THE MICHIGAN DAILY SUNDAY, OCT 16, 1938 rsonalities And Biographies Of Choral Union Stars Given (.I (continued from Page 1) "uncle in the Royal Opera of Stock- holm and a second uncle famous as a "omedan thro'ughout Sweden, to his father who, is one of the best- 'lnow ahpedagogues and pianists in ,Maine A graduate and later a member of the faculty of the New England Con- Orvatory of Music in Boston, he fined the Boston Symphony Or- Ahestra when it was under the direc- tion of Karl Muck. Later he played1 with the National Symphony Or- chestra under Willem Mengelberg in New York and with Nikolai Sokoloff as a member of the Innisfail String Quartet in San Francisco. Yehudi Menuhin, Prodigy rowtn Up YehudiMenuhin, born in New York, Vyas raised in San Francisco from the age of nine months. At three he was; gioen a tiny violin; at four a child's' aize instrument was placed in his hands, and he began lessons on it first with Sigmund Anker, then with Louis P esinger. At seven Yehudi made his Vfirt "big public appearance as solo- ist with the San Francisco Orchestra. In the following year he gave a re- cital at the Manhattan Opera House, New York, and after a year of further study sailed with his parents for study in Europe with Georges Enesco and 'AAdolph Busch. After achieving instant success at his ]saris debut with the4 Lamotreux Orchestra, Yehudi re- turned to his native land for the sen- sational debut with the New York, 1ytphony Orchestra, Nov. 25, 1927,c pIayIng the Beethoven Concerto. Another outstanding event in Ye- hudi's early days was h's appearance in the Berlin Philharmonic Hall play-k ing the three B's (Bach, Beethoven, Bralhms) Concertos in one orchestral appearance with Bruno Walter con- ducting the Symphony Orchestra. 'This great historical event was re- 'peated'later that month in both Paris and Dresden. Throughout his formative years, Yehudi had the rare privilege of study and discussion with such friends as Arturo 'T1oscanini, Bruno Walter, Sam Ptanko and Sir' Edward lgar. Fr the past two years he has been in re- tirement, studying and perfecting his technique. His present engagements inelude apearances in the leading ities of America, the British Islesi acnd Continental Europe. Fi Lady Of Te ~'etropotittn' "First Lady of the Metropolitan" isi the title bestowed on Kirsten Flagstad by' admiring critics who have watched the ascent of the Norwegian soprano's star' of popularity since her debut at the Met in 1934. Miss Flagstad comes of a musicalr faiily. She was born in Hamar, Nor- tway, a short distance from Oslo. Her father was a conductor in Oslo. Her ftibther is a pianist and coach for both individual singers and chorusx groilps. She has two brothers-Ole, aa coflductor, and Lasse, a concert pian-t gist. Her sister, Karen Marie, like herself, is a singer. "Kirsten began to study the piano 'as a child. She remembers that her motherimade it clear to her that there was no escape from practicing, al-a bh-ugh lr parents had no intentiont of having their daughter make musicg a profession. Indeed, they had ambi-g tions'for her to become a doctor. Practice she had to, however, andt practice she did. But theory, harmony and counterpoint she shunned as I r.-- 'KIRSTEN FLAGSTAD , much as possible. No compulsion could make the child pay attention to these aspects of music. To this day she has retained a distaste for them. Her beginning as a singer was large- ly accidental. At the age of ten, on her own volition and for her own, amusement she began studying the role of Elsa in "Lohengrin." She learned it all-uncut. Then she added another role-"Aida." It happened that when she was con- firmed a party was given in her honor and to help entertain the guests Kir- 3ten sang operatic arias from these; operas. A musical friend told her that she would soon ruin her voice if she did not develop it properly. She of- fered to give the child a few lessons. These were largely in the nature of proper placement and breathing. For- mal vocal lessons, however, did not begin until she was sixteen. Then she studied with Ellen Schytte-Jacobsen in Oslo. But still she did not con- emplate a career. It was all just for fun. She was barely eighteen when her mother projected her into an opera role. Fru Flagstad had been present at an audition at which the conductor of the Oslo Opera expressed dissatis- faction over the candidate for the role of the little girl Nuri in O'Albert's "Tiefland." On the way home she stopped at a music store, bought a score of the opera and gave it to her daughter, telling her that if she learned it in two days she could try out for the role. ' ,Kirsten was the thirteenth candi- date heard at the audition, and she got the part. Two months later she made her debut. She recalls that she had already grown to full height, and in order to give the impression of be- ing a child, was obliged to move a- round stooping and crouching. She then went off to Stockholm for