PAGE TWO THE MICHIGAN DAILY SATURDAY, NOVEMBER 20, 1954 NO SIDESHOW: Senate Censure Hearings Shouldn't Be Televised "You're Not Here To Think, Mister" CURRENT MOVIES DREW PEARSON: Visiting Officials i HAROLD E. FELLOWS, president of the Na- tional Association of Radio and Television Broadcasters, criticized the Watkins Commit- tee the other day because of its refusing ad- mission of radio and television reporters to the McCarthy censure hearings. Of course, it is quite natural that the radio and television industry be anxious to sponsor another marathon like that of last spring. The televising of the Army-McCarthy hearings made money for the networks and advertisers. With a special session of the Senate to con- sider the recommendations of the committee pending, the radio and television world must have licked its chops. HOWEVER, despite radio and television ef- forts to prove differently, the Senate and its deliberations exist for a more important rea- son than public entertainment. Granted, the hearings last spring were in- teresting. Through the medium of television, the public was able to experience, practically in person, the workings of the machinery of gov- ernment and to see the various personages of whom they had been reading for months on end. However, while the public was able to receive first-hand information about the sometime mysterious workings of Congress, the contest- ants-players in the drama-were provided with a first-hand opportunity to acknowledge their public by impromptu speeches and assort- ed chaos. THE HEARINGS were turned into a side show. With an unfortunate accident to Sen. Mc- Carthy's elbow occurring, a ten-day adjourn- ment in the proceedings has been called. This will leave the senators only 23 days in which to hear the evidence and judge the question. With such a short time allotted to the Sen- ators to decide such an important issue, a great deal of concentration and deliberation will be needed. The Senators will have enough on their minds without having to contend with another three- ring TV circus. --Louise Tyor A ptCH N N $j{{ WESTPOIA AM~ -x~e rMN PouES% I ," New System May Change TV From Set to Box Office LETTERS TO THE EDITOR HEFEDERAL Communications Commission has announced that the preliminary paper work necessary before the question of "pay-as- you-go" television can be raised has begun. It is almost certain that the controversial matter will come up some time this winter. Because the "pay-as-you-go" system will greatly affect the public and the entertain- ment industry as a whole it is necessary to understand just what questions will face the Commission. THE FIRST major issue is this: Can TV channels, theoretically the property of all the people, be reserved only for those who are able to 'pay? The answer to this question appears self-evident. While the channels may belong to everyone it is obvious that the only people who own radio and television sets are those who can, in one way or another, afford them. It is also apparent that the status of American economy is such that nearly everyone is able to own either a radio or a television set. Then too, for those who did not wish to spend the extra money or who could not afford the extra mon- ey there would always be other channels and programs available. BUT WHO is to regulate the television prices? Why not the FCC itself? Surely the Commission which has regulated telephone and telegraph rates for many years should be capable of hand. ling the television problem as wefl. The FCC will also have to decide whether or not to standardize the' manner in which the home TV system would operate. Should the public be given the opportunity to air their views on whether they will pay via individual coin boxes or by some other method? Certain- ly the people should be consulted as to whether or not they desire a TV "subscription," how they will pay for it and how long they will re- new it. A final decision on "box-office video" will take a lot of time since it is obviously the hot- test potato since color television. If approved it would result in repercussions throughout the entertainment world. WITH A box-office in every home the gross profit to be gained from a full length movie would dwarf anything Hollywood has seen. Consequently theater owners who are still not completely over the initial shock of TV are up in arms over the project. To the public it would mean no more adver- tising influence. The show would go on with the purpose of pleasing the viewer and not with the intent of converting him to the use of Mother Anne's lavender scented garlic. Whatever the outcome, the issue can't be put off any longer. The day may not be far away when we can relax at home in our arm- chairs and enjoy "Two Tickets to Broadway"s practically free of charge. -Mary Lee Dingler Moral Unity... To the Editor: IN THESE times of world tension, I view with alarm evidences of domestic discord, such as the let- ters to the editor concerning a re- cent article of yours. Some fric- tion is quite necessary to the demo- cratic process, but our lack of mor- al unity is apparently deeper than we suspect, if such a minor thing can evoke such great recrimina- tions. The struggle for men's minds is world-wide, and Democrat or Re- publican, Catholic or Protestant, all