STATE THEATRE 12 SUPPLEMENT flwiR t ignul 4 aiti STATE THEATRE SUPPLEMENT I Vl1T 1Y l.. 1 - 5 V VUL.. N o. 115 ANN ARBOR, MICHIGAN, TUESDAY, MARCH 17, 194Z . ......... . ... ............. New State 'Theatre Will Open Tomorrow 'Fleet's In' Is Opening Film; Dottie Lamour Is Headliner Jimmy Dorsey Orchestra Will Play In Pictures For First Time; Betty Hutton Is Also Starred Bracken, Holden Are Male Leads Jimmy Dorsey and his orchestra will make their screen debt in the rollicking springtime musical com- edy "The Fleet's In" which will open at the State Theatre tomorrow. Headlining the queen of Califor- nia's army camps, Dorothy Lamour and two navy swains, William Holden and Eddie Bracken, the Paramount picture features that amazing-there is no other word for her-jitterbug, Betty Hutton. 'Filled To The Brim' Filled to the brim with sparkling new musical hits, overflowing with laugh-giving novelty numbers, the comedy revolves midst a maze of comical gobs and high-kicking swing gals. The battleship casanova, Will- iam Holden, finds himself rluctantly defending his title as the "Navy's Champ Ladykiller" by breaking down the anti-sailor policy of the Countess of Swingland, alias Dorothy Lamour. Hit of the show is amazing Miss Hutton whose bodily gyrations and man-killing tactics to the rhythms of Jimmy Dorsey's orchestra almost stop the picture. Aiding Miss Hutton in her madcap surrealism are Gil Lamb, Lorraine & Rognan, and Cass Daly. 'Torrent Of Laughs' Director Shertzinger combines his light weight nonsensical plot, brand new songs and old jokes to -form a torrent of laughs. The plot is a salt tainted revision of "Sailor Beware," fast moving play of 1935 which ap- peared as the Paramount film "Lady, Be Careful." Dotty Lamour turns on that seductive charm that has made her known from coast to coast as the' "Pin-Up Girl,". and really puts out for the Navy. William Holden and Eddie Bracken who wrung gales of laughter from the sailor first night- ers, should do the same for anyone who sees this bit of vernal madness. "Like the first robin, 'The Fleet's In' is mainly a harbinger of Spring- not, as you might expect in these, times, a harbinger from a recruiting station. Its sailors never heard of the national emergency," says PM f the Paramount comedy. Picked to celebrate the grand op- ening, "The Fleet's In" should chris- ten the new theatre in waves of laughter. 'Hot Picture' Burned .Downl Arcade Show The hottest show the Arcade had in its entire history took place one Sunday afternoon in December, 1928, before a small audience which hads come believing that they were going1 to witness only Charlie Chaplin's an- tics in his famous "The Circus." This show beginning in the up- stairs offices behind the projection7 booth was already too far advanced When discovered to be put out. As a result, Ann Arbor's oldest and largest1 movie theatre was gutted and burned almost completely. Two months later, another fire,r caused by an overheated furnace in a neighboring store, finished the de- struction of the theatre. Built in 1914 by S. A. Moran, thet theatre opened in September of that year with an Alco Production. of; Ethel Barrymore in "'The Nightin- gale" a "five part" four reel produc-1 tion. During its early years it showed motion pictures only irregularly, be- cause there were not enough pro- duced for continuous performances., Such famous stars of stage and State Street Gets Another Face.Lifting As Theatre Is Pre pared For T omorrow's Opening Ideal Motion Picture House To Be Shown Here At Noon Community Gains Asset As Butterfield Chain Extends Ann Arbor's Recreational Facilities Manager Will Be L. E. (Larry) Mull Tomorrow's opening of the new State Theatre won't be accompanied by elaborate theatricals or big Holly- wood stars, but the importance of the occasion will in no way be dimmed by their absence, At noon the doors of Ann Arbor's newest and finest theatre will swing open for public inspection, and short- ly after 1 p.m. Paramount's musical comedy, "The Fleet's In," will flash on the screen. Thus without tumult or shouting a new addition to Ann Arbor's com- mercial and recreational life will come into its own. A completely fire- proof, modern theatre will have been added to the assets of this commun- ity. Continuous Basis The State Theatre will not only in- troduce new ideas in construction and equipment, but it will bring to Ann Arbor for the first time a m- tion picture house that operates on a continuous basis. From 1 p.m. until 11 p.m. the State will hold performances, and contrary to previous local practice there will be no break at 5 p.m. Prices will re- main the same as they were at the old Majestic, 25c til 5 