__HTHE MICHIGAN DAILY GAN DAILY -- .i . ..- .%_ r^F _ :7 )!, - ~- 1, Published every morning except Monday during the University year and Summer Session by the Board in Control of Student Publications. M.mber of the Western Conference Editorial Associa- tion and the Big Ten News Service. °nMEMBETOF THE ASSOCIATED PRESS The Associated Press is exclusively entitled to the use for republication of all news dispatches credited to it or not otherwise credited In this paper and the local newus published herein. All rights of republication of special dispatches are reserved. Entered at the Post Office at Ann Arbor, Michigan, as second class matter. Special rate of postage granted by Third Assistant Postmaster-General. Subscription during summer by carrier, $1.00; by mail, $1.50. During reguar school year by carrier, $4.00; by mail, $4.50. Offices: Student Publications Building, Maynard Street, Ann Arbor, Michigan Phone: 2-1214. Representatives: College Publications Representatives, Inc., 40 East Thirty-Fourth Street, New York City: 80 Boylston Street, Boston; 612 North Michigan Avenue, Chicago. EDITORIAL STAFF Telephone 4925 , MANAGING EDITOR...FRANK 9. GILBRETH CITY EDITOR...........................KARL SEIFFERT SP'ORTS EDITOR..........JOHN W. THOMAS WOMEN'S EDITOR.. ....MARGARET O'BRIEN ASSISTANT WOMEN'S EDITOR.......MIRIAM CARVER NIGHT EDITORS: Thomas Connellan, John W. Pritchard, Joseph A. Reninan, C. Hart Schaaf, Brackley Shaw, Glenn R. Winters. SPORTS ASSISTANTS: L. Ross Bain, Fred A. Huber, Albert Newman, Harmon Wolfe. ' REPORTERS: Charles Baird, A. Ellis Ball, Charles G. Barndt, Arthur W. Carstens, Ralph G. Coulter, William G. Ferris, Sidney Frankel, John C. Healey, Robert B. Hewet, George M. Holmes, Edwin W. Richardson, George Van Vleek, Guy M. Whipple, Jr. Barbara Bates, Marjorie E. Beck, Eleanor B. Blum, Ellen Jane Cooley, Louise Crandall, Dorothy Dishman, 'Jeanette Duff, Carol J. Ranan, Lois Jotter, Helen Levi- son, Marie J. Murphy, Margaret D. Phalan, Marjorie Western. BUSINESS STAFFP Telephone 2-1214 BUSINESS MANAGER............BYRON C. VEDDE CREDIT MANAGER........ ........HARRY BEGLEY WOMEN'S BUSINESS MANAGER........DONNA BECKER DEPARTMENT MANAGERS: Advertising, Grafton Sharp; Advertising Contracts, Orvil Aronson; Advertising Serv- ic le, Noel Turner; Accounts, Bernard E. Schnacke; Cir- culation, Gilbert E Bursley; Publications, Robert E. inn. ASSISTANTS: John Bellamy, Gordon Boylan, Allen Cleve-. land, Charles Ebert, Jack Efroymson, Fred Hertrick, JosephH ume, Allen KnuRus ussell Read, Fred Rogers, Lester Skinner, Joseph Sudd~w, Robert Ward, Elizabeth Aigler, Jane Bassett, Beuah Chapman, Doris ( 1nTmy, Billy Griffiths, Catherine Mcfenry, May See- fried, Virginia McComb. TUESDAY, MARCH 14, 1933 Union Haircuts The Union is still charging 45 cents for hair- cuts. Every other shop in town is charging 35 cents. The Union, a student chub, is a non- profit organization and exists solely for the students. Yet the Union will not meet the town rate. The Frosh Frolic's Depression Price T HE FROSH FROLIC committee recognizing the financial strain under which the student body is living, has re- duced the price of admission to the annual affair from $3 to $1.50. It is natural for the sponsors of a class party to1 desire to give as elaborate and expensive a dance as possible. Every Frosh Frolic chairman wouldl like to put on an extravaganza and would like to be remembered as the dance leader who put on the best party in the history of the University.{ For that reason, we view the unselfish attitude of Frolic Chairman John C. McCarthy and his committee with the highest approval. Mr. Mc- Carthy may not be remembered for the rest of his college career as the man who put on the best freshman dance in the history of the University, but he should be remembered as a person who put on a dance that people could afford to attend. Musical Vents Coming at a time when the strain of economic and other unpleasant conditions demand some form of cultural surcease, the Varsity Band's first 1933 concert Sunday afternoon was one of the most pleasant occurrences of the season. Professor Falcone's happy choice of a Wagner- Verdi program provided a brilliant afternoon. First glance at the program made it seem a trifle heavy, but the colorful vocal solo by Helen Van Loon and her recitative-duet