THE ~MIOHIGAN- DAILY CHIGAN DAILY Established 1890 Dr. Margaret Bell, professor of physical edgca- tion. We call the attention of the students to this series because it is designed especially to assist them with their health problems. It would be al- most superfluous to point out again that good physical condition is as important to success in University work as hard stuGy. A . "4 S S.;, . -' ' mUSic 11I By Kathleen Murphy , mC E N iiN cm s a m Nl AH , qe a~ ublished every morning except Monday during the University year and Summer Session by the Board in Control of Student Publications. tMember of the -Western Conference Editorial Associa- tien and the Big 'Ten News Service. MEMBER OF THE ASSOCIATED PRESS The Associated Press is exclusively entitled to the use for republication of all news dispatches credited to it or not otherwise credited in this paper and the local news published herein. All rights of republication of special dispatches are reserved. Entered at the Post Office at Ann Arbor, Michigan, as second class matter. Special rate of postage granted by Third Assistant Postmaster-General. Subscription during summer by carrier, $1.00; by mail, $1.50. During regular school year by carrier, $4.00; by mal.,;$4.50. Offices: Student Publications Building, Maynard Street, Ann Arbor, Michigan. Phone: 2-1214. Representatives: College Publishers Representatives, Inc., 40 East ThirtyFourth Street, New York City; 80 :Boylstn Street, Boston; 612 North Michigan Avenue, Chicago.. EDITORIAL STAFF Telephone 4925 MANAGING EDITOR...........FRANK B. GILBRETH CITY EDITOR......................KARL SEIFFERT SPORS EDITOR.............. .JOHN W. THOMAS W MEN'S EDIT OR..... ......MARGARETOH'BRIEN ASSISTANT WOMEN'S EDITOR.......ELSIE FELDMAN NIGHT EDITORS: Thomas Connellan, Norman F. Kraft, J1hn W. Pritchard, Joseph W. Renhan, C. Hart Schaaf, Brackley Shaw, Glenn R. Winters. SPORTS ASSISTANTS: Fred A. Huber, Albert Newman. REPORTERS: Edward Andrews, Hyman J. Aronstam, A.' llis Ball, Charles G. Barndt, James Bauchat, Donald R. Bird, Donald F. Blankertz,'Charles B. Brownson, Artur W. Carstens,. Donald Elder, Robert Engel, d- Ward A. Genz, Eric Hall, John C. Healey, Robert B. ,ewett, Alvin Schleifer, George Van Vleck, Cameron Walker, Guy M. Whipple, Jr., W. Stoddard White, Leonard A. Rosenberg. Eleanor B. Blum, Miriam Carver, Louise Crandall, Carol J. -Hannan, Frantces Manchester, Marie J. Murphy, .Margaret C. Phalan, Katherine Rucker, Marjorie West- ern and Harriet Speiss. BUSINESS STAFF Telephone 2-1214 BUSINESS MANAGER... ............BYRON C. VEDDER C(RRDIT MANAGER...................HARRY BEGLEY WOMEN'S BUSINESS MANAGER.......DONNA BECKER DEPARTMENT MANAGERS: Advertising, Grafton Sharp; Advertising Contracts, Orvl Aronson Advertising Serv- ice, Noel Turner; Accounts, Bernard E. Schnacke;Cr- culation, Gilbert E. Bursley; .Publications, Robert E. Finn. ASSISTANTS: Theodore Barash, Jack Bellamy, Gordon Boylan, Charles Ebert, Jack Efroymson, Fred Hertrick, Joseph Hume, Howard -Klein, Allen Knuus, George Laurie, Charles Mercili, Russell Read, Lester Skinner, Joseph Sudow and Robert Ward. Betty Aigler, Edna .Canner, Genevieve Field, Ann Gall- meyer, Doris Gimmy, Billie Griffiths, Helen Grossner, Kathryn Jackson, Dorothy Laylin, Virginia McComb, .Caroline Mosher, Helen Olson, Helen Schume, May See-' fried, 'Kathryn Stork. You All Know Him; You All HAte 1H-n. . A LTHOUGH campus hazing activi- ties have declined to the point of non-existence, and pot-wearing is gasping its last, there still exists a certain group of rah rah college students who apparently consider.it their bounden duty to make life miserable for others. We refer to the Noise-Makers who attend the movies. The Noise-Maker is a first cousin to the Hisser, the Booer, and the Constantly Dissatisfied One. He is a childish, impudent fool, and he glories in it .You all know him; you all hate him. The marquee and billing space outside a theatre is for the express purpose of telling the pros- pective movie-goer just what he may expect in- side. If it is billed as a fairy-story, as was the case in "Chandu the Magician," the student who cannot see and assimilate a fairy-story is