SUNDAY, NOVEMBER 14, 1954 THE MICHIGAN DAILY g A [-73'. ITTM r- THE MTCHTGAN BAITV ti A #'~U~ .rain ' kZnE4 t -Daily-Chuck Kelsey STUDENTS, BILL DEMIENE (LEFT), RON LARSON, AND STERLING CRANDALL (RIGHT) WORK ON DRAMATIC ARTS CENTER UNISTRUT LIGHTING RIG. New Lighting Rig Aid For Theater Problems Grand Opera To Be Given In Detroit Detroit's Grand Opera Associ- ation will open its fall Opera Fes- tival tomorrow in Masonic Tem- ple. Nine productions will star mem- bers of the New York City and Metropolitan Opera Companies. Included in the repertory will be "Tosca," "Der Rosenkavalier," "La Boheme," "La Traviata," "Hansel and Gretel," Aida," "Rig- oletto," "Carmen," and a special performance of Kern's "Show- boat." Among the opera stars appear- ing in the series, Anna Russell and Hilde Gueden will sing for the first time in Detroit. Miss Russell, known for her comedy recitals spoofing opera and concert singing, will sing the role of the Witch in "Hansel and Gretel" at Saturday's matinee. Miss Guden, noted Viennese so- prano of the Metropolitan, will sing Gilda in "Rigoletto," next Sunday afternoon. Ferruccio Tagliavini, Italian ten- of the Met will appear in tomor- row's performance of "Tosca" and returns on.Wednesday in "La Bo- heme." Wilma Spence, noted for roles in light opera, will sing the title role in "Tosca" and Tuesday will sing Marschallin in "Der Rosen- kavalier." Next Saturday, Frances Yeend will be Aida in the Verdi work. Laurel Hurely, recently given a contract by the Metropolitan Op- era Association, will appear in "Rosenkavalier," "Hansel" and as Magnolia in "Showboat," Nov. 24. Frances Bible, Ann Ayars, Rob-' ert Rounseville and Lawrence Winters will appear in leading roles in "Rosenkavalier,'' "Bo- heme," "Carmen," and "Show- boat." Blanche Thebom, Met mezzo- soprano will sing Carmen. next Sunday, Eva Likova will appear as Violetta in "Traviata," Tues- day and Walker Cassel will sing in "Tosca" and "Traviata." Special prices have been ar- ranged from "Hansel" and "Show- boat." Prices for "Hansel" are $3.60, $3, $2.40, $1.80, $1.25 and 75 cents. "Showboat" tickets on Thanksgiving Eve are $4.20, $3.60, $3, $2.40 and $1.80, Prices for all other operas are $4.80, $4.20, $3.60, $3, $2.40, $1.80 and $1.20. By PHYLLIS LIPSKY Forming a complex organization of triangles above the Dramatic Arts Center's stage is a lighting rig designed to meet all the peculiar needs of theater in the round. The rig, made of unistrut, a newly developed steel framework, can be moved from one end of the auditorium to the other, enlarged or made smaller. Prof. C. Theodore Larson of the architecture college, who handled the project, claims it is strong enough for a man to be perched on top as well as for props to be sus- pended from it. Wanted Movable Gear The unique structure came into existence because the Dramatic Arts Center wanted an overhead lighting gear which could be shift- ed with the stage to different parts of the arena theater. Their problem was brought to the attention of architecture col- lege experimenters by Prof. War- ner G. Rice, chairman of the Eng- lish department and member of1 the Center's Board of Directors. The idea of a strong but flexible mechanical structure "appealed to us," Prof. Larson said "because TOLLIVER'S TRAVELS: W iegand Relates Writing Past that is what we are trying to de- velop architecturally." Space-Frame Method Used The unistrut space-frame method of construction, currently being tested in an experimental building in the architecture college's court- yard, is the basis of the versatile lighting rig. Developed by the Research Lab- oratory of the architecture col- lege, the system consists of a se- ries of triangles added one to the other. Because only a few simple tools are needed, the structure can be easily made larger or smaller, Prof. Larson explained. Two unistrut members are placed against the ceiling from tracks on which the rig can bd moved back and forth. The lights can be at- tached to any part of the rig. At present, the lights are turned on and off from a separate control box. Prof. Larson believes that the person operating the lights and the controls can easily be placed on top of the rig. It would be possible to lower actors from the rig to the stage. As now set up, the rig is sus- pended 15 feet above the 25 by 28 foot stage. By ERNEST THEODOSSIN "I must be the 'Kiss