SATURDAY, MAY 5 1928. THE MICHIGAN DAILY Songs Of Michigan Always Popular CATALOGUE 01F UNIVERSiTY MUSIC LISTS FAVORITE I STUiDENT PIECES -_ _._. _ -- - ' "MEN OF YOST" FAVORITE "Michigan Drinking Song," "Yale Boola" And Many Others Received Ovations In History, EDITOR',S NOTE: This is the secondl of a series of weekly articles toIhe pre- sented by The Daily on the Hlistory ofI Michigan Music and the Union Operas.j The inateial for these articles was compiled by lMrs. Minnie \Iaes Poot,I manager of the Michigan Mnsic Shop in the Arcade, who has for yecars fostered Michigan spirit in the work which she isI done, unaided, for the permanence of itsI Staggering directly on the heels of' the Victors, came the Michigan Drink- ing Song, written by Charles D.' Kountz in 1904.It wasCintroduced by Harlan P. Bliggs and published by the Root Music House. It made a great impression with the Detroit, alumni and with the glee clubs. Man- chester, which at the time of its pro- duction, enjoyed a huge sale, never became one of Michigan's standard songs and is now officially dead and entirely out of print. "Men of Yost," composed by the versatile Mr. Kountz, was published} the year that Willie Heston was ca- vorting on the gridiron and gathering wreaths of fame by his meteoric play. Men of Yost, as might be expected, was dedicated to Fielding H. Yost who had then entered upon his career as football coach. Coach Yost became so enthused over the songs that were being produced about this time that he visited the Root music house once a week with a sizable portion of the football team around him, and asked to have "Yale Boola," "Men of Yost," "Michigan Drinking Song," and others played for him. On more than one occasion Sousa's baud has used this march, "Men of Yost," and received a remarkable ovation. The song was phenomenal in its success. Peihaps Kountz should not be given all the credit. A loyal friend of his, M. B. Cooper by name, was instrumental in arranging the numbers produced by Mr. Kountz and was given credit for the composition. Denand More Songs About the year 1904 there began to be a demand for a better collection of songs. Franklin Allan Wagner, out of theabundance of his heart and his love for Michigan, purchased 'the first song book from Sheehan's for the Hinds, Noble, and Eldridge company, publishers, of New York City. This house later compiled a much langer edition which was divided into three groups: "Michigan Songs of Loyalty and Sentiment," "Michigan Comic Songs," and "Michigan Rooting Songs and Yells." This book was sold and sold and sold! The whole student body became intimately acquainted ; t t z I c I k t 1( c r r C { { i r x t t t. Y } t with it, and the glee clubs on the the air of the "Pirate's Chorus." It is campus worshipped it as their new- sung by a group of students formed found handbook. The collection, in the proverbial block "M" in the bound in dark blue with gold letter- stands, it is sung by loyal alumni ing, continued most of the songs of and by those who are loyal in spi~te the first song "book,"together with of thenselves! It has a slower tine many of the newer selections which than the Victors, fitted for a song of made it a complete "College Song sentiment. In every breath there is Book." Some of the finer songs in this the spirit of Michigan: Here's to the collection were the "Yellow and the college whose colors we wear, Here's Blue" and "Laudes Atqua Carmine," to the hearts that are true!" by Charles M. Gayley, '78; "Alma Ma- Interest in college music continued ter Mine" and "Under the Tappan to grow and in the year 1908 Roy Oak," b7- Fred N. Scott, '84; "In Praise Dickinson Welch, a student at the of Michigan," by Heibert M. Rich, University of Michigan, wrote the mu- '97; and "Rah! Rah!" by Charles M. sic and lyrics for the opera "Michi- Gayley and Fred N. Scott, co-authors. genda." The book was the product The music for all of these songs was of the pen of Donal Hamilton Haines, written by Dr. A. A. Stanley, founder who was also a student at the time. of the University School of Music and Roy Dickinson Welch has since be- for years head of the University music come head of the music department department, and were made the first at Smith college, and Donal Hamilton original tunes written for the Uni- Haines is a well-known writer of versity of Michigan. fiction and a member of the faculty Senior Songs Popular of the University of Michigan journal- The Tappan Oak and later the steps ism department. of Alumni Memorial Hall were used First Opera Wins Favor as meeting places for loyal Michigan The first opera took the campus by ctudents who wished to congregate storm. It ran to packed houses fors for Senior Songs. With the death of four nights, February 26, 27, 28, and this custom Michigan lost, unfortu- 29, in the year 1908. The locale of nately, some cf its old time spirit. Is the opera was decidedly collegiate, the the student body willing to let enthus- scene of the first act being Sleepy iasm(ie a pauper's death? Let's give loll>w, traditional meeting place for the old spirit a funeral that will go fr mno tengtoftecp down through the ages as the birth mation of their beloved pots. Perhaps of a new loyalty. Let it be a recre~I the biggest hit of the Opera was ation of a new unity and enthusiasm! "When Night Falls, Dear." Today that If the old time fight is not doomed, song is a national college song and' then let there be a swift renaissance! a Michigan favorite. It will live a There must be a renaissance, for all time as a Michigan song, and cs Michigan alumni will never forgive one of the most beautiful of collge Michigan students if songs like the oneag Yellow and Blue die out. ,. Robert Bazley It wvas shortly after; the Victors ~Rbrtl~zc paid court to Har- men on ths mret a thaemandold A. Patterson, who played the part of the leading lady of "Michigenda" was created for the Yellow and Blue one lding lady sf inds," and dlid it with such zest and in such in sheet form. After some two or a perfect