.wm ,,,,i (..y Second Section Y Aar 4v 4jjt r t.. Ar att i Second Section I VOL. XXXVI. No127 ANN ARBOR, MICHIGAN, FRIDAY, MARCH 19, 1926 TWELVE PAGES, JUNIOR GIRLS PRESENT "BECKY BEHAVE" -a- _A -A Twenty-second Annual Production Prevalent In Musical Show Faces Curtain After; Months Of Preparation Collegiate Atmospher 4 Senior Women To Be Guests Of Juniors At Opening Performance _t_- a -A- .$1 girt 4 t _..3 i'1 4% By Gertrude :Baly In the heart of every grownup is an idealized picture of college life, a college of pennants, sera- nades, collegiate sweaters, of canoe rides and boule- vard strolls. A college of happy-go-lucky, care-free existence, where everyone knows everyone else from the greenest freshman to the biggest B.M.O.C. on the campus. A college where occasional lovers' quar- rels, moments of financial embarrassment, are the only blots on an otherwise perfect existence. In this present day of "assumed" sophistication we stell quarrel with our best girls, get broke, and all that. But raccoon coats have taken the place of collegiate sweaters, and dilapidated flivvers have made canoe rides out of order. Eight o'clock class- es, endless bluebooks, and warnings make college an apparent "not what it used to be." Junior women expected to give a delightful pic- ture of idealized college life, as those who have graduated now fondly picture :it to be. But uncon- sciously realistic bits from everyday life on cam- pus have crept in their efforts to make "Becky Be- have." So the twenty-second annual production of Junior women is a combination of collegiate life as A Preview The following preview is reprint'ed from The Daily of Sunday, March 14: I wish I could write a million-dol- lar story of the show. "Becky lBe- have!" they call it-a bad title--but the production is splendid. Such love- ly ladies: it seems hard to believe there are as many on the campus. They are beautiful--all of them, it seemued-and clever and half-explod- ing with a certain personality. 'here is, for example, a little girl the second from one end in the chorus that wears the green velvet pony- gowns, who does the most magnificent things with her eyes, a sort of happy gesture, and and again, with her mouth. She has black hair-the skirts stop above the knee-and a style about her that makes the gentle- ti men squirm. Further down the same line is a peroxide blonde who smiles. This year they are largely cutting out the idea of girls as men, with forms that somehow cannot fit tuxedoes, and ex- ploiting them plainly for their own appeal---girls as ladies of the ensem- ble. . . What should a boy do when a peroxide blonde smiles so lushly? I may be mistaken, but I keep on feeling that somehow they have the w seen on any campus and delightful impossibilities that are typical of musical comedies. Sheer entertainment, fun for its own sake, lend the carefree charm to the production, Retaining the desired "amateurish" atmosphere the play at the same time is not lacking in smoothness. There has been no effort to introduce any propaganda or further any particular cause. Rather the appeal lies in a wealth'of local color and college humour. Two innovations are evidenced in "Becky Behave." The play, written by Margaret Lord of Owosso, Michigan, marks a return to the very earliest type of Junior production, the local campus setting. The first act takes place in a campus bookstore, any campus bookstore. The second act is laid in the garden of a fraternity, The second innovation is the exploitation of feminine talent as such. Just as the Union opera has come to place importance in male roles, so the Junior Girls' play of '27 is em- phasizing girls' harts. Everyone, including the faculty, will be delighted to learn that the hackneyed chorus of professors will be missing in "Becky Behave." For years it has been thought absolutely essential to pull in these august characters by their reluctant coat tails. At last they are to be given a much needed rest. Although more than 100 girls are taking part in "Becky Behave" the cast proper is unusually small. The parts are evenly divided among the characters. Following is the list of the major participants: Becky, Minerva Miller; Bill, Angeline Wilson; Bob, Doris Selleck; Jerry, Margaret Sherman; The Twins, Marion Leland and Ruth McCann; Chloe, Emelie Oppenheim; Mr. Pipp, Elizabeth Anderson; The Freshman, Ruth Kahn. Becky is full of pep and a3 manager of the bookstore comes to be the advisor for the troubled students in matters ranging from finance to love. Chloe, the petite colored helper at the book shop, gives a performance all her own, from her abandonment of jazz dancing to her wist- ful interpretation of "Working Goil Blues." Jerry, a happy-go-lucky spendthrift, finds himself broke and minus his best girl on the day of the formal party. Jerry Iras a guardian in the person of Bill, an impatient bachelor lawyer who falls madly in love with Becky. Then there are the twins, that is, they look enough alike to provide for many entang- ling situations. Mary, wistful and appealing, and Tdillicent, quite blase and sophisticated, are the red- headed duplicates. With a book shop setting the the character choruses which have been large part of former plays have been cut down. Emphasis has been placed on specialties rather than a large num- ber of choruses. Any Loomis, '22, is directing this year's play. Miss Loomis' previous experience in directing last year's production makes it even pore possible for her to command the co-operation of the