not asked to 'o inside. The same is true of the love picture, the western, the horror thriller, and the comedy. But the Noise-Makers connot realize this. They go where they know they will dislike the picture. Because then they can show to best advantage their imitation of the train-whistle, their skill at repartee, their ability to chime in ahead of thei actor, and their whole gamut of strange soundsI and cackles. At "Chandu the Magician" (which, incidental- ly, was liked by 90 per cent of the audience) the Certain Few were in seventh heaven, When Chandu gazed into the crystal, they made mys- terious nazalized sounds; when he communicated with another's mind they called off telephone numbers and urged him to "hang up" and try again; in short, they roared their disapproval of everything supernatural, and the supernatural was the very foundation of the picture. Could they have forseen that they wouldn't like it? Certainly. Did they? You know the Noise- Maker too well! There is no adequate punishment yet devised for these college-students (note that we do not use the word "University") who smack their lips while the hero kisses the heroine. Throwing them out of the theatre is no good; they'll be at the next show you go to. Besides, it's impractical. They might be shamed into silence, but it seems doubtful. It appears that would-be funny men, like worn-out plots, are just one more thing the American public must bear up under. And, as William Haines said in a late picture, "What an awful beating the American public takes!" So we make the plea: Won't you hare-brained "college-boys" who can't sit through a feature without distorting it kindly stay at home and study? We hope so. The Daily Will Print Health Articles... WITH Sunday morning's issue, The Daily offered the first of a new sersniof' ntiels on student health. one of which H What with the Cesar Franck sonata, a group of semi-modern French songs, some Handel, and a harp that ascended above its usual inane sweet- nesses, Sunday's Faculty Concert, the opening one of the series, promises an interesting year ahead, if it was any indication of what is to come. Even though he is extremely successful on the concert stage, one always feels that Arthur Hack- ett rightfully belongs in opera because of the very pictural quality of his singing. He gave the Handel recitative and aria a romantic interpre- tation whose rounded sweeps of line and phrase varied from the vigorous angularity which one usually associates with this composer. His lovely tone and fine dynamic shading was especially evi- dent in the aria which is one of Handel's most lyric moments. Unfortunately the accompani- ment, particularly in the first, was too loud in several spots. This occasion marked the debut of Ruth Pfohl, harpist, as a member of the faculty of the School of Music, in this series. Miss Pfohl evidently re- gards the harp as something more than "heaven- ly," giving it a life and an interest which carries it almost beyond the prescribed limits of this in- astrument. The transcription of the C minor Prelude of Chopin was the least successful of her group-as was quite to be expected since these can seldom realize the possibilities of the indi- vidual medium. Salzedo's Mirage, better suited to the instrument, showed a much wider variety, with its interesting percussive effects and chang- ings of color by other. than just dynamic means. Among the more than fifty pieces for this instru- ment by Hassemans, professor of harp at the Paris Conservatoire and a widely popular virtuoso at the end of the last century, is the Lamento which was done with evident dramatic feeling and vigor of interpretation. The neutral colorings of the more modern schools are well suited to the harp, which, while certainly one of the most "beautiful" of all the instruments in appearance, and some might concede, in sound, is neverthe- less greatly limited as a medium of expression. Mr. Hackett's French group could well be taken in twos and twos, with the Franck La Procession in the middle. The Letorey had a monotonous charm, which, although it reached interesting cli- maxes (that probably were due more to the singer than the