Pra.lA PiR RPTCTTVEV t o,e1wuKA t 7 uu L.u SHY ... by Alvin Sarasohn s VAN had to leave the stranger quickly again, for he felt the tears begin to well up in his eyes, and it would never do to let the stranger think that the 14-year-old boy he saw before him tas a cry baby. He hurried to the rear 'df the store after mumbling a half coherent sentence to the man who had started to bawl Evan out. The man was buying, or said he was buying, a felt hat, and the hat had a feather in it- one of those bright peacock affairs that all the "sharp boys" like to wear. But this man said he was not a sharp boy, and why do you try to sell me such out- rageous things. Evan, trembling, said that he was sorry that the gentleman did not want the hat with the feather in it, and he could take it out. "See, said Evall, it comes right out." And Evan flicked the feather out, at the same time wrinkling his face in what he hoped was a smile. It wasn't a very hearty smile, though, for he was trembling. Always he had to go and tremble. And the stranger wasn't to be satisfied. He was still sore, and why isn't the hat cheaper, if the feather is out.! Evan had tried to explain that the cost of the feather was negligible and that it was cossidered extra anyway, but the man kept on shouting and calling Evan and the man who ran the store names. He was really nasty, and Evan began to feel the old sickness of the stomach, and his eyes began to water. So he had to run to the back. He didn't really cry when he got there. His eyes were just brimming, and his insides felt nervous. Like the other times when he had felt nervous and had to cry, and that would embarass him, for who ever saw a 14-year-old boy, not too big, but, then, big enough and strong enough, crying? People would lasugh at such a big boy crying. They would feel funny. He couldn't stand would lfeel funny. He couldn't stand such embarassment, he was sure. So- he always mumbled an incoherency and ran to the back, or to any spot that fered refuge. I. A TIME, when he had again stead- ied down, he went back, and the stranger was gone. Evan noted, with a sigh of relief, that he hadn't swiped the hat, . or anything else. The store was quiet again, and the hum of the noisy street outside pervaded the store. The store was quiet as a church in the mid- dle of the summer, but the trucks and street cars rumbling and screeching in the dust of the. city echoed inside the store. And all seemed peaceful, if dull. But Evan didn't feel peaceful or calm. He was sick from his performance of the afternoon. It was not just anything to him-his crying-it was the most im- portant thing in the world to him, and he didn't know a way out. It worried him, this being afraid of crying. And he didn't know a way out. Or anything to do. It worried him. At 5 o'clock, perhaps it was a little past the hour, the boss always refusing to admit that his old time-piece ran slow, Evan was ready to go home. When, finally, the boss arrived; Evan edged toward the door, waiting for the boss to say, O.K., Evvie, you can go now, you've put in a hard day. You can go now, Evvie. The boss said it at last, and Evvie left, letting the door ease to softly. After he felt the door meet the wooden panel without a sound, he started down the street to the safetly zone, where he always caught the street car. He counted out the change he would need for fare, as he walked. He felt relieved when he saw that he had in his hand the exact six cents for the fare-a nickle and a pes y-and he also had the penny he would need for the transfer, He was glad because that meant that he would not be forced to stand long at LACK CURVE of sparrow over silent snow And day that holds within its palm The tick of clock, distant, slow. Oh let me reach across the space That fills the miles between your house and mine, And feel my fingers softly touch your face. Let all be done as Is this day: Calm and constant, unassuming, still. Brush futile and pretentious things away. In big and awful stillness such as this, In flight of sparrow over whitest snow, I feel the truth of simple things. - Nancy M kelson the conductor's box, waiting for change. Then everybody would look at him, and make mental notes about, or remark about his appearance, or his bearing, or his characteristics to their compan- ions. He hated for all the people on the street car to watch him. Some people liked to be looked at, he knew. But not he, not Evan, not Evvie. He shuddered at the thought of people hearing the boss call by such a name as "Evvie." Ah-h-h. HE GOT ON the street car, paid his fare, got the transfer from the con- ductor. He thought that the conductor looked at him quizzically as he paid the money. But he passed on quickly. None of the double seats was completely va- cant, as he had hoped, so he had to sit down next to an elderly lady, care- fully avoiding touching her as he seated himself. He had passed up several girls, next to whom he might have sat, for he didn't want anyone to think that he had low thoughts. They might figure that Evan was one of these lechers who tried to find good-looking young girls to sit next to on street cars or in mov- ing picture theatres. But Evan didn't want to let them think anything like that. It would embarass him. He sat back and tried to think about pleasant things like swimming and playing ball and maybe eating large super-duper ice cream sodas. But he couldn't keep himself from thinking about the occurrence of the afternoon. His mind kept returning to the store and his welling eyes and the embarass- ment he had felt. Why did he always have to want to cry when a difficult sit- uation came up? Always it was like this, and nothing could be done. A boy, a man, as