_" PAY,

~DAYNO EMI 3ER 30,1924

THE MICHIGAN DAILY

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J'Iusic and Drama

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DIN





-- sounded from any pulpit' one-thous-Frnhtesaeaiwoson
:andth so eloquent as that which' comes! I "The Show Oft" and "'The Torch Bi
I r } - to life in this playhouse, transferrede's SuptigMsBon, i
h e ur m n y t a s R l h r t o e et i i a v r, R l h 0l v r n~nd e r 01 " T h e'M ira c l [o a t ca h da;u d r t e e -i - 1 e j f r es_ D alton, Ernes t Law f or il
Fare dope and pity, charity and corn-1 Maon"
pasion, humanity and radiance! eWl oprwt i oi
' gtg enNtanlf-lo fdaa r eeasmldwrought into an amazingly, dramatic I 1ewl oprwt i oi
' By Geore Jean Nahan lifebloodhungrdmazarehere aoreeven a!Variety is the keyno e of this week's era company consisting of 50 sine
Editor's Note: It takes a good itI eiso ethtcadeoin
chl ose ti ala ipea h theatrical bill. A show of every type w ihich is at present on its fourth
critic to condemn a poor production,; al climaxes that are humbling in ;complex fashioned by genius is ever is being presented. "Meet thte Wife" . nual tour, will open at the Garr
but it takes a great critic, a genius,; their force of lovliness. The shout or, with Mary Boland as the wife will theatre tonight. Mr. Hopper will
taprcaeaqutla ueatv'sehtesepopatintesimple.YI
to pprciae aeqatey ' suielatve peehtheswep o pntoine th iThere is in it the innocence of a open at the New Detroit. This pro-' the parts of Hoko in "The Mika(
3ipoduction. George Jean Ntiathan's re-, sob and march of orchestral music,' fairy tale, and the understanding of, duction was made b~y Stewart and and of Dick Deadeye in "Pinafot,
viwW of "The Miracle," which app~ear- the ebb and flow of song, the peal oftr+ll the philosophers who ever were. "innocent Eyes" will be the feat
ercnteMrcusurfthyrcn litrcims h rascahO There is the sentiment that is eter- other parts of speck. It convert-, attraction at the Schubert-Det
SMercuriry, triking. oto sc Iant cyi bls, the phuyfof and tuh ofs- ally impliett in, gentle faith,I and the the critics into a mere honk honk or, theatre opening tonight. Heading
mobi, he isig f seneupo scnesterness that one finds always -in circus press-agent. It makes hilim lyraeDogsVnsian
<md huiglaidsofcoothte e hat bauyIs go'Hearn with the usual fast and co
terest because the complete New Yor'k c ; ~ g ais~ l tomine, as silent and yet 'as articu- daprives him in a certain measure of tlbkgon thtcratre
!production of "'Phe Mtirct .e" with idirected by a master-hand are what late as a tune that haunts one in the cool sense, as does beautiful musie Si1ebmt grod tt carctrie
Lady Diana 'Manners and Rosamunul (ostitiite this superb psychical pa far confines of the brain. but c~hat he ned of ool snse o
P'inchot in the leading roles is opn geant brewed from an ancient and For such a melody, as we all know,+ such occasions? i Eva Tanguay, America's greatest
ingin levlan Chistas igh. N Ifamiliar legend and called nosy "The can be heard distinctly biy the ear of So complete is the spell of illusionceticoeenewllhdte
one, even remotely near Cleveland, Miracle." the mind, for all Its being a. prisopar which Reinhardt works that critical at B. F. Keith's Temple theatre,
should miss this sublime spectacle, The theatre t"nt we Dave k~nown be- in- the cells of silence. The only pienetration is considerably blunted, on the same program Mine. Ta
the greatest production ever present-' fore becomes lilliputian before such a trouble, with a thing like "The Miira- Where, in, other circumstances, one Takra, and Yega-Tani will presen
ed on the Ameirican stage:' if that f phenomenon. The church, itself be- col" is that it Induces in the be-! (Continued on Page Sixteen) series of East Indian (lances.
:rotr~nds exag'gerated, read what Ml"r. e nespuny. No sermon has been holder an eczema of adjectives andt""""