with Harvey Lyle Lyons pointed the program sufficiently to make the Wagner numbers even more impressive. Wagner's beautiful "Rienzi," perhaps not as well known as some of his other operatic num- bers, was effectively performed in a way to offset completely the common impression that the first number on a program is usually a warm-up. Second only to the famous quartet in afford- ing delight to lovers of "Rigoletto," the aria, "Cara nome" was a highlight of the afternoon. Miss Van Loon has a voice that is increasing in loveliness each year; a favorite on student recital programs last season, she added greatly to her prestige Sunday afternoon. The instrumental background to her clear soprano was ably ex- ecluted. Full-throated bass and triumphant upper brass sections made of the "Entry of the Gods into Valhalla" a thrililng thing, lifting its lesser pas- sages out of obscurity and lighting the theme to a paean of solemn exultation. Mr. Lyon's voice has not the full development of Miss Van Loon's, but his part in the duet and recitative. "Tutte le feste al tiemnn " also from side professional recitals (and even in some of the latter) in Ann Arbor's recent concert seasons. Especially worthy were the bell-like horns and baritones of the beautifully modulated woodwinds in the opening passage and the crashing cres- cendi with perfectly executed woodwind offset on the theme passages. It is unfortunate that the entrance of strings, particularly cellos, into this number (although they had been a vital part of the previous numbers) was so vibrant that it was, vulgarly, reminisdent of a jew's-harp. It is dangerous to pick out individuals in a student recital, but the performances of several sections under more than capable leaders calls for commendation. Particularly satisfactory were the performances of the upper brass under Mr. Fulghum, the woodwinds under Mr. Stein and Mr. Rainey, and the percussion under Mr. Smith. After some seasons of percussion sections that were powerful but inaccurate, mechanically pre- cise but more-than-humanly intelligent work of the percussion section Sunday was to be remark- ed. The entire section performed as one man witha vigor and an attention that was as delight- ful as it was thrilling, especially in "Tannhauser." Of Professor Falcone's direction little can be said except that his control of the 75-piece unit: is little short of perfect. We wish, however, that he depended a little more on his hand-and-arm gestures; for, without being rude, we suggest to him that his "sh-h-h" in the more quiet parts car- ries to every corner of the auditorium. In general the concert, though little publicized, appeared to prove intensely popular to the au- dience that filled the main floor, the first bal- cony, and a part of the second; it was evi- dently one of the most satisfactory student re- citals that have taken place here in recent years. The only general criticism that can be offered was shown in the evident disappointment of the audience that the concert lasted but one hour. Music lovers will look forward eagerly to the an- nounced band concert for Wednesday, April 5, at which time Prof. Joseph Brinkman will be the soloist, with a piano concerto. you think there is no life in the world like the "arty" life. You want to go about being rude to people. You want to be self-interested to the point of incoherence. That is the spell of the theatre, the spell that Coward, the old maestro, knows so well. Obviously, everybody can't be art- ists. What a world if they were. Yet Coward, for the hour and a half that you sit and watch his play, makes you feel that it is the all to be desired life. Just as in "Private Lives," he made you feel that the only way to make love was to roll about like an insane person on the floor and dav- enport. Coward writes a thoroughly unmoral play, and yet a thoroughly entertaining one! -David Mott. Screen Reflections Prmrr stars mneans extraordinary: three stars very good( ;wo stars goad; one star Just another pieture; no ftar~ keep away from It. AT THE MICHIGAN "SO THIS IS AFRICA" AND CHINESE STAGE SHOW * *.