song) was spoiled by the sentimental sweeps of melody which turned it into the con- ventional popular ballad. Hahn's Trois Jours de Vendage was of .the same type with the addition of a semi-religious trend which is probably a trace of the sensitivity of Massanet, whose pupil he was, The Franek song was very well suited to the dramatic qualities of Mr. Hackett's voice, the recitative like melodic line and the rich orchestral .accompaniment with its characteristic chromatic resolutions, reaching heighths of intensity which made this the outstanding number of the group. The twohGaubert songs were typical of the French neo classics, tinged with modernism; both the atmospheric Sur La Mer and Le Ciel showing a freedom of thematic structure from the increased importance of the accompaniment, with a cor- responding widening of expression. Mr. Hack- ett's nice feeling for the whole conception as a unity rather than a group of phrases gave these songs a clarity which they mpight otherwise have lacked. The floating sweetness of Mr. Besekirsky's tone was a lovely medium for the more lyrical mo- ments of the beautiful Franck sonata, especially in the calm and happy Allegretto, whose reach- ing and descending theme is so reminiscent in spirit of the third, movement of the D minor symphony. The very difficult piano part was mas- terly handled by Joseph Brinkman with a breath taking facility. In some places, however, the piano became so much the soloist that it was difficult to tell whether the violin was playing except by looking, for it was covered completely, especially in the low passages on the G string. This sonata, which was inspired by the com- poser's admiration of the great Ysaye, is "one of the first and most striking examples of the adop- tion of the developmental variations to traditional forms." Here the cyclic type of constructions finds a new and remarkable application. There are only three themes, which, by extensionand compression, form the whole internal structure of the work and all of them are derived from the main subject which, in turn, is based upon a tiny motive of three notes.. The first movement consists chiefly of- the statement and repetition of this theme in various modulations, but by the alternation of the instruments and rythmic changes, it achieves variety, although the only definite cadence comes with the last note of the movement. The third-a recitative fantasia- serves as a transition from the Allegro to the last movement. Franck's scrupulous respect for form undoubtedly forbid him to apply a classical title to this movement which begins in D and ends in F sharp minor. Here the running clarity of the chief theme is in direct contrast to the lovely and mournful recitative, which has dramatic moments of great beauty. A fine sensitivity to the feel- ings of the movement was shown by both of the players. The last movement, a type of rondo, carries on the climatic evolution of the whole sonata, by four expositions of the refrain in canon, the first three leading by a development in which all the principal motifs appear, to the fourth, which sweeps, by means of a greatly ex- tended crescendo, to the splendidly brilliant con- clusion, giving it an impression of oneness that makes it not a work in four movements for two instruments, but the clear exposition of one idea -coherently developed and expressed through a single concerted medium. Campus Opinion Letters published in this column should not be construed as expressing the editorial opinion of The Daily. Anonymous communications will be disre- garded. The names of communicants will, how- ever, be regardedsas confidential upon requttest, Contributors are asked to be brief, confining them- selves to less than 300 words if possible. the part of a teacher. In connection .with this subject, Miss Co-Ed gives a highly diverting touch ,to the picture. She writes: "Others (i.e. pro- fessors) again, feel perfectly at home in the midst of their pupils (?) and say exactly the same things to them as to their wives and children during a family scrap." Dear reader, imagine a nice little scrap in ,a class of philosophy or Greek literature It is to be hoped