atmosphere, that the opera three years of effort on the lpart of apretamshrta h pr i was given an enthusiastic reception Mrs.M. . Rot nd iththeproisethat has never been duplicated since that the Root music house would pur-hr chase a large edition of the song, the despite the gorgeous settings and up- limited talent that now goes into the publishers consentedetoptaionutmaking of the modern Michigan Union tn sheet form for general consump- Io e',a. A week after the pouto tion. Earl Killeen, who was an in-- ' .Ahe k at the tumtion - n the Unvesty chool of of Alichigenda, at the first motion plc. structor, in the Unmversity Schol of ture house in Ann Arbor, which was Music at the time, made a solo ar- on Liberty street opposite Root's mu- rangement with piano accompaniment,oniertyustreetowpos tlots me- and since that time the song has been sic, house, the town was still so en- Michigan m- thused with the success of the opera anintgaato h that Bazicy and Patterson were corn- sic catalog. Mr. Kelleen is now head of the department of music at the belled to mount the stage, and with University of Minnesota. Roy Dickinson Welch, the composer, Gayley Penned Words at the piano, to render again a r- The Yellow and Blue was the prod- production of "When Night Falls, Dear." Michigenda took no road trip. uct of Gayley's pen when he was as- sistant professor of English at the 1Teniandm Secrond yOpera University of Michigan, before his con- The enthusiasm created by Michl- nection with the University of Cali- genda called for a second production. fornia. The tune of the Yellow and Roy Dickinson Welch again came to Blue is that of Balfe's "Pirate Chor- the front with "Culture." A new idea us." It is inspiring in a different way was worked out this time to secure than the Victors. It inspires awe and alumni patrons and other out of town reverence in the minds of the eighty- guests. Post cards announcing the five thousand or more spectators who opera were sent out in advance of the doff their hats as the band strikes up show extending a cordial invitation I to all interested, a sorry imitation off the opera tours of today, but neverthe- less an effective medium for adver- tising. Bazley and Patterson scored again, and this time Earl V. Moore,' present director of the University School of Music, wrote "I Want To' Be a Football Man," which met with immediate success. The lyrics to the song were written by Donald Kahn. This opera was produced in December, of the same year as Michigenda and, although it did not score the smash-' ing hit as did the first opera, its pop- ularity grew as the song hits became more widely known. Comic opera1 rather than musical comedy was the! aim of the authors of"-ulture." The songs that made the best impressions were "A Faithful Pipe to Smoke,"' "Wishing, Just Wishing," and "Thet R(ose Song," the last of which owed some of its p:opularity to its excep- tional rendering Fly Burley Jacobs. "Culture" completed Roy Dickinson Welch's contributions to the operas. Hal Stephens was the producer of the early operas. The next writers for ,the Michigan operas were Earl V. Moore and Rob- ert T. Moreland who composed the music, and J. Fred Lawton and Don- ald A. Kahn who wilote 'the book and the lyrics. In 1909 the third Uni- versity opera was produced, being call- ed "Koanzaland." The first act was laid in a scene on the, boulevard in Ann Arbor and the scene of the se- cond act divorced itself rom the 10- cality and was laid on the banks of the Koanza river, Koanzaland, Africa. From a standpoint of song popularity, Koanzaland was the outstanding opera of those early years. Some of the hits which have survived in the hearts of Michigan alumni and grduates of other schools are: "College Days," "Michigan Goodby," "I'm a College Man," "Sweetheart, Good Night," and "Under the Bohemian Moon." The comedy song of the production wasj "I Might," sung by E. W. Bowen. "Crimson Chest" Next "The Crimson Chest," in 1910, fol- lowed Koanzaland, running for four nights, December 14 to 17. Music for this opera was written by Earl V. Moore, Robert Moreland, and r- 'thur M. Fournieri book and lyrics being produced by Arthur B. Moehl- man, Francis L. Riordan, and J. Fred Lawton. This was a Spanish type of opera, the scenes being laid in the "Republic of Gevania. Every song of this opera was a gem, among the most important of which was -"The Bum Army," by Lawton and Moore, "Take Me Back To College," "Dearest Girl of All," and "When All the World is Asleep." Bert St. John produced The Crimson Chest, and successfully. So successfully, in fact, that Michigan. song books began to be published with the best of the opera hits. INDIANA UNIVFSITY.-Approxi- mately 100,000 specimens make up the collection of South American fishes owned by the University. This is be- lieved to be the largest collection of its kind in the world. , Paul Bunyan Of The Northwoods Visits Campus Diagonal, But Remains Sile Paul Bunyan, the backwoodsman away from the egg shells. Once w who logged off the Dakotas and Michi- hauling a load-of beaus (which wa gan, made his reappearance to the suffice for one meal) across the i world in the form of an effigy and the load fell through the ice. There took his stand on the diagonal yester- on Paul broke the ice, filled the day. Paul is the partly real and part- with logs, and set fire to them. '[ ly fictitious character of lumbermen's the beans were cooked. On another campfire tales and patron saint of casion Paul threw some sour doug many backwoods tales. the river; this so raised the leve As he stood on the diagonal yester- the river that a log jam was ea day Paul Bunyan was attired in a red- floated to the mill. checked mackinaw, blue patched pants, land hob-nail boots. His lumberman characteristics are borne.out in his TYPEWRTI Qj socks, and a malicious axe. MIM7NEOGRAPJ~II ! Yet the most consuming aspect is a speclalty ft his monstrous size, entirely 'unadapted twenty years. to modern architecture. 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