large as he, still wanting to cry. Why? THERE was a time on the football field, he mused, when the big Polack had deliberately spiked him. Anybody could see that it had been intended. And his ankle was bleeding. For a second he was furious. Everybody had come crowd- ing about the two boys to see what Evan would do. It was clear he had to do. It was clear he had to do something. Or else he'd be branded a coward, yellow. Somewhat falteringly, he glared at the sullen-eyed Pole. He cried, all of a sud- den, "Why don't you watch where you're going, you-big bastard." "Say that again, punk," the Pole re- torted," just say it again." And the Pole, now threatening, his eyes flashing, his lips curved disdainfully, waited. "Bastard, bastard "I ain't gonna give you long to take it back." Evan still wanted to stand to the bigger boy, but he began to waver. Everyone seemed to be watching him. Funny, he wasn't afraid physically. It was just that he didn't know what he was doing there. He was afraid of some- thing, and he didn't know what it was. All of a sudden, he felt nervous inside. He could no longer face the Pole and look straight into his eyes. His own eyes began to water. He blinked. He blinked again. He knew he was going to start crying. There was nothing to do. He was going to cry. He knew it. He said, low, "Well watch out. Quit spikin." The crowd dispersed, disappointed, and the game started up again. But all the fun had left for Evan, and he ex- cused himself in a little while, and, with burning face, he ran home. He was sick. His fear of crying had made him seem a coward to the whole crowd of kids. It was awful and nothing to do. THE STREET CAR was drawing near to Chestfield street now, and Eva made ready to leave. He left his seat only when the car had practically stopped, so that not too many people would notice him and think he didn't know the city very well, having to get up early to see where he was. That would embarass him. And there was nothing to do for embarassment. Nothing. He walked down Chestfield, returned the few greetings that came his way, and, soon, he turned up the walk to the dull, drab house he lived in.W lilied a house like this that did not attract too much attention, for once he'd lived in a house that had a funny-looking cupola on it, and everyone used to make fun of it because it was so queer and out-of- date. Once, some fellows had kidded him about it and he had to run away, after mumbling an excuse, because he had felt the tears welling up in his eyes. le didn't want to cry, so there was nothisg to do but run away. THAT NIGHT, after dinner, Evan went out on the porch where he sat, unnoticed in the darkness, and he could watch other people passing by on the sidewalks and in their cars. The night air was cool, and it calmed the tortur- ed mind of the afternoon. He could never forget his wanting to cry. He did not know what causedit. And he didnt know what to do. He was listening now to the whispers of the people who occupied the flat above him. They were sitting on their porch too, and, by straining his 'ears, Evan could hear, fairly distinty, 'their voices. It was like living in someine -else' life, and Evan isened attestively to every word. They were talking about their little boy, who was six years old and who was a shy little tot, afraid of everyone, cry- ing at the least bit of tear. To Ewasit seemed as though they were talking about something with which he was familiar. He thought he had bheard about the same tot and te same ers somewhere before. It all soded strangely like a story he had read, or a movie he had seen. Perhaps, he re- membered it from a likeness to another tot he had once known. The people up- stairs were arguing. The father was say- ing something about "its all from that time." The father said, "You scared him then, and he'llI never forget it, never." The mother was saying something that sounded to Evan like that word they use in books and stories that's spelled p-s-h-a-w She didn't think that the child had ever had cause to be frightened, and even if he had, that was no reason to keep the fear still. She was sure of this, very sure. Evan thought too sure. He had begun to think. SUDDENLY, without warning, a scream rang out inside the house, and Evan ran in without thinking There was darkness all over, and Evan wa's afraid to turn on a light. His heart beat wildly. He was nervous, frightened. But he didn't run out again. Not yet. He was in the living room. There didn't seem to be anyone else in the room, so he went into the next room. Nothing there. Another scream rang out; it came from the bedroom, Evan realized. With- out knowing yet what he could do or would do, he ran down the hall, narrow- ly missing the pedestal near the wall. Running, he had to slow down and stop his momentum by grasping the door of his mother's room, from which had come the screams. Excited he felt he didn't know what to do. tContinued on Page 1)> EDITORS ........................ .....James Allen, Harvey Swados FICTION EDITOR ..... ..............................Hervie Haufler Marian Phillips, Shirley Wallace, Jay W. McCormick, Marion J. Cowing, William J. Rosenberg, Frances J. Pyle. ESSAY STAFF: Louis Deutsch, Betty Whitehead, Richard M. Ludwig, K. Mary Knob- lauch, Robert R. Speckhard, Judith S. Miklosh. POETRY EDITOR ...................................... James Green Margaret Southerland, Jean J. Livingston, Howard Moss. REVIEW STAFF: Ruth Mary Smith, Marion F. Bale. PUBLICATIONS EDITOR.........................Seymour Pardell Janet Hiatt. BUSINESS MANAGER ............................ N. Stuart Robson ADVISORY BOARD: Arno L. Bader, Wallace A. Bacon, Herbert Weisinger, J. L. Davis, Howard Whalen. h l