**PROGRAM ENTERTAINING FROM START TO FINISH Alexander ..............Robert Woolsey Wilbur .................. Bert Wheeler Miss "More" ............Raquel Torres Miss Johnson-Martini ...... Esther Fair It laid 'em in the aisles. Everything did. The feature picture, with Wool- sey and Wheeler in a rowdy African burlesque of the Martin-Johnson and other super-travelogues; Paul Tompkins and his organ program; the long Chinese stage entertainment. The three lumped into one evening's theatre-going proved a night- mare of- laughs. First, as to Wheeler and Woolsey. In "So This Is Africa" they have dropped out Dorothy Lee for the darker charms of Raquel Torres, more en- ticing as the tree-dweller (cf. "Tarzan of the Apes,") who begs Wheeler for more and more kisses. Next there is Mrs. Johnson-Martini, who needs no introduction to readers of adventure and pseudo-adventure-books. Add to that a troop of moth-bitten lions, a motion-picture trip to the dark continent, a 100 per cent feminine native tribe that goes love-mad after dark, and you've got a real spot to toss Wheeler and Woolsey. It's the best they've done to date. James Pickard's Syncopators and Prince Wong kept last night's jubilant owl-show crowd cheer- ing for more. Lota Wong's dancing act was en- cored. For once, advance reports have not exaggerated the popular appeal of a program. -G. M. W. Jr. -^ R~1hV FTHE WOR D ..... T~ ih S OPA NATURAL ISTS' QUEST . SNc THE) -I WORLD... ....... S'lP3AT /NiMALS I H AVE KNOWN . . . $ O4.0 . . $5.00 .$3.S50 . . $6.00 . . $3.50 'V itrfA IL'i ,L-Jq BOOKSTORES T .DIM~ l State Street main Strout . - _ - ---- '1 I a I- 'd _ _ _-_ --- - -_ - DANCING FROM NINE TILL TWO IN TIE TNION B JT.OOMiv NEXT. FIDAY NTI T iIi i The i ~Is Now On y0 Yet it preserves all the dignity of its predecessors -- all the entice- ments from five hours of dancing to 2:30 permission for the co-ed. The committee, realizing the gravity of every student's financial situation, decided that this year name would have to be sacriCed to secure quality and so have imported, direct from the Pacific coast: CH ARLES BRICKER and His HARLEQUINS Wev iI I i I! I 1 I t II I I I i !I ti II 'I i i f I' .I li I Campus Opinion Letters published in this column should not be construed as expressing the editorial opinion of The Daily. Anonymous communications will be disregard- ed. The nanes of communicants will, however, be re- garded as confidential upon request. Contributors are aked to se brief, confining themselves to less than 300 words if possible. CURFEW SHALL NOT RING TONIGHT Well folks step right up to the box office and get your tickets-Frederick B. Fisher speaking. All I need now are a few peanuts, hot dogs, and soda pop and I'll pack them in like sardines. Tex Rickard ain't got nothin' on me. Did you hear Fisher's "Show Boat" calliope calling all good children to his "Big Top" last Sunday night? As a student trying to study Sun- day evening, I protest against a nuisance created by the former Bishop to India's bawdy advertis- ing. It is unfortunate that the Rt. Rev. Doctor's congregation must be drawn by this means. I have delighted to the melodious qualities of the Cranbrook Foundation carillon, but gee how I hate to hear cracked victrola records amplified from the loftiest steeple in Ann Arbor. It is certainly no credit to a cultural center such as this. Perhaps some of the boys on the campus will contribute some new records to Mr. Fisher's pres- ent collection. Failing that, another alternative would be to get a megaphone and croon from the steeple in a jazzified version of the ancient Moslem call to evening prayer. Curfew! ill 1i 4i3, t !II I it STARSi Ilea ;' _ :_ - , -- - - TICKETS AT SLATER'S, THE HUT, DEN, PARROT, UNION, AND FROM COMMITTEEMEN P. 119 s, ,ta"'R TPIPIR 1 By Karl Seiffert When a prisoner crunched an electric light bulb between his teeth and then bit a corner off a razor blade, Chicago police released him, ap- parently realizing that a jigsaw puzzle fan is riot always responsible for his actions. "Compare our $250 funerals with those costing $400 or more elsewhere," invites a mortuary ad- vertisement. Well, as far as we're concerned, we'll shop around a while longer before we go in and get measured up. DOMESTIC COPPER PRICE RISES A QUARTER CENT -Headline What-market quotations on police cor- ruption. a ' * * *l TheTheatre MR. NOEL COWARD Being a Pre-View to the Production of "Ilay Fever" Which Opens at the Laboratory Theatre Tonight. Now that it is popular to be somewhat Vic- torian we can sit back comfortably in