men of good faith must pull to- gether to win. So let us be tolerant of our neighbors beliefs, and face the true dangers in today's world. -R. Quinlan, '50 * * * McCarthy's Flouting .,.. To the Editor: MOST EVERYBODY has opin- ions on the McCarthy matter and many have expressed them, probably ad nauseum, to the coun- try at large. Risking this emetical danger, I'd like to present a viewpoint, ba- sic in my view and undoubtedly shared by many people, that does not seem to receive much focus of attention in the press. The real is- sue does not center on objectives espoused by Senator McCarthy but on ways or means he has employed of achieving them. This is what makes the matter significant since it strikes at the foundations of a democratic system which is funda- mentally a way, a procedure, and not any particular end. Our whole system is based on a moral sense of balance and re- straint, of tolerance, reasonable courtesy, decency, fairness, and such. When a man flouts these things, as I believe Senator Mc- Carthy has done, he steps over a line that is terribly important to us. That this line is hard to define does not lessen its basic impor- tance nor the necessity of facing up to the challenge, It does, how- ever, make it an extremely difficult and trying thing to deal with as the happenings in the case most abundantly illustrate. It is this basic attack on our way of doing things, whether con- sciously so recognized or not, that gives the matter its widespread in- terest. One can only hope that our Congressional leaders will see the issue for what it is, a common dan- ger to all, apart from partisan pol- itics, Communism, etc., and act with resolution. From what one reads of the Senator's recent ac- tions, he is doing a fine job of helping this to come about. -Prof. Kenneth P. Davis * * * Arts Center Response. . To the Editor: WOULD like to support the views expressed by Robert Pal- mer in his letter to the editor ap- pearing in The Michigan Daily of November 14, 1954. I also attend- ed the Dramatic Arts Center per- formance of Arms and the Man and noticed the student body of the University of Michigan con- spicuously absent. The University has long been acclaimed as an en- vironment of intellectualism, and the contributions of organizations such as the Dramatic Arts Center certainly play an integral part in the University's fine reputation. It is disappointing to see the lack of student enthusiasm in an organi- zation of f e r i n g this cultural growth to the individual, the Uni- versity and the community. The performance of Arms and the Man was certainly enjoyable. Being a member of the audience in this effective arena type pro- duction is a vivid and unforget- table experience. The Arts Center has displayed its worth in its first play. It deserves our support, and we need the continuation of such cultural opportunities in this col- lege community. The next produc- tion of the Center begins Novem- ber 18 and continues through De- cember 12. Let us respond to the invitation of the Arts Center, give. them a full house and provide our- selves with an evening of delight- ful and profitable entertainment. -Margie Urban * * * So Did We . .. Dear Michigan Daily, 'VETHANK YOU for letting us come to your newspaper of- fice. We enjoyed it very much. Sincerely, Third Grade Pittsfield School P.S. Thanks for printing our pic- ture, too. At the State... THE BLACK WIDOW, with Gene Tierney, George Raft, Van Heflin, Ginger Rogers, Peggy Garner. ALL THE suspense your system can take, or so says the mis- leading advertising; also Cinema- Scope and Color and Wide Range Sound or some equivalent phe- nomena. This film starts out rather well. Heflin, a brilliant young theatri- cal producer, meets Garner, a young writing wench, while his wife isaaway. This meeting takes place at the apartment of Rogers, a nasty actress, during a droll party. Heflin is indifferent to young Garner, and besides his wife trusts him, after a fashion. But, in suc- ceeding weeks, he lets her use his apartment which she claims is. a better place to write her stories than her squalid place in Green- wich Village. From here onward, complica- tions set in, and someone is mur- dered. Raft, a smart cop, investi- gates as one might want him to. Heflin is suspected of this murder, and he roams the streets search- ing for clues. Clues he finds, also some help- ful people, including a female ar- tist whose unconvincing voice and inept acting I found most discon- certing. Well, I might as well tell you, Miss Garner is murdered. But she was just a no good urchin trying to climb to the top of the New York heap, and she didn't quite get there. But I am under somewhat of an obligation not to say any more. The suspense is all your system can take, though. Without completely spoiling the much touted suspense, it must be said, that this film starts'out quite well. The story is developed rather nicely; there are a few not unex- citing moments. But the ending is completely ruined by a compli- cated series of confused flashbacks which are badly managed. It is unfortunate that some better end- ing could not have been devised, since the film certainly deserves a better one. As for the shorts, there was a somewhat amusing feature which concerns itself with life in certain of the