that Miss Co-Ed will continue to bring out some more such comic traits of educational practice. Referring to a cer- tain instructor, the lady Co-Ed writes of him that he "just didn't have the tact (she! means art or ability) to put (his knowledge) across." Of course she is right in demanding that a teacher should possess the ability to community his knowledge' to others. Working for a Ph.D. while teaching works con- siderable harm in many cases to the student body. As far as I know, no such practice exists in Eur- ope-i.e. teaching and working for a high degree. Should such a practice exist here? Coming now to what the lady considers of prime importance, viz. the necessity of more fre- quent bluebooks, I take the liberty of funda- mentally disagreeing with her. Marks, grades, and degrees may indicate nothing more than pure memory work. They may, of course, also rep- resent the art of thinking, and hence, education. However, in themselves they prove nothing. They are artificial and desired chiefly by those who are constantly looking for some outside reward- as if getting an education was not a sufficient reward in itself ! The whole argument may be summed up by asking oneself whether one is getting an education for marks-or for life. In general, what counts is not what one remembers (at an examination) but how one's character has been affected and how one's thinking powers have been developed pr improved. What the Univer- sity did for me was to help me to help myself. That is, it put me in the way of helping myself. Of what I actually learned, I remembered very little-possibly 10 per cent. More bluebooks? No. I suggest fewer blue- books, hence fewer examinations. It is to be hoped that the practice of holding only one exam- ination at the end of each semester will continue. Still better would be a comprehensive examina- tion at the end of the four years. (I have in mind the literary department.) Such examinations would show whether the student has profited tby the higher education. For further enlightenment on the subject of "marks, credits, and degrees," I refer the lady to a book by George S. Counts: "The American Road to Culture," more especially page 7, et seq. M. Levi, Professor Emeritus Davis & (Ohlinger PROMPT PRINTtRS DIAL 8132 109-111 E. Washington St. Second Floor EARN EXTRA MONEY NOW! $5 to $10 an hour Sell CYPHERS Personal Christmas Cards (also Box Assortments). Some of our most successful representatives liave been students paying for their own ed- ucation. Daily pay, etra bonus. DeLuxe Sample Book Free - Write TODAY! CYPHERS CARD CO. 261 Cyphers Bldg., Buffalo, N. Y. 11 11 EN AVANT A RA I *V~for Ar ~ lQ~~fd^n ^n An Burr, Patterson & Auld Co. MeO'v~tctIn~j Fr41tngIY Jew0tr, Detroit, Michigan & Walkerville, Ontario A A A For your conyenience A FR Ann A6rbor 603 Church ANK OAKES Store Sc. g r. . M BRIGHT SPOT 802 Packard St. Today 11:30 to 1:30 Spaghetti and Meat Balls Spanish Pork Chops Hot Beef and Pork Sandwiches Mashed otatoes - Vegetable Salad Banana-Nut Salad - P'nut Sandwich Coffee whip, Cake, Ice cream Fruit desert Coffee -Milk 30c 5:30 to 7:30 Soup Individual Chicken Pies vegetable Plate with Roast Beef Roast Pork - Apple Sauce Breaded Veal. Cutlets Roast Leg of.Lamb Sausage and Eggs Mashed or auGratin Potatoes Peas and Carrots - Beats Vegetable Salad Pie, Cake, Ice cream, Baked Apples - Coffee - Tea - Milk 40c CON C ERTS~ CHORAL UNION SERIES Oct. 25, BOSTON SYMPHONY ORCHESTRA SERGE KOUSSEVITZKY, Conductor. Only Mich- igan concert of America's premier orchestra Nov. 2, LAWRENCE TIBBETT PRINCE OF BARITONES. Nov. 30, DETROIT SYMPHONY ORCHESTRA OSSIP GABRILOWITSCH, Conductor. Only Ann Arbor appearance this season Dec. 12, EFREM ZIMBALIST DISTINGUISHED RUSSIAN VIOLIN IST. Jan. 16, NATHAN MIILSTE I N SPECTACULAR RUSSIAN-SOVIET VIOLINIST. In Ann Arbor debut. Jan. 7, MYRA HESS Acclaimed "World's foremost woman pianist." Feb. 8, BUDAPEST STRING QUARTET Jose Roisman, first violin; Alexander Schneider, second violin; Stephan lpolyi, viola; Mischa Schneider, 'cello. Ann Arbor debut of "Europe's finest quartet." Feb. 15, SEGRID ONEGI N Ann Arbor debut of outstanding contralto, both in opera and