p.m. an 40c. thereafter. The modern construction princi- ples of the new theatre are describe in detail elsewhere in this supple- ment, but without actual 'technical knowledge one is amazed by the com- fortable seats, the wood panelling and trimming, the reinforced con- crete structure, and the complicated, delicate machinery which controls air conditioning. The Butterfield chain has done everything in its power to give An Arbor the best in entertainment fa- cilities, and the tremendous sums poured into the new building reveal the real interest of the chain in the community. Depends On Good-Will Under the management of L. X. (Larry) Mull, the State will undoubt- edly continue its policy of giving the public exactly what it asks for in the way of motion picture entertainment. The theatre business, as Mr. Mdi has often emphasized, depends on good will, and no business can pros- per that does not act in the long run according to public policy. It is a matter of cooperation between thea- tre management and the public, and as long as such cooperation exists the State will act in the public, interest. The firm, W. S. Butterfield, Inc., has a long and successful record in Ann Arbor. The Majestic, now being closed because of city regulation, has had a fine record dating back to the days of vaudeville. The other thea- tres, including the Michigan which opened in 1927, have had an equally impressive record of good entertainv ment. 4 Majestic Ends ~'Advent urous' 34.Year Life Theatre Opened In 1907; Saw Many Outstanding Stage, Screen Shows At the conclusion of its 9 p.m, show today the Majestic Theatre will bring to an end a spectacular, 34- year life characterized by some of the greatest stage and screen attractions of all time. Announcement of the closing came from E. C. Beatty, president of the Butterfield circuit, which has opera- ted the Majestic since 1908. Unable for the present to come up to Ann Arbor's building regulations, the the- atre may reopen at some future date if a way is found to meet the re- quirements. Opened In 1907 For years after the "Maj" opened on Dec. 19, 1907, it was known as the finest theatre in the city. Its stage has been the scene of perfor- mers of every kind and description- some of whom became and still are famous on stage and screen. Prob- ably the best known of these is Fred Waring, whose Pennsylv'anians took their first step toward national fame in the Majestic. After one performance of the fam- ous "The Girl of the Golden West," regular daily vaudeville shows began. For over five years moving pictures received no more attention from the management of the Majestic than an occasional short reel. In the summer of 1912, however, the theatre adopted a policy of showing "photoplays de- luxe," By 1917 movies were a regular policy, Screen Programs Povular Screen programs became so popu- lar that before long they overshadow- ed vaudeville productions and by 1928 the year the Michigan opened. State Theatre Is Constructed Solely For Showing Of Motion _Pictures From the point of construction, the new State Theatre holds the distinc- tion of not only being the most mod- ern and luxurious theatre that Ann Arbor has yet seen, but also the only theatre actually designed for the sole use of showing motion pictures. Built at a cost of over 300 thous- and dollars, the State boasts every sort of device possible for making motion pictures more enjoyable to movie-going audiences. From the foot-pedal water faucets in the lounges to the comfortable rubber foam seats in the theatre, everything is designed and calculated to add to the customer's relaxation. Three Dimension Screen One of the more interesting types of improvements installed for exhib- iting better pictures is a new kind of third-dimensional screen which gives more depth to the pictures and makes for clearer visions This plus the latest type projectors, and walls of permeated blocks with chemical pads for acoustics, make the State exclusively a motion picture theatr e. Construction of the State, for which plans had long been in the minds ' of the Butterfield manage- ment, owners of the theatre, was started a year ago. Originally the idea was to build it on the site of the old Arcade Theatre on North Uni- versity, now the residence of Moe's sporting goods store. Having a choice of erecting the theatre there or on State Street, the management de- cided in favor of the State Street site, thus making it more centrally located. Last year when the Ann Arbor city council passed a new building code, calling for a more modern type of structure to house motion picture theatres, the Butterfield manage- ment went into action immediately. Since then, despite