Carribbean (sic.) Islands. I suppose this material might in- terest ethnographsts, sociologists, ,.and other unsavory members of present day society. For me, it was a tiresome caricature. --David Kessel At Architecture Aud.... . BASED ON James Hilton's fa- mous novel, Lost Horizon still stands as a classic example of how effective the screen is for creating fantasy. Producer-Director Frank Capra has captured Hilton's rich imagination, bringing to life the magical and wondrous world of Shangri-La. Hidden in the Valley of the Blue Moon somewhere in the Himalayas, Shangri-La is a kind of modern- day Utopia: disease is unknown, people live for centuries, and love, harmony, and co-operation are the principles which motivate its in- habitants' lives. At the insistence of the High Lama (Sam Jaffe), Shangri-La's 300-year-old ruler, Robert Conway (Ronald Colman) is kidnapped and brought into the country to be trained for leadership. Conway, a member of the British diplomatic corp, is busy evacuating foreign- ers from war-inflamed Baskul when his plane is stolen and he and the passengers are left in the Valley of the Blue Moon. For the most part, the other plane passengers are used chiefly to represent different points of view as "civilized men" in Shangri-La. They follow fairly well the author's creations; but a finicky paleontolo- gist (Edward Everett Horton) has been introduced for comic relief, and a consumptive lady (Isabel Jewell) is along for hysterical cry- ing space. One may. disapprove of the changes, but the film is authentic in spirit and tone. The eerie world of goodness and near immortality are skillfully sketched through im- agjfy photography,dlavish decor. There are some difficulties in the film. The romance between Conway and lamasery - educated Jane Wyatt is a trifle maudlin; and the film has undergone merciless cutting since its original release in 1937, making certain scenes com- pletely incongruous and unex- plained. But Lost Horizon is still as accurate a screen translation as any Hollywood effort at novel- into-movie. The dramatic license which Capra has taken is permis- sable because it does not destroy the original meaning. Even today Lost Horizon has an arresting fas- cination in its strange world of escape. -Ernest Theodossin - - - At the Orpheum .. . THREE FORBIDDEN STOR- IES, with Eleanora Rossi Drago, Lia Amanda, Antonella Lauldi and Gino Cervi. THIS IS a beautiful movie. Three lives, which almost remained unknown to each other, each dis- traught in its own orbit, together apparently plain and repetitive like the windows in a large apartment building, are fulfilled in one story. Because of a disaster happening in common to three women, three sympathies are entwined, three des- tinies are resolved. And the sixty- seven other young prospective stenographers, who also were in- jured by the crumbling of the stairs in a building of their hoped for future employment, became of interest and separate significance, yet suddenly also are thrust beyond their single orbits to think sympa- thetically with each of the others subdued by the shared misf or- tune. The three women into whose feelings and past the movie in- sinuates itselfahad lived lives, which if summarized in retro- spect here, would seem full of usual tragedies and unfulfilled hopes. But the sensitive re-living of these pasts was a reminder of the specialness of the past of each. No philosophical mention can picture the comedy and er- ror allotted to each life; or its complexity when viewed from within. The accidental summon- ing into one hospital ward of these particular seventy women is a reminder of the unpredict- ably constructed bridge on which we live. A delightful character in the film is Furella, the husband of the second woman to reveal her life. A millionaire do-nothing with all day to enjoy his short-wave set and play practical jokes of the toy mouse sort, Furella in the end re- pents of his waywardness and tac- itly consents to spread his obnox- ious relish on others besides his wife. The music, score by Varetti, is interesting even in moments when its role necessarily is most sub- sidiary. And in moments of word- less tension the music is a wonder- ful communicator. Technically there may be imper- fections, but they distract very little. -Bill McIntyre Plentiful WASHINGTON - It was just a short time ago that only one presi- dent of a foreign country or one member of a royal family visited the United States in four years. The King and Queen of the Bel- gians, for instance, came to the United States during World War I, and this royal visit, plus the re- mark of New York's Mayor Hylan, "You said a mouthful, Queen," were so rare that both were re- membered until the arrival of the next crowned head. - She was Queen Marie of Ruma- nia who came during the Coolidge Administration; and the whole town, plus; later, a good part of the United States, turned out to see her. Four years later Ramsay Mac- Donald, then Prime Minister of England, came to see Herbert Hoover, and his visit was so lei- surely that they spent a week end sitting on a log at the Rapidan fishing camp in Virginia. Diplo- macy took its time in those days. Henry L. Stimson, then Secretary of State, spent three months in Lon- don in 1930 trying to iron out a naval treaty. He