concert. Mar.6, VLADIMI R HOROWITZ Eminent Russian pianist in third Ann Arbor appearance. Mar. 15, PADEREWSKI "King of Pianists" in eighth Ann Arbor concert during a period of 41 years, beginning Feb. 15, 1893. Season tickets may be ordered by mail, or' orders may be left at the School of Music, Maynard street (10 concerts) $6.00 - $8.00 - $10.00 - $12.00. Please make checks payable to "University Musical Society" and mail to Charles A. Sink, President. r1 1- DIAGONAL By arton Kane Watermelon Philanthropist D sapproving Uncle Bob Red-Head Louis-LOU'S-Deising -FOUNTAIM LUNCHEONETTE 800 S. State at Hill SPECIAL NOON-DAY LUNCHES 30c SPECIAL PLATE DINNERS 40c Including Dessert Call - We Deliver - 9122 SEVERAL large watermelons distributed about his person, a freshman of obviously farm line- age was observed in the Union taproom yesterday. Freshman was eating watermelons with evident enjoyment. Asked what he was doing, he replied that he was "giving watermelon away to anyone who wanted it." R. GARLICK, class of '36, rang the bell of a prominent fraternity .a couple of nights ago, announced himself. Said the active on door duty, "Glad to know you, Garlick. We ought to get together-my name's Hamburg." It was. * * *' "UNCLE BOB" CAMPBELL, genial onetime treasurer of the University, mayor, city solon, and general factotum, who is perhaps known to most people as the godfather of the Varsity Band, was displeased with "his boys" yes- terday on their march from Morris Hall to the Stadium. Ahead of the band, on his motorcycle, in full military uniform, brindle breeches, boots, rode Rex L. Allbright, last year's manager of the Fighting Band. Onetime Manager Allbright, motorcycle fan who has twice ridden to the West Coast, was on traffic duty ahead of the band, as- sisting his fraternity brethren Manager A. Stan- ley McGaughan and Assistant Manager Kenneth Campbell in getting cars out of the way for the band. Observed Uncle Bob, "I don't like that. Ann Arbor has a police force. Why don't the boys use it?" SWIMMING Coach Matt Mann thinks that Diver Diver Degener is working too hard; has ad- vised some other sport. Degener has taken up horseshoes. T HE house with the white pillars, north of the campus, held its tea on Sunday. Lots and lots of the boys were there. The boys' parents were also there, too. The refreshments were fur-' nished by Mrs. Philip E. Bursley and Mrs. Wilfred B. Shaw. The boys and parents had great fun; drank tea. I VAN WILLIAMSON, The Terror, is again in the limelight. Over the Coca Cola sign at With- air's Drug store is a football scene. Poison Ivy is the gentleman in the foreground. LAST year, Bill Elliot, Sigma Phi, was appointed business manager of Gargoyle; gave the assis- tantship to a fraternity brother. This year, there was a vacancy on the junior staff of Gargoyle business. Elliot appointed a man to fill the posi- tion who had never been out for the publication; is giving him a salary. The man is a Sigma Chi. * * * FRATERNITY men having trouble with rushing should read this story and be cheered. At the University of North Carolina the following happened: a confident young frosh entered a fra- ternity house; told the brothers that "he had come to stay;" was informed that he first must have a bid; stated, "O. K., I can bid as high as the next man." * * * TITIAN=HAIRED daughter of a literary college professor wears a small brown hat with a nice little bow in the back. She also keeps company with a very small immaculate gentleman.. Re- cently, the young lady went into Slater's accom- panied by her beau; a clerk looked at the bow of her hat; said, "My what a cute little bow." The young man with her blushed; turned away. Z.. 1C +V ixyi-A T trnynm* *lriv *1ia r 1 DAILY CLASSIFIED ADS PAY - . : --- - - Good Clotl als Need JUST as you spend a lot of time and money in the proper upkeep of your health or all expensive car, so it is im.portant that you give your expensive clothes the besst pos- sible treatinenit. Such a laundering process as is lit'use the Thre Varsity is dlesigned~ to ninimnize wear on your gartments and to give thei the best possie apearanee. That is whry we use IVORY SOAP exclusively. M 7* /T(