Page Four T HE MIC H IGA N DA ILY Monday,.'February 9. 1953 J AnrEditorial. People who read Photography Annual are not the only ones who have noticed The Daily's seeming lack of initiative in reporting news of a sexual nature. In the calm, uninhibited atmosphere of a J-Hop Extra we would like to apologize for what is only an apparent neglect. May we first assure our readers that this situation is not due to any lack of interest on our part. No. The Daily's sex failure is not our fault;, our code of ethics is against sin. If you want your sex covered, just call The Daily. We probably won't print your story, but we would be delighted to send a representative who will listen avidly to you talk about it; might even swap a few. -The Senior Bedgoers i; Old German ANN ARBOR'S FINEST Hurrah HURRAH FOR our deans, and what a grand school this is. Right before the rigor mortis of Vfinal exams set in, our Dean of Women came through with a timely word of encouragement- students should get away from Ann Arbor between finals and reg- istration. Her memorable words were "Go home, students, go home." This was not an easy thing for the Dean to say. She probably had forebodings that the Ann Arbor Restaurant Association would sue the University for a cool million following her state- ment. But like all the adminis- trative hierarchy, she feels that balanced students, not a bal- anced budget, make this Univer- sity what it is. Although we would be inclined to interpolate "What is it?" this does not take away from the fact that there's no place like home. We're glad our Dean sees- this. We're also glad she is unbiased enough to do her best to make this campus a "home away from home" We think, however, that a fol- low-up statement is in order from the Dean. She might do well to point out that, after all, it's var- iety that's the spice of life, and too much of this home business is just as bad as too much of any- thing, We think she should issue an urgent plea, "Come back, stu- dents, come back." --The Cliche Expert "THE PRICE of vigilance is eter- nal fatigue. I have never re- flected on a truer thing in my life. In fact this concept is so damned profound I think I shall write a book or run for president or something." This was the train of thought that ran through our great candidate's brain as he con- sidered DESTINY and his duty to it. No other candidate can make that statement-now. --from "How We Got Ashley L. Stuyvestant to Stick His Neck Out and Run For The Job" by Cpl. Jack Avery At the Mermaid .. . HOME ON THE MOOR, with Tex Randolph, Setla Regal, and Garson Fitch (Released in Eng- land under the title "Mac- beth.") FOR SOME obscure and un- fathomable reason this pic- ture does not produce quite the effect which director Manfred By- ron aimed at. The title is wholly misleading; expecting something of a fine western epic we are given instead an incongruous mixture of early English history and fiat mur- der-story suspense. The original stage .play, which dates from the early 17th cen- tury and has never been a top box-office success, seemed to have been designed solely to show that crimes committed for the sake of dynastic ambition are doomed to failure, a much-used and no long- er even exciting plot. In the screen version Tex Randolph, whose act- ing abilities have seldom been questions, attempts to play a dou- ble role as the two sons of a mur- dered Scotch king. These two, or rather this one, are, or is, named Duncan and Phyphe. They have little backbone, and for the most part sulk around the background; consequently Randolph has little opportunity to project himself in either character. The chief character, a young nobleman whose greed over- comes his intellect to his own undoing, is played by a relative newcomer to the American films, Garson Fitch. Fitch is perhaps not quite the most appropriate man for the role. He is unable to do much more than growl convincingly, and proves less than the most satisfying actor in the picture. Setla Regal, a Norwegian import and the dis- covery of producer Giuseppe- Manrico di Bartolomeo, fills out the character of Fitch's wife with the voluptuousness and vigor that only her countrymen are capable of. However the acting of this young woman, admirable though it is, cannot hide the ob- vious flaws in character delinea- tion which might well be traced back to the original playwright. This flaw, which is more than probably the result of' the mor- ality code in the movie industry, appears again,at the conclusion of the picture. In order to show that Fitch's crime must be punished the scriptwriter was required to in- vent false-sounding prophecies, and then fulfill them with a naivete which should have disap- peared from pictures many years ago. All in all, the newsreel cap- tures top honors for the evening. -Crosley Bowther WE PROUDLY stand before our maker and preach the phil- osophy of relaxation! We call upon our followers to relax in their daily tasks. When the pressure of political, social, economic, metaphysical, and aes- thetic conditions grows too great, we say, with a sure voice, fire in our eyes and love in our bosom, we say my friends-RELAX. Take off your shoes and relax. Take a nip at the bottle and relax. Take five, take ten, take twenty, but remember, take it easy. Sit back and relax. Stand up and relax. Lay down and relax. But above all relax. Did you hear what I said. Relax! Reeelax! Relaxrelaxrelaxrelax. GOD DAM- MIT I SAID RELAXXXXXXXX! ! --from "How To Face Life With A Smile On Your Face And Happiness In Your Heart, And Lead In Your Pants." by Dr. Norm Vincent Sheen rixx=:>o<=;>or ac=XX:=;>ac.>U (x= =>o4==x)<=Zan4==p-o4=a CIINIEMA '1 ' SUPPORT THE MARCH OFDIMES I -VU NEW and USED TEXTBOOKS and SUPPLIES for all University Courses We have a complete line of equipment for Engineering and Architecture Students... Notebooks .. .Spirals... Fountain Pens At Reasonable Prices WAHRS UNIVERSITY BOOKSTORE ...316 SOUTH STATE STREET p.-, -1