did not fly to Manila for two days,,to Bonn for one day, and Geneva for five days. Not only did prime ministers ar- rive only once every four years or so, but they came by steamship, and spent plenty of time confer- ring. Today, how different! Today, the Detroit assembly-line technique moulds our diplomacy. Today, one prime minister is no more than welcomed than he is shooed out the door. These .days, while the Queen Mother of England is in the United States, the Prime Minister of Japan arrives. And during the week of his departure, the Premier of France is welcomed, to be fol- lowed within one day by the Chan- cellor of Austria, plus the Prime Ministers of Norway, Sweden and Denmark, plus a Danish Prince - all arriving within a matter of hours. In the Hoover-Roosevelt-Truman Administrations, a prime minister rated a night's visit at the White House plus an official dinner. To- day he rates a lunch. Royalty vis- iting Presidents used to rate an official welcome at the Union Sta- tion by the American President in a topyhat. Now they have to be satisfied with Mr. Nixon and no hat. Bad Diplomatic Management Part of this stampede of dis- tinguished visitors is pure acci- dent, part is bad management. All of it emphasizes the world leader- ship of the United States. But the manner in which these heads of foreign nations are liter- ally herded in one door and out the next is not going to help the future foreign relations of the U.S.A. For instance, the Prime Minister of Pakistan, Mohammed Ali, ar- rived in the United States while President Eisenhower was still in Denver, and was kept cooling his heels. Ike had been expected back, but changed his mind. So the Prime Minister was taken on a sight-see- ing tour waiting for the President to return. This delay jammed up the rest of the schedule. For, while Prime Minister Mohammed Ali was here, the President of Liberia also ar rived. His visit had been carefully timed to coincide with the elec- tion campaign in order to help win Negro votes for the Republicans; so his trip couldn't be postponed. (Copyright, 1954, by the Bell Syndicate) ,i . i Dos Passos Interesting Despite Cliches y MAN who is effective in one medium of+ expression often falls down in another. This is what happened when novelist John Dos1 Passos spoke at Hill Auditorium Thursday night. Few of the ideas Dos Passos expressed+ seemed new to a college audience and as the speech progressed he became more and more repititious instead of exploring his thoughts more thoroughly. YET FOR those who could penetrate the ' author's unusual speech pattern the evening was not wasted. A few of the things he said were important because a man of Dos Passos' reputation was saying them, but more interest- ing to this writer were the moments when the personality of a thoughtful, scholarly man came through. DECLARING "I'm not a bookish man" the novelist emphasized the importance of a cer- tain amount of experience, "it doesn't have to be very much," before a man can understand a concept. There was also something of the in- terest and excitement of a scholar or an his- torian when he spoke of the old documents and marginal notes he came across in his research What They're Saying "11E OLD GREEKS knew the curative effect of the theatre. Up on the hills overlooking the great hospital city of Epidaurus, they built a large theatre. Here the sick who underwent the therapy of the healing waters of the springs also underwent the spiritual therapy of the the- atre. The theatre is still a hospital of the spirit. Both the clown and the poet serve as part of its health-restoring and strength-renewing per- sonnel. Both provide the cleansing, replenish- ing element of man's examination of himself. This is why the theatre must receive govern- mental assistance, preferably through regional rather than central agencies. And it must be free of political control. The personal and intel- lectual ireedom of all peoples, the enjoyment of physical and mental health by a peaceful world, are merely stages of advance in the preparation of man for his ensuing achieve- ments in art. In terms of finalities, art is as ab- on Thomas Jefferson. The novelist it seemed had tried to recreate for himself the outlook on life, almost the actual experience of a man liv- ing in Jefferson's day. He impressed his audi- ence with the extent to which this experience differed from the day to day experience of a twentieth century American. THIS DOES not seem to be what Dos Passos tame to say. But unfortunately in his discus- sion of the problems of individual liberty and what the men of Jefferson's time can tell us about these problems he seldom went beyond the cliches he was trying to combat. The most interesting part of his talk was, therefore, the references he made to his research and to the feeling for the period he had gained from it. -Phyllis Lipsky Sixty-Fifth Year Edited and managed by students of the University of Michigan under the authority of the Board in Control of Student Publications. Editorial Staff Eugene Hartwig.......................Managing Editor Dorothy Myers..........................City Editor Jon Sobeloff. ............Editorial Director Pat Roelofs......................Associate City Editor Becky Conrad.. .....Associate Editor Man Swinehart......................Associate