further study under Dr. Gillis Bratt. the following year she played three roles. By her own account she has sung 68 roles-38 in grand opera and 30 in operettas and comic operas. This does not take into consideration in- numerable song recitals and appear- ances' as soloist with orchestras n oratoric performances. Vaszy Both Leader And' Corn oser Viktor Vaszy, conductor of the Bud- apest University Chorus, represents the new school of the young music generation. he Chorus has had many great leaders in its centuries' old ex- istence, but few more distinguished than its present leader, who has oc- cupied the post since 1929. Maestro Vaszi is not only a choral Six Soloists, 4 Ensembles {Coming Here (Continued from Page 1) celebrated his golden jubilee in Ameri- ca, will appear here as the second pianist in the series and the first artist of the new year, Jan. 10, 1939. Mr. Hofmann first appeared in Ameri- ca Nov. 29, 1887, at the age of 10, at the Metropolitan Opera House, following a sensational tour of Eur- ope. His debut was immediately hailed by the New York press, and the prodi- gy grew up to be one of the recognized geniuses of the musical world. To- day, at 6C. he is still in his prime, and his devoted following throughout America grows larger every year. Budapest Chorus Coming The Budapest University Chorus, under the direction of Viktor Vaszy, will be heard here for the first time Jan. 25. Although well-known in Europe, and with a tradition dating back to the eighteenth century, this organization has only made one brief 'tour of America, in 1936. The group will be in this country five weeks this year. Thee chorus is composed of 40 male vocalists and its repertory consists chiefly of its native Hungar- ian folk sonngs. Yehudi Menuhin, violinist, who a decade ago startled New York with his debut as a child of 10, and who has just returned to the concert stage after a two year retirement in which he devoted himself to intensive study of his instrument, will appear here Feb. 15. The most extravagant praise has been heaped upon his youthful shoulders during his brief but highly sensational career. Piarigorsky Closes Season Gregor Piatigorsky, who has be- come the most noted solo violoncellist of our day, will present the last solo. concert of the season Feb. 27. First violincellist of the Moscow Imperial Opera at 15, this artist has convinced American as well as European audi- ences that his instrument can be as sensitive and expressive as the violin. He has also served as first violincellist with the Berlin Philharmonic Orches- tra. The Roth String Quartet, which scored ian immediate triumph in its appearance here last year, will return for the final concert on the program March 9. In its ten year career the quartet has gained a reputation as "one instrument played by eight hands." It has been a particular fav- orite with college audiences in its series of triumphant tours in Ameri- ca. The group has proved so popular in this country that all four members, native Americans, have become natur- alized American citizens. conductor, but is leader of the Buda- pest Philharmonic.Symphony Orches- tra, professor of the Royal Hungarian Franz Liszt Academy of Music in Budapest and . a composer of note. Many of his works have been pub- lished for voices, six for orchestra and he has written two masses. He has done much for the development of Hungarian music, and his support and cooperation with native compos-' ers is well known throughout Hun- gary. In the past seven years he has won distinction in all the many coun- tries visited by the ensemble. 40 Male Voices Raised In Song: Budapest University Chorus (Continued from Page 1) I 800 Concerts Given On Tour By CleveLand mng school superintendents, has grown in mutual benefits and is today recog- nized as a model relationship, emu- lated in many parts of this and other countries. The Cleveland Orchetra is fortun- ate in the possession of its own splend- id home, Severance Hall, made pos- sible through the generous support of the late John L. Severance, and of an endowment fund of two and one half millions, established in celebration of the tenth season, as the result of a civic campaign headed by Dudley S. Blossom, president of the Musical Arts Association which supports the orchestra. This rapid development has been widely acclaimed. Long cooperation of a group of mus- ic-loving, public-spirited people with Adella Prentiss Hughes, who for 20 years had been presenting orchestras And artists in Cle ; and, inspired the foundation of The' Musical Arts As- sociation, which within three years brought the Cleveland Orzhestra into being. For 15 years the conductor was Nikolai Sokoloff and the reputation of the orchestra grew through the qual- ity of its playing, the variety of its constantly enlarging repertory and the inspiration of its performances. then Artur Rodzinski was chosen as conductor in 1933 and the scope of the orchestra's