the delays caused by priorities and inclement weather, the owners have managed to get the best of material and go about the business of construction. And the material has been of the best. From the outermost front doors, which are constructed of a new su- per-durable plastic called Formica, to the air-conditioning on the inside, modernity is the key note. Mr.'L. E. Mull, manager of the State, had even intended to get fluorescent carpeting for the theatre, but here, because of the war situation, it was impossible. Reinforced Concrete The trouble has also been taken to have the double-window ticket booth so that it opens on the street, thereby permitting the lobby to be kept warm. In other theatres about town, the ticket booths are inside the lobby, near the door, so that any line at the window keeps the door open all the time, with a constant draft. The building itself is built of re- inforced concrete, faced on three sides by brick. On the inside, walls are tastefully paneled in walnut. The doors between the lobby and the the- atre are of a heavy brass-studded green leather. The floor inside is en- tirely covered with carpet; an excep- tionally large balcony gives the total seating capacity of the theatre ap- proximately 1900. The new State Theatre may not be the Radio City Music Hall, but then again the Radio City Music Hall isn't the new State Theatre. Unique Fire Escape The State also contains a unique fire escape system. Instead of the traditional and often dangerous iron drop-escapes, the designing archi- tect chose to use the inclosed type entirely separated from the rest of the building by huge walls of rein- New Theatre Has Luxuriouls Color Scheme Dubonnet, Green Blend As Predominant Shades In Modernistic Interior A blending of dubonnet and green, darkened whirled woods striped by cream panels, deep blues merging into high yellows, ceilings of silver and copper leaf, this is the picture one receives upon strolling through the State Theatre. After passing through the shiny- reddened doors, one enters a long, softly-lighted lobby . One of the side walls is wholly sheathed by a start- ling clear mirror which reflects the three large circles of indirect lights. Each sphere is pointed in the center by creamy-gold stars, a perfect con- trast in color to the mauve, greened walls. The foyer features the same blend- ing of the two predominant shades, but they are based on the lower walls by rich brown Brazilian mahogany. At the head of these stairs is a long alcoved hall, with walls blocked by rectangles of. dubonnet and green. Red and tanleather chairs fill the alternating dubonnet and green al- coves. The powder room on the left of this mezzanine is colored in a light rose tint with a rocco design curling a border at top and bottom. Various toned leather stools are placed before the wide, high mirror. The smoking room at the other side of the hall is tiled in the same predominant colors of the theatre. Coming onto the balcony by the deep-rose figured carpet, one re- ceives at once the impression of in- tense color, not brilliant, not clash- ing, but deeply warm in the same garb of dubonnet and green, The .eiling is ninted in the latter shade E. C. Beatty Sends. Greetings The completion of this new theatre and its dedication to the people of Ann Arbor welds another link in the chain of progress for the Butterfield Theatres, This new theatre is one one of the culmuinat-inga(1iicv infme 1 of the building plans of this organization and, as is befitting a city of the importance of Ann Arbor, is as perfect an example of modern metropolitan theatre building as will be found in the State, The confidence and loyalty of such communities as this are deserved and retained only to that degree in which we fulfill the ideals which have been the basis and promptings of our years of success in every important city in Michigan into this new theatre, it is the desire of our organization and also the fulfillment of our ambition to make it and maintamn it as something more than a. mere playhouses Physically it is an obvious ornament .to the city, The material appointments speak silently for themselves, but they GoodI ' Days Of Vaudeville Gone Forever it is too bad that actual people have left the stage of local theatres. One of the best attractions in the old days was the Saturday and Sun- day vaudevilles in the small townt shows. One of the weekly events for the farmers of this nation was to attend these variety shows-where anything from a Chinese family tumbling act to a rancid operatic soprano were presented-afteredoing the weekly shopping for the farm. Gone are the days of the blacked- nomnn,'rnca n, , t a a,., rnt. r F i t r