Editor Dave Livingston.........................Sports Editor Hanley Gurwin ........... Associate Sports Editor Warren Wertheimer. . .. ... Associate Sports Editor Roz Shiimovitz....................... Women's Editor Joy Squires.................Associate Women's Editor Janet Smith.................Associate Women's Editor Dean Morton......................Chief Photographer Business Staff Lois Pollak...........................Business Manager Phil Brunskill..............Associate Business Manager Bill Wise.......................Advertising Manager Mary Jean Monkoski................. Finance Manager Telephone NO 23-24-1 Member of THE ASSOCIATED PRESS Member ASSOCIATED COLLEGIATE PRESS The Associated Press is exclusively entitled to the use for republication of all news dispatches credited to it or otherwise credited to this newspaper. All rights or INTERPRETING THE NEWS: Russia's Conference Proposal Fails By J. M. ROBERTS Associated Press News Analyst FOR YEARS, every time the Russians have made some gesture toward a European settlement, France has wavered about some move to- ward Western European defense unity. This time, things are different. When Russia made her proposal for a European conference for es- tablishment of a mutua defense system it was immediately recognized, as it was recognized before the four-power conference at Berlin last year, as another move designed to stop incorporation of Western Ger- many into a European defense system. BRITAIN, THE United States and others reacted quickly. They were not interested in another conference until after Western European Union had been ratified, which was expected to take several months. 'France was a little slow to react, and there was some worry among the other parties to the Paris agreements that she might again grasp at some straw which might in the end save her from agreement to West Germany's rearmament. BUT PREMIER Mendes-France has spoken out firmly now. It would be dangerous, he said, to attempt a conference this month, as Moscow suggested. When the defense agreements have been completed it will be time enough, he said. This should lay, once and for all, the fear entertained by some in +V% - m ss- T +- Qa..+h+T'G A -T1} Tl mwh w. r-rP.i+PH with killing DAILY OFFICIAL BULLETIN f The Daily Official Bulletin is an official publication of the University of Michigan for which the Michigan Daily assumes no editorial responsi- bility. Publication in it is construe- tive notice to all members of the University. Notices should be sent in TYPEWRITTEN form to Room 3553 Administration Building before 2 p.m. the day preceding publication (be- fore 10 a.m. on Saturday). Notice of lectures, concerts, and organization meetings cannot be published oftener than twice. SATURDAY, NOVEMBER 20, 1954 vol. LXV, No. 53 Notices Teaching Candidates: A representative from the Mount Clemens, Michigan Public Schools will be on campus Tues., Nov. 23 to interview interested elemen- tary teaching candidates. For appoint- ments, contact Bureau of Appoint- ments, 3528 Administration Bldg., No 3-1511, Ext. 489. Academic Notices Doctoral Examination for Howard El- liott Winn, Zoology; thesis: "Compara- tive Reproductive Behavior and Ecology from "Faust" by Gounod; and four songs by contemporary composers. Tick- ets are available at the offices of the Musical Society until 12:OOM. Sat., and at the box office in Hill Auditorium after 7:00 p.m. Sun. Events T oday University of Michigan Newman Club will be host to Newman Club dele- gates from the state of, Michigan for a three day convention. Sat., Nov. 20. panels and workshops, dinner at 6:00 p.m.: Communion Breakfast Sun. fol- lowing 9:30 a.m. Mass. Speaker for the dinner will be Prof. G. B. Harrison, and for the breakfast, Bishop C. L. Nelli- gan, of Assumption University, Canada. All events at the Fr. Richard Center. Movies. Free movie. "Glacier Park Studies," Nov. 16-22. 4th floor Exhibit Hall Museums Building. Films are shown at 3:00 and 4:00 p.m. daily, in- cluding Sat. and Sun., with extra showing Wed. at 12:30. Open to the public free of charge. Coming Events Graduate Outing Club meets every Sun., 2:00 p.m. at the north entrance of the Rackham Building. Wear your old clothe. Michigan Christian Fellowship: Sun., Nov. 21. Discussion on "How God Meets His Standard for Man," 4:00 p.m., Lane Hall. Refreshments. Unitarian Student Group will meet Sun., Nov. 21, at 7:30 p.m. at the church. Discussion of "Flying Saucers."' Students needing transportation meet at Lane Hall or in front of Alice Lloyd at 7:15 p.m. Lutheran Student Association, Sun., 7:00 p.m. Those who could not make it for the supper are invited to the pro- gram, a talk by Dr. Frank Madsen, President of the Michigan Synod of the United Lutheran Church. He will speak on the World Council of Church- es Assembly at Evanston and show slides. At the Center, corner of Hill St. and Forest Ave. Next meeting of the Geological-Min- eralogical Journal Club Mon., Nov. 22 at 4:15 p.m. in Room 2054 Natural Science Building. Prof. Hugo Struns of the University of Regensburg will speak on "The Mineralogy and Para- genesis of Phosphate Minerals as Ex- emplified by their Occurrence at Ha- gendorf, Bavaria." WCBN-East Quad will hold an impor- tant business meeting in the council I