our plush stuffed chairs and shake a critical finger at Mas- ter Noel Coward. Not that he hasn't been an ex- cellent toastmaster during the hey-hey years (that are gone now, thank God). For no one who has any sap in his timbers can fail to be sent frantic at Coward's wit. But like that certain critic, whom we all knew and loved so well, we laugh heartily during the playing of a show, and then retire to our critical sitting-room to slay the entertainer. Coward must meet the wrath of the serious minded. If you will look at any one of Coward's plays, it doesn't matter much which, you will find that the characters there are divided into the morally good, and the morally bad. Long ago Tom Taylor, the world's most pro- lific playwright, who turned out something like a play every fortnight, worked by some such moral] division. With Taylor, the sweet, insipid, priggish ingenue forever got the better of the plot. Times have changed, for in 1933 Coward comes butch- ering up this sweet young thing! In every Coward play, the bad character wins, just as in every one of Tom Taylor's plays the good character won. Some of our stomachs rightly turn when we think of the sentimentalism of the popular Victorian drama, and yet the drama of Coward is not so far removed from this-at least for sentimental- ism. For Coward, by ingenious dramatic devices, has convinced his audiences that the bad, un- conventional people are really not at all bad, that their state is really something to be desired. It is a very interesting state, it is based on fol- lowing the urges-namely, biological. It is frank, and above all it is not hypocritical. Thus Coward plots the interesting, or bad people, against the dull, or good people, in his plays. Go back to the theatre with the critic, and you will find Coward one of the funniest writers of comedy of our day. His stroke is not true like Kaufman's or Connelly's, because it is based on a false premise, but it is deft. Very much of the age, and prodigiously amusing, his greatest skill is in turning the line. He was brought up an actor, and that accounts for the swift, snappy npae of his clialonie This nrhhlva is nward's POLITICAL NOTE: American Indians forming a protective association to resist attempt to give the country back to them. are any EXTRA! Complaints have come into The Blank Blank office regarding the peddling of "extra" editions through the residential sec- tions of the city during the night and early morning hours. Most of the complaints are registered in polite phraseology, but indigna- tion over the disturbance, or "nuisance" as some describe it, is perfectly obvious. Blank Blank "extras," they feel, should not be is- sued or distributed at "unearthly hours." Sleeping citizens could afford to wait at least until daylight to be informed regard- ing the California earthquake, for instance. * The "extras" against which the com- plaints were registered were not published by The Blank Blank. It is a situation over which we have no control --Excerpt from editorial in local afternoon paper. Quite true, Mr. Editor, those extras were NOT issued by the Blank Blank. They were issued by The Michigan Daily. We want to be a nice boy about this thing, Mr. Editor, but we can hardly refrain from being just a leetle mite nasty in asking you right out whether or not you, as a newspaper editor, consider a catastrophe in which more than 100 lose their lives, thousands are injured, and mil- lions of dollars worth of damage is done an event worthy of being publicized immediately in an extra edition, regardless of time of day or night? And then again, maybe you don't, Mr. Editor. Maybe you wouldn't consider such an event significant. Maybe you would even ac- use The Daily of sensationalism, or trying to palm off a mediocre story as of "extra" calibre. M. M a ei *o Maybe so. Mr. Edliior. Mabe We dlid shock Morning, Noon and Night it brings you alert, accurate, comprehensive information as to who's who and what's what in the world of affairs . and right here on the campus. But the real news includes more than that, for it brings you the best bargains in years Of Ann Arbor usc the Alichign Daily as the J'cs/ I1 cIns of reachig i hA r , . N . .. . it brings you the newest and best in fashions and all sorts of goods ... all in your own show-window, the ad- - r -r1 A 1i I