junior wo- men who have responded heartily. After having created a definite reputation for herself and her dramatic work here on the campus sh'e went to New York where ahe attended the Academy of Dramatic Art, for a year, later becoming a part of the Mon- tauk Stock company of Brooklyn. In the twenty-second year of its life the Play is still an amateur production and plans to remain so. It has become a stable institution, one that is looked forward to by seniors and juniors alike. Because it is the most uniting activity during the four years of college, the play includes as large a group as possible. Traditionally the first night is presented in honor of senior women. Growth and tradition have gone together through the twenty-two years of the play's existence. Three years ago it was opened to the general public, prior to that time -only women were allowed to attend. In addition to the traditional performances of "Senior Night" and "Formal Night" the junior women are attempting to establish a new tradition in the form of "Alumnae Night" to take place at Saturday night's performance. An effort has been made to secure the cooperation of sorori- ties and dormitories in entertaining guests for a group and class homecoming. A number of sorori- ties will entertain at week-end parties and occupy special sections for "Alumnae Night." A sextette of Juniors will offer selections reminiscent of former Junior Girls' plays for "Alumnae Night." An in- formal welcome by Chloe in dialect form 'will be given the guests, as well as a special clog dance be- tween acts. The music for the production will be flayed by a professional orchestra with Phil Diamond, well- known Ann Arbor musician, directing. With eight pieces in his ensemble and the music especially or- chestrated for him by a prominent professional, he should contribute a great deal to the success of the show. The melodies have been composed by mem- hers of the junior class. The names of Catherine Buhrer and Gladys Schraeder appear most frequent- be a publication of single copies of "Becky Behave," "Just Because," and "Lilac Time Lady." The ma- jority of songs are popular dance tunes, of the type of "Tea for Two." Those who have heard the vari- ous pieces predict particular popularity for the love song, "Just Because,' Irene Field, chairman f the play, instituted try- outs and rehearsals at the beginning of the second semester. Helen Reece, business manager, has com- plete charge of the ticket sale. Advertising was placed' under the direction of Helena Knapp; prop- erties, Mary Allshouse; and ushers, Ruth Hirsch- man. Marion Daniels has sponsored the designing and making of the costumes and Catherine Buhrer has directed the writing and harmonizing of the music. For the first time in the history of the play mov- ing pictures have been taken of selections which will be shown in forty showhouses throughout the state. The movies were made by the Reogram com- pany and will have a premier showing Sunday night at the Arcade theatre. It is expected that these pic- tures, which feature the "Russian" and "Red-head- ed" choruses together with a few specialt fes, will at- tract out-of-town pat rons to the "Alumniae Night" performance. .I The Director As an act ress Amy Loomis has what the profession calls "style." It is a certai i manner id coniidence that allows her to dominiate a scene, even by her pantomine. It is her carriage, ler rather insinuating dignity; it is lte same presence ihat makes her seem) very tail when in tact she is quite short. She has, again, wxvhat tihe profession calls "stage beauty." Far from the impertinence it suggests, the term designates a kind of sharpness or ful- ness ot feature that holdsi make-up and carries through the d istances of a theatre. It is a- virtueI 'm-' which every actress gives tihauLs to her parents and their rods. Miss Loomis has a luvi ttiful diction, a very clear cnuuieiutn. 1' roagh her long training in elurhtuuniai she is a model of grae a d est ure, her blody in perfect con rol, iut a niove- mnent mnisplaced near a postunre uuac- coil inted tar. She uhas, in 0ueFt, -a rare subtlety to all her work that is both her talent -j h ir flaw. It is he r talent, of coarse, in that it. filla each character wit h a fine fl avr m shad- ing that is stiniulal ing tot hose who are willing to analyze its technique. It is her fault in that it occasionally hardens and intellectualizes a part. Sometimes, perhaps, she plays Ito:) much within herself, a nd a udiences too frequently are un illing to seek out a hidden aler.nt. To her- work a~s direct or, whei~t her it gowns. Though the material may be cambric in- stead of satin the effect of the costumes is equally satisfying across the footlights. While lacking the elaborateness of a spectacular revue, the creations are umique in their originality and harmony with the settings. The scenery this year was also designed by junior women, and the sets made in Ann Arbor. Norma Snell, chairman of the dance committee, 1'as assisted Amy Loomis, '22, in the directing of the choruses, as have several of her committee members. With a "Slicker" chorus as the initial group presentation, the play will range from a Rus- sian national dance to a garden ballet. A riot of color will ullher in the Russian chorus, in connec- tion with which there will also be a Russian ballet. A garden scene with! the dancers costumed entirely in white will be t lie setting f the ballet of toe-danc- r~c, tf i i ". n If-"a4 - cm,i 1 e ) a n r i 11r i -1