college faculty members in favor of the Report. But, excepting a momentary dissent shortly after the Report ,was turned down, there has been little vigorous speaking on the issue. There has been apparently no serious push for some sort of reconsideration of the Report. The faculty, to whom students look for intellectual leadership; officially stand behind their employers on this issue. In the latest issue of the Michigan Alum- nus Vice-President Niehuss discussed among other things, teaching at the University. He stresses the competition for advancement among .faculty members. We are sympathetic with faculty members who desire to get ahead in their profession, but would hate to think this involved an extensive suppression of their "unpopular" ideas. IN THE literary college political ideas, some- times in conflict with the prevailing mood of society, come into play. It is essential that the nation's intellectuals, many of whom are uni- versity professors, are not controlled by some arbitratory standard no matter how indirect this standard might be. It would be unfortunate if thoughts of advancement should exert such. a controlling influence. It may be there is a prevailing group that think intellectuals' independent ideas aren't necessary. As Prof. Leslie indicated there is feeling that "different" opinions might upset our country's sense of security. But many of our literary college professors still feel idealistically that their beliefs should be heard by the University community. As an apparent minority they can't speak through the Faculty Senate. Although they may be a minority, students need their assistance and leadership when opportunities arise, in helping reestablish an atmosphere of vigorous, fearless, intellectual curiosity at the University of Michigan. -DAVE BAAD, Managing Editor Daily Prison Series Gives New Viewpoint "NOT BIZARRE, not sensational, not dra- matic, but bread and butter facts" is the way Earl Gibson terms his prisons series now appearing in The Daily. Gibson, who has been in Jackson prison for the past seven years, is dedicated to "pro- gressive penology." His outstanding "Spec- ator," the prison newspaper, continues a re- lentless crusade to improve the American prison system. Since John Barlow Martin's book "Break Down the Walls" criticizing the "outmoded" system of penology, the public attention' has been increasingly foc'used on this area. Although Gibson writes primarily of his experiences at Jackson prison, he says, "basi- cally, all modern American prisons have identi- cal programs and prisoners." The George's and the Andy's with which he illustrates his report are actual persons and case histories. The Daily hopes, in this series, to give a new view of the prison picture, that of a man who can see the situation "from the other side." ;. . ' ;,: , ' r :: s. f . i -yam.,,{.: - ". a . , Y ,.aC°a ' {", -M... K. af ;. iti -'a 1 'r'.-. w f^ ,r . c k k i f , , il «a s II b'+'. _ _ -_ "I _ d F r t ti" _ -. . w x "SL ' k C " } Y b, ; s7' z: Sys + "' s ,, , .r+ir.r -. r a i , . .,' w ,, . . a. ? s , 51 S - ; p . < l " 4 i.. u ~ Ly Sl;w r ;r whj-irKl .. " t 'Pos t . -..won ,j ' a 'TNT 4 LETTERS TO EDITOR: Pops' Concert .Controversial Pseudo Pseudo... To the Editor: THE LETTER to your column Thursday commenting about a pseudo-intellectual approach to the recent Boston Pops Tour Orch- estra Concert, is in itself surpris- ingly "Pseudo-intellectual." The argument, What's good enough for Boston is almost good enough for Ann Arbor is not valid historically as well as being ridiculous in the first place. Certainly the Boston Symphony was received musically as well here as it is in Boston - and it played as well here as it does in Boston. However, the Bos- ton Pops is not the Boston Sym- phony, since the "Pops" gets along without the services of the regu- lar first desk players of the Boston Symphony-as well as having their own conductor. To go a step fur- ther, the "Boston Pops Tour Orch- estra" is not the "Boston Pops," since the regular members of the "Pops" are not back in staid, old Boston as the Boston Symphony. The orchestra we heard last Sunday evening had about 50 "new" members who had not been members of the tour orchestra last year, and this was only the end of the first week of the tour. About the only authentic part of the Old Boston Pops that gets this far West of Wellesley is the music library, with their really excellent special arrangements; and the conductor, who is a great show- man and a fine musician but is not the orchestra. Although individu- ally fine musicians, it takes time to Weld a fine symphony and, tho the last part of the concert was great fun, it was in the first por- tion that the differences 'were ap- parent. The local pseudo-intellectualism and cultural fetishism seems to be of the type that indiscriminately praises that from afar and de- valuates local talent, and is some- times indulged in by the Daily's music critics-as in a rather poor review and inane critique given one of last years University Sym- phony Band concerts which was, musically, a very fine event. But back to the "Pops." With- out the purple punch, tables and chairs in place of seat rows, and personnel with years of fused ex- perience, we cannot be expected to judge from the Bostonians auralpoint unless, of course, one is a pseudo-intellectual. -L. W. Lewis Refreshments Missing. To the Editor: T1HE LETTER in the January 12th issue by "J. Bowler" was most interesting and confusing. Al- though Symphony Hall in Boston is always sold out for the Boston Symphony (by season subscrip- tion), I recall great ease in obtain- ing tickets to the "Pops" at any time (it also seemed as though many nights were "club nights" with special attention paid to some group in order to sell more tickets). As to appreciating the "Pops," most people I knew considered the "Pops" a place to pass an evening, not something to "appreciate" as "cultural." In effect, you took your maiden aunt or friend Jack's sis- ter to the "Pops," had a bottle of wine or insipid "Pops' Punch," chatted, and eructated. The next night you might take your girl friend a bit further down Massa- chusetts Avenue to the Savoy, have beer or whiskey (liquor laws are not enforced in Boston town as they are in Ann Arbor), talk, and belch while listening to jazz. Both were enjoyable (each in their own way), both representative of a particular type of entertainment. Either you like the "Pops" type of music or you do not-it is a way to fritter away an evening. As far as being "cultural," to me it is as "cultural" as sitting in a beer garden listening to a concertina and quaffing beer. As no liquid refreshments are served in Hill Auditorium, I was not present at the recent much discussed Boston "Pops" engagement. -J. B. Stetson, M.D. Matter of Grammar.. To the Editor: IF YOU haven't the good taste to keep Theodossin from writing, you might at least have the good sense to see that he writes cor- rectly. Even a Big Ten school must teach that "None ... has ... their" is wrong (Daily, Jan. 7, p. 2; last sentence of first movie review). Journalistic error can be written off as lack of ability--grammar is a matter of education. -Robert Dunlap, '58L on "Name That Tune" he would share $25,000 with his partner, That brings his total to $76,500. Assuming that this wizard and his wife won the weekly grand prize on "Do You Trust Your Wife?" ($100 a week for a year), and won this every week during the year, he would receive $270,400. His grand total for the night would than be $346,900. Well, it's possible. s * * SPEAKING OF QUIZ shows, there are two boys, ages 13 and 14. who are currently vying for the big money offered on the "$64,- 000 Question" and "The Big Sur- prise." Their respective categories are "animals" and "fourteen years of curiostiy." It sort of makes you wonder about the benefits of a college edu- cation when you see these two boys on the threshold of high school giving long-winded answers when you can't even understand the questions. And as a final note on quiz shows here's a memo to the young college graduate who last Tues- day night lost $1,000 on "Name That Tune" when he Identified "The Michigan Victors" as being the "Notre Dame Alma Mater": "B u d d y, you went to the WRONG school!" ** * CHRYSLER CORPORATION re- cently sponsored the national tele- cast of the East-West football game. Bill Lundigan did the com- mercials from the pressbox and was situated in front of a back- drop on which "THE FORWARD LOOK", Chrysler's slogan, was printed. , Obviously unbeknown at the time, Lundigan was in fact giving just as much publicity to a rival firm as he was giving to Chrysler. This came about because the director had placed Lundigan dir- ectly in the center of the back- drop and had taken a close-up shot so the words "THE" and "LOOK" were eliminated from the picture. Thus Lundigan was standing right in the center of the word "FORWARD". However, his body blocked out the "RWA" from "FORWARD" and all that was visible to the viewers during all of the commerc- ials that day were the letters "FORD". 'Blithe Spirit' ... NOEL Coward's comedy of sup, ernatural errors, "Blithe Spir- it," as presented on last night's "Ford Star Jubilee" attempted to raise the level of television comedy from its usual Pinky Lee level. It succeeded. The story itself is not too im- portant. Coward's first wife re- turns after seven years of ming- ling with Joan of Arc et al in Para- dise as the result 'of a seance. Only the audience and Coward can see or hear her and from then on most of the laughs come from this "Cosmo Topper" situation. "Baby" Bacall and Claudette Colbert portrayed Coward's ex and present wives with great skill. DAILY OFFICIAL BULLETIN THE Daily Official Bulletin is an official publication of the University of Michigan for which the Michigan Daily assumes no editorial responsi- bility. Notices should be sent in TYPEWRITTEN form to Room 3553 Administration Building before 2 p.m. the day preceding publication. Notices for the Sunday edition must be in by 2 p.m. Friday. SUNDAY, JANUARY 15, 1956 VOL. LXVII, NO. 77 D. Lectures Dr. Benjamin Shwadran, Editor, Mid- dle Eastern Affairs, will speak on "il and the Middle East," Mon., Jan. 1, 4:15 p.m., Aud. B, Angell Hall, auspices of the Department of Near Eastern Studies. Public Invited. University Lecture: "Early English Drawings," by Dr. Francis Wormad, professor of palaeography, London Uni- versity. Room 6, (basement) Angell Hall, at 4:10 p.m. on Tues., Jan. 17. Concerts The Vienna Choir Boys will be heard in the Choral Union Series in Hill Auditorium, Sun., Jan. 15, 2:30 p.m A limited number of standing room tickets are on sale at the offices of the University Musical Society in Burton Tower daily,until noon Sat., and Sun, afternoon after 1:30, at the Hill Audi- torium box office. Student Recital: Sally Lutz, pianist, in partial fulfillment of the require- ments for the Bachelor of Music degree at 4:15 p.m. today in Aud. A, Angeli Hall, compositions by Bach, Beethoven, Chopin, and Bloch. She is a pupil of Marian Owen, and the program will be open to the public. Academic Notices Recommendations for Departmentai Honors: Teaching departments wishing to ommend tentative February grad- uates from the College of Literature, Sciencerand the Arts, and the School of Education- for departmental honors (or high honors in the College of L.S.