of Death.'" This statement by William Wie- gand, English teaching fellow and writer, seems paradoxical. But Wiegand explains it by telling of the many things he "almost got published." "For instance, there is the time I won an intercollegiate short story contest for 'Story Magazine' in 1948. The magazine went bankrupt before I got my prize. I received $30 instead of $100," Wiegand said. "And the story wasn't even pub- lished." However, the winning story has not long remained unknown. Last June it was printed in the "New York Post." Novel Into Play "Or the time my mystery novel, 'At Last, Mr. Tolliver,' almost became a play. The Arts Theater had planned to produce it. Cast- ing had been completed and direc- tion begun-then the company went broke." Wiegand's "At Last, Mr. Tolli- ver" has a very unusual history. After winning the Mary Roberts Rinehart award in 1950 for the best mystery by a new writer, it was published in a hard-bound cov- er edition. Later, reprinted in pock- et books, it reached a sale of over 300,000. Published in foreign countries, the book became "Un Certain, Monsieur Tolliver" in France and "Adios, Dr. Tolliver" in Argentina. A German translation almost went through, but the publishing house folded. The mystery is about a doctor who has lost his license during the prohibition era for aiding crooks. Critics' Reactions "I guess you would say the crit- ics' reactions were varied," Wie- gand said with a smile. "The 'New York Times' said it was 'preten- tious, pompous, and overlong!' "I felt better when I read some 'back-woods' reviews," Wiegand said. "In Omaha they said my next book would win the Pulitzer Prize. In San Francisco and Hartford, they loved it." Wiegand's "almost made it" ex- periences also include an attempt at amateur movie making. The film, based on Franz Kafka's "Metamorphosis," was p h o t o - graphed at the University with stu- dent actors filling the parts. "Numerous people promised us money that we never got," Wie- gand said. "Everything was make- shift. We didn't have near the light- ing needed. Invitation From Paris "We finally paid for it, but there is only one print in existence," Wiegand added. The money was raised from showings at universi- ties and colleges across the coun- try where it received considerable critical acclaim. "The following year we received an invitation to have 'Metamorpho- sis' shown at Jean Cocteau's Av- ante Garde Film Festival in Par- is. But we couldn't even afford to send it because we didn't have enough .money f o r m a i l i n g charges." The film, for which Wiegand au- thored the script and served as ed- itor, will be shown on campus lat- er this year. "We'll try to squeeze it into our Gothic Film screen- ings," Wiegand said. Gothic Film Society Gothic Film is an .organization -Daily-Marj Crozier WILLIAM, dedicated to showing films of cine- matic historical significance. Wie- gand, present director of the soci- ety, has been active in the club since its inception five years ago. "We feel some sort of obligation to showing films which have in- fluenced movie history," Wiegand said. "For this reason, we tried very desperately to show 'Birth of a Nation' a few years ago. But people resented our showing it be- cause of the alleged fascist phil- osophy in the film. "Then we came up with a sneaky solution. We would show it on elec- tion night. People were so preoc- cupied with returns that no one had time to protest. This set a kind of precedent, and other organiza- tions have shown it without any opposition." Murder Trial Another "not quite" experience occurred as an aftermath of the Campbell 'murder trial. A young nurse had been killed by three teen-age boys. Wiegand, coverin the trial daily, got together the material for a non-fiction case study. After interviewing the boys, their parents and friends, Wiegand wrote a 500-page book, trying to show "the community's influence on the boys." But John Bartlow Martin was working on the same case too.; When Martin's book was published,, editors refused Wiegand's work be-1 cause "we can't have two books on the same trial." Wiegand, in his mid-twenties, is; remembered by most friends for his conversational ease. One friend describes him as "the only fellow who can tell you 15 awards he's, won without appearing conceited. He's that pleasant and natural." His interest in the Campbell case extends