service was broadened and its tradition of "better quality each season" was triumphantly carried forward to the delightful acclaim of audiences at home and on tour. Budapest University Chorus One Of World's Oldest Vocal Groups Ancient Document Proves Organization Has Been In Existence Since 1702 The Budapest University Chorus is one of the oldest and most famous, choral organizations in the world I Just as Notre Dan is noted for its , football team, Cornell for its Cayuga1 waters and Michigan for its graduate1 school, Budapest University is known for its chorus. The first written document concerning this famous or- ganization dates back to 1702. In 1867 another male chorus from the Technical University of Science was founded and in 1906 combined with the original Budapest University Choi'us. The Chorus represents an impor- tant chapter in. the development of Hungarian music. It has stimulated the interest in composition for choral music, and for many centuries much has been written for the Budapest University's performance. Each time the chorus plans a foreign tour, new compositions are written for it, so that Hungarian music may be carried to other countries. Has Extensive Influene The chorus has had a far-reaching influence. Before the war Louis' Halasz, the superintendent of music in the schools of Hungary, and con- ductor of the chorus at that time, visited by special arrangement many cities demonstrating the high stan- dard of song. The result was the enthusiastic formation of choruses in numerous other cities, from which eventually came singers of great tal- ent. Tht years before the Great War the chorus visited many capitols. Hungary was one of the countries which suffered greatly from the rav- ages of war, but the chorus continued its work and progress after"the con- flict. It began its tours again in 1920 and was invited in 1925 by the Pope himself to sing the papal mass to an audience of 5,000 people from all parts of the world. In 1927 the Chorus returned to Italy again, visit- ing Rome, a visit which led to the formation of the Rome University Chorus. Women's Group Formed An Italian composer of renown,j Licinio Refice, head of the Papa: University of Music composed an oratorio and presented it to the Chorus. Since it was for mixed voices it gave rise to the inaugura- tion of the Women's Chorus of Buda- pest and in 1927 this work was given in Budapest by the "mixed chorus under the personal direction of the composer. In the past' 0 years the Budapest Chorus has given countless concerts abroad, but has only once visited America. Its second tour is limited to five weeks in January. The Hungarian music which will be brought here by the Budapest Univer- sity Chorus was famous as early as the 12th century, when the Hunga- rians fought as allies of the Russian Prince Isislav against the Poles and Boheminas. When the Hungarians marched'into Kiev the townspeople used to say, "The house is fortunate in which Hungarian music sounds."' E - R S I I ' !, :_ . SCHEDULE of PRICES SEASON TICKETS The prices of season tickets are $12.00, $10.00, $8.00, and $6.00. Each season ticket contains a coupon good for $3.00 in exchange for a season May Festival ticket. Three center sections, both on the main floor and in the first balcony, $12.00 each. (These $12.00 tickets are designated "Patrons' Tickets," and entitle the holder to the same location for the next May Festival when exchanged in accordance with a May Festival schedule to be announced.) Two side sections both on the main floor and in the 'first balcony, $10.00 each. First sixteen rows in the second balcony, $8,00. Back of the first sixteen rows in the second balcony, $600. SINGLE CONCERTS 'The prices of individual concert tickets are Main floor, $2.50; first balcony, $2.00; and second balcony, first sixteen rows, $1.50; balance of second balcony, $1.00. On Sale i Sooof Music ffic I KIRSTEN FLAGSTAD First Lady of the Opera Killitem etGreater than ever" is the ' verdict of the current press on this incomparable soprano, whorm thc Ncw York JJcrrald Tribiuw calls "The first of Yehudi Meinui jiving singers." Thogilher annualappearanccs in con- Acclaimed at every performance as the greatest violinist of the age, Yehudi Menuhin has thrilled audi- ences the world over with his genius. He still continnes to make musiCal history wherever he appears, and is today at his height as a violin vir- F ORDER BI CHARLES A SINK, President Ann Arbor, Michigan. Enclosed please find remittanc for ........ Choral Union tickets a SEASON TICKETS - 10 CONCERTS LANK I ce of $........ in payment as follows: INDIVIDUAL CONCERTS ickets: $2.50-$2$1504$1 .1 .,3,\it?''t.' 1 :F I b(t I t. ... / ..clevelandrc t at I Cert and opera have been toppin& one hundred in this country alone, her thrilling voice remains as fresh as ever. NOV4.30 tickets at $12 each $. Itick cs at $0 each $. ticketi' at $13 each $. ticket at $6 each $. 11111 tuoso. I ! I I I