Nathian says in further proof--
The fact first,. in "Thre Airacle,"(4
the conmbined talents of Max Rehi
' hardit, Norman-Bell Geddes, and Mor-'-
r is (Lest hay e brought to the Amierie, n
' l theatre the most vividly Iimpi essive
. and thu~nderously. beautiful spiritual
spectacle, not that it has ever 'Known
-for it is too easy to say that- but,t
inorc!, than it leas, ever dreamt of.
These three mien, the foremost active
productiug genuris in the worldl, a£.
young Amiericani scenic artist of rare
talent, and a man who is the leading
showvmanu of his, country, have realized,'
N within the walls, of what until yester-
day was merely a millionaire's redl
ndgilt dream of some transcenden-
tal bandy house, a, super theatre and 1
a i iin that super theatre, imagined with a
soaring fantasy and made true with a
- remarkable panurgy, have lodged fur-
--ther what is beyond question th -
greatest production in taste,. in beau-
mhe exttv, in effectiveness andl in wealth '
,.,,.. far ]been.-chrQnicled in the history of
-- Annmtitan theatr'ical art.
All they- elements that go into theI
B y alrionr arlc"IV the appnearance of a g" orapily index.;.AN
7onl Fiday teinne n ciig, ece i iftlh, (( Al ny, Attria, I-nugary, Sweden I.j
for the second tilie in the i 'tory of l~entla'k", Franrce, I!;ngland, Scotlanda
Ithe i verity ofwichiln Jas ha .utrt'dia, and the United States, area
Heft lp'ay inl14i1l auditorium. ,.
The program follows: mn them. His American debut,
) onata in C minor, No 1, Opal;, . (Greig however, was, considerably later than
(F'or piano anJ' violin ) the E' rorean. Calculating by arith-
Allegro mnoito ed appassionrata nlcti,he must have appeared first in
allegro ept 5o : hn1,, Vlan196fohewsbrin91.aniniato At sixteen, or in the year 1917,' he 'Ia
Rondo Capric-cioso .~... Zarnt-ia< ns gaveic his first concert in New York.
Stimnmung in 1) minor. .JoSCIph Achr on 'Jasci~a LHcifitz collects (rare and
rCortagc .............ily IBolain er, fir4t editions of books as his avo-
Dance No. 20..... I3rahi ns-JIota lhim' c'toHbis theoretically, are the t R A
M'rein1obio.............iess means: by which great men keep ( VI
Nocturne in E flat major.....Chopin Ilocme'1h(lves, sane.
',Ronde des Lutins............ Bazzinl -_--- - ' WEDNESDAY .
Th]re program implie a versatile', ArT~iNTION of the philosophically; FRIDAY .
Stechnique, Indeed, but it is entirely ni i ca clled to the translation of'STR Y
of aristocrat~ic music, of course, for Oswald Speugler's Ther Uintergang des Musi for All Dances
SHeifitz is the artist. ' u 'B(e nth ovmerDal ILL WATKlNS and His
Joseph Ai'%ron, whose nano np- ---
pears in the program 'oppositothe; NUMBER TWO of The Crimson
;r tirmung" is a modern composer 1 Bookshlelf monthly supplement of the t
'who writes primarily on Hebraic ]lir 'a7 c Crimson, camne out last week.~
Athemnes with folk songs as a. back- It hais tilled out a little with age andcRNE S
Sground. From sources of this sort' seemns to be taking after The Literary
mlen such as Heifitz, recognized as Rbev. It reviews Arthur 'Train'ss
,npeat and classed among the masters, The Needle's Eaye and devoted the
-' draw the unique element which light-! front paetr adsusinofEn
nsthei performances. With a re- Ferber.
ctlwhich ranges from the majestic; --"
>~works of Brahms through Chopin to ;.i 1 11211111119111#Il
Achron, modern and unique, Heifitz .
should find scame response 'in every-
one. .

~ .tr.
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i

BAZAAR

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The ATC pecisalis

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BARBOUR GYMNAS*IUN

DECE~MBER .5 and 6

(Courtesy'Geo. J. rMoe)

1 11 -South Uni versity

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" 8-10
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117 South Main Scree'tr

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-~It was once said of H-eifitz, W. J.
HeTTnderson of New York was the man .z"
Nv~ho saidl it, "Long observation of,~
concert goers has convinced ine that
a lar'ge proportion of them discover.--
themotsu etn exrsinn
t otsu etn epeso nhe melancholy wailing caused by the w
use of the sliding finger on the left Sr>
)iand; a method of "heart-breaking '
;ingularly neglected by Kreisler and
leifltz." So I'eifitz is never lachry-
mnose, and the maiden lady. who is'
fond of expressing opinion cannot
.aise her usual objection to violin
mulsic: "I detest violins. They are !
~so caterwauling."'
As is the case with most men of .
genius, "little Jascha" showed early
propensities for music. Certain no-e nomu ha rmtecal
1: le showed remarkable responsive-I ,
ness." Undoubtedly, then, since these=
Sords are :printed in black and white,I
his appreciation of crooned lullabies I
vas enormous, but reports indicatel
thait his first true musical activity=
vas at the age of, three, wvhen he be-=SSi~ th Smart Shoe
ran to play the violin.
Heifitz entered the Royal School of
nliusicat Vilna the town of his birth In theery latest sye.O
-iat five, and was graduated at eight. ve'stl.
Mlany are able to say with Heifitz that5 line of Scotch Grain leathei
their first public appearance was 4 xetoal
m~ade at the age of five, but there are Iisexptoal complete.
Sfew who can claim, with justice to a
'particularly remarkable elxhibition so -= Priced at $9.00
< arly in :life. Few. 'moreover, are I

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