back to the time he was1 thinking of a career as a criminal lawyer. "After a year in law school, I decided I wanted to write. So I changed over to English."I Wiegand adds that his criminal record is "as clean as can be. I've never even received a traffic tick- et." Hopwood Winner A five-time Hopwood winner,1 Wiegand has received recognition WIEGAND in all classifications, including po- etry, essay, fiction, and drama. His second book, a novel entitled, "The Spider Love," won first prize in 1952. "Publishers have told me the book is too long to take a chance on. It's about 500 type-written pages. Everything I've written - including 'Tolliver'-is too long. It's a problem I have to overcome." At present, Wiegand is working on another novel, using informa- tion gathered during the Jackson prison riot as a background. "When the riots occurred, I went up to the prison. I knew some of the offi- cials from a previous visit for 'Tolliver' background. On the sec- ond trip I got the idea for my lat- est novel. "W h a t disturbed me most, though, was the raw deal given to Vernon Fox, the prison psycholo- gist. Fox conducted a brilliant campaign to get guards released. He was later accused of being on the prisoners' side. Fox was, I be- lieve, the victim of political cir- cumstances," Wiegand said. Two Teeth Gone A sport enthusiast, Wiegand likes golf, tennis, ping pong, and swim- ming. His "memento" of a recent paddle ball game is the absence of two front teeth, replaced by tem- porary fillings. "I'm chewing light- ly until my permanent teeth are put in," he said. Between teaching assignments, Wiegand has managed to turn out a well-received article, "Arthur Miller, The Man Who Knows," for "Generation." He has also written political scripts during the recent election. As a Daily drama and movie re- viewer, Wiegand has gained some "notoriety." His non - reviewing theatrical experiences include only one stage appearance. "When a friend of mine wrote a play for Student Players a few years ago, I was given my 'big break.' As the curtains parted, I was seen sitting at a bar. "I got up, said 'Good Night, Katy,' and exited. Then the play began." VAN BUREN'S 4 HAS A FASHION SCOOP! GOSSARD'S scoop-line bra-uplifting and so socially secure! This bra has a half wire; half pad cup for permanent uplift-an all elastic narrow back for comfortable secure snug fitting- safely padded at danger points to prevent bra from. "digging.: In satin, embroidered sheer nylon and lightweight nylon elastic. Exhibit Works by 13 Ann Arbor art- ists will be included in the 45th annual Michigan Artists Exhi- bition opening at 8 p.m. Tues- day at the Detroit Institute of Arts. The show has a total of 273 paintings, prints, photographs sculptures by 180 artists. Two steel sculpts by Prof. Thomas McClure, two oils by Prof. Richard Wilt, an oil each by Profs. Gerome Kamrowski and Emil Weddige, all of the College of Architecture and Design are in the show. Other faculty contributions are by Jack Garbutt and Wil- liam Lewis. Student artists in- clude C. G. Christof ides, Moj- mir Frinta and Bon Yol Yang. All items on exhibition are eligible for the 26 prizes total- ing more than $3,004. Winners will be anounced at a reception preceding the opening. The Institute, 5200 Wood- ward Avenue, Detroit, has hours from I to 10 p.m. Tuesday through Friday, and from 9 a.m. to 6 p.m. Saturday and Sunday. There is no admission charge. TVl Lecture To Be Given Dorothy Daniel, director of pub- lic relations for station WQED in Pittsburgh, will deliver a talk on "Non-Profit Television Is Serious Business" at 8 p.m. tomorrow on the 9th floor of the Edison Building in Detroit. The public relations director is well known for her work on educa- tional television. She will tell of some of the new techniques for launching an educational television station. In addition, the program will in- clude a question and answer pe- riod on television adapters. In charge of the period will be Earl Minderman, field representative of the National Citizens Committee on Educational Television of Washing- ton, D.C. The meeting is open to the pub- lic. Persons interested in education- al television are especially wel- comed. The Edison building was selected because of its size and the ease with which it can accom- modate large numbers of guests. 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