&A.) should recommend such stu- dents in 'a letter sent to the Office of Registration and Records, Room 1513 Administration Building, by 8:30 a.m., Mon., Feb. 6, 1956. Attention February Graduates: Col- lege of Literature Science, and the Arts, School of Education, School of Music, School of Public Health, and School of Business Administration-students are advised not to request grades of I or X in February. When such grades are absolutely imperative, the work must be made up in time to allow your instructor to report the make-up grade not later than 8:30 a.m., Mon., Feb. 6, 1956. Grades received after that time may defer the student's graduation until a later date. To all students taking classes in the College of Literature, Science, and the Arts: On Tues. and Wed., Jan. 17-18 you will be invited to fill out a ques- tionnaire asking your opinons about several aspects of the instruction in your classes. In order that you may give consideration to your responses beforehand, the general instructions and the questions are reproduced below. "Because learning and teaching are reciprocal activities, it is appropriate to review quite deliberately the rela- tions between students and teachers i our courses. "It is also clear that a college edu- cation ought to challenge the student to increasingly mature achievement by extending his power to reach informed and independent judgments. But be- cause the arts of gaining and imparting knowledge are subtle and complex, the act of evaluating educational progress is not simple either for the teacher or the student. "In answering the questions that follow, it may be helpful to consider that a teacher's central aim, beyond the immediate communication of his subject-matter, is to encourage lively, critical thinking. At the same time, a. teacher's most obvious merits or even his obvious defects may not really de- termine the ultimate educational value of a course, and the essential but not so apparent labors of course-design and development are often no less signif- cant than a teacher's conduct of the class sessions, "Your thoughtful responses to this questionnaire will assist the College ini improving the methods and objectives of our common educational endeavors. "l. What is your judgment as to the value of this course in your edu- cation? Please point out both its contributions and its deficien- cies. "2, Irrespective of your answer to question 1, state and then evalu- ate the objectives ,of this course. Are they clearly apparent? How well are they accomplished? "3. How well was the instructor able to stimulate your interest in the material of this course? Give specific reasons for your opinion, "4. To what extent did you learn to think critically in the subject- matter area covered by this ,course? "5. Keeping in mind that the re- turns from this questionnare will be used by the instructor in the process of improving his teach- ing,please mention any other aspcts of the course or npinstrue-'. I ; ,: , IN THIS CORNER: Progress InAYSmall Dose rg Dy MURRY FRYME THE FACULTY has suddenly come into the, student limelight in two areas, each stress- ing the oft-forgottbn importance of student- faculty interdependence. In one, the question of faculty stimulation in contr'oversial thinking, the student has ad- mitted a need for mature leadership. The void has never been so obvious, or the leadership so faltering. In another area the faculty is coming to the student, and here again a void exists which is becoming increasingly more obvious. Whether the blame is all do to size, and it is unlikely that it is, faculty-student relation- ship is falling into a flimsy "scheduled confer- ence" type pattern. The instructor knows little of what the student thinks of his course, nor is the student ever fully cognizant of what the instructor thinks of him individually and his work. For these reasons, the scheduled "faculty evaluation" reports which 'students in the Literary college will fill out Tuesday and Wed- nesday are extremely encouraging, HOWEVER, IT would seem that they do not go far enough. For full, realistic evaluation of teaching methods and course content, an Editorial Staff Dave Baad ......................... Managing Editor Jim Dygert ........................... City Editor Murry Frymer ...................... Editorial Director Debra Durchslag ......,..............Magazine Editor David Kaplan.............. .......Feature Editor Jane Howard ......................Associate Editor Louise Tyor ......................... Associate Editor Phil Douglis. .......................Sports Editor Alan Eisenberg .............. Associate Sports Editor Jack Horwitz..................Associate Sports Editor Mary Hellthaler.................Women's Editor Elaine Edmonds ........... Associate Women's Editor John Hirtzel ..................... Chief Photographer Business Staff Dick Al trom .....................Business Manager Bob Ilgenfritz ... ,.., AssociateBusiness Manager Ken Rogat.................... Advertising Manager evaluation of this sort is too restricted to one direction. Certainly the faculty can become increas- ingly aware of student opinion in this way, and also the student can learn to formulate his own thinking on this topic. But a great deal more that, should be brought into the open won't be. For one, the student should know better how his standards of evaluating a professor and a course compare with those of his class- mates. Too often, students are sadly unaware that the instructor they think is overly one-sided may be praised by others for admitting to a definite viewpoint. Or they may castigate a professor -for his lackadaisical attitude while others praise him for a sense of humor. The same is true as to course content. Secondly, the student should know how the faculty answers charges against itself. There may be a logical explanation for a particular method of teaching of which the student is not aware. Also, instructors never fully explain to their classes the reasons for stressing certain areas of the course, and over- looking others. ONE THING is however brought into the open concerning faculty opinion, and it is worthy of more thought. Originally the faculty evaluations were "graded" by the students on a 1-2-3-4-5 basis, similar to the A-B-C-D-E basis of student evaluation. But this time the faculty is asking for a long essay criticism. It points up very clearly what the student has been complaining about for, a long time. There is little he can learn from the lone letter grade. What he needs is full explanation of his course work, and of his individual de- velopment in general. All he gets is a single letter, which could mean anything. Nevertheless the realization that students should evaluate the faculty is an important first step, despite its flaws. We won't refuse progress-even in little doses. New Books at the Library "FROM THE OTHER SIDE": Prison Work Program Abused, Not Used (EDITOR'S NOTE: This is the second of a series of six articles concerning today's prison and today's prisoner. The author is the editor of the Jackson prison "Spectator" and is a present inmate in the institution.) By EARL GIBSON THE word 'work' in the penal setting means, as it does in the free world community, many things to many people. It does not mean "hard labor," the phrase so loosely used in the sentence pronounced by judges. The latter term is a carry-over from the nineteenth century when work in prison meant breaking rock or engaging in some of the other more antiquated tasks designed to keep inmates occupied. In the twentieth century the vocational picture in prisons, in the western world, has come to be as broadly interpreted as in free society. With the exceptions of the professions, almost every trade and occupation is found in the larger American prison. Inmates are found at ledger desks and typewriters; operating turret lathes and punch presses; working in clinical laboratories and x-ray darkrooms as technicians. They are placed on these jobs with three main thoughts in mind: the ability of the individual; the needs of institutional.maintenance and industry; and the custody and security of the prison. Frequently it is found that the latter two takes precedence over the former. An examination of a few inmate vocations and the individuals working on them will illustrate the variety and the dilemma faced by the vocational supervisor in any penal institution where large numbers of inmates are employed. * * * * ON ARRIVAL at the prison, Tim was processed through the routine analysis, screening and classification. With an I.Q. of 124, a tually worked against Tim's own welfare and that of the community to which he was paroled. When he sought clerical employment in free society he found that a surety bond was required and that his practical experience in prison bookkeeping was not in line with that required in free world industry. He had thought, in prison, that he had finally found his spot in life. When his goal was thwarted upon release he responded emotionally rather than rationally. When he returned to the prispn as a parole violator he was asked why he had not been prepared to work as a laborer for a period of time in order to re-establishrhimself in the community. He replied, "You people here found I could be trusted on a clerical job. If I was a good clerk in jail why Couldn't I be a good one in my home town?" This is the sort of problem faced by the vocational counselor in the penal setting. It can only be overcome by making the interests of the individual paramount. * * * * ANOTHER VOCATIONAL problem involves the work habits in the prison. Because of custodial and security needs they are short, providing, on the average, a six-hour working' day. When the re- leased man faces a more strenuous eight-hour day in free world industry he finds it difficult. The attitude of inmate workers to foreman and work supervisors differs from that of the free world employee. He identifies the prison foreman with custody and authority and often feels hostile to him. On carrying this attitude over to the factory outside prison he builds up for himself a psychological barrier difficult to overcome.' Fellow workers in the prison shop regard the productive worker as "a state man" or "an apple polisher." These negative attitudes acquired